Western classical music Classical music generally refers to the art music of the Western world, considered to be #Relationship to other music traditions, distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical mu ...

, a motet is mainly a vocal musical composition, of highly diverse form and style, from high

medieval music Medieval music encompasses the sacred music, sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the Dates of classical music eras, first and longest major era of Western class ...

to the present. The motet was one of the preeminent

polyphonic Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ...

forms of

Renaissance music Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ''ars nova'', the mus ...

. According to the English

musicologist Musicology is the academic, research-based study of music, as opposed to musical composition or performance. Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, f ...

Margaret Bent Margaret Bent CBE , (born Margaret Hilda Bassington; 23 December 1940) is an English musicologist who specialises in music of the late medieval and Renaissance eras. In particular, she has written extensively on the Old Hall Manuscript, Engli ...

, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,
The Late-Medieval Motet
in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (

Berkeley, California Berkeley ( ) is a city on the eastern shore of San Francisco Bay in northern Alameda County, California, United States. It is named after the 18th-century Anglo-Irish bishop and philosopher George Berkeley. It borders the cities of Oakland, Cali ...

: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts".

Etymology

In the early 20th century, it was generally believed ''motet'' came from the

Latin Latin ( or ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally spoken by the Latins (Italic tribe), Latins in Latium (now known as Lazio), the lower Tiber area aroun ...

''movere'' (to move), though a derivation from the French ("word", or "phrase") had also been suggested. The

Medieval Latin Medieval Latin was the form of Literary Latin used in Roman Catholic Church, Roman Catholic Western Europe during the Middle Ages. It was also the administrative language in the former Western Roman Empire, Roman Provinces of Mauretania, Numidi ...

for "motet" is ''motectum'', and the Italian was also used. If the word is from Latin, the name describes the movement of the different voices against one another. Today, however, the French

etymology Etymology ( ) is the study of the origin and evolution of words—including their constituent units of sound and meaning—across time. In the 21st century a subfield within linguistics, etymology has become a more rigorously scientific study. ...

is favoured by reference books, as the word "motet" in 13th-century French had the sense of "little word". The troped '' clausulas'' that were the forerunner of the motet were originally called ''motelli'' (from the French ''mot'', "word"), soon replaced by the term .

Medieval examples

The earliest motets arose in the 13th century from the ''

organum ''Organum'' () is, in general, a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages. Depending on the mode and form of the chant, a supporting bass line (or '' bourdon'') may be sung on the sam ...

'' tradition exemplified in the

Notre-Dame school The Notre-Dame school or the Notre-Dame school of polyphony refers to the group of composers working at or near the Notre-Dame Cathedral in Paris from about 1160 to 1250, along with the music they produced. The only composers whose names ha ...

Léonin Léonin (also Leoninus, Leonius, Leo; ) was the first known significant composer of polyphonic organum. He was probably French, probably lived and worked in Paris at the Notre-Dame Cathedral and was the earliest member of the Notre Dame schoo ...

and

Pérotin Pérotin () was a composer associated with the Notre Dame school of polyphony in Paris and the broader musical style of high medieval music. He is credited with developing the polyphonic practices of his predecessor Léonin, with the introd ...

.Ernest H. Sanders and Peter M. Lefferts, "Motet, §I: Middle Ages", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by

Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition ...

and John Tyrrell (London: Macmillan Publishers, 2001). The motet probably arose from clausula sections in a longer sequence of . Clausulae represent brief sections of longer polyphonic settings of chant with a note-against-note texture. In some cases, these sections were composed independently and "substituted" for existing setting. These clausulae could then be "troped," or given new text in the upper part(s), creating motets. From these first motets arose a

medieval In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of World history (field), global history. It began with the fall of the West ...

tradition of

secular Secularity, also the secular or secularness (from Latin , or or ), is the state of being unrelated or neutral in regards to religion. The origins of secularity can be traced to the Bible itself. The concept was fleshed out through Christian hi ...

motets. These were two- to four-part compositions in which different texts, sometimes in different

vernacular Vernacular is the ordinary, informal, spoken language, spoken form of language, particularly when perceptual dialectology, perceived as having lower social status or less Prestige (sociolinguistics), prestige than standard language, which is mor ...

languages, were sung simultaneously over a (usually Latin-texted) ''

cantus firmus In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect trea ...

