Woodblock Printing In Japan
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Woodblock printing in Japan (, ''mokuhanga'') is a technique best known for its use in the ''
ukiyo-e is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes ...
'' artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the
Tang dynasty The Tang dynasty (, ; zh, c=唐朝), or the Tang Empire, was an Dynasties of China, imperial dynasty of China that ruled from 618 to 907, with an Wu Zhou, interregnum between 690 and 705. It was preceded by the Sui dynasty and followed ...
, woodblock printing was widely adopted in Japan during the
Edo period The , also known as the , is the period between 1600 or 1603 and 1868 in the history of Japan, when the country was under the rule of the Tokugawa shogunate and some 300 regional ''daimyo'', or feudal lords. Emerging from the chaos of the Sengok ...
(1603–1868). It is similar to
woodcut Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that ...
in Western
printmaking Printmaking is the process of creating work of art, artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand proces ...
in some regards, but was widely used for text as well as images. The Japanese mokuhanga technique differs in that it uses water-based inks—as opposed to Western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency.


History


Early, to 13th century

Woodblock printing was invented in China under the
Tang dynasty The Tang dynasty (, ; zh, c=唐朝), or the Tang Empire, was an Dynasties of China, imperial dynasty of China that ruled from 618 to 907, with an Wu Zhou, interregnum between 690 and 705. It was preceded by the Sui dynasty and followed ...
, and eventually migrated to Japan in the late 700s, where it was first used to reproduce foreign literature. In 764 the Empress Kōken commissioned one million small wooden pagodas, each containing a small woodblock scroll printed with a Buddhist text ('' Hyakumantō Darani''). These were distributed to temples around the country as thanks for the suppression of the Emi Rebellion of 764. These are the earliest examples of woodblock printing known, or documented, from
Japan Japan is an island country in East Asia. Located in the Pacific Ocean off the northeast coast of the Asia, Asian mainland, it is bordered on the west by the Sea of Japan and extends from the Sea of Okhotsk in the north to the East China Sea ...
.The Past, Present and Future of Printing in Japan.
Izumi Munemura. (2010). The Surface Finishing Society of Japan.
By the eleventh century,
Buddhist Buddhism, also known as Buddhadharma and Dharmavinaya, is an Indian religion and List of philosophies, philosophical tradition based on Pre-sectarian Buddhism, teachings attributed to the Buddha, a wandering teacher who lived in the 6th or ...
temples in Japan produced printed books of
sutra ''Sutra'' ()Monier Williams, ''Sanskrit English Dictionary'', Oxford University Press, Entry fo''sutra'' page 1241 in Indian literary traditions refers to an aphorism or a collection of aphorisms in the form of a manual or, more broadly, a ...
s,
mandala A mandala (, ) is a geometric configuration of symbols. In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space and as an aid ...
s, and other Buddhist texts and images. For centuries, printing was mainly restricted to the Buddhist sphere, as it was too expensive for mass production, and did not have a receptive, literate public as a market. However, an important set of fans of the late
Heian period The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kammu, moved the capital of Japan to Heian-kyō (modern Kyoto). means in Japanese. It is a ...
(12th century), containing painted images and Buddhist sutras, reveal from loss of paint that the underdrawing for the paintings was printed from blocks. In the
Kamakura period The is a period of History of Japan, Japanese history that marks the governance by the Kamakura shogunate, officially established in 1192 in Kamakura, Kanagawa, Kamakura by the first ''shōgun'' Minamoto no Yoritomo after the conclusion of the G ...
from the 12th century to the 13th century, many books were printed and published by woodblock printing at Buddhist temples in
Kyoto Kyoto ( or ; Japanese language, Japanese: , ''Kyōto'' ), officially , is the capital city of Kyoto Prefecture in the Kansai region of Japan's largest and most populous island of Honshu. , the city had a population of 1.46 million, making it t ...
and
Kamakura , officially , is a city of Kanagawa Prefecture in Japan. It is located in the Kanto region on the island of Honshu. The city has an estimated population of 172,929 (1 September 2020) and a population density of 4,359 people per km2 over the tota ...
.


