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Nüwa
Nüwa, also read Nügua, is the mother goddess of Chinese mythology. She is credited with creating humanity and repairing the Pillar of Heaven. As creator of mankind, she molded humans individually by hand with yellow clay. In the Huainanzi, there is described a great battle between deities that broke the pillars supporting Heaven and caused great devastation. There was great flooding, and Heaven had collapsed. Nüwa was the one who patched the holes in Heaven with five colored stones, and she used the legs of a tortoise to mend the pillars. There are many instances of her in literature across China which detail her in creation stories, and today remains a figure important to Chinese culture. Name The character ''nü'' ( zh, t=女, l=female) is a common prefix on the names of goddesses. The proper name is ''wa'', also read as ''gua'' ( zh, t=媧). The Chinese character is unique to this name. Birrell translates it as 'lovely', but notes that it "could be construed as 'fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fuxi
Fuxi or Fu Hsi (伏羲 ~ 伏犧 ~ 伏戲) is a culture hero in Chinese legend and mythology, credited along with his sister and wife Nüwa with creating humanity and the invention of music, hunting, fishing, domestication, and cooking as well as the Cangjie system of writing Chinese characters around 2,000BC. Fuxi was counted as the first of the Three Sovereigns at the beginning of the Chinese dynastic period. Origin Pangu was said to be the creation god in Chinese mythology. He was a giant sleeping within an egg of chaos. As he awoke, he stood up and divided the sky and the earth. Pangu then died after standing up, and his body turned into rivers, mountains, plants, animals, and everything else in the world, among which is a powerful being known as Huaxu (華胥). Huaxu gave birth to a twin brother and sister, Fuxi and Nüwa. Fuxi and Nüwa are said to be creatures that have faces of human and bodies of snakes. Fuxi was known as the "original god", and he was said to ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Mythology
Chinese mythology () is mythology that has been passed down in oral form or recorded in literature in the geographic area now known as Greater China. Chinese mythology includes many varied myths from regional and cultural traditions. Much of the mythology involves exciting stories full of fantastic people and beings, the use of magical powers, often taking place in an exotic mythological place or time. Like many mythologies, Chinese mythology has in the past been believed to be, at least in part, a factual recording of history. Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion. Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which present a more mythological version. Many myths involve the creation and cosmology of the universe and its deities and inhabitants. Some mythology involves creation myths, the origin of things, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duyizhi
''Duyizhi'' (, also known as ''Tu yi chih''), a book in the genre of "transmissions of strange tales" (''chuanqi''), is now known only in partial form. The author has been identified as Li Rong. The book is a very important source for the modern study of Chinese mythology, containing many versions of otherwise lost narratives; such as the traditional story of Nüwa who mends the Heavens. The title (''Duyizhi'') has various translations into English, including ''Treatise on Extraordinary and Strange Things'' (Birrell 1993, 34); and, in Chinese transliteration as ''Tu yi chih'' (Birrell 1993, 272). Of the original ten volumes of the ''Duyizhi'', only three volumes survive. Author Although sometimes known as Li Rong (), due to lack of biographic data, there are various versions of his name or names, the truth of which is unclear. Other names given are Li Yin (李尢), Li Yuan (李元), and Li Kang (李亢).Theobald 2010, ChinaKnowledge.d There is no apparent controversy about his fami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mother Goddess
A mother goddess is a goddess who represents a personified deification of motherhood, fertility goddess, fertility, creation, destruction, or the earth goddess who embodies the bounty of the earth or nature. When equated with the earth or the natural world, such goddesses are sometimes referred to as the Mother Earth or Earth Mother, deity in various animistic or pantheistic religions. The earth goddess is usually the wife or feminine counterpart of the Sky Father or ''Father Heaven''. In some polytheistic cultures, such as the Ancient Egyptian religion which narrates the cosmic egg myth, the sky is instead seen as the Heavenly Mother or Sky Mother as in Nut and Hathor, and the earth god is regarded as the male, paternal, and terrestrial partner, as in Osiris or Geb who hatched out of the maternal ''cosmic egg''. Excavations at Çatalhöyük Between 1961 and 1965 James Mellaart led a series of excavations at Çatalhöyük, north of the Taurus Mountains in a fertil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shan Hai Jing
The ''Classic of Mountains and Seas'', also known as ''Shan Hai Jing'', formerly romanized as the ''Shan-hai Ching'', is a Chinese classic text and a compilation of mythic geography and beasts. Early versions of the text may have existed since the 4th century BCE, but the present form was not reached until the early Han dynasty. It is largely a fabulous geographical and cultural account of pre- Qin China as well as a collection of Chinese mythology. The book is divided into eighteen sections; it describes over 550 mountains and 300 channels. Authorship The exact author(s) of the book and the time it was written are still undetermined. It was originally thought that mythical figures such as Yu the Great or Boyi wrote the book. However, the consensus among modern Sinologists is that the book was not written at a single time by a single author, but rather by numerous people from the period of the Warring States to the beginning of the Han dynasty. The first known editor of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Of Mountains And Seas