'' usually adapted from a

melismatic Melisma (, , ; from , plural: ''melismata''), informally known as a vocal run and sometimes interchanged with the term roulade, is the singing of a single syllable of text while moving between several different notes in succession. Music sung in ...

passage of

Gregorian chant Gregorian chant is the central tradition of Western plainsong, plainchant, a form of monophony, monophonic, unaccompanied sacred song in Latin (and occasionally Greek language, Greek) of the Roman Catholic Church. Gregorian chant developed main ...

on a single word or phrase. It is also increasingly argued that the term "motet" could in fact include certain brief single-voice songs. The texts of upper voices include subjects as diverse as courtly love odes, pastoral encounters with shepherdesses, political attacks, and many Christian devotions, especially to the Virgin Mary. In many cases, the texts of the upper voices are related to the themes of the chant passage they elaborate on, even in cases where the upper voices are secular in content. Most medieval motets are anonymous compositions and significantly re-use music and text. They are transmitted in a number of contexts, and were most popular in northern France. The largest surviving collection is in the

Montpellier Codex The ''Montpellier Codex'' (''Montpellier, Bibliothèque Inter-Universitaire, Section Médecine, H196'') is an important source of 13th-century France, French polyphony. The ''Codex'' contains 336 polyphonic works probably composed c. 1250–1300 ...

. Increasingly in the 14th and 15th centuries, motets made use of repetitive patterns often termed panisorhythmic; that is, they employed repeated rhythmic patterns in all voices—not only the ''cantus firmus''—which did not necessarily coincide with repeating melodic patterns.

Philippe de Vitry Philippe de Vitry (31 October 12919 June 1361) was a French composer-poet, bishop and Music theory, music theorist in the style of late medieval music. An accomplished, innovative, and influential composer, he was widely acknowledged as a le ...

was one of the earliest composers to use this technique, and his work evidently had an influence on that of

Guillaume de Machaut Guillaume de Machaut (, ; also Machau and Machault; – April 1377) was a French composer and poet who was the central figure of the style in late medieval music. His dominance of the genre is such that modern musicologists use his death to ...

, one of the most famous named composers of late medieval motets.

Medieval composers

Other medieval motet composers include: *

Adam de la Halle Adam de la Halle (1245–50 – 1285–8/after 1306) was a French poet-composer '' trouvère''. Among the few medieval composers to write both monophonic and polyphonic music, in this respect he has been considered both a conservative and pro ...

(1237?–1288? or after 1306) *

Johannes Ciconia Johannes Ciconia ( – between 10 June and 13 July 1412) was an important Franco-Flemish composer and music theorist of trecento music during the late Medieval era. He was born in Liège, but worked most of his adult life in Italy, parti ...

(c. 1370–1412) *

Guillaume Du Fay Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397 – 27 November 1474) was a composer and music theorist of early Renaissance music, who is variously described as French or Franco-Flemish. Considered the leading European composer of h ...

(1397-1474) *

John Dunstaple John Dunstaple (or Dunstable; – 24 December 1453) was an English composer whose music helped inaugurate the transition from the medieval to the Renaissance periods. The central proponent of the ''Contenance angloise'' style (), Dunstaple was ...

(c. 1390–1453) *

Franco of Cologne Franco of Cologne (; also Franco of Paris) was a German music theorist and possibly a composer. He was one of the most influential theorists of the Late Middle Ages, and was the first to propose an idea which was to transform musical notation per ...

(fl. mid-13th century) *

Jacopo da Bologna Jacopo da Bologna (fl. 1340 – c. 1386) was an Italian composer of the Trecento, the period sometimes known as the '' Italian ars nova''. He was one of the first composers of this group, making him a contemporary of Gherardello da Firenze ...

(fl. 1340–1385) *

Marchetto da Padova Marchetto da Padova (Marchettus of Padua; fl. 1305 – 1319) was an Italian music theorist and composer of the late medieval era. His innovations in notation of time-values were fundamental to the music of the Italian ars nova, as was his w ...

