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Monophonic Music
In music, monophony is the simplest of musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompanying harmony or chords. Many folk songs and traditional songs are monophonic. A melody is also considered to be monophonic if a group of singers (e.g., a choir) sings the same melody together at the unison (exactly the same pitch) or with the same melody notes duplicated at the octave (such as when men and women sing together). If an entire melody is played by two or more instruments or sung by a choir with a fixed interval, such as a perfect fifth, it is also said to be monophony (or "monophonic"). The musical texture of a song or musical piece is determined by assessing whether varying components are used, such as an accompaniment part or polyphonic melody lines (two or more independent lines). In the Early Middle Ages, the earliest Christian songs, called plainchant (a w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Goes The Weasel Updated
Pop or POP may refer to: Arts, entertainment, and media * Pop music, a musical genre Artists * POP, a Japanese idol group now known as Gang Parade * Pop! (British group), a UK pop group * Pop! featuring Angie Hart, an Australian band Albums * ''Pop'' (Gas album) * ''Pop'' (Joachim Witt album) * ''Pop'' (Mao Abe album) * ''Pop'' (Same Difference album) * ''Pop'' (Tones on Tail album) * ''Pop'' (U2 album) * ''Pop'', an album by Topi Sorsakoski and Agents * '' P.O.P'', The Mad Capsule Markets album * ''Pop! The First 20 Hits'', an album by English duo Erasure EPs * ''P.O.P.'' (EP), a 2024 EP by Marina Satti Songs * "Pop" (NSYNC song), a 2001 song * "Pop!" (Nayeon song), a song from the album ''Im Nayeon'' * "Pop", a song by A.R. Kane * "Pop", a song by Ari Lennox from '' Shea Butter Baby'' * "Pop", a song by La Oreja de Van Gogh from ''El viaje de Copperpot'' * "Pop", a song by Death Grips from '' No Love Deep Web'' * "Pop!", a song from ''The Wedding Singer'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Middle Ages
The Early Middle Ages (or early medieval period), sometimes controversially referred to as the Dark Ages (historiography), Dark Ages, is typically regarded by historians as lasting from the late 5th to the 10th century. They marked the start of the Middle Ages of History of Europe, European history, following the decline of the Roman Empire, decline of the Western Roman Empire, and preceding the High Middle Ages ( 11th to 14th centuries). The alternative term ''Late antiquity#Terminology, late antiquity'', for the early part of the period, emphasizes elements of continuity with the Roman Empire, while ''Early Middle Ages'' is used to emphasize developments characteristic of the earlier medieval period. The period saw a continuation of trends evident since late classical antiquity, including population decline, especially in urban centres, a decline of trade, Medieval Warm Period, a small rise in average temperatures in the North Atlantic region and Migration Period, increased m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organum
''Organum'' () is, in general, a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages. Depending on the mode and form of the chant, a supporting bass line (or '' bourdon'') may be sung on the same text, the melody may be followed in parallel motion (parallel ), or a combination of both of these techniques may be employed. As no real independent second voice exists, this is a form of heterophony. In its earliest stages, ''organum'' involved two musical voices: a Gregorian chant melody, and the same melody transposed by a consonant interval, usually a perfect fifth or fourth. In these cases the composition often began and ended on a unison, the added voice keeping to the initial tone until the first part has reached a fifth or fourth, from where both voices proceeded in parallel harmony, with the reverse process at the end. ''Organum'' was originally improvised; while one singer performed a notated melody (the ''vox principalis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music History Of Italy
Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer. Music often plays a key ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plainsong
Plainsong or plainchant (calque from the French ; ) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of the Western Christian church music until the ninth century, and the introduction of polyphony. The monophonic chants of plainsong have a non-metric rhythm, which is generally considered freer than the metered rhythms of later Western music. They are also traditionally sung without musical accompaniment, though recent scholarship has unearthed a widespread custom of accompanied chant that transcended religious and geographical borders. There are three types of chant melodies that plainsongs fall into: syllabic, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church and the Eastern Orthodox churches did not split u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monk
A monk (; from , ''monachos'', "single, solitary" via Latin ) is a man who is a member of a religious order and lives in a monastery. A monk usually lives his life in prayer and contemplation. The concept is ancient and can be seen in many religions and in philosophy across numerous cultures. The Greek word for "monk" may be applied to men or women. In English, however, "monk" is applied mainly to men, while ''nun'' is typically used for female monastics. Although the term ''monachos'' is of Christianity, Christian origin, in the English language ''monk'' tends to be used loosely also for both male and female ascetics from other religious or philosophical backgrounds. However, being generic, it is not interchangeable with terms that denote particular kinds of monk, such as cenobite, hermit, anchorite, or Hesychasm, hesychast. Traditions of Christian monasticism exist in major Christian denominations, with religious orders being present in Catholicism, Lutheranism, Oriental Ort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plainsong
Plainsong or plainchant (calque from the French ; ) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of the Western Christian church music until the ninth century, and the introduction of polyphony. The monophonic chants of plainsong have a non-metric rhythm, which is generally considered freer than the metered rhythms of later Western music. They are also traditionally sung without musical accompaniment, though recent scholarship has unearthed a widespread custom of accompanied chant that transcended religious and geographical borders. There are three types of chant melodies that plainsongs fall into: syllabic, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church and the Eastern Orthodox churches did not split u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composition (music)
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score", which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ardis Butterfield
Ardis Butterfield is a scholar of medieval music and literature. She is the Marie Borroff Professor of English, and Professor of Music and French at Yale University United States. Education Butterfield read English at Trinity College, Cambridge, followed by a master's degree in medieval literature at the University of Bristol, both in England, after which she returned to Trinity College to complete a PhD. Her PhD was entitled 'Interpolated lyric in medieval narrative poetry' (1988). Career In 2009, Butterfield co-founded the Medieval Song Network, a research group, in London, England, UK. In 2012, Butterfield became a professor of English at Yale University. In 2018, Butterfield became a senior research fellow at University of Cambridge. In 2018, Butterfield had been appointed as the Marie Borroff Professor of English at Yale University. Butterfield is leading a team to develop a Digital Archive of Medieval Song. Awards * R.H. Gapper Prize Bibliography * ''The Familiar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monody
In music, monody refers to a solo vocal style distinguished by having a single melody, melodic line and instrumental accompaniment. Although such music is found in various cultures throughout history, the term is specifically applied to Italy, Italian song of the early 17th century, particularly the period from about 1600 to 1640. The term is used both for the style and for individual songs (so one can speak both of monody as a whole as well as a particular monody). The term itself is a recent invention of scholars. No composer of the 17th century ever called a piece a monody. Compositions in monodic form might be called madrigal (music), madrigals, motets, or even concertos (in the earlier sense of "concertato", meaning "with instruments"). In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death. (In the context of ancient Greek literature, monody, , could simply refer to lyric poetry sung by a single performer, rather ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophony
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that provide the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ( homophony). Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
