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Motets
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was gener ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clausula (music)
The ''clausula'' (Latin for "little close” or “little conclusion"; plural ''clausulae'') was a newly composed section of discant ("note against note") inserted into a pre-existing setting of '' organum''. ''Clausulae'' flourished in the late twelfth and thirteenth centuries and were associated with the Notre Dame school. The origin of the ''clausula'' has long been subject of scholarly debate, as the relationship between ''clausulae'' and motets is very complicated. ''Clausulae'' eventually became used as substitutes for passages of original plainchant. They occur as melismatic figures based on a single word or syllable within an ''organum''. Origins ''Clausulae'' emerged from the compositional practices of the Notre Dame school in Paris c. 1160–1250 (during the stylistic period known as '' ars antiqua''). The composers Léonin and Pérotin in particular contributed heavily in composing ''clausulae''. Rather than write entirely new music, the preference was to take e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isorhythm
Isorhythm (from the Greek for "the same rhythm") is a musical technique using a repeating rhythmic pattern, called a ''talea'', in at least one voice part throughout a composition. ''Taleae'' are typically applied to one or more melodic patterns of pitches or '' colores'', which may be of the same or a different length from the ''talea''. History and development Isorhythms first appear in French motets of the 13th century, such as in the '' Montpellier Codex''. Although 14th-century theorists used the words ''talea'' and ''color''—the latter in a variety of senses related to repetition and embellishment—the term ''isorhythm'' was coined in 1904 by musicologist Friedrich Ludwig, initially to describe the practice in 13th-century polyphony. Ludwig later extended its use to the 14th-century music of Guillaume de Machaut. Subsequently, Heinrich Besseler and other musicologists expanded its scope further as an organizing structural element in 14th- and early 15th-century composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Geist Hilft Unser Schwachheit Auf
' (The Spirit gives aid to our weakness), 226, is a motet by Johann Sebastian Bach, composed in Leipzig in 1729 for the funeral of Johann Heinrich Ernesti. History For ' , the autograph score survives. Bach himself noted on its title: "." (' – Motet for two choirs for the funeral for the blessed Rector, Professor Ernesti, by J. S. Bach). Ernesti was professor of poetry at Leipzig University and director of the Thomasschule. The first performance took place in the Paulinerkirche, the university church). Scholars debate if the performance was 24 October, or rather 21 October, as indicated by the title page of the sermon. Bach wrote a number of works for occasions of Leipzig University. Twelve such works survive: they are mainly festive in character (in German they have been categorised as ''Festmusiken zu Leipziger Universitätsfeiern''). As well as being part of a series of works connected with the university, ''Der Geist hilft unser Schwachheit auf'' as a funeral motet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume De Machaut
Guillaume de Machaut (, ; also Machau and Machault; – April 1377) was a French composer and poet who was the central figure of the style in late medieval music. His dominance of the genre is such that modern musicologists use his death to separate the from the subsequent movement. Regarded as the most significant French composer and poet of the 14th century, he is often seen as the century's leading European composer. Machaut, one of the earliest European composers on whom considerable biographical information is available, has an unprecedented amount of surviving music, in part due to his own involvement in his manuscripts' creation and preservation. Machaut embodies the culmination of the poet-composer tradition stretching back to the traditions of troubadour and '' trouvère.'' His poetry was greatly admired and imitated by other poets, including Geoffrey Chaucer and Eustache Deschamps, well into the 15th century. Machaut composed in a wide range of styles and form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Music
Medieval music encompasses the sacred music, sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the Dates of classical music eras, first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into #Early medieval music (500–1000), Early (500–1000), #High medieval music (1000–1300), High (1000–1300), and #Late medieval music (1300–1400), Late (1300–1400) medieval music. Medieval music includes liturgical music used for the church, other sacred music, and secular music, secular or non-religious music. Much medieval music is purely vocal music, such as Gregorian chant. Other music used only instruments or both voices and instruments (typically with the instruments accompanime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam De La Halle
Adam de la Halle (1245–50 – 1285–8/after 1306) was a French poet-composer '' trouvère''. Among the few medieval composers to write both monophonic and polyphonic music, in this respect he has been considered both a conservative and progressive composer, resulting in a complex legacy: he cultivated admired representatives of older trouvère genres, but also experimented with newer dramatic works. Adam represented the final generation of the ''trouvère'' tradition and "has long been regarded as one of the most important musical and literary figures of thirteenth-century Europe". Adam's literary and musical works include chansons and jeux-partis (poetic debates) in the style of the ''trouvères''; polyphonic rondel and motets in the style of early liturgical polyphony; and a musical play, '' Jeu de Robin et Marion'' (), which is considered the earliest surviving secular French play with music. He was a member of the Confrérie des jongleurs et bourgeois d'Arras, a f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe De Vitry