(fl. 1305–1319) * Petrus de Cruce (fl. second half of the 13th century) * W. de Wycombe (fl. 1270s)

Renaissance examples

The compositional character of the motet changed entirely during the transition from medieval to

, as most composers abandoned the use of a repeated figure as a ''cantus firmus''.

Guillaume Dufay Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397 – 27 November 1474) was a composer and music theorist of early Renaissance music, who is variously described as French or Franco-Flemish. Considered the leading European composer of h ...

was a transitional figure in this regard, writing one of the last important motets in the medieval, isorhythmic style, '' Nuper rosarum flores'', in 1436. During the second half of the fifteenth century Motets stretched the ''cantus firmus'' to greater lengths compared to the surrounding multi-voice counterpoint, adopting a technique of contemporary 'tenor masses'.Leeman L. Perkins and Patrick Macey, "Motet, §II: Renaissance", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by

and John Tyrrell (London: Macmillan Publishers, 2001). This obscured the ''cantus firmus'' rhythm more than in medieval isorhythmic motets. Cascading,

passing chord In music, a passing chord is a chord that connects, or passes between, the notes of two diatonic chords. "Any chord that moves between one diatonic chord and another one nearby may be loosely termed a passing chord. A diatonic passing chord m ...

s created by the interplay of voices and the absence of an obvious beat distinguish medieval and renaissance motet styles. Motet frequently used the texts of

antiphon An antiphon ( Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are usually taken from the Psalms or Scripture, but may also be freely compo ...

s and the Renaissance period marked the flowering of the form. The Renaissance motet is

, sometimes with an imitative counterpoint, for a chorus singing a Latin and usually sacred text. It is not connected to a specific

liturgy Liturgy is the customary public ritual of worship performed by a religious group. As a religious phenomenon, liturgy represents a communal response to and participation in the sacred through activities reflecting praise, thanksgiving, remembra ...

, making it suitable for any service. Motets were sacred

madrigal A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1580–1650) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the ...

s and the language of the text was decisive:

for a motet and the vernacular for a madrigal. The relationship between the forms is clearest in composers of sacred music, such as

Giovanni Pierluigi da Palestrina Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de V ...

, whose "motets" setting texts from the '' Canticum Canticorum'' are among the most lush and madrigal-like, while his madrigals using

Petrarch Francis Petrarch (; 20 July 1304 – 19 July 1374; ; modern ), born Francesco di Petracco, was a scholar from Arezzo and poet of the early Italian Renaissance, as well as one of the earliest Renaissance humanism, humanists. Petrarch's redis ...

's poems could be performed in a church. Religious compositions in vernacular languages were often called '' madrigali spirituali'', "spiritual madrigals". These Renaissance motets developed in episodic format with separate phrases of the text given independent melodic treatment and contrapuntal development. Secular motets, known as "ceremonial motets",Blanche Gangwere,
Music History During the Renaissance Period, 1520–1550
' (Westport, CT, Praeger Publishers: 2004), pp. 451–54. typically set a Latin text to praise a monarch, music or commemorate a triumph. The theme of

courtly love Courtly love ( ; ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies b ...

, often found in the medieval secular motet, was banished from the Renaissance motet. Ceremonial motets are characterised by clear articulation of formal structure and by clear diction, because the texts would be novel for the audience.

Adrian Willaert Adrian Willaert ( – 7 December 1562) was a Flemish composer of High Renaissance music. Mainly active in Italy, he was the founder of the Venetian School. He was one of the most representative members of the generation of northern composers ...

Ludwig Senfl Ludwig Senfl (born around 1486, died between December 2, 1542 and August 10, 1543) was a Swiss composer of the Renaissance, active in Germany. He was the most famous pupil of Heinrich Isaac, was music director to the court of Maximilian I, Holy ...

, and

Cipriano de Rore Cipriano de Rore (occasionally Cypriano) (1515 or 1516 – between 11 and 20 September 1565) was a Franco-Flemish composer of the Renaissance, active in Italy. Not only a central representative of the generation of Franco-Flemish composers after ...

are prominent composers of ceremonial motets from the first half of the 16th century.

