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Old Chinese
Old Chinese, also called Archaic Chinese in older works, is the oldest attested stage of Chinese language, Chinese, and the ancestor of all modern varieties of Chinese. The earliest examples of Chinese are divinatory inscriptions on oracle bones from around 1250 BC, in the Late Shang period. Chinese bronze inscriptions, Bronze inscriptions became plentiful during the following Zhou dynasty. The latter part of the Zhou period saw a flowering of literature, including Four Books and Five Classics, classical works such as the ''Analects'', the ''Mencius (book), Mencius'', and the ''Zuo Zhuan''. These works served as models for Literary Chinese (or Classical Chinese), which remained the written standard until the early twentieth century, thus preserving the vocabulary and grammar of late Old Chinese. Old Chinese was written with several early forms of Chinese characters, including Oracle bone script, oracle bone, Chinese bronze inscriptions, bronze, and seal scripts. Throughout t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Written Chinese
Written Chinese is a writing system that uses Chinese characters and other symbols to represent the Chinese languages. Chinese characters do not directly represent pronunciation, unlike letters in an alphabet or syllabograms in a syllabary. Rather, the writing system is '' morphosyllabic'': characters are one spoken syllable in length, but generally correspond to morphemes in the language, which may either be independent words, or part of a polysyllabic word. Most characters are constructed from smaller components that may reflect the character's meaning or pronunciation. Literacy requires the memorization of thousands of characters; college-educated Chinese speakers know approximately 4,000. This has led in part to the adoption of complementary transliteration systems (generally Pinyin) as a means of representing the pronunciation of Chinese. Chinese writing is first attested during the late Shang dynasty (), but the process of creating characters is thought to have begun centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Books And Five Classics
The Four Books and Five Classics are authoritative and important books associated with Confucianism, written before 300 BC. They are traditionally believed to have been either written, edited or commented by Confucius or one of his disciples. Starting in the Han dynasty, they became the core of the Chinese classics on which students were tested in the Imperial examination system. Four Books The Four Books () are Chinese classic texts illustrating the core value and belief systems in Confucianism. They were selected by intellectual Zhu Xi in the Song dynasty to serve as general introduction to Confucian thought, and they were, in the Ming and Qing dynasties, made the core of the official curriculum for the civil service examinations. More information of them are as follows: List ; ''Great Learning'' : Originally one chapter in the '' Book of Rites''. It consists of a short main text attributed to Confucius and nine commentary chapters by Zengzi, one of the disciples of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spring And Autumn Period
The Spring and Autumn period () was a period in History of China, Chinese history corresponding roughly to the first half of the Eastern Zhou (256 BCE), characterized by the gradual erosion of royal power as local lords nominally subject to the Zhou exercised increasing political autonomy. The period's name derives from the ''Spring and Autumn Annals'', a chronicle of the state of Lu between 722 and 481 BCE, which tradition associates with Confucius (551–479 BCE). During this period, local polities negotiated their own alliances, waged wars against one another, up to defying the king's court in Luoyang, Luoyi. The gradual Partition of Jin, one of the most powerful states, is generally considered to mark the end of the Spring and Autumn period and the beginning of the Warring States period. The periodization dates to the late Western Han (). Background In 771 BCE, a Quanrong invasion in coalition with the states of Zeng (state), Zeng and Shen (state), Shen— ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Zhou
The Western Zhou ( zh, c=西周, p=Xīzhōu; 771 BC) was a period of Chinese history corresponding roughly to the first half of the Zhou dynasty. It began when King Wu of Zhou overthrew the Shang dynasty at the Battle of Muye and ended in 771 BC when Quanrong pastoralists sacked the Zhou capital at Haojing and killed King You of Zhou. The "Western" label for the period refers to the location of the Zhou royal capitals, which were clustered in the Wei River valley near present-day Xi'an. The early Zhou state was ascendant for about 75 years; thereafter, it gradually lost power. The former lands of the Shang were divided into Ancient Chinese states, hereditary fiefs that became increasingly independent of the Zhou king over time. The Zhou court was driven out of the Wei River valley in 771 BC: this marked the beginning of the Eastern Zhou period, wherein political power was wielded in actuality by the king's nominal vassals. Sources The Western Zhou are known from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Of Poetry
The ''Classic of Poetry'', also ''Shijing'' or ''Shih-ching'', translated variously as the ''Book of Songs'', ''Book of Odes'', or simply known as the ''Odes'' or ''Poetry'' (; ''Shī''), is the oldest existing collection of Chinese poetry, comprising 305 works dating from the 11th to 7th centuries BC. It is one of the " Five Classics" traditionally said to have been compiled by Confucius, and has been studied and memorized by scholars in China and neighboring countries over two millennia. It is also a rich source of '' chengyu'' (four-character classical idioms) that are still a part of learned discourse and even everyday language in modern Chinese. Since the Qing dynasty, its rhyme patterns have also been analysed in the study of Old Chinese phonology. Name Early references refer to the anthology as the ''300 Poems'' ('' shi''). ''The Odes'' first became known as a ''jīng'', or a "classic book", in the canonical sense, as part of the Han dynasty's official adoption of Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonetic Series (Chinese Characters)
