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Miles And Monk At Newport
''Miles & Monk at Newport'' is a split album featuring separate performances by the Miles Davis sextet and the Thelonious Monk quartet at the Newport Jazz Festival, recorded in 1958 and 1963, respectively, and released in June 1964 by Columbia records. Despite the album's title, the two artists do not perform together at either date. On the first side of the LP was a series of high tempo performances of bebop tunes and other staples of the Davis live repertoire from 1958. The performance was contemporaneous with Davis' '' Milestones'' album. Aside from the 1973 release ''Jazz at the Plaza'' (also a 1958 concert) during the LP era, this was the only legitimate (non-bootleg) recording of a live Davis combo performance earlier than the 1960 Blackhawk recordings. As such, this performance and ''Jazz at the Plaza'' were the only legitimate live recordings representing the ''Kind of Blue'' sextet. On the second side were a few numbers by Thelonious Monk's combo, from a 1963 Newpor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the '' Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milestones (Miles Davis Album)
''Milestones'' is a studio album by American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded with his "first great quintet" augmented as a sextet and released in 1958 by Columbia Records. Composition Tenor saxophonist John Coltrane's return to Davis' group in 1958 coincided with the "modal phase" albums: ''Milestones'' and ''Kind of Blue'' (1959) are both considered essential examples of 1950s modern jazz. Davis at this point was experimenting with modes – scale patterns other than major and minor. Davis plays both trumpet and piano on "Sid's Ahead", a blues which is reminiscent of "Walkin'". He plays trumpet in the ensemble passages and solos on trumpet but moves to the piano to accompany the saxophonists in Garland's absence. "Billy Boy" is a solo feature for Garland and the rhythm section. Critical reception In a five-star review, AllMusic's Thom Jurek called ''Milestones'' a classic album with blues material in both bebop and post-bop veins, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents (" dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York between 1951 and 1956, performing with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isham Jones
Isham Edgar Jones (January 31, 1894 – October 19, 1956) was an American bandleader, saxophonist, bassist and songwriter. Career Jones was born in Coalton, Ohio, United States, to a musical and mining family. His father, Richard Isham Jones (1865–1945), was a violinist. The family moved to Saginaw, Michigan, where Jones grew up and started his first ensemble for church concerts. In 1911 one of Jones's earliest compositions "On the Alamo" was published by Tell Taylor Inc. ( Taylor had formed a publishing company the year before when his song "Down by the Old Mill Stream" became a hit.) In 1915 Jones moved to Chicago, Illinois. He performed at the Green Mill Gardens, then began playing at Fred Mann's Rainbo Gardens. Chicago remained his home until 1932, when he settled in New York City. He also toured England with his orchestra in 1925. In 1917, he composed the tune "We're In The Army Now" (also known as " You're In the Army Now") when the United States entered World War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Henderson
Ray Henderson (born Raymond Brost; December 1, 1896 – December 31, 1970) was an American songwriter. Early life Born in Buffalo, New York, United States, Henderson moved to New York City and became a popular composer in Tin Pan Alley. He was one third of a successful songwriting and music publishing team with Lew Brown and Buddy De Sylva from 1925 through 1930, responsible for several editions of the revue called ''George White's Scandals'' and such book musicals as '' Good News'', '' Hold Everything!'', and '' Follow Thru''. After De Sylva's departure, Henderson continued to write with Brown through 1933. Then, he worked with other partners. In 1934, he composed the musical '' Say When'' with lyricist Ted Koehler. Music Henderson's biggest hit songs included "Annabelle" (1923), " Bye Bye Blackbird", "Has Anybody Seen My Girl?" (a/k/a "Five Foot Two, Eyes of Blue"), "I'm Sitting on Top of the World", " Don't Bring Lulu" (all 1925), " The Birth of the Blues" (1926), "The Var ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mort Dixon
Mort Dixon (March 20, 1892 – March 23, 1956) was an American lyricist. Biography Born in New York City, United States, Dixon began writing songs in the early 1920s, and was active into the 1930s. He achieved success with his first published effort, 1923's "That Old Gang of Mine". His chief composer collaborators were Ray Henderson, Harry Warren, Harry M. Woods and Allie Wrubel. His composing output declined in the late 1930s, and he retired early in life to reside in Westchester County, New York. Among his lyrics are: "That Old Gang Of Mine" (1923), " Bye Bye Blackbird" (1926), "I'm Looking Over a Four Leaf Clover" (1927), "Nagasaki" (1928), " Would You Like to Take a Walk?" (1930), " I Found a Million Dollar Baby (in a Five and Ten Cent Store)", "You're My Everything", and "River, Stay 'Way from My Door" (1931), "Flirtation Walk" and "Mr and Mrs is the Name" (1934) and " The Lady in Red" (1935). Dixon is a member of the Songwriters Hall of Fame. He died in Bronxville, New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sony Music Entertainment Japan
, often abbreviated as SMEJ or simply SME, and also known as Sony Music Japan for short (stylized as ''SonyMusic''), is a Japanese music arm for Sony. Founded in 1968 as CBS/Sony, SMEJ is directly owned by Sony Group Corporation and is operating independently from the United States-based Sony Music Entertainment due to its strength in the Japanese music industry. Its subsidiaries include the Japanese animation production enterprise, Aniplex, which was established in September 1995 as a joint-venture between Sony Music Entertainment Japan and Sony Pictures Entertainment Japan, but which in 2001 became a wholly owned subsidiary of Sony Music Entertainment Japan. It was prominent in the early to mid '90s producing and licensing music for animated series such as '' Roujin Z'' from acclaimed Japanese comic artist Katsuhiro Otomo and Capcom's '' Street Fighter'' animated series. Until March 2007, Sony Music Japan also had its own North American sublabel, Tofu Records. Releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Straight, No Chaser (composition)
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the ''Genius of Modern Music'' sessions. It also appears on '' 5 by Monk by 5'', and '' Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on '' Carmen Sings Monk''. Mark Murphy sings a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
