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Natyashastra
The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6,000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasa (aesthetics)
In Indian aesthetics, a rasa () literally means "juice, essence or taste".Monier Monier-Williams (1899)Rasa Sanskrit English Dictionary with Etymology, Motilal Banarsidass (Originally Published: Oxford) It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an indescribable feeling in the reader or audience.Rasa: Indian Aesthetic Theory Encyclopedia Britannica (2013) It refers to the emotional flavors/essence crafted into the work by the writer or a performer and relished by a 'sensitive spectator' or ''sahṛdaya,'' literally one who "has heart", and can connect to the work with emotion, without dryness. Rasas are created by one's bhava (one's state of mind). The ''rasa'' theory has a dedicated section (Chapter 6) in the Sanskrit text ''Natya Shastra'', an ancient te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharata (sage)
Bharata (Devanagari: भरत) was a '' muni'' (sage) of ancient India. He is traditionally attributed authorship of the influential performing arts treatise ''Natya Shastra'', which covers ancient Indian dance, poetics, dramaturgy, and music. Identity He is thought to have lived between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. ''Nāṭya Śāstra'' Bharata is known only as being traditionally attributed authorship of the treatise ''Natya Shastra''. All other early Sanskrit treatises were similarly attributed to mythical sages. The text draws on his authority, as existing in the public imagination. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the performing arts The performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which involve the use of paint, canvas or various materials to create physical or static art obje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performing Arts
The performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which involve the use of paint, canvas or various materials to create physical or static art objects. Performing arts include a range of disciplines which are performed in front of a live audience, including theatre, music, and dance. Theatre, music, gymnastics, object manipulation, and other kinds of performances are present in all human cultures. The history of music and dance date to pre-historic times whereas circus skills date to at least Ancient Egypt. Many performing arts are performed professionally. Performance can be in purpose-built buildings, such as theatres and opera houses; on open air stages at festivals; on stages in tents, as in circuses; or on the street. Live performances before an audience are a form of entertainment. The development of audio and video recording has allowed for private consumption of the performin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedas
FIle:Atharva-Veda samhita page 471 illustration.png, upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the ''Atharvaveda''. The Vedas ( or ; ), sometimes collectively called the Veda, are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest Hindu texts, scriptures of Hinduism. There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Brahmanas (commentaries on and explanation of rituals, ceremonies and sacrifices – Yajñas), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge).Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pp. 35–39A Bhattacharya (2006), ''Hindu Dharma: Introduc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nataraja
Nataraja (/ n̪əʈəɾɑd͡ʒᵊ/ ,, ; , ''Naṭarājar'' Telugu: నటరాజు,''Naṭarāju''), also known as Adalvallan (), is a depiction of Shiva, one of the main deities in Hinduism, as the divine cosmic dancer. His dance is called the tandava.''Encyclopædia Britannica'' (2015) The pose and artwork are described in many Hindu texts such as the ''Tevaram'' and '' Thiruvasagam'' in Tamil and the ''Amshumadagama'' and ''Uttarakamika agama'' in Sanskrit and the Grantha texts. The dance ''murti'' is featured in all major Hindu temples of Shaivism, and is a well-known sculptural symbol in India and popularly used as a symbol of Indian culture, as one of the finest illustrations of Hindu art. This form is also referred to as Kuththan (), Sabesan (), and Ambalavanan () in various Tamil texts. The sculpture is symbolic of Shiva as the lord of dance and dramatic arts, with its style and proportions made according to Hindu texts on arts. Tamil devotional texts such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalpa (Vedanga)
