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Miles Davis And The Modern Jazz Giants
''Miles Davis and the Modern Jazz Giants'' (PRLP 7150) is an album by Miles Davis, released on Prestige Records in 1959. Most of the material comes from a session on December 24, 1954, featuring Thelonious Monk and Milt Jackson, and had been previously released in the discontinued ten inch LP format. "Swing Spring" was originally released on the 10"LP '' Miles Davis All Stars, Volume 1'' (PRLP 196), and "Bemsha Swing" and "The Man I Love" (take 2) had been previously released on '' Volume 2'' (PRLP 200). " 'Round Midnight" is newly released, and comes from the same sessions by Davis's new quintet in 1956 which resulted in '' Steamin' with the Miles Davis Quintet'' (PRLP 7200) and three other albums to fulfill Davis's contract with Prestige. The 1954 session The 1954 session was Davis accompanied by members of the Modern Jazz Quartet, and Thelonious Monk. Notable as the only time Thelonious Monk made a studio recording with Davis—the two men did not get on well, as Davis felt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music, 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born into an upper-middle-class family in Alton, Illinois, and raised in East St. Louis, Davis started on the trumpet in his early teens. He left to study at Juilliard School, Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, while addicted to heroin, Davis recorded some of the earliest hard bop music under Prestige Records. After a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, impromptu soul music" (quoted in Nat Hentoff's liner notes to '' Plenty, Plenty Soul''). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as " I Got Rhythm", " Embraceable You", " The Man I Love", and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is widely considered an importa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned jazz, popular music, popular and classical music. Among his best-known works are the songs "Swanee (song), Swanee" (1919) and "Fascinating Rhythm" (1924), the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930) and the opera ''Porgy and Bess'' (1935), which included the hit "Summertime (George Gershwin song), Summertime". His ''Of Thee I Sing'' (1931) was the first musical theater, musical to win the Pulitzer Prize for Drama. Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Man I Love (song)
"The Man I Love" is a popular standard with music by George Gershwin and lyrics by his brother Ira Gershwin. Part of the 1924 score for the Gershwin musical comedy '' Lady, Be Good'', the song was deleted from that show and put into the Gershwins' 1927 government satire '' Strike Up the Band'' (where it appears as "The Man I Love" and "The Girl I Love"), which closed out-of-town. It was considered for, then rejected from, the 1928 Florenz Ziegfeld Jr. hit '' Rosalie''. The song was used as the title of, and was prominently featured in, the 1947 film noir melodrama '' The Man I Love'', starring Ida Lupino and Bruce Bennett. Covers Like many songs from George and Ira Gershwin, "The Man I Love" is considered part of the Great American Songbook. Composed in AABA form, it was covered on stage and on record by many artists. An early notable performance was by the Benny Goodman Quartet at the Goodman band's 1938 Carnegie Hall Concert (with Benny Goodman on clarinet; Gene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudy Van Gelder
Rudolph Van Gelder (November 2, 1924 – August 25, 2016) was an American recording engineer who specialized in jazz. Over more than half a century, he recorded several thousand sessions, with musicians including Booker Ervin, John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Lee Morgan, Joe Henderson, Freddie Hubbard, Wayne Shorter, Horace Silver, Herbie Hancock, Grant Green and George Benson. He worked with many different record companies, and recorded almost every session on Blue Note Records from 1953 to 1967. He worked on albums including John Coltrane's '' A Love Supreme'', Miles Davis's '' Walkin''', Herbie Hancock's '' Maiden Voyage'', Sonny Rollins's '' Saxophone Colossus'', and Horace Silver's '' Song for My Father''. He is regarded as one of the most influential engineers in jazz. Early life Van Gelder was born in Jersey City, New Jersey. His parents, Louis Van Gelder and the former Sarah Cohen ran a women's clothing store in Passaic. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gitler
Ira Gitler (December 18, 1928 – February 23, 2019) was an American jazz historian and journalist. The co-author of ''The Biographical Encyclopedia of Jazz'' with Leonard Feather—the most recent edition appeared in 1999—he wrote hundreds of liner notes for jazz recordings beginning in the early 1950s and wrote several books about jazz and ice hockey, two of his passions.Manhattan School of MusicFaculty: Mr. Ira Gitler. Retrieved Oct. 16, 2008. Jazz Gitler was born at Brooklyn, New York into a Jewish family and grew up listening to swing bands in the late 1930s and 1940s, before discovering the new music of Charlie Parker and Dizzy Gillespie. In the early 1950s, he worked as a producer of recording sessions for the Prestige label. He is credited with coining the term "sheets of sound" in the late 1950s, to describe the playing of John Coltrane. Gitler was the New York editor of ''Down Beat'' magazine during the 1960s and wrote for ''Metronome Magazine'', ''JazzTimes'', ''Jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bags' Groove