Philippe de Vitry (31 October 12919 June 1361) was a French composer-poet, bishop and Music theory, music theorist in the style of late medieval music. An accomplished, innovative, and influential composer, he was widely acknowledged as a leading musician of his day; the early Renaissance scholar Petrarch wrote a glowing tribute, calling him: "... the keenest and most ardent seeker of truth, so great a philosopher of our age."Sanders, Vol. 20 p. 22 The important music treatise ''Ars nova notandi'' (1322) is usually attributed to Vitry. It is thought that few of Vitry's compositions survive; though he wrote secular music, only his sacred music, sacred works are extant. Life and career Details of Philippe de Vitry's early life are vague. While some medieval sources claim that he was born in the Champagne (province), Champagne region, modern researchers have found that he may have originated from Vitry-en-Artois near Arras. Given that he is often referred to in documents as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pérotin
Pérotin () was a composer associated with the Notre Dame school of polyphony in Paris and the broader musical style of high medieval music. He is credited with developing the polyphonic practices of his predecessor Léonin, with the introduction of three and four-part harmonies. Other than a brief mention by music theorist Johannes de Garlandia in his '' De Mensurabili Musica'', virtually all information on Pérotin's life comes from Anonymous IV, a pseudonymous English student who probably studied in Paris. Anonymous IV names seven titles from a '' Magnus Liber''—including '' Viderunt omnes'', ''Sederunt principes'' and ''Alleluia Nativitas''—that have been identified with surviving works and gives him the title ''Magister Perotinus'' (Pérotinus the Master), meaning he was licensed to teach. It is assumed that Perotinus was French and named Pérotin, a diminutive of Peter, but attempts to match him with persons in contemporary documents remain speculative. Ident ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vernacular
Vernacular is the ordinary, informal, spoken language, spoken form of language, particularly when perceptual dialectology, perceived as having lower social status or less Prestige (sociolinguistics), prestige than standard language, which is more codification (linguistics), codified, institutionally promoted, literary language, literary, or formal. More narrowly, a particular language variety that does not hold a widespread high-status perception, and sometimes even carries social stigma, is also called a vernacular, vernacular dialect, nonstandard dialect, etc. and is typically its speakers' native language, native variety. Regardless of any such stigma, all nonstandard dialects are full-fledged varieties of language with their own consistent grammatical structure, phonology, sound system, body of vocabulary, etc. Overview Like any native language variety, a vernacular has an internally coherent system of grammar. It may be associated with a particular set of vocabulary, and sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (musicologist)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Tyrrell was born in Salisbury, Zimbabwe and worked as a professor of music and executive editor of ''The New Grove Dictionary of Music and Musicians''. He died in 2018, aged 76. Early life and education Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He graduated Bachelor of Music at the University of Cape Town following which he moved to the University of Oxford to pursue a doctoral degree under the supervision of Edmund Rubbra. Career Tyrrell started his career working in an editorial capacity at '' The Musical Times''. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secular
Secularity, also the secular or secularness (from Latin , or or ), is the state of being unrelated or neutral in regards to religion. The origins of secularity can be traced to the Bible itself. The concept was fleshed out through Christian history into the modern era. Since the Middle Ages, there have been clergy not pertaining to a religious order called "secular clergy". Furthermore, secular and religious entities were not separated in the medieval period, but coexisted and interacted naturally. The word ''secular'' has a meaning very similar to profane as used in a religious context. Today, anything that is not directly connected with religion may be considered secular, in other words, neutral to religion. Secularity does not mean , but . Many activities in religious bodies are secular, and though there are multiple types of secularity or secularization, most do not lead to irreligiosity. Linguistically, a process by which anything becomes secular is named ''secularizatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montpellier Codex
The ''Montpellier Codex'' (''Montpellier, Bibliothèque Inter-Universitaire, Section Médecine, H196'') is an important source of 13th-century France, French polyphony. The ''Codex'' contains 336 polyphonic works probably composed c. 1250–1300, and was likely compiled c. 1300. It is believed to originate from Paris. It was discovered by musicologist Edmond de Coussemaker in c. 1852. Format and contents The ''Montpellier Codex'' can be roughly divided into 8 fascicle (book), fascicles, each of which contain discrete musical genre, genres of music. The format of the ''Codex ''is as follows: * 1. Liturgy, Liturgical polyphony (ff. 1r-22r) * 2. French triple motets, consisting of a ''cantus firmus'' with three counterpoint, contrapuntal lines above it (ff. 23v-61r) * 3. Macaronic language, Macaronic double motets, consisting of a ''cantus firmus'' with two contrapuntal lines above it (ff. 63v-86v) * 4. Latin double motets (ff. 87v-111r) * 5. French double motets (ff. 111v-227r) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
