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Miles Davis All Stars, Volume 2
''Miles Davis All Stars, Vols. 1 & 2'' are a pair of separate but related 10" LP albums by Miles Davis recorded by Rudy Van Gelder on December 24, 1954 and released on Prestige Records as ''Miles Davis All Stars, Vol. 1'' and ''Miles Davis All Stars, Vol. 2'' the following year.' The ''All Stars'' session featured two of Davis’s major be-bop contemporaries: pianist and composer Thelonious Monk and vibraphonist Milt Jackson, along with the same rhythm section that had been used on Davis's other recent albums—bassist Percy Heath and drummer Kenny Clarke; the later three comprised three-quarters of the Modern Jazz Quartet at this time. After the 10" LP format was discontinued, the tracks would be broken up and reissued on the new 12" format: "Bags' Groove" on '' Bags' Groove'' (1957), paired with an alternate take; the other three on ''Miles Davis and the Modern Jazz Giants'' (1959), paired with an alternate take of " The Man I Love" and an unrelated track from a later sessio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music, 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born into an upper-middle-class family in Alton, Illinois, and raised in East St. Louis, Davis started on the trumpet in his early teens. He left to study at Juilliard School, Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, while addicted to heroin, Davis recorded some of the earliest hard bop music under Prestige Records. After a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), known professionally as Kenny Clarke and nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents ("dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to the 2nd Millenium BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, appearing in orchestras, concert bands, chamber music groups, and jazz ensembles. They are also common in popular music and are generally included in school bands. Sound is produced by vibrating the lips in a mouthpiece, which starts a standing wave in the air column of the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as " I Got Rhythm", " Embraceable You", " The Man I Love", and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is widely considered an importa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned jazz, popular music, popular and classical music. Among his best-known works are the songs "Swanee (song), Swanee" (1919) and "Fascinating Rhythm" (1924), the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930) and the opera ''Porgy and Bess'' (1935), which included the hit "Summertime (George Gershwin song), Summertime". His ''Of Thee I Sing'' (1931) was the first musical theater, musical to win the Pulitzer Prize for Drama. Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denzil Best
Denzil DaCosta Best (April 27, 1917 – May 24, 1965) was an American jazz percussionist and composer born in New York City. He was a prominent bebop drummer in the 1950s and early 1960s. Biography Best was born in New York City, into a musical Caribbean family originally from Barbados. Trained on piano, trumpet, and bass, he concentrated on the drums starting in 1943. Between 1943 and 1944, he worked with Ben Webster, and subsequently with Coleman Hawkins (1944–45), Illinois Jacquet (1946) and Chubby Jackson. The drummer was known to sit in at Minton's Playhouse. He took part in a recording with George Shearing in 1948 and was a founding member of his Quartet, remaining there until 1952. In 1949, he played on a recording session with Lennie Tristano for Capitol and also recorded later with Lee Konitz. In a 1953 car accident he fractured both legs and was forced into temporary retirement until 1954, when he played with Artie Shaw, and then in a trio with Erroll Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bemsha Swing
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on '' 5 by Monk by 5'', and '' Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a ver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bags' Groove (composition)
"Bags' Groove" is a jazz music composition, composition by Milt Jackson. It was first recorded by the Milt Jackson Quintet on April 7, 1952 for Blue Note Records, later released on ''Wizard of the Vibes''. Lou Donaldson, John Lewis (pianist), John Lewis, Percy Heath and Kenny Clarke were on that date. Next was the Mat Mathews quintet with Herbie Mann (July 6, 1953), Bud Powell (September 1953), Mat Mathews again (September 1, 1953), a bootleg version by the Modern Jazz Quartet (October 31, 1953), the Lighthouse All-Stars (February 25, 1954), bassist Buddy Banks (bassist), Buddy Banks' quartet (with Bob Dorough and Roy Haynes in October 1954) and then Jay Jay Johnson and Kai Winding (December 3, 1954). Other important recordings include those by Ray Bryant, Oscar Peterson, Al Haig, George Russell (composer), George Russell, and Mal Waldron. Perhaps the most famous recording was the one by Miles Davis's quintet in 1954. The recording was released on the 1957 album ''Bags' Groove''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dig (Miles Davis Album)
''Dig'' is an album by Miles Davis on Prestige Records, catalogue number 7012. It features tracks from a 1951 session at Apex Studios. First released in the 12-inch LP format in 1956, the original album was later released as ''Diggin'' with the catalogue number PR 7281 and a different cover. ''Dig'' was reissued as a compact disc with additional tracks. After the '' Birth of the Cool'' recording sessions in 1949 and 1950, Davis almost immediately turned away from that sound in the early 1950s, instead exploring hard bop. ''Dig'' was also the jazz recording debut of saxophonist Jackie McLean, and was one of Sonny Rollins's earliest recordings; both men would go on to become major voices in jazz. Release history The material was originally released on two 10-inch LPs, except for "Denial", released on a 1954 7" (Prestige PREP 1361). "Dig" and "It's Only a Paper Moon" first appeared on '' The New Sounds'' (PRLP 124), as did "Conception" and " My Old Flame". "Bluing" and "Out o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musings Of Miles
''The Musings of Miles'' is the first 12" LP record by Miles Davis. It was issued by Prestige Records in September 1955, following several LPs issued in the 10 inch format. The six tracks were all recorded at Rudy Van Gelder's home studio on June 7, 1955. Pianist Red Garland and drummer Philly Joe Jones would go on to join Miles' First Great Quintet, that would record later in 1955. "A Night in Tunisia" features Jones playing with special drum sticks which had bells riveted to the shaft.''The Musings of Miles...'' aconcordmusicgroup.com/.../ref> Reception The AllMusic review by Scott Yanow called it "likable if not essential music." Track listing Personnel *Miles Davis – trumpet *Red Garland – piano *Oscar Pettiford – bass *Philly Joe Jones – drums The drum is a member of the percussion instrument, percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is a membranophones, membranophone. Drums consist of at least one A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis Quintet
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1958, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout. First Great Quintet/Sextet (1955–58) In the summer of 1955, after Davis performed at the Newport Jazz Festival, he was approached by Columbia Records executive George Avakian, who offered him a contract if he could form a regular band. Davis assembled his first regular quintet to meet a commitment at the Café Bohemia in July with Sonny Rollins on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. By the autumn, Rollins had left to deal with his heroin addiction, and later in the year joined the hard bop quintet led by Cliffor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Man I Love (song)
"The Man I Love" is a popular standard with music by George Gershwin and lyrics by his brother Ira Gershwin. Part of the 1924 score for the Gershwin musical comedy '' Lady, Be Good'', the song was deleted from that show and put into the Gershwins' 1927 government satire '' Strike Up the Band'' (where it appears as "The Man I Love" and "The Girl I Love"), which closed out-of-town. It was considered for, then rejected from, the 1928 Florenz Ziegfeld Jr. hit '' Rosalie''. The song was used as the title of, and was prominently featured in, the 1947 film noir melodrama '' The Man I Love'', starring Ida Lupino and Bruce Bennett. Covers Like many songs from George and Ira Gershwin, "The Man I Love" is considered part of the Great American Songbook. Composed in AABA form, it was covered on stage and on record by many artists. An early notable performance was by the Benny Goodman Quartet at the Goodman band's 1938 Carnegie Hall Concert (with Benny Goodman on clarinet; Gene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