Renaissance composers

The motet was one of the preeminent forms of

. Important composers of Renaissance motets include: * Alexander Agricola *

Gilles Binchois Gilles de Bins dit Binchois (also Binchoys; – 20 September 1460) was a Franco-Flemish composer and singer of early Renaissance music. A central figure of the Burgundian School, Binchois is renowned a melodist and miniaturist; he generally a ...

* Antoine Boësset *

Antoine Brumel Antoine Brumel (c. 1460 – 1512 or 1513) was a French composer. He was one of the first renowned French members of the Franco-Flemish School, Franco-Flemish school of the Renaissance music, Renaissance, and, after Josquin des Prez, was one of t ...

Antoine Busnois Antoine Busnois (also Busnoys; – before 6 November 1492) was a French composer, singer and poet of early Renaissance music. Busnois and colleague Johannes Ockeghem were the leading European composers of the second half the 15th century, and ...

William Byrd William Byrd (; 4 July 1623) was an English Renaissance composer. Considered among the greatest composers of the Renaissance, he had a profound influence on composers both from his native country and on the Continental Europe, Continent. He i ...

* Johannes Vodnianus Campanus *

Pierre Certon Pierre Certon (ca. 1510–1520 – 23 February 1572) was a French composer of the Renaissance. He was a representative of the generation after Josquin and Mouton, and was influential in the late development of the French chanson. Life Most likely ...

Jacobus Clemens non Papa Jacobus Clemens non Papa (also Jacques Clément or Jacob Clemens non Papa) ( – 1555 or 1556) was a Netherlandish composer of the Renaissance based for most of his life in Flanders. He was a prolific composer in many of the current styles, and w ...

Loyset Compère Loyset Compère ( – 16 August 1518) was a Franco-Flemish composer of the Renaissance. Of the same generation as Josquin des Prez, he was one of the most significant composers of motets and chansons of that era, and one of the first musicia ...

* Thomas Crecquillon *

Josquin des Prez Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the ...

* François-

Eustache Du Caurroy François-Eustache du Caurroy (baptised February 4, 1549 – August 7, 1609) was a French composer of the late Renaissance. He was a prominent composer of both secular and sacred music at the end of the Renaissance, including ''musique mesurée'', ...

* Antoine de Févin *

Carlo Gesualdo Carlo Gesualdo da Venosa (between 8 March 1566 and 30 March 1566 – 8 September 1613) was an Italian nobleman and composer. Though both the Prince of Venosa and Count of Conza, he is better known for writing madrigals and pieces of sacred ...

Nicolas Gombert Nicolas Gombert (c. 1495 – c. 1560)Atlas, p. 396 was a Franco-Flemish composer of the Renaissance. He was one of the most famous and influential composers between Josquin des Prez and Palestrina, and best represents the fully developed, complex ...

* Francisco Guerrero *

Heinrich Isaac Heinrich Isaac (ca. 1450 – 26 March 1517) was a Netherlandish composer of south Netherlandish origin during the Renaissance era. He wrote masses, motets, songs (in French, German and Italian), and instrumental music. A significant contemporar ...

* Claude Le Jeune *

Pierre de La Rue Pierre de la Rue ( – 20 November 1518) was a Franco-Flemish composer and singer of the Renaissance. His name also appears as Piersson or variants of Pierchon and his toponymic, when present, as various forms of de Platea, de Robore, or de Vic ...

Orlando di Lasso Orlando di Lasso ( various other names; probably – 14 June 1594) was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with William Byrd, Giovanni Pierlui ...

* Jean Maillard * Cristóbal de Morales *

Étienne Moulinié Étienne Moulinié (10 October 1599 – 1676) was a French Baroque composer. He was born in Languedoc, and when he was a child he sang at the Narbonne Cathedral. Through the influence of his brother Antoine (died 1655), Moulinié gained an appo ...

Jean Mouton Jean Mouton (c. 1459 – 30 October 1522) was a French composer of the Renaissance music, Renaissance. He was famous both for his motets, which are among the most refined of the time, and for being the teacher of Adrian Willaert, one of the f ...

