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Nataraja
Nataraja (/ n̪əʈəɾɑd͡ʒᵊ/ ,, ; , ''Naṭarājar'' Telugu: నటరాజు,''Naṭarāju''), also known as Adalvallan (), is a depiction of Shiva, one of the main deities in Hinduism, as the divine cosmic dancer. His dance is called the tandava.''Encyclopædia Britannica'' (2015) The pose and artwork are described in many Hindu texts such as the ''Tevaram'' and '' Thiruvasagam'' in Tamil and the ''Amshumadagama'' and ''Uttarakamika agama'' in Sanskrit and the Grantha texts. The dance ''murti'' is featured in all major Hindu temples of Shaivism, and is a well-known sculptural symbol in India and popularly used as a symbol of Indian culture, as one of the finest illustrations of Hindu art. This form is also referred to as Kuththan (), Sabesan (), and Ambalavanan () in various Tamil texts. The sculpture is symbolic of Shiva as the lord of dance and dramatic arts, with its style and proportions made according to Hindu texts on arts. Tamil devotional texts such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, [mɐɦaːd̪eːʋɐh]) and Hara, is one of the Hindu deities, principal deities of Hinduism. He is the God in Hinduism, Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as ''The Destroyer'' within the Trimurti, the Hinduism, Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shaktism, Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta Tradition, Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an Omniscience, omniscient yogi who lives an Asceticism#Hinduism, ascetic life on Kailasa as well as a house ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avanibhajana Pallaveshwaram Temple
Avanibhajana Pallaveshwaram temple also called Stambeswarar Temple is a Hindu temple dedicated to Shiva, located in the town of Seeyamangalam, Tiruvannamalai district in Tamil Nadu, India. The temple is constructed in Rock-cut architecture by the Pallava king Mahendravarman I (600-630 CE) during the 7th century. The cave temple had later additions from the Chola and Vijayanagar Empire. One of the pillars has a sculpture of Nataraja, believed to be the earliest representation of the deity in South India. The temple has a small three-tiered ''rajagopuram'', the entrance tower. The temple is declared as a heritage monument and administered by the Archaeological Survey of India as a protected monument. The other side of the hillock houses the Jain beds established in the 9th century during the reign of Western Ganga King Rajamalla II. History Stambeswarar temple was built during the reign of Pallava king Mahendravarman I (600-630 CE) during the 7th century. It is one of the earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apasmara
Apasmara (, ) is a diminutive man who represents spiritual ignorance and ''ahamkara'' in Hindu mythology.Shiva as Lord of the Dance (Nataraja), Chola period, c. 10th/11th century The Art Institute of Chicago, United States He is also known as Muyalaka or Muyalakan. Etymology and definition The suffix ''smāra'' (from ''smaranam'') means memory. The compound ''apasmāra'' means loss of memory, which corresponds to conditions such as dementia or amnesia. It can also imply gibberish ( unintelligible spee ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tandava
Tandavam (also spelled as ), also known as , is a divine dance performed by Hindu god Shiva. Shiva is depicted as dancing the Tandava in his form of Nataraja. The ''Natya Shastra'', a Sanskrit treatise on the performing arts, describes various aspects of the Tandava. Description Tandava, as performed in the sacred dance-drama of India, has vigorous, brisk movements. Performed with joy, the dance is called '' Ananda Tandava''. Performed in a violent mood, the dance is called ''Raudra'' or ''Rudra Tandava''. The types of Tandava found in the Hindu texts are: Ananda Tandava, Tripura Tandava, Sandhya Tandava, Samhara Tandava, Kali (Kalika) Tandava, Uma Tandava, Shiva Tandava, Krishna Tandava and Gauri Tandava. Tandava mudras and postures occur within the person by itself without volition, if his Kundalini (shakti within) is invoked. Mudras and postures of sculptures in ancient Indian temples are a mere depiction of spirituality (invoked spirit, the kundalini), which actually is s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thiruvasagam
''Thiruvasagam'' () is a volume of Tamil language, Tamil hymns composed by the 3rd century Shaivite ''bhakti'' poet Manikkavasagar. It contains 51 compositions and constitutes the eighth volume of the Tirumurai, the sacred anthology of the Tamil Shaiva Siddhanta. Legend has it that Manikkavasakar was appointed as minister by king Arimarttanar and sent to purchase 10,000 horses from horse traders but spent the money building a temple in Tirupperunturai. As the legend goes, ''Thiruvasagam'' is the only work which is signed as well as written by Shiva in guise of a Tamil man when narrated by Manikkavasagar. The poet chased the writer but without success but the palm leaf manuscript had been seen inside the locked sanctum sanctorum of Thillai Nataraja with the Lord's signature. Poet Manikkavasagar's ''Thiruvasagam'' and ''Thirukovayar'' are compiled as the eighth ''Thirumurai'' and is full of visionary experience, divine love and urgent striving for truth.Subramaniyaswami 2003, p. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaivism
