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Jean-Auguste-Dominique Ingres
Jean-Auguste-Dominique Ingres ( ; ; 29 August 1780 – 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romanticism (art), Romantic style. Although he considered himself a History painting, painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Henri Matisse, Pablo Picasso, and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of Jacques-Louis David, David. In 1802 he made his Paris Salon, Salon debut, and won the for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montauban
Montauban (, ; ) is a commune in the southern French department of Tarn-et-Garonne. It is the capital of the department and lies north of Toulouse. Montauban is the most populated town in Tarn-et-Garonne, and the sixth most populated of Occitanie behind Toulouse, Montpellier, Nîmes, Perpignan and Béziers. In 2019, there were 61,372 inhabitants, called ''Montalbanais''. The town has been classified in the French Towns and Lands of Art and History network since 2015. The town, built mainly of a reddish brick, stands on the right bank of the Tarn at its confluence with the Tescou. History Montauban is the second oldest (after Mont-de-Marsan) of the '' bastides'' of southern France. Its foundation dates from 1144 when Count Alphonse Jourdain of Toulouse, granted it a liberal charter. The inhabitants were drawn chiefly from Montauriol, a village which had grown up around the neighbouring monastery of St Théodard. In the 13th century the town suffered much from the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Academy In Rome
The French Academy in Rome (, ) is an academy located in the Villa Medici, within the Villa Borghese, on the Pincio (Pincian Hill) in Rome, Italy. History The Academy was founded at the Palazzo Capranica in 1666 by Louis XIV under the direction of Jean-Baptiste Colbert, Charles Le Brun and Gian Lorenzo Bernini. The Academy was from the 17th to 19th centuries the culmination of study for select French artists who, having won the prestigious Prix de Rome (Rome Prize), were honored with a 3, 4 or 5-year scholarship (depending on the art discipline they followed) in the Eternal City for the purpose of the study of art and architecture. Such scholars were and are known as ''pensionnaires de l'Académie'' (Academy pensioners). One recipient of the scholarship in the 17th century was Pierre Le Gros the Younger. The Academy was housed in the Palazzo Capranica until 1737, and then in the Palazzo Mancini from 1737 to 1793. The Scottish artists Alexander Clerk, Allan Ramsay and Alexa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Martyrdom Of Saint Symphorian
''The Martyrdom of Saint Symphorian'' is an 1834 painting by the French artist Jean-Auguste-Dominique Ingres. It shows the death of Saint Symphorian, the first Christian martyr in Gaul. Painted in oil on canvas and measuring 407 x 339 cm, it is now in Autun Cathedral. Although Ingres considered the painting—completed only after ten years of diligent work—one of his crowning achievements, it was criticized harshly when he exhibited it in the Paris Salon of 1834. It subsequently has been considered emblematic of Ingres' ambition to excel as a history painter. Background Frustrated during the early part of his career by the need to paint portraits to earn a living, Ingres was determined to make his reputation in the more prestigious genre of history painting, which he considered to be his true calling. His ambition was fulfilled when his '' The Vow of Louis XIII'' achieved a triumphant success at the Salon of 1824. The painting's calm classicism—which testified to Ingres' cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Vow Of Louis XIII
''The Vow of Louis XIII'' is an 1824 oil painting on canvas by the French Neoclassical artist Jean-Auguste-Dominique Ingres, now in Montauban Cathedral. The painting depicts a vow to the Virgin Mary by Louis XIII of France. It was commissioned by France's Ministry of Interior in August 1820 for the cathedral of Notre-Dame in Montauban.Tinterow and Conisbee 1999, p. 548.Rosenblum 1986, p. 126. The subject of the painting was to be Louis XIII's vow in 1638 to consecrate his kingdom to the Virgin in Her Assumption.Arikha 1986, pp. 55–56. When Ingres accepted the commission, he was living in Florence. Although he had experienced success as a portrait painter, his ambition was to establish a reputation in the more prestigious genre of history painting. He went to work with his usual diligence, and spent four years bringing the large canvas to completion. He traveled to Paris with it in October 1824. It was a critical success at that year's Salon and later established Ingres' rep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. List of paintings by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Platonism in the Renaissance, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father Giovanni Santi was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He probably trained in the workshop of Pietro Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of Pope Julius II, to work on the Apostolic Palace at Vatican ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon Of 1824
The Salon of 1824 was an art exhibition held at the Louvre in Paris between 25 August 1824 and 15 January 1825. It took place during the Second Bourbon Restoration, Restoration Era that followed the downfall of Napoleon's First French Empire, French Empire. At the time one of Europe's premier art exhibitions, the Salon (Paris), Salon was held roughly biennially during the period. It was the first to be held since Charles X of France, Charles X succeeded to the throne earlier the same year. Exhibition Amongst French painters there was anticipation over the return of Horace Vernet who had drawn interest at the Salon of 1819. When two of his paintings had been rejected by the committee for the Salon of 1822, 1822 Salon, he had responded by withdrawing all his entries bar one and went on to hold a private exhibition in his own studios which was a great success. In 1824 he exhibited more than twenty paintings, including older works that functioned as a retrospective. Amongst paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ambassadors Of Agamemnon In The Tent Of Achilles
''The Ambassadors of Agamemnon in the tent of Achilles'' is an oil-on-canvas painting by Jean-Auguste-Dominique Ingres, produced in 1801 for the Prix de Rome competition. It is now in the École nationale supérieure des beaux-arts in Paris. It shows an episode from Homer's ''Iliad'', in which Achilles refuses to listen to the envoys sent by Agamemnon to convince him back into the Trojan War. The topic assigned for the artists competing for the Prix de Rome in 1801 was the warriors' procession toward battle; Ingres' interpretation of the subject characteristically emphasized a moment of psychological drama instead of physical action.Condon et al. 1983, p. 12. The work was intended as a demonstration of Ingres' mastery of the human figure in classical history painting – Odysseus is shown in a red cloak derived from a sculpture by Pseudo-Phidias. The painting is in the neo-classical style and belongs to the school of Jacques-Louis David, in whose studio Ingres had trained. It als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prix De Rome
The Prix de Rome () or Grand Prix de Rome was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of Louis XIV of France. Winners were awarded a bursary that allowed them to stay in Rome for three to five years at the expense of the state. The prize was extended to architecture in 1720, music in 1803 and engraving in 1804. The prestigious award was abolished in 1968 by André Malraux, then Minister of Culture, following the May 68 riots that called for cultural change. History The Prix de Rome was initially created for painters and sculptors in 1663 in France, during the reign of Louis XIV. It was an annual bursary for promising artists having proved their talents by completing a very difficult elimination contest. To succeed, a student had to create a sketch on an assigned topic while isolated in a closed booth with no reference material to draw on. The prize, organised by the Académie Royale de Peintu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Salon
The Salon (), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the Salon of 1761, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it was managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salon de Paris was essential for any artist to achieve success in France for at le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pablo Picasso
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, Ceramic art, ceramicist, and Scenic design, theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of Assemblage (art), constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the Proto-Cubism, proto-Cubist ''Les Demoiselles d'Avignon'' (1907) and the anti-war painting ''Guernica (Picasso), Guernica'' (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. Beginning his formal training under his father José Ruiz y Blasco aged seven, Picasso demonstrated extraordinary artistic talent from a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Matisse
Henri Émile Benoît Matisse (; 31 December 1869 – 3 November 1954) was a French visual arts, visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a drawing, draughtsman, printmaking, printmaker, and sculpture, sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. The intense colourism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauvism, Fauves (French language, French for "wild beasts"). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasized flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
