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Dixit Maria
''Dixit Maria'' (Mary said o the angel is a motet for four voices by Hans Leo Hassler. It is part of his collection ''Cantiones sacrae'' published in 1591. It sets a verse from the narration of the annunciation in Latin. Hassler based a mass on the motet, ''Missa super Dixit Maria''. History Hans Leo Hassler studied in Venice with Andrea Gabrieli, and was a musician for the Fugger family in Augsburg. He composed ''Dixit Maria'' as a motet for choir a cappella, setting a verse from Luke's narration of the annunciation in Latin, specifically Mary's consent to the announcement that she would bear a son. The motet is suitable for the feast of the Annunciation. He included the motet in his 1591 collection ''Cantiones sacrae'' (Sacred songs). Hassler also composed a mass on the theme ''Dixit Maria'', the ''Missa super Dixit Maria''. Carus-Verlag included the motet in a 2013 ''Chorbuch Advent'', a choral collection for Advent. Music The motet is written for four voices, soprano, al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carus-Verlag
Carus-Verlag is a German music publisher founded in 1972 and based in Stuttgart. Carus was founded by choral conductor Günter Graulich and his wife Waltraud with an emphasis on choral repertoire. the catalogue includes more than 26,000 works. The company produces the standard editions of the complete works of Josef Rheinberger and Max Reger.''Harald Wanger, Rheinberger-Archivar, Organist, Pädagoge'' Harald Wanger, Franz-Georg Rössler, Robert Allgäuer - 2003 p. 48 Carus-Verlag, Musikalische Schätze abseits bekannter Pfade - Harald Wanger und der Carus-Verlag "Für den Carus-Verlag ist die Verbindung zu Harald Wanger und dem Josef Rheinberger-Archiv ein Glücksfall." Record label The company also produces CDs to accompany some of its printed editions. Currently the publishers are working on recordings accompanying the complete editions of Wilhelm Friedemann Bach. Opera rarities include Schubert Franz Peter Schubert (; ; 31 January 179719 November 1828) was an Aust ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge Singers
The Cambridge Singers is an English mixed voice chamber choir formed in 1981 by their director John Rutter with the primary purpose of making recordings under their own label Collegium Records. The group initially comprised former singers from the Choir of Clare College, Cambridge, where Rutter had previously been the music director. They have been involved in the last four Fresh Aire albums (about "mankind's curiosities") of the Mannheim Steamroller band, by composer Chip Davis, but they are primarily a classical choral group. They have recorded several highly acclaimed Christmas albums, including ''Christmas Day in the Morning'', '' Christmas Night: Carols of the Nativity'', ''Christmas Star'', ''Christmas with the Cambridge Singers'', and ''The Cambridge Singers Christmas Album''. List of albums * ''Gloria'' (1983 and 2005) with Philip Jones Brass Ensemble and City of London Sinfonia * ''Fauré: Requiem and other sacred music'' (1984, 1988 and 2010) * ''Hurry to Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainzer Domchor
The choir Mainzer Domchor is the choir at Mainz Cathedral, of boys' and men's voices. It was founded in 1866 by the then bishop of Mainz, Wilhelm Emmanuel von Ketteler. History The choir of c. 140 voices is mainly concerned with the musical part in services at the cathedral. The singers are trained in three weekly rehearsals in the ''Chorhaus'' near the cathedral. Every year, a small group of new singers is educated to join the choir. The repertoire consists of church music by Johann Sebastian Bach, Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert and Anton Bruckner. The choir has toured several countries in concert, including Italy, France, Belgium, Switzerland, Israel, Russia, the US, Canada and Brazil. They made several recordings, representing the repertoire. Heinrich Hain was conductor to 1985, succeeded by Domkapellmeister Mathias Breitschaft to 2012, and then . Literature * Horst-Willi Groß: ''Der Mainzer Domchor.'' In: '' Musica sacra'' 5 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainz Cathedral
