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Mshatta Facade
The Mshatta Facade is the decorated part of the facade of the 8th-century Umayyad residential palace of Qasr Mshatta, one of the Desert Castles of Jordan, which is now installed in the south wing of the Pergamon Museum in Berlin, Germany. It is part of the permanent exhibition of the Pergamon Museum of Islamic Art dedicated to Islamic art from the 8th to the 19th centuries. This was only a relatively small section of the full length of the facade, surrounding the main entrance; most of the wall was undecorated and remains ''in situ''. History The facade belonged to the Qasr Mshatta or Mshatta palace, which was excavated about 30 km south of the contemporary Jordanian capital of Amman. It is thought to have served as a winter residence and storage halls during the Umayyad period. The building of the palace probably dates to the era of the caliph Al-Walid II (743-744). After Al Walid was murdered, it was left incomplete and later ruined in an earthquake. The sections of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm II Of Germany
, house = Hohenzollern , father = Frederick III, German Emperor , mother = Victoria, Princess Royal , religion = Lutheranism ( Prussian United) , signature = Wilhelm II, German Emperor Signature-.svg Wilhelm II (Friedrich Wilhelm Viktor Albert; 27 January 18594 June 1941) was the last German Emperor (german: Kaiser) and King of Prussia, reigning from 15 June 1888 until his abdication on 9 November 1918. Despite strengthening the German Empire's position as a great power by building a powerful navy, his tactless public statements and erratic foreign policy greatly antagonized the international community and are considered by many to be one of the underlying causes of World War I. When the German war effort collapsed after a series of crushing defeats on the Western Front in 1918, he was forced to abdicate, thereby marking the end of the German Empire and the House of Hohenzollern's 300-year reign in Prussia and 500-year reign in Brandenburg. Wilhelm II was the son o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosque
A mosque (; from ar, مَسْجِد, masjid, ; literally "place of ritual prostration"), also called masjid, is a Place of worship, place of prayer for Muslims. Mosques are usually covered buildings, but can be any place where prayers (sujud) are performed, including outdoor courtyards. The first mosques were simple places of prayer for Muslims, and may have been open spaces rather than buildings. In the first stage of Islamic architecture, 650-750 CE, early mosques comprised open and closed covered spaces enclosed by walls, often with minarets from which Adhan, calls to prayer were issued. Mosque buildings typically contain an ornamental niche (''mihrab'') set into the wall that indicates the direction of Mecca (''qiblah''), Wudu, ablution facilities. The pulpit (''minbar''), from which the Friday (jumu'ah) sermon (''khutba'') is delivered, was in earlier times characteristic of the central city mosque, but has since become common in smaller mosques. Mosques typically have Isl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosette (design)
A rosette is a round, stylized flower design. Origin The rosette derives from the natural shape of the botanical rosette, formed by leaves radiating out from the stem of a plant and visible even after the flowers have withered. History The rosette design is used extensively in sculptural objects from antiquity, appearing in Mesopotamia, and in funeral steles' decoration in Ancient Greece. The rosette was another important symbol of Ishtar which had originally belonged to Inanna along with the Star of Ishtar. It was adopted later in Romaneseque and Renaissance architecture, and also common in the art of Central Asia, spreading as far as India where it is used as a decorative motif in Greco-Buddhist art. Ancient origins One of the earliest appearances of the rosette in ancient art is in early fourth millennium BC Egypt. Another early Mediterranean occurrence of the rosette design derives from Minoan Crete; Among other places, the design appears on the Phaistos Disc, re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acanthus (ornament)
The acanthus ( grc, ἄκανθος) is one of the most common plant forms to make foliage ornament and decoration, and even as the leaf distinguishing the heraldic coronet of a manorial lord from other coronets of royalty or nobility, which use strawberry leaves. Architecture In architecture, an ornament may be carved into stone or wood to resemble leaves from the Mediterranean species of the '' Acanthus'' genus of plants, which have deeply cut leaves with some similarity to those of the thistle and poppy. Both '' Acanthus mollis'' and the still more deeply cut '' Acanthus spinosus'' have been claimed as the main model, and particular examples of the motif may be closer in form to one or the other species; the leaves of both are, in any case, rather variable in form. The motif is found in decoration in nearly every medium. The relationship between acanthus ornament and the acanthus plant has been the subject of a long-standing controversy. Alois Riegl argued in his '' Stilf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief Carving
In wood carving relief carving is a type in which figures or patterns are carved in a flat panel of wood; the same term is also used for carving in stone, ivory carving and various other materials. The figures project only slightly from the background rather than standing freely. Depending on the degree of projection, reliefs may also be classified as high or medium relief. Relief carving can be described as "carving pictures in wood". The process of relief carving involves removing wood from a flat wood panel in such a way that an object appears to rise out of the wood. Relief carving begins with a design idea, usually put to paper in the form of a master pattern which is then transferred to the wood surface. Most relief carving is done with hand tools, chisels and gouges, which often require a mallet to drive them through the wood. As wood is removed from the panel around the objects traced onto it from the pattern, the objects themselves stand up from the background wood. M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oleg Grabar
Oleg Grabar (November 3, 1929 – January 8, 2011) was a French-born art historian and archeologist, who spent most of his career in the United States, as a leading figure in the field of Islamic art and architecture. Academic career Oleg Grabar was the son of André Grabar. He attended the University of Paris, where he studied ancient, medieval, and modern history, before moving to the US in 1948. He completed degrees from both Harvard and the University of Paris in 1950. In 1955, he obtained a PhD from Princeton University. He served on the faculty of the University of Michigan in 1954–69, before moving to Harvard University as a full professor. In 1980, Grabar became Harvard's first Aga Khan Professor of Islamic Art and Architecture. He was a founding editor of the journal ''Muqarnas'' in 1983. He became emeritus from Harvard in 1990, and then joined the School of Historical Studies at the Institute for Advanced Study, becoming emeritus there in 1998. Accordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood ( relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze relief ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Millefleur
Millefleur, millefleurs or mille-fleur (French mille-fleurs, literally "thousand flowers") refers to a background style of many different small flowers and plants, usually shown on a green ground, as though growing in grass. It is essentially restricted to European tapestry during the late Middle Ages and early Renaissance, from about 1400 to 1550, but mainly about 1480–1520. The style had a notable revival by Morris & Co. in 19th century England, being used on original tapestry designs, as well as illustrations from his Kelmscott Press publications. The millefleur style differs from many other styles of floral decoration, such as the arabesque, in that many different sorts of individual plants are shown, and there is no regular pattern. The plants fill the field without connecting or significantly overlapping. In that it also differs from the plant and floral decoration of Gothic page borders in illuminated manuscripts. There is also a rather different style known as millefle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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