Jacob Obrecht Jacob Obrecht (also Hobrecht; 1457/8

Johannes Ockeghem Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was a significant European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colle ...

* Andreas Pevernage * Lucrezia Orsina Vizzana *

Martin Peerson Martin Peerson (or Pearson, Pierson, Peereson) (between 1571 and 1573 – December 1650 or January 1651 and buried 16 January 1651) was an English composer, organist and virginalist. Despite Roman Catholic leanings at a time when it was illeg ...

Thomas Tallis Thomas Tallis (; also Tallys or Talles; 23 November 1585) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music. Tallis is considered one ...

John Taverner John Taverner ( – 18 October 1545) was an English composer and organist, regarded as one of the most important English composers of his era. He is best-known for ''Missa Gloria tibi Trinitas'' and ''The Western Wynde Mass'', and ''Missa Coro ...

* Robert Carver *

Tomás Luis de Victoria Tomás Luis de Victoria (sometimes Italianised as ''da Vittoria''; ) was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Re ...

* Manuel Cardoso In the latter part of the 16th century,

Giovanni Gabrieli Giovanni Gabrieli (/1557 – 12 August 1612) was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School (music), Venetian School, at the t ...

and other composers developed a new style, the

polychoral An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are usually taken from the Psalms or Scripture, but may also be freely composed. T ...

motet, in which two or more

choir A choir ( ), also known as a chorale or chorus (from Latin ''chorus'', meaning 'a dance in a circle') is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform or in other words ...

s of singers (or instruments) alternated. This style of motet was sometimes called the ''Venetian motet'' to distinguish it from the ''Netherlands'' or ''Flemish'' motet written elsewhere. " If Ye Love Me" by Thomas Tallis serves the demand of the Church of England for English texts, and a focus on understanding the words, beginning in

homophony In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that provide ...

Baroque examples

Baroque music Baroque music ( or ) refers to the period or dominant style of Classical music, Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance music, Renaissance period, and was followed in turn by the Class ...

, especially in France where the motet was very important, there were two distinct, and very different types of motet: ''petits motets'', sacred choral or chamber compositions whose only accompaniment was a

basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...

; and '' grands motets'', which included massed choirs and instruments up to and including a full orchestra.

Jean-Baptiste Lully Jean-Baptiste Lully ( – 22 March 1687) was a French composer, dancer and instrumentalist of Italian birth, who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court o ...

, Michel Richard de Lalande,

Marc-Antoine Charpentier Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'' ''H.146, Marche en rondeau''. This theme is st ...

were important composers of this sort of motet. Their motets often included parts for soloists as well as choirs; they were longer, including multiple movements in which different soloist, choral, or instrumental forces were employed. Lully's motets also continued the Renaissance tradition of semi-secular Latin motets in works such as ''

Plaude Laetare Gallia ''Plaude laetare Gallia'' is a motet by Jean-Baptiste Lully (music) and Pierre Perrin (text), written to celebrate the baptism of King King is a royal title given to a male monarch. A king is an Absolute monarchy, absolute monarch if ...

'', written to celebrate the baptism of King

Louis XIV LouisXIV (Louis-Dieudonné; 5 September 16381 September 1715), also known as Louis the Great () or the Sun King (), was King of France from 1643 until his death in 1715. His verified reign of 72 years and 110 days is the List of longest-reign ...

's son; its text by

Pierre Perrin Pierre Perrin ( – 24 April 1675) was a French poet and librettist. Perrin, sometimes known as L'Abbé Perrin although he never belonged to the clergy, was born in Lyon. He founded the Académie d'Opéra, which later was renamed the Académie ...

begins:

''Plaude laetare Gallia'' ''Rore caelesti rigantur lilia,'' ''Sacro Delphinus fonte lavatur'' ''Et christianus Christo dicatur.'' ("Rejoice and sing, France: the lily is bathed with heavenly dew. The Dauphin is bathed in the sacred font, and the Christian is dedicated to Christ.")