Early Edo period

A Western-style
movable type Movable type (US English; moveable type in British English) is the system and technology of printing and typography that uses movable Sort (typesetting), components to reproduce the elements of a document (usually individual alphanumeric charac ...
printing-press A printing press is a mechanical device for applying pressure to an inked surface resting upon a print medium (such as paper or cloth), thereby transferring the ink. It marked a dramatic improvement on earlier printing methods in which the ...
was brought to Japan by the Tenshō embassy in 1590, and was first used for printing in
Kazusa, Nagasaki was a List of towns of Japan, town located in Minamitakaki District, Nagasaki, Minamitakaki District, Nagasaki Prefecture, Japan. As of 2003, the town had an estimated population of 7,870 and a population density, density of 322.81 persons per km ...
in 1591. However, the use of the western printing press was discontinued after the ban on
Christianity Christianity is an Abrahamic monotheistic religion, which states that Jesus in Christianity, Jesus is the Son of God (Christianity), Son of God and Resurrection of Jesus, rose from the dead after his Crucifixion of Jesus, crucifixion, whose ...
in 1614. The printing press seized from Korea by
Toyotomi Hideyoshi , otherwise known as and , was a Japanese samurai and ''daimyō'' (feudal lord) of the late Sengoku period, Sengoku and Azuchi-Momoyama periods and regarded as the second "Great Unifier" of Japan.Richard Holmes, The World Atlas of Warfare: ...
's forces in 1593 was also in use at the same time as the printing press from Europe. An edition of the
Confucian Confucianism, also known as Ruism or Ru classicism, is a system of thought and behavior originating in ancient China, and is variously described as a tradition, philosophy, religion, theory of government, or way of life. Founded by Confucius ...
''
Analects The ''Analects'', also known as the ''Sayings of Confucius'', is an ancient Chinese philosophical text composed of sayings and ideas attributed to Confucius and his contemporaries, traditionally believed to have been compiled by his followers. ...
'' was printed in 1598, using a Korean moveable type printing press, at the order of
Emperor Go-Yōzei was the 107th Emperor of Japan, according to the traditional order of succession. Go-Yōzei's reign spanned the years 1586 through to his abdication in 1611, corresponding to the transition between the Azuchi–Momoyama period and the Edo period ...
.
Tokugawa Ieyasu Tokugawa Ieyasu (born Matsudaira Takechiyo; 31 January 1543 – 1 June 1616) was the founder and first ''shōgun'' of the Tokugawa shogunate of Japan, which ruled from 1603 until the Meiji Restoration in 1868. He was the third of the three "Gr ...
established a printing school at Enko-ji in Kyoto and started publishing books using a domestic wooden movable type printing press instead of metal from 1599. Ieyasu supervised the production of 100,000 types, which were used to print many political and historical books. In 1605, books using a domestic copper movable type printing press began to be published, but copper type did not become mainstream after Ieyasu died in 1616. The great pioneers in applying the movable type printing press to the creation of artistic books, and in preceding mass production for general consumption, were Honami Kōetsu and Suminokura Soan. At their studio in Saga, Kyoto, the pair created a number of woodblock versions of the Japanese classics, both text and images, essentially converting emaki (handscrolls) to printed books, and reproducing them for wider consumption. These books, now known as Kōetsu Books, Suminokura Books, or , are considered the first and finest printed reproductions of many of these classic tales; the Saga Book of the Tales of Ise (), printed in 1608, is especially renowned. For aesthetic reasons, the
typeface A typeface (or font family) is a design of Letter (alphabet), letters, Numerical digit, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size (e.g., 24 point), weight (e.g., light, ...
of the , like that of traditional handwritten books, adopted the ( ja), in which several characters are written in succession with smooth brush strokes. As a result, a single typeface was sometimes created by combining two to four semi-cursive and
cursive Cursive (also known as joined-up writing) is any style of penmanship in which characters are written joined in a flowing manner, generally for the purpose of making writing faster, in contrast to block letters. It varies in functionality and m ...
kanji are logographic Chinese characters, adapted from Chinese family of scripts, Chinese script, used in the writing of Japanese language, Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are ...
or
hiragana is a Japanese language, Japanese syllabary, part of the Japanese writing system, along with ''katakana'' as well as ''kanji''. It is a phonetic lettering system. The word ''hiragana'' means "common" or "plain" kana (originally also "easy", ...
characters. In one book, 2,100 characters were created, but 16% of them were used only once. Despite the appeal of moveable type, however, craftsmen soon decided that the semi-cursive and cursive script style of Japanese writings was better reproduced using woodblocks. By 1640 woodblocks were once again used for nearly all purposes. After the 1640s, movable type printing declined, and books were mass-produced by conventional woodblock printing during most of the
Edo period The , also known as the , is the period between 1600 or 1603 and 1868 in the history of Japan, when the country was under the rule of the Tokugawa shogunate and some 300 regional ''daimyo'', or feudal lords. Emerging from the chaos of the Sengok ...
.