A ''xiesheng'' () or phonological series is a set of Chinese characters sharing the same sound-based element. Characters belonging to these series are generally phono-semantic compounds, where the character is composed of a semantic element (or radical) and a sound-based element, encoding information about the meaning and the pronunciation respectively. For example, the character is composed of the semantic component 'water' and the sound component (believed to have been pronounced something like *ba). Thus, 波 represents a word which has to do with water and was pronounced something like *ba. In fact, the word which 波 represents means 'wave' and was pronounced like *pa in Middle Chinese. By grouping together characters with the same sound component into a ''xiesheng'' series, one is able to compare words that were perceived to be quite similar in pronunciation at the time that the characters for these words were invented. As an example, ''xiesheng'' series no. 25 from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Character Classification
Chinese characters are generally logographs, but can be further categorized based on the manner of their creation or derivation. Some characters may be analysed structurally as compounds created from smaller components, while some are not decomposable in this way. A small number of characters originate as pictographs and ideographs, but the vast majority are what are called ''phono-semantic compounds'', which involve an element of pronunciation in their meaning. A traditional six-fold classification scheme was originally popularized in the 2nd century CE, and remained the dominant lens for analysis for almost two millennia, but with the benefit of a greater body of historical evidence, recent scholarship has variously challenged and discarded those categories. In older literature, Chinese characters are often referred to as "ideographs", inheriting a historical misconception of Egyptian hieroglyphs. Overview Chinese characters have been used in several different wri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radical (Chinese Characters)
A radical (), or indexing component, is a visually prominent Chinese character components, component of a Chinese character under which the character is traditionally listed in a Chinese dictionary. The radical for a character is typically a semantic component, but it can also be another structural component or an artificially extracted portion of the character. In some cases, the original semantic or phonological connection has become obscure, owing to changes in the meaning or pronunciation of the character over time. The use of the English term ''radical'' is based on an analogy between the structure of Chinese characters and the inflection of words in European languages. Radicals are also sometimes called ''classifiers'', but this name is more commonly applied to the grammatical Chinese classifier, measure words in Chinese. History In the earliest Chinese dictionaries, such as the ''Erya'' (3rd centuryBC), characters were grouped together in broad semantic categories. Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebus
A rebus ( ) is a puzzle device that combines the use of illustrated pictures with individual letters to depict words or phrases. For example: the word "been" might be depicted by a rebus showing an illustrated bumblebee next to a plus sign (+) and the letter "n". It was a favourite form of Heraldry, heraldic expression used in the Middle Ages to denote surnames. For example, in its basic form, three salmon (fish) are used to denote the surname "Salmon (surname), Salmon". A more sophisticated example was the rebus of Bishop Walter Hart, Walter Lyhart (d. 1472) of Norwich, consisting of a stag (or Deer, hart) lying down in a conventional representation of water. The composition alludes to the name, profession or personal characteristics of the bearer, and speaks to the beholder ''Non verbis, sed rebus'', which Latin expression signifies "not by words but by things" (''res, rei'' (f), a thing, object, matter; ''rebus'' being ablative plural). Rebuses within heraldry Rebuses are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seal Script
Seal script or sigillary script () is a Chinese script styles, style of writing Chinese characters that was common throughout the latter half of the 1st millennium BC. It evolved organically out of bronze script during the Zhou dynasty (1046–256 BC). The variant of seal script used in the state of Qin eventually became comparatively standardized, and was adopted as the formal script across all of China during the Qin dynasty (221–206 BC). It was still widely used for decorative engraving and seal (East Asia), seals during the Han dynasty (202 BC220 AD). The literal translation given above was coined during the Han dynasty, and reflects the role of the script being reduced to ceremonial inscriptions. Types The term ''seal script'' may refer to several distinct varieties, including the large seal script and the small seal script. Without qualification, ''seal script'' usually refers to the small seal script—that is, the lineage which evolved with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Characters
Chinese characters are logographs used Written Chinese, to write the Chinese languages and others from regions historically influenced by Chinese culture. Of the four independently invented writing systems accepted by scholars, they represent the only one that has remained in continuous use. Over a documented history spanning more than three millennia, the function, style, and means of writing characters have changed greatly. Unlike letters in alphabets that reflect the sounds of speech, Chinese characters generally represent morphemes, the units of meaning in a language. Writing all of the frequently used vocabulary in a language requires roughly 2000–3000 characters; , nearly have been identified and included in ''The Unicode Standard''. Characters are created according to several principles, where aspects of shape and pronunciation may be used to indicate the character's meaning. The first attested characters are oracle bone inscriptions made during the 13th century&n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese
Classical Chinese is the language in which the classics of Chinese literature were written, from . For millennia thereafter, the written Chinese used in these works was imitated and iterated upon by scholars in a form now called Literary Chinese, which was used for almost all formal writing in China until the early 20th century. Each written character corresponds to a single spoken syllable, and almost always to a single independent word. As a result, the characteristic style of the language is comparatively terse. Starting in the 2nd century CE, use of Literary Chinese spread to the countries surrounding China, including Vietnam, Korea, Japan, and the Ryukyu Islands, where it represented the only known form of writing. Literary Chinese was adopted as the language of civil administration in these countries, creating what is known as the Sinosphere. Each additionally developed systems of readings and annotations that enabled non-Chinese speakers to interpret Literary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