Shaivism (, , ) is one of the major Hindu denominations, Hindu traditions, which worships Shiva as the Para Brahman, supreme being. It is the Hinduism#Demographics, second-largest Hindu sect after Vaishnavism, constituting about 385 million Hindus, found widely across South Asia (predominantly in South India, Southern India), Sri Lanka, and Nepal.Keay, p.xxvii. The followers of Shaivism are called Shaivas or Shaivites. According to Chakravarti, Shaivism developed as an amalgam of pre-Aryan religions and traditions, Vedic Rudra, and post-Vedic traditions, accommodating local traditions and Yoga, puja and bhakti. According to Bisschop, early shaivism is rooted in the worship of vedic deity Rudra. The earliest evidence for sectarian Rudra-Shiva worship appears with the Pasupata (early CE), possibly owing to the Origins of Hinduism, Hindu synthesis, when many local traditions were aligned with the Brahmanism, Vedic-Brahmanical fold. The Pāśupata movement rapidly expanded through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natya Shastra
The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6,000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tevaram
The ''Tevaram'' (, ), also spelled ''Thevaram'', denotes the first seven volumes of the twelve-volume collection ''Tirumurai'', a Saivism, Shaiva narrative of epic and Puranas, Puranic heroes, as well as a Hagiography, hagiographic account of early Shaiva saints set in devotional poetry. The ''Tevaram'' volumes contain the works of the three most prominent Shaiva Tamil saints of the 7th and 8th centuries: Sambandar, Appar, and Sundarar. The three saints were not only involved in portraying their personal devotion to Shiva, but also engaged a community of believers through their songs. Their work is an important source for understanding the Shaiva Bhakti movement in the Middle kingdoms of India#The Deccan plateau and South, early medieval South India. In the 10th century, during the reign of Rajaraja I of the Chola dynasty, these saints' hymns were collected and arranged by Nambiyandar Nambi. Starting with the ''Tevaram'' along with the rest of ''Tirumurai'' and ending with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals (such as phosphorus) or metalloids (such as arsenic or silicon). These additions produce a range of alloys some of which are harder than copper alone or have other useful properties, such as strength, ductility, or machinability. The archaeological period during which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age, which started about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in modern times. Because historica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tirumurai
''Tirumurai'' (Tamil language, Tamil: திருமுறை, meaning Holy Order) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyandar Nambi compiled the first seven volumes by Appar, Sambandar, and Sundarar as ''Tevaram'' during the 12th century. During the course of time, a strong necessity was felt by scholars to compile Shaivism, Shaiva literature to accommodate other works. ''Thiruvasakam, Tiruvasakam'' and ''Tirukovayar'' by Manickavasagar are included as the eighth, nine parts are compiled as the ninth ''Tirumurai'' out of which most are unknown, and the tenth as ''Tirumandiram'' by Tirumular, the famous ''Siddhar''. The eleventh is compiled by Karaikal Ammaiyar, Cheraman Perumal and others. The contemporary Chola dynasty, Chola king was impressed by the work of Nambi and included Nambi's work in the eleventh ''Tirumurai''. Sekkilar's ''Periya Purana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appar
Appar (), also referred to as Tirunavukkaracar () or Navukkarasar, was a seventh-century Tamil Shaiva poet-saint. Born in a peasant Shaiva family, raised as an orphan by his sister, he lived about 80 years and is generally placed sometime between 570 and 650 CE.Zvelebil 1974, p. 95 Appar composed 4,900 devotional hymns to the god Shiva, out of which 313 have survived and are now canonized as the 4th to 6th volumes of ''Tirumurai''. One of the most prominent of the sixty-three revered Nayanars, he was an older contemporary of Sambandar. His images are found and revered in Tamil Shiva temples. His characteristic iconography in temples show him carrying a farmer's small hoe – a gardening tool and weed puller. Names Appar is also known as Tirunavukkaracar (''lit.'' "King of the Tongue, Lord of Language"). His birth-name was Marulneekkiyar. He was renamed Dharmasenar while he studied and later served as the head of a Jain monastery. After he returned to Shaivism and began composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Deities
Hindu deities are the gods and goddesses in Hinduism. Deities in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, even agnostic, atheistic, or humanist. Julius J. Lipner (2009), Hindus: Their Religious Beliefs and Practices, 2nd edition, Routledge, , p. 8; Quote: "(...) one need not be religious in the minimal sense described to be accepted as a Hindu by Hindus, or describe oneself perfectly validly as Hindu. One may be polytheistic or monotheistic, monistic or pantheistic, even an agnostic, humanist or atheist, and still be considered a Hindu." The terms and epithets for deities within the diverse traditions of Hinduism vary, and include Deva, Devi, Ishvara, Ishvari, Bhagavān and Bhagavati. The deities of Hinduism have evolved from the Vedic era (2nd millennium BCE) through the medieval era (1st millennium CE), regionally within Nepal, Pakistan, India and in Southeast Asia, and across Hinduism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
