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Models (painting)
''Models'', also known as ''The Three Models'' and ''Les Poseuses'', is a work by Georges Seurat, painted between 1886 and 1888 and held by the Barnes Foundation in Philadelphia. ''Models'' was exhibited at the fourth Salon des Indépendants in spring of 1888. The piece, the third of Seurat's six major works, is a response to critics who deemed Seurat's technique inferior for being cold and unable to represent life. As a response, the artist offered a nude depiction of the same model in three different poses. In the left background is part of Seurat's 1884-1886 painting ''A Sunday Afternoon on the Island of La Grande Jatte''. ''Models'' is considered distinctive because of its pointillist technique and the political implications of its depiction of the nude female body. Seurat's life Georges-Pierre Seurat was the third child of Ernestine Faivre and Antoine-Chrysostome Seurat. He was born in Paris on 2 December 1859 into a bourgeois family. He entered in the École des Beaux- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work '' A Sunday Afternoon on the Island of La Grande Jatte'' (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting. Biography Family and education Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863. Seurat: p. 16 His father, Antoine Chrysostom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinz Berggruen
Heinz Berggruen (6 January 1914 – 23 February 2007) was a German art dealer and collector who sold 165 works of art to the German federal government to form the core of the Berggruen Museum in Berlin, Germany. Biography Berggruen was born in Wilmersdorf, Berlin to assimilated Jewish parents: Ludwig Berggruen, a businessman who owned an office supply business before the war, and Antonie (Zadek).John Green (May 23, 2007)Heinz Berggruen''The Guardian''. He attended the Goethe-Gymnasium in Wilmersdorf and graduated from the Friedrich-Wilhelms (now Humboldt) University in 1932, where he read literature. After 1933, he continued his studies at the universities of Grenoble and Toulouse.Heinz Berggruen ''The Times''. He contributed free-lance articles to the ''Frankfurter Zeitung'', the forerunner of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ISSN (identifier)
An International Standard Serial Number (ISSN) is an eight-digit serial number used to uniquely identify a serial publication, such as a magazine. The ISSN is especially helpful in distinguishing between serials with the same title. ISSNs are used in ordering, cataloging, interlibrary loans, and other practices in connection with serial literature. The ISSN system was first drafted as an International Organization for Standardization (ISO) international standard in 1971 and published as ISO 3297 in 1975. ISO subcommittee TC 46/SC 9 is responsible for maintaining the standard. When a serial with the same content is published in more than one media type, a different ISSN is assigned to each media type. For example, many serials are published both in print and electronic media. The ISSN system refers to these types as print ISSN (p-ISSN) and electronic ISSN (e-ISSN). Consequently, as defined in ISO 3297:2007, every serial in the ISSN system is also assigned a linking ISSN ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Paintings By Georges Seurat
This is a list of paintings by Georges Seurat (2 December 1859 - 29 March 1891), a Post-Impressionist/ Neo-Impressionist painter. He is noted for being the co-father of pointillism Pointillism (, ) is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" wa .... Seurat had a short life, dying at only 31. As a result, many art historians tend not to divide his professional work into periods. References {{Reflist Paintings by Georges Seurat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waldemar Januszczak
Waldemar Januszczak (born 12 January 1954) is an English art critic and television documentary producer and presenter. Formerly the art critic of ''The Guardian'', he took the same role at ''The Sunday Times'' in 1992, and has twice won the Critic of the Year award. Life Januszczak was born in Basingstoke, Hampshire, to Polish refugees who had arrived in England after the Second World War. In Poland his father had been a policeman in Sanok, a job which included exposing Communists. In the UK he worked as a railway carriage cleaner, but died, aged 57, when a train ran over him at Basingstoke railway station. His widow, then aged 33, found work as a dairymaid. Waldemar was one year old at the time." ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Valpinçon Bather
''The Valpinçon Bather'' (Fr: ''La Grande Baigneuse'') is an 1808 painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres (1780–1867), held in the Louvre since 1879. Painted while the artist was studying at the French Academy in Rome, it was originally titled ''Seated Woman'' but later became known after one of its nineteenth-century owners. Context Ingres had earlier painted female nudes, such as his ''Bathing Woman'' of 1807, yet this work is widely regarded as his first great treatment of the subject. As with the previous smaller work, the model is shown from behind, however ''The Valpinçon Bather'' lacks the earlier painting's overt sexuality, instead depicting a calm and measured sensuality.Rosenblum, 66 Ingres returned to the form of this figure a number of times in his life; culminating in his '' The Turkish Bath'' of 1863, where the central figure in the foreground playing a mandolin echoes in rhythm and tone the model of the Valpinçon bather. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Auguste-Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters—was fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luncheon On The Grass
Lunch is a meal eaten around the middle of the day. It is commonly the second meal of the day, after breakfast, and varies in size by culture and region. Etymology According to the ''Oxford English Dictionary'' (''OED''), the etymology of ''lunch'' is uncertain. It may have evolved from ''lump'' in a similar way to ''hunch'', a derivative of ''hump'', and ''bunch'', a derivative of ''bump''. Alternatively, it may have evolved from the Spanish , meaning "slice of ham". It was first recorded in 1591 with the meaning 'thick piece, hunk' as in "lunch of bacon". The modern definition was first recorded in 1829. Luncheon ( or ) has a similarly uncertain origin according to the ''OED'', which they claim is "related in some way" to ''lunch''. It is possible that ''luncheon'' is an extension of ''lunch'' in a similarly way with ''punch'' to ''puncheon'' and ''trunch'' to '' truncheon''. Originally interchangeable with ''lunch'', it is now used in specially formal circumstances. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre Painting
Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively, thus distinguishing it from history paintings (also called ''grand genre'') and portraits. A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model. In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question. The depictions can be realistic, imagined, or romanticized by the artist. Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class. Genre subjects appear in many traditions of art. Painted decorations in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Painting
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academic Art
Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism," "academicism," " art pompier" (pejoratively), and "eclecticism," and sometimes linked with "historicism" and "syncretism." Academic art is closely related to Beaux-Arts architecture, which developed in the same place and holds to a similar classicizing ideal. The academies in history The first academy of art was founded in Florence in Italy by Cosimo I de' Medici, on 13 January 1563, under the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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