Meisho Amusement Machines
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Meisho Amusement Machines
originally referred to sites in Japan famous for their associations with specific poetic or literary references. With the development of woodblock printing and newer styles of tourism during the Edo period, the term came to denote a wider range of places of interest. Literary ''meisho'' Used in conjunction with ''utamakura'', ''meisho'' add layers of allusion to poetry and literary and dramatic works which would not otherwise be present. Many of the most famous ''meisho'' derive from references in the Genji Monogatari, Heike Monogatari, and Ise Monogatari. In addition to being referenced in poetry and literature, ''meisho'' very often make appearances in Noh, kabuki, and jōruri (music), jōruri theatre, and in ukiyo-e and other visual art forms. One example is that of the ''miyakodori'', or "birds of the capital", originally referenced in the ''Ise monogatari''. As most ''meisho'' derive from Heian era source, this is among the very few which related to the Edo/Tokyo area. T ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ...
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Sumidagawa
The is a river that flows through central Tokyo, Japan. It branches from the Arakawa River at Iwabuchi (in Kita-ku) and flows into Tokyo Bay. Its tributaries include the Kanda and Shakujii rivers. It passes through the Kita, Adachi, Arakawa, Sumida, Taitō, Kōtō and Chūō wards of Tokyo. What is now known as the "Sumida River" was previously the path of the Ara-kawa. Toward the end of the Meiji era, the Ara-kawa was manually diverted to prevent flooding, as the Imperial Palace in Chiyoda is nearby. Art Sumida Gawa pottery was named after the Sumida River and was originally manufactured in the Asakusa district near Tokyo by potter Inoue Ryosai I and his son Inoue Ryosai II. In the late 1890s, Ryosai I developed a style of applied figures on a surface with flowing glaze, based on Chinese glazes called "flambe." Sumida pieces could be teapots, ash trays, or vases, and were made for export to the West. Inoue Ryosai III, grandson of Ryosai I, moved the manufacturing s ...
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Owari Meisho Zue
is an illustrated guide describing famous places, called '' meisho'', and depicting their scenery in pre-1868 Owari province in central Japan. It was printed using Japan Japan is an island country in East Asia. Located in the Pacific Ocean off the northeast coast of the Asia, Asian mainland, it is bordered on the west by the Sea of Japan and extends from the Sea of Okhotsk in the north to the East China Sea ...ese woodblock printing techniques in books divided among volumes. The ''Owari meisho Zue'' followed the publication of the '' Edo meisho zue'', which sparked a public interest in travel guides. References External links Edo-period works History of Nagoya Japanese books Owari Province Travel guide books Ukiyo-e Japanese non-fiction books {{japan-book-stub ...
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Edo Meisho Zue
is an illustrated guide describing famous places, called '' meisho'', and depicting their scenery in pre-1868 Tokyo, then known as Edo. It was printed using Japanese woodblock printing techniques in 20 books divided among seven volumes. Initially published in 1834 (volumes 1–3, 10 books) and republished in 1836 (volumes 4–7, all 20 books) with slight revisions—i.e., all during the late Edo period (1603–1867), it became an immediate hit and prompted a “boom” in the publication of further ''meisho zue'' (“famous site guides”). History It took form over a span of more than 40 years. It was conceived by Saitō Gesshin (1737–1799) who, influenced by the proliferation of famous site guides about places in Japan's Kansai region, decided Edo needed one, too. He is thought to have begun work around 1791 and is known to have gotten permission to publish and written a foreword, but he died before he could finish. From this point forward, Yukio's son-in-law Saitō Yukita ...
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Literary Tourism
Literary tourism is a type of cultural tourism that deals with places and events from literary texts as well as the lives of their authors. This could include visiting particular place associated with a novel or a novelist, such as a writer's home, or grave site, following routes taken by a fictional characters, visiting places mentioned in poems, as well as visiting museums dedicated to specific writers, works, regional literatures, and literary genres. Characteristics Some scholars regard literary tourism as a contemporary type of secular pilgrimage. There are also long-distance walking routes associated with writers, such as the Thomas Hardy Way. Literary tourists are specifically interested in how places have influenced writing and at the same time how writing has created place. In order to become a literary tourist you need only book-love and an inquisitive mindset; however, there are literary guides, literary maps, and literary tours to help you on your way. There are ...
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Woodblock Printing In Japan
Woodblock printing in Japan (, ''mokuhanga'') is a technique best known for its use in the ''ukiyo-e'' artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblock printing was widely adopted in Japan during the Edo period (1603–1868). It is similar to woodcut in Western printmaking in some regards, but was widely used for text as well as images. The Japanese mokuhanga technique differs in that it uses water-based inks—as opposed to Western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency. History Early, to 13th century Woodblock printing was invented in China under the Tang dynasty, and eventually migrated to Japan in the late 700s, where it was first used to reproduce foreign literature. In 764 the Empress Kōken commissioned one million small wooden pagodas, each containing a small woodblock scroll ...
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Futon Daiko
A is a traditional Japanese style of bedding. A complete futon set consists of a and a . Both elements of a futon bedding set are pliable enough to be folded and stored away in a large during the day. This allows a room to serve as a bedroom at night, but serve other purposes during the day. Traditionally, futons are used on tatami, a type of mat used as a flooring material. It also provides a softer base than wooden or stone floors. Futons must be aired regularly to prevent mold from developing, and to keep the futon free of mites. Throughout Japan, futons can commonly be seen hanging over balconies, airing in the sun. Futon dryers may be used by those unable to hang out their futon. History and materials Before recycled cotton cloth was widely available in Japan, commoners used , stitched crinkled paper stuffed with fibers from beaten dry straw, cattails, or silk waste, on straw floor mats. Later, futons were made with patchwork recycled cotton, quilted together and ...
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Hikaru Genji
is the protagonist of Murasaki Shikibu's Heian-era Japanese novel ''The Tale of Genji''. "Hikaru" means "shining", deriving from his appearance, hence he is known as the "Shining Prince." He is portrayed as a superbly handsome man and a genius. Genji is the second son of a Japanese emperor, but he is relegated to civilian life for political reasons and lives as an imperial officer. The first part of the story concentrates on his romantic life, and in the second, on his and others' internal agony. He appears from the first volume "Kiritsubo" to the 40th volume "Illusion". " Genji" is the surname of a noble demoted from royalty. His given name is never referred to in the story, as is the case with most other characters. He is also referred to as , sometimes abbreviated as . He is often called Genji. Hikaru Genji was attractive and talented, easily gaining the favor of those around him at a young age. Describing his superlative qualities, Murasaki Shikibu wrote: "but to rec ...
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