In France, Pierre Robert (24 grands motets), Henry Dumont (grands & petits motets), Marc-Antoine Charpentier (206 different types of motets), Michel-Richard de La Lande (70 grands motets), Henry Desmarest (20 grands motets),

François Couperin François Couperin (; 10 November 1668 – 11 September 1733) was a French Baroque music, Baroque composer, organist and harpsichordist. He was known as ''Couperin le Grand'' ("Couperin the Great") to distinguish him from other members of the musi ...

(motets lost), Nicolas Bernier,

André Campra André Campra (; baptized 4 December 1660 – 29 June 1744) was a French composer and conductor of the Baroque era. The leading French opera composer in the period between Jean-Baptiste Lully and Jean-Philippe Rameau, Campra wrote several '' trag ...

Charles-Hubert Gervais Charles-Hubert Gervais (19 February 1671 – 14 January 1744) was a French composer of the Baroque era. The son of a valet to King Louis XIV's brother, Monsieur, Gervais was born at the Palais Royal in Paris and probably educated by Monsieur's mu ...

(42 grands motets), Louis-Nicolas Clérambault,

François Giroust François Giroust (10 April 1737 – 28 April 1799) was a French composer. He was born in Paris, where he was the last ''maître'' of the Chapelle royale before the French Revolution. He died, aged 62, at Versailles.John Eby, ''Giroust, Fr ...

(70 grands motets) were also important composers. In Germany, too, pieces called motets were written in the new musical languages of the Baroque.

Heinrich Schütz Heinrich Schütz (; 6 November 1672) was a German early Baroque music, Baroque composer and organ (music), organist, generally regarded as the most important German composer before Johann Sebastian Bach and one of the most important composers of ...

wrote many motets in series of publications, for example three books of Symphoniae sacrae, some in Latin and some in German.

Hans Leo Hassler Hans Leo Hassler (in German, Hans Leo Haßler) (baptised 26 October 1564 – 8 June 1612) was a German composer and organist of the late Renaissance and early Baroque eras, elder brother of lesser known composer Jakob Hassler. He was born in N ...

composed motets such as '' Dixit Maria'', on which he also based a mass composition.

J. S. Bach's compositions

Six motets attributed to

Johann Sebastian Bach Johann Sebastian Bach (German: Help:IPA/Standard German, �joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety ...

and catalogued BWV 225–230 are relatively long pieces combining German hymns with biblical texts, several of them composed for funerals. Mostly written in ''

a cappella Music performed a cappella ( , , ; ), less commonly spelled acapella in English, is music performed by a singer or a singing group without instrumental accompaniment. The term ''a cappella'' was originally intended to differentiate between Rena ...

'' style, ''

'', with instruments playing

colla parte A variety of musical terms is encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings ...

, several of them composed for funerals. The first five, for double chorus, are almost certainly composed by Bach and are written in ''

'' style, though strings and oboes appear to have accompanied

. ''Lobet dem Herrn'' is for

SATB In music, SATB is a scoring of compositions for choirs or consorts of instruments consisting of four voice types: soprano, alto, tenor and bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classic ...

with ''

''. * BWV 225 '' Singet dem Herrn ein neues Lied'' (1726) * BWV 226 ''

Der Geist hilft unser Schwachheit auf ' (The Spirit gives aid to our weakness), 226, is a motet by Johann Sebastian Bach, composed in Leipzig in 1729 for the funeral of Johann Heinrich Ernesti. History For ' , the autograph score survives. Bach himself noted on its title: "." (' ...

'' (1729) * BWV 227 ''

Jesu, meine Freude "" (; Jesus, my joy) is a hymn in German, written by Johann Franck, with a melody, Zahn number, Zahn No. 8032, by Johann Crüger. The song first appeared in Crüger's hymnal in 1653. The text addresses Jesus as joy and support, versus enem ...

'' * BWV 228 '' Fürchte dich nicht'' * BWV 229 '' Komm, Jesu, komm'' (1730?) * BWV 230 '' Lobet den Herrn, alle Heiden'' (?) The funeral

cantata A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, ty ...