''Bags' Groove'' (PRLP 7109) is a jazz album by Miles Davis, released in 1957 by Prestige, compiling material from two 10" LPs recorded in 1954, plus two alternative takes. Recording Both takes of the title track come from a session on December 24, 1954, the first version having been previously released on '' Miles Davis All Stars, Volume 1'' (PRLP 196). ("Bags" was vibraphonist Milt Jackson's nickname.) The other tracks recorded during this session may be found on ''Miles Davis and the Modern Jazz Giants'' (PRLP 7150), and all of them are also featured on the compilation album ''Thelonious Monk: The Complete Prestige Recordings''. The rest of the album was recorded earlier in the year, on June 29, and four of the tracks had already been released as '' Miles Davis with Sonny Rollins'' (PRLP 187), with the fifth being a previously unreleased alternative take. Music The title track was written by Milt "Bags" Jackson and the three compositions written by the young Sonny Rollins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Jazz Quartet
The Modern Jazz Quartet (MJQ) was a jazz combo established in 1952 that played music influenced by classical music, classical, cool jazz, blues and bebop. The Quartet consisted of John Lewis (pianist), John Lewis (piano), Milt Jackson (vibraphone), Percy Heath (double bass), and various drummers, most notably Kenny Clarke (from 1952 to 1955) and Connie Kay (from 1955 to 1994). The group grew out of the rhythm section of Dizzy Gillespie's big band from 1946 to 1948, which consisted of Lewis, Jackson, and Clarke along with bassist Ray Brown (musician), Ray Brown. They recorded as the Milt Jackson Quartet in 1951 and Brown left the group, being replaced on bass by Heath. During the early-to-mid-1950s they became the Modern Jazz Quartet, Lewis became the group's musical director, and they made several recordings with Prestige Records, including the original versions of their two best-known compositions, Lewis's "Django (composition), Django" and Jackson's "Bags' Groove (composition), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steamin' With The Miles Davis Quintet
''Steamin' with the Miles Davis Quintet'' is an album by the Miles Davis Quintet, released in 1961 through Prestige Records. The recording was made at two sessions on May 11 and October 26, 1956 that produced four albums: ''Steamin'', '' Relaxin' with The Miles Davis Quintet'', '' Workin' with The Miles Davis Quintet'' and '' Cookin' with the Miles Davis Quintet''. Reception The contemporaneous ''DownBeat'' reviewer praised all of the musicians except pianist Red Garland, and concluded: "This album is a must for anyone seriously interested in jazz". Track listing Prestige – LP 7200: Personnel *Miles Davis – trumpet *John Coltrane – tenor saxophone (except 3 and 6) *Red Garland – piano *Paul Chambers – bass *Philly Joe Jones Joseph Rudolph "Philly Joe" Jones (July 15, 1923 – August 30, 1985) was an American Jazz drumming, jazz drummer. Biography Early career As a child, Jones appeared as a featured tap dancer on ''The Kiddie Show'' on the Philadelphia radio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis Quintet
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1958, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout. First Great Quintet/Sextet (1955–58) In the summer of 1955, after Davis performed at the Newport Jazz Festival, he was approached by Columbia Records executive George Avakian, who offered him a contract if he could form a regular band. Davis assembled his first regular quintet to meet a commitment at the Café Bohemia in July with Sonny Rollins on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. By the autumn, Rollins had left to deal with his heroin addiction, and later in the year joined the hard bop quintet led by Cliffor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'Round Midnight (song)
"Round Midnight" (sometimes titled "Round About Midnight") is a 1943 composition by American jazz pianist Thelonious Monk that quickly became a jazz standard and has been recorded by a wide variety of artists. A version recorded by Monk's quintet was added to the Grammy Hall of Fame in 1993. It is one of the most recorded jazz standards composed by a jazz musician. Composition and Monk's first recording It is thought that Monk composed the song sometime in 1940 or 1941. However, Monk's longtime manager Harry Colomby claims the pianist may have written an early version around 1936 (at the age of 19). The song was copyrighted September 24, 1943, in C minor under the title "I Need You So", with lyrics by a friend of Monk's named Thelma Murray. The first recording was made by Cootie Williams on August 22, 1944, after the pianist Bud Powell persuaded Williams to record the tune. Monk first recorded the song on November 21, 1947. It later appeared on the Blue Note album '' Genius of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