The ''Classic of Mountains and Seas'', also known as ''Shan Hai Jing'', formerly romanized as the ''Shan-hai Ching'', is a Chinese classic text and a compilation of mythic geography and beasts. Early versions of the text may have existed since the 4th century BCE, but the present form was not reached until the early Han dynasty. It is largely a fabulous geographical and cultural account of pre- Qin China as well as a collection of Chinese mythology. The book is divided into eighteen sections; it describes over 550 mountains and 300 channels. Authorship The exact author(s) of the book and the time it was written are still undetermined. It was originally thought that mythical figures such as Yu the Great or Boyi wrote the book. However, the consensus among modern Sinologists is that the book was not written at a single time by a single author, but rather by numerous people from the period of the Warring States to the beginning of the Han dynasty. The first known editor of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunlun Mountain (mythology)
The Kunlun () or Kunlun Shan is a mountain or mountain range in Chinese mythology, an important symbol representing the '' axis mundi'' and divinity. The mythological Kunlun is based on various sources — mythologic and geographic — of the modern so-called Kunlun Mountains of the Tibetan Plateau and Mount Kailash (as an archetypal '' omphalos''). The term "Kunlun" has also been applied to Southeastern Asian lands or islands and seemingly even Africa — although the relationship to the mountain is not clear beyond the nomenclature. In any case, Kunlun refers to distant, exotic, and mysterious places. Different locations of Kunlun have been ascribed in the various legends, myths, and semi-historical accounts in which it appears. These accounts typically describe Kunlun as the dwelling place of various gods and goddesses where fabled plants and mythical creatures may also be found. Many important events in Chinese mythology were based around Kunlun. Historical development As the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ao (turtle)
Ao ( < ( ZS): *''ŋaːw'') is a large marine in . He was thought to have lived in the during the time of the formation of the world. When the goddess , creator of mankind, wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gonggong
Gonggong () is a Chinese water god who is depicted in Chinese mythology and folktales as having a copper human head with an iron forehead, red hair, and the body of a serpent, or sometimes the head and torso are human, with the tail of a serpent. He is destructive and is blamed for various cosmic catastrophes. In all accounts, Gonggong ends up being killed or sent into exile, usually after losing a struggle with another major deity such as the fire god Zhurong. In astronomy, the dwarf planet 225088 Gonggong is named after Gonggong. Name In English, the two syllables of the name are the same. But in Mandarin, they differ in tone ( ''Gònggōng''), and in other Chinese languages they differ in their vowel and the initial consonant as well (cf. Middle Chinese , also Japanese ''kyōkō''). The most common variant of the name, , is identical to the first in English, but in Mandarin differs in tone (''Gōnggōng''), and in other Chinese languages in consonant and vowel as well (cf. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuci
The ''Chu ci'', variously translated as ''Verses of Chu,'' ''Songs of Chu'', or ''Elegies of Chu'', is an ancient anthology of Chinese poetry including works traditionally attributed mainly to Qu Yuan and Song Yu from the Warring States period (ended 221 BC), and also a large number of works composed several centuries later, during the Han dynasty.Hawkes, David. Ch'u Tz'u: ''Songs of the South, an Ancient Chinese Anthology''. (Oxford: Clarendon Press, 1959), 28. The traditional version of the ''Chu ci'' contains 17 major sections, anthologized with its current contents by Wang Yi, a 2nd-century AD librarian who served under Emperor Shun of Han. The early (pre-Qin dynasty) Classical Chinese poetry is mainly known through the two anthologies the ''Chu ci'' and the ''Shi jing'' (''Classic of Poetry'' or ''Book of Songs''). Background ''Chu ci'' was named after a form of poetry that originated in the State of Chu, which was located in what is now central China, but was then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nine Provinces Of China
The term Nine Provinces or Nine Regions (), is used in ancient Chinese histories to refer to territorial divisions or islands during the Xia and Shang dynasties and has now come to symbolically represent China. "Province" is the word used to translate '' zhou'' (州) – since before the Tang dynasty (618–907 CE), it was the largest Chinese territorial division. Although the current definition of the Nine Provinces can be dated to the Spring and Autumn and Warring States periods, it was not until the Eastern Han dynasty that the Nine Provinces were treated as actual administrative regions. Different interpretations of the Nine Provinces The ''Rongcheng Shi'' bamboo slips from the Chu state has the earliest interpretation of the Nine Provinces, but these early descriptions differ widely from the currently recognized Nine Provinces. The Nine Provinces, according to the ''Rongcheng Shi'', are Tu (涂), Jia (夾), Zhang (竞), Ju (莒), Ou (藕), Jing (荊), Yang (� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tian
''Tiān'' () is one of the oldest Chinese terms for heaven and a key concept in Chinese mythology, philosophy, and religion. During the Shang dynasty (17th―11th century BCE), the Chinese referred to their supreme god as '' Shàngdì'' (, "Lord on High") or ''Dì'' (,"Lord"). During the following Zhou dynasty, ''Tiān'' became synonymous with this figure. Before the 20th century Heaven worship was an orthodox state religion of China. In Taoism and Confucianism, ''Tiān'' (the celestial aspect of the cosmos, often translated as "Heaven") is mentioned in relationship to its complementary aspect of '' Dì'' (, often translated as "Earth"). They are thought to maintain the two poles of the Three Realms () of reality, with the middle realm occupied by Humanity (, ''Rén''), and the lower world occupied by demons (specifically sorcery); (, ''Guǐ'') and "ghosts," the damned, specifically (, ''Mó''). Characters The modern Chinese character and early seal script both combine ''dà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
