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Nabis (art)
The Nabis (, ) were a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from Impressionism and academic art to abstract art, symbolism and the other early movements of modernism. The members included Pierre Bonnard, Maurice Denis, Paul Ranson, Édouard Vuillard, Ker-Xavier Roussel, Félix Vallotton, Paul Sérusier and Auguste Cazalis. Most were students at the Académie Julian in Paris in the late 1880s. The artists shared a common admiration for Paul Gauguin and Paul Cézanne and a determination to renew the art of painting, but varied greatly in their individual styles. They believed that a work of art was not a depiction of nature, but a synthesis of metaphors and symbols created by the artist. In 1900, the artists held their final exhibition and went their separate ways.Bétard, Daphne, ''La révolution Nabie'', in ''Les Nabis et le décor'', Beaux-Arts Éditions, pp. 8-21 Etymology The Nabis took their nam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hebrew Language
Hebrew (; ; ) is a Northwest Semitic language of the Afroasiatic language family. Historically, it is one of the spoken languages of the Israelites and their longest-surviving descendants, the Jews and Samaritans. It was largely preserved throughout history as the main liturgical language of Judaism (since the Second Temple period) and Samaritanism. Hebrew is the only Canaanite language still spoken today, and serves as the only truly successful example of a dead language that has been revived. It is also one of only two Northwest Semitic languages still in use, with the other being Aramaic. The earliest examples of written Paleo-Hebrew date back to the 10th century BCE. Nearly all of the Hebrew Bible is written in Biblical Hebrew, with much of its present form in the dialect that scholars believe flourished around the 6th century BCE, during the time of the Babylonian captivity. For this reason, Hebrew has been referred to by Jews as ''Lashon Hakodesh'' (, ) since a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japonism
''Japonisme'' is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872. While the effects of the trend were likely most pronounced in the visual arts, they extended to architecture, landscaping and gardening, and clothing. Even the performing arts were affected; Gilbert & Sullivan's '' The Mikado'' is perhaps the best example. From the 1860s, '' ukiyo-e,'' Japanese woodblock prints, became a source of inspiration for many Western artists. These prints were created for the commercial market in Japan. Although a percentage of prints were brought to the West through Dutch trade merchants, it was not until the 1860s that ukiyo-e prints gained popularity in Europe. Western artists were intrigued by the original use of color and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine arts (especially painting and sculptu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried Bing
Samuel Siegfried Bing (26 February 1838 – 6 September 1905), who usually gave his name as S. Bing (not to be confused with his brother, Samuel Otto Bing, 1850–1905), was a German-French art dealer who lived in Paris as an adult, and who helped introduce Japanese art and artworks to the West and was a factor in the development of the Art Nouveau style during the late nineteenth century. Early life Bing was born in Hamburg, a member of a large family with diverse commercial interests. He relocated to France in 1854, to help manage the ceramics manufacturing business of Bing family in-laws, and resided in France for the remainder of his life. He became a naturalized French citizen in 1876. Bing married a second cousin, Johanna Baer, in July 1868. Their son Marcel Bing eventually became a business associate of his father's, as well as a jewelry designer of Art Nouveau style. Career In 1873, on the death of his elder brother Michael, Siegfried Bing became the head of Bing fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Lerolle
Henry Lerolle (3 October 1848 – 22 April 1929) was a French painter, art collector and patron, born in Paris. He studied at Académie Suisse and in the studio of Louis Lamothe. His work was exhibited at the Paris Salon in 1868, 1885, and 1895. In 1889 Lerolle painted the murals ''The Crowning of Science'' and ''The Teaching of Science'' in the Hôtel de Ville, Paris. He painted ''Flight into Egypt'' in the Sorbonne, and also did works in Schola Cantorum (the establishment of which he was involved), and the church of St. Martin des Champs, both in Paris. Lerolle was made a Chevalier, Légion d'honneur in 1889. Lerolle's paintings are in the collections of the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Musée d'Orsay and the Fine Arts Museum of San Francisco. Patronage Lerolle owned several canvases by Maurice Denis including ''Catholic Mystery'', and is considered to be Denis's first important patron. In fact, Denis claimed that Lerolle "discove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Rimbaud