''O Jesu Christ, meins Lebens Licht'', BWV 118 (1736–37?) is regarded as a motet, though it has independent instrumental parts. The motet ''Sei Lob und Preis mit Ehren'', BWV 231 is an arrangement of a movement from Bach's Cantata 28, and the authenticity of the arrangement is not certain. For a few more motets, such as ''Ich lasse dich nicht'', BWV Anh 159, Bach's authorship is debated.

Later 18th century - present

Later 18th-century composers wrote few motets.

Johann Christoph Friedrich Bach Johann Christoph Friedrich Bach (21 June 1732 – 26 January 1795) was a German composer and harpsichordist, the fifth son of Johann Sebastian Bach, sometimes referred to as the "Bückeburg Bach". Born in Leipzig in the Electorate of Saxony, he w ...

composed an extended chorale motet ''

Wachet auf, ruft uns die Stimme "" (literally: Awake, the voice is calling us) is a Lutheran hymn written in German by Philipp Nicolai, first published in 1599 together with "". It appears in German hymnals and in several English hymnals in translations such as "Wake, Awake, ...

'', combining Baroque techniques with the

galant style The galant style was an 18th-century movement in music, visual arts and literature. In Germany a closely related style was called the '' empfindsamer Stil'' (sensitive style). Another close relative is rococo style. The galant style was drawn in ...

. Mozart's

Ave verum corpus is a short Eucharistic chant that has been set to music by many composers. It dates to the 13th century, first recorded in a central Italian Franciscan manuscript (Chicago, Newberry Library, 24). A Reichenau manuscript of the 14th century attri ...

(K. 618) is this genre.

Rameau Jean-Philippe Rameau (; ; – ) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera a ...

, Mondonville and Giroust also wrote grands motets. In the 19th century, some German composers continued to write motets.

Felix Mendelssohn Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic music, Romantic period. Mendelssohn's compositions inc ...

composed '' Jauchzet dem Herrn, alle Welt'', '' Denn er hat seinen Engeln befohlen'' and '' Mitten wir im Leben sind''.

Johannes Brahms Johannes Brahms (; ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid-Romantic period (music), Romantic period. His music is noted for its rhythmic vitality and freer treatment of dissonance, oft ...

composed three motets on biblical verses, '' Fest- und Gedenksprüche''. Josef Rheinberger composed '' Abendlied''.

Anton Bruckner Joseph Anton Bruckner (; ; 4 September 182411 October 1896) was an Austrian composer and organist best known for his Symphonies by Anton Bruckner, symphonies and sacred music, which includes List of masses by Anton Bruckner, Masses, Te Deum (Br ...

composed about 40

motets In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the Engl ...

, mainly in Latin, including '' Locus iste''. French composers of motets include

Camille Saint-Saëns Charles-Camille Saint-Saëns (, , 9October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano ...

and

César Franck César Auguste Jean Guillaume Hubert Franck (; 10 December 1822 – 8 November 1890) was a French Romantic music, Romantic composer, pianist, organist, and music teacher born in present-day Belgium. He was born in Liège (which at the time of h ...

. In English similar compositions are called

anthem An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to sho ...

s. Some later English composers, such as

Charles Villiers Stanford Sir Charles Villiers Stanford (30 September 1852 – 29 March 1924) was an Anglo-Irish composer, music teacher, and conductor of the late Romantic music, Romantic era. Born to a well-off and highly musical family in Dublin, Stanford was ed ...

, wrote motets in Latin. Most of these compositions are

and some, such as

Edward Elgar Sir Edward William Elgar, 1st Baronet, (; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestr ...

's three motets Op. 2, are accompanied by organ. In the 20th century, composers of motets have often consciously imitated earlier styles. In 1920, Ralph Vaughan Williams composed '' O clap your hands'', a setting of verses from Psalm 47 for a four-part choir, organ, brass, and percussion, called a motet.

Carl Nielsen Carl August Nielsen (; 9 June 1865 – 3 October 1931) was a Danish composer, conductor, and violinist, widely recognized as his country's most prominent composer. Brought up by poor yet musically talented parents on the island of Funen, he d ...

set in '' Tre Motetter'' three verses from different psalms as motets, first performed in 1930. Francis Poulenc set several Latin texts as motets, first ''

Quatre motets pour un temps de pénitence Quatre is one of the Grenadines islands which lie between the Caribbean islands of Saint Vincent and Grenada. It is part of the nation of Saint Vincent and the Grenadines. On March 30, 2024, American YouTuber MrBeast released a video on his ...