Mainz Cathedral or St. Martin's Cathedral ( or, officially, ') is located near the historical center and pedestrianized market square of the city of Mainz, Germany. This 1000-year-old Roman Catholic cathedral is the site of the episcopal see of the Bishop of Mainz. Mainz Cathedral is predominantly Romanesque architecture, Romanesque in style, but later exterior additions over many centuries have resulted in the appearance of various architectural influences seen today. It comprises three aisles and stands under the patronage of Martin of Tours, Saint Martin of Tours. The eastern Choir (architecture), quire is dedicated to Saint Stephen. The interior of the cathedral houses tombs and funerary monuments of former powerful Prince Elector, Electoral-Prince-Bishop, prince-archbishops, or , of the diocese and contains religious works of art spanning a millennium. The cathedral also has a central courtyard and statues of Saint Boniface and The Madonna on its grounds. During the time of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incarnation (Christianity)
In Christian theology, the incarnation is the belief that the pre-existent divine person of Jesus Christ, God the Son, the second person of the Trinity, and the (Koine Greek for 'word'), was "made flesh" by being conceived through the power of the Holy Spirit in the womb of a woman, the Virgin Mary, who is also known as the (Greek for "God-bearer" or "Mother of God"). The doctrine of the incarnation then entails that Jesus was at the same time both fully God and fully human. In the incarnation, as traditionally defined by those Churches that adhere to the Council of Chalcedon, the divine nature of the Son was united but not mixed with human nature in one divine person, Jesus, or according to those adhering to the Council of Ephesus, the divine and human natures of Christ are fully united into one composite nature "without mixing, confusion, or separation". This is central to the traditional faith held by most Christians. Alternative views on the subject (see Ebionites ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melismas
Melisma (, , ; from , plural: ''melismata''), informally known as a vocal run and sometimes interchanged with the term roulade, is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. History General The term ''melisma'' may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Melisma is prevalent in many forms of Gregorian chant (see e.g. Jubilus) as well as late-medieval sacred polyphony, notably in works by Guillaume de Machaut, John Dunstaple, and many early Tudor composers represented in the Eton, Caius, and Lambeth choirbooks. Today, melisma is commonly used in Middle Eastern, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ( homophony). Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imitation (music)
In music, imitation is the repetition of a melody in a polyphonic texture shortly after its first appearance in a different voice. The melody may vary through transposition, inversion, or otherwise, but retain its original character. The intervals and rhythms of an imitation may be exact or modified; imitation occurs at varying distances relative to the first occurrence, and phrases may begin with voices in imitation before they freely go their own ways. Imitation helps provide unity to a composition and is used in forms such as the fugue and canon. Definitions When a phrase recurs exactly as before (except perhaps transposed), it is called strict imitation. A round is thus an example of strict imitation. Repetition is defined as the repetition of a phrase or melody often with variations in key, rhythm, and voice. Different authors define imitation somewhat differently: The point of imitation, "marks the beginning of a series of imitative entries in a con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canzona
The canzona, also known as the canzon or canzone, is an Italian musical form derived from the Franco-Flemish and Parisian '' chansons''. Background The canzona is an instrumental musical form that differs from the similar forms of ricercare and fantasia in its livelier, markedly rhythmic material and separation into distinct sections. At first based on the Franco-Flemish polyphonic songs (chansons) that gave it its name, the instrumental canzona was soon independently composed, not least by Gabrieli in his brass canzonas and by Girolamo Frescobaldi in his keyboard canzonas. As a form, the canzona would influence the fugue, and the ensemble canzonas were the direct ancestors of the 17th-century ''sonata da chiesa ''Sonata da chiesa'' ( Italian: "church sonata") is a 17th-century genre of musical composition for one or more melody instruments and is regarded an antecedent of later forms of 18th century instrumental music. It generally comprises four movemen ...''. Notes Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