Jean Nicolas Arthur Rimbaud (, ; 20 October 1854 – 10 November 1891) was a French poet known for his transgressive and surreal themes and for his influence on modern literature and arts, prefiguring surrealism. Born in Charleville, he started writing at a very young age and excelled as a student, but abandoned his formal education in his teenage years to run away to Paris amidst the Franco-Prussian War. During his late adolescence and early adulthood, he produced the bulk of his literary output. Rimbaud completely stopped writing literature at age 20 after assembling his last major work, '' Illuminations''. Rimbaud was a libertine and a restless soul, having engaged in a hectic, sometimes violent romantic relationship with fellow poet Paul Verlaine, which lasted nearly two years. After his retirement as a writer, he traveled extensively on three continents as a merchant and explorer until his death from cancer just after his thirty-seventh birthday. As a poet, Rimbaud is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work ''A Sunday Afternoon on the Island of La Grande Jatte'' (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting. Biography Family and education Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863.Seurat: p. 16 His father, Antoine Chrysostome Seu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippolyte Taine
Hippolyte Adolphe Taine (, 21 April 1828 – 5 March 1893) was a French historian, critic and philosopher. He was the chief theoretical influence on French naturalism, a major proponent of sociological positivism and one of the first practitioners of historicist criticism. Literary historicism as a critical movement has been said to originate with him. Taine is also remembered for his attempts to provide a scientific account of literature. Taine had a profound effect on French literature; the 1911 ''Encyclopædia Britannica'' asserted that ''"the tone which pervades the works of Zola, Bourget and Maupassant can be immediately attributed to the influence we call Taine's."'' Out of the trauma of 1871, Taine has been said by one scholar to have ‘forged the architectural structure of modern French right-wing historiography’. Early years Taine was born in Vouziers into a fairly prosperous Ardennes family. His father, a lawyer, his uncle, and his grandfather encouraged hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Bernard
Émile Henri Bernard (28 April 1868 – 16 April 1941) was a French Post-Impressionist painter and writer, who had artistic friendships with Vincent van Gogh, Paul Gauguin and Eugène Boch, and at a later time, Paul Cézanne. Most of his notable work was accomplished at a young age, in the years 1886 through 1897. He is also associated with Cloisonnism and Synthetism, two late 19th-century art movements. Less known is Bernard's literary work, comprising plays, poetry, and art criticism as well as art historical statements that contain first-hand information on the crucial period of modern art to which Bernard had contributed. Biography Émile Henri Bernard was born in Lille, France, in 1868. As in his younger years his sister was sick, Émile was unable to receive much attention from his parents; he therefore stayed with his grandmother, who owned a laundry in Lille, employing more than twenty people. She was one of the greatest supporters of his art. The family moved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eiffel Tower
The Eiffel Tower ( ; french: links=yes, tour Eiffel ) is a wrought-iron lattice tower on the Champ de Mars in Paris, France. It is named after the engineer Gustave Eiffel, whose company designed and built the tower. Locally nicknamed "''La dame de fer''" (French for "Iron Lady"), it was constructed from 1887 to 1889 as the centerpiece of the 1889 World's Fair. Although initially criticised by some of France's leading artists and intellectuals for its design, it has since become a global cultural icon of France and one of the most recognisable structures in the world. The Eiffel Tower is the most visited monument with an entrance fee in the world: 6.91 million people ascended it in 2015. It was designated a ''monument historique'' in 1964, and was named part of a UNESCO World Heritage Site ("Paris, Banks of the Seine") in 1991. The tower is tall, about the same height as an 81- building, and the tallest structure in Paris. Its base is square, measuring on ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Talisman (painting)
''The Talisman'' is a painting by French artist Paul Sérusier made in 1888, under the guidance of Paul Gauguin at the artist's colony of Pont-Aven in Brittany. Formally known as ''The Bois d'Amour at Pont Aven'', it was called ''The Talisman'' and became the starting point and icon of the group of young painters called The Nabis. It was a landmark in early Post-Impressionism, Synthetism, and Cloisonnism. It is now in the Musée d'Orsay in Paris. History In October 1888 the young painter Paul Sérusier, age twenty-four, traveled to the artist's colony at Pont-Aven in Brittany, with a letter of introduction to Paul Gauguin. Sérusier had completed his studies at the Lycée Fontaine (now the Lycée Condorcet) in Paris, where he had met other aspiring artists, including Pierre Bonnard and Maurice Denis, the future Nabis. Together they had enrolled at a private art school, the Académie Julian. With his letter to Gauguin from Émile Bernard, he intended to make s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