'' (1938).

Maurice Duruflé Maurice Gustave Duruflé (; 11 January 1902 – 16 June 1986) was a French composer, organist, musicologist, and teacher. Life and career Duruflé was born in Louviers, Eure in 1902. He attended Rouen Cathedral Choir School from 1912 to 1918, ...

composed ''

Quatre Motets sur des thèmes grégoriens ' (Four motets on Gregorian themes), Opus number, Op. 10, are four Sacred music, sacred motets composed by Maurice Duruflé in 1960, based on Gregorian chant, Gregorian Theme (music), themes. He set Ubi caritas et amor, Tota pulchra es, Tu es Petr ...

'' in 1960, and '' Notre Père'' in 1977. Other examples include works by

Richard Strauss Richard Georg Strauss (; ; 11 June 1864 – 8 September 1949) was a German composer and conductor best known for his Tone poems (Strauss), tone poems and List of operas by Richard Strauss, operas. Considered a leading composer of the late Roman ...

Edmund Rubbra Edmund Rubbra (; 23 May 190114 February 1986) was a British composer. He composed both instrumental and vocal works for soloists, chamber groups and full choruses and orchestras. He was greatly esteemed by fellow musicians and was at the peak o ...

Lennox Berkeley Sir Lennox Randal Francis Berkeley CBE (12 May 190326 December 1989) was an English composer. Biography Berkeley was born on 12 May 1903 in Oxford, England, the younger child and only son of Aline Carla (1863–1935), daughter of Sir James ...

Morten Lauridsen Morten Johannes Lauridsen III (born February 27, 1943) is an American composer and teacher. A National Medal of Arts recipient (2007), he was composer-in-residence of the Los Angeles Master Chorale from 1994 to 2001, and is professor emeritus of c ...

, Hugo Distler, F. Melius Christiansen,

Ernst Krenek Ernst Heinrich Krenek (, 23 August 1900 – 22 December 1991) was an Austrian, later American, composer. He explored atonality and other modern styles and wrote a number of books, including ''Music Here and Now'' (1939), a study of Johannes Ock ...

, Michael Finnissy,

Karl Jenkins Sir Karl William Pamp Jenkins, , Honorary Fellow of the Learned Society of Wales, HonFLSW (born 17 February 1944) is a Welsh multi-instrumentalist and composer. His best known works include the song "Adiemus (song), Adiemus" (1995, from the Adi ...

and

Igor Stravinsky Igor Fyodorovich Stravinsky ( – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential 20th-century c ...

Arvo Pärt Arvo Pärt (; born 11 September 1935) is an Estonian composer of contemporary classical music. Since the late 1970s, Pärt has worked in a minimalist style that employs tintinnabuli, a compositional technique he invented. Pärt's music is in p ...

has composed motets, including ''

Da pacem Domine (Give peace, Lord) is the incipit of two different Latin chant texts: a votive antiphon and an introit. Both have been the base for musical compositions to be used inside or outside the liturgy. Paraphrased versions of the text were created by Ma ...

'' in 2006, as have Dave Soldier (Motet: Harmonies of the World, with rules from Johannes Kepler), Sven-David Sandström,

Enjott Schneider Enjott Schneider (born Norbert Jürgen Schneider 25 May 1950 in Weil am Rhein) is a German businessman, composer, musicologist, and music educator. He is best known as the chairman of the board of the German collecting society GEMA. As a compos ...

, Ludger Stühlmeyer and Pierre Pincemaille.Three motets (Pater Noster; Ave Maria; Ave Verum), published with A coeur joie editions
Website of ''A coeur joie'' editions
/ref>

References

External links

Motet online database
at the

University of Florida The University of Florida (Florida or UF) is a public university, public land-grant university, land-grant research university in Gainesville, Florida, United States. It is a senior member of the State University System of Florida and a preem ...

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