Kalpa () means "proper, fit" and is one of the six disciplines of the Vedānga, or ancillary science connected with the Vedas – the scriptures of Hinduism. This field of study is focused on the procedures and ceremonies associated with Vedic ritual practice.James Lochtefeld (2002), "Kalpa" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A–M, Rosen Publishing, , p. 339. The major texts of Kalpa Vedanga are called ''Kalpa Sutras'' in Hinduism. The scope of these texts includes Vedic rituals, rites of passage rituals associated with major life events such as birth, wedding and death in family, as well as personal conduct and proper duties in the life of an individual. Most Kalpasutras texts have experienced interpolation, changes and consequent corruption over their history, and Apasthamba Kalpasutra ancillary to the Yajurveda may be the best preserved text in this genre. Kalpa Sutras are also found in other Indian traditions, such as Jainism. Etymology Kalpa is a Sanskri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IAST
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Brahmic family, Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the 19th century from suggestions by Sir Charles Trevelyan, 1st Baronet, Charles Trevelyan, William Jones (philologist), William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva International Congress of Orientalists, Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil Classics
The Sangam literature (Tamil: சங்க இலக்கியம், ''caṅka ilakkiyam''), historically known as 'the poetry of the noble ones' (Tamil: சான்றோர் செய்யுள், ''Cāṉṟōr ceyyuḷ''), connotes the early classical Tamil literature and is the earliest known literature of South India. The Tamil tradition links it to legendary literary gatherings around Madurai in the ancient Pandya kingdom. It is generally accepted by most scholars that the historical Sangam literature era, also known as the Sangam period, spanned from 100 BCE to 250 CE, on the basis of linguistic, epigraphic, archaeological, numismatic and historical data; though some scholars give a broader range of 300 BCE to 300 CE. The Eighteen Greater Texts (Patiṉeṇmēlkaṇakku), along with the Tamil grammar work Tolkappiyam, are collectively considered as Sangam literature. These texts are classified into the Ettuttokai (Eight Anthologies) and Pattupattu (Ten Idyll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahmana
The Brahmanas (; Sanskrit: , International Alphabet of Sanskrit Transliteration, IAST: ''Brāhmaṇam'') are Vedas, Vedic śruti works attached to the Samhitas (hymns and mantras) of the Rigveda, Rig, Samaveda, Sama, Yajurveda, Yajur, and Atharvaveda, Atharva Vedas. They are a secondary layer or classification of Sanskrit texts embedded within each Veda, which explain and instruct on the performance of Yajna, Vedic rituals (in which the related Samhitas are recited). In addition to explaining the symbolism and meaning of the Samhitas, Brahmana literature also expounds scientific knowledge of the Vedic period, Vedic Period, including observational astronomy and, particularly in relation to altar construction, geometry. Divergent in nature, some Brahmanas also contain mystical and philosophical material that constitutes Aranyakas and Upanishads. Each Veda has one or more of its own Brahmanas, and each Brahmana is generally associated with a particular Shakha or Vedic school. Less ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yajna
In Hinduism, ''Yajna'' or ''Yagna'' (, Help:IPA/Sanskrit, [jɐd͡ʒɲə], ) also known as Hawan, is a ritual done in front of a sacred fire, often with mantras. Yajna has been a Vedas, Vedic tradition, described in a layer of Vedic literature called Brahmanas, as well as Yajurveda. The tradition has evolved from offering oblations and libations into sacred fire to symbolic offerings in the presence of sacred fire (Agni). Yajna rituals-related texts have been called the ''Karma-kanda'' (ritual works) portion of the Vedic literature, in contrast to the ''Jnana-kanda'' (knowledge) portion found in the Vedic Upanishads. The proper completion of Yajna-like rituals was the focus of Mimansa school of Hindu philosophy. Yajna have continued to play a central role in a Hindu's rites of passage, such as weddings. Modern major Hindu temple ceremonies, Hindu community celebrations, or monastic initiations may also include Vedic Yajna rites, or alternatively be based on Āgama (Hinduism), A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedanga
The Vedanga ( ', "limb of the Veda-s"; plural form: वेदाङ्गानि ') are six auxiliary disciplines of Vedic studies that developed in Vedic and post-Vedic times.James Lochtefeld (2002), "Vedanga" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , pages 744-745 List of the Vedanga #Shiksha (Sanskrit: शिक्षा ', "instruction, teaching"): phonetics, phonology, pronunciation. This auxiliary discipline has focused on the letters of the Sanskrit alphabet, accent, quantity, stress, melody and rules of euphonic combination of words during a Vedic recitation. # Chanda (Sanskrit: छन्द ', "metre"): prosody.James Lochtefeld (2002), "Chandas" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , page 140 This auxiliary discipline has focused on the poetic meters, including those based on fixed number of syllables per verse, and those based on fixed number of morae per verse. # Vyakarana (Sanskrit: व्� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