Later Edo period

The mass production of woodblock prints in the
Edo period The , also known as the , is the period between 1600 or 1603 and 1868 in the history of Japan, when the country was under the rule of the Tokugawa shogunate and some 300 regional ''daimyo'', or feudal lords. Emerging from the chaos of the Sengok ...
was due to the high literacy rate of Japanese people in those days. The literacy rate of the Japanese in the Edo period was almost 100% for the
samurai The samurai () were members of the warrior class in Japan. They were originally provincial warriors who came from wealthy landowning families who could afford to train their men to be mounted archers. In the 8th century AD, the imperial court d ...
class and 50% to 60% for the ''
chōnin was a social class that emerged in Japan during the early years of the Tokugawa period. In the social hierarchy, it was considered subordinate to the samurai warrior class. Social class The ''chōnin'' emerged in ''joka-machi'' or castle t ...
'' and ''nōmin'' (farmer) class due to the spread of private schools '' terakoya''. There were more than 600 rental bookstores in Edo, and people lent woodblock-printed illustrated books of various genres. While the Saga Books were printed on expensive paper, and used various embellishments, being printed specifically for a small circle of literary connoisseurs, other printers in Edo quickly adapted the conventional woodblock printing to producing cheaper books in large numbers, for more general consumption. The content of these books varied widely, including travel guides, gardening books, cookbooks, '' kibyōshi'' (satirical novels), '' sharebon'' (books on urban culture), '' kokkeibon'' (comical books), '' ninjōbon'' (romance novel), '' yomihon'', '' kusazōshi'', art books, play scripts for the kabuki and '' jōruri'' (puppet) theatre, etc. The best-selling books of this period were ''Kōshoku Ichidai Otoko (Life of an Amorous Man)'' by Ihara Saikaku, '' Nansō Satomi Hakkenden'' by Takizawa Bakin, and ''
Tōkaidōchū Hizakurige , abbreviated as ''Hizakurige'' () and known in translation as ''Shank's mare, Shank's Mare'', is a comic picaresque novel (kokkeibon) written by Jippensha Ikku (十返舎一九, 1765–1831) about the misadventures of two travelers on the Tōka ...
'' by Jippensha Ikku, and these books were reprinted many times.Edo Picture Books and the Edo Period.
National Diet Library.
From the 17th century to the 19th century, ''
ukiyo-e is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes ...
'' depicting secular subjects became very popular among the common people and were mass-produced. ''ukiyo-e'' is based on
kabuki is a classical form of Theatre of Japan, Japanese theatre, mixing dramatic performance with Japanese traditional dance, traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes ...
actors,
sumo is a form of competitive full-contact wrestling where a ''rikishi'' (wrestler) attempts to force his opponent out of a circular ring (''dohyō'') or into touching the ground with any body part other than the soles of his feet (usually by th ...
wrestlers, beautiful women, landscapes of sightseeing spots, historical tales, and so on, and
Hokusai , known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. His woodblock printing in Japan, woodblock print series ''Thirty-Six Views of Mount Fuji'' includes the iconic print ''The Gr ...
and Hiroshige are the most famous artists. In the 18th century, Suzuki Harunobu established the technique of multicolor woodblock printing called '' nishiki-e'' and greatly developed Japanese woodblock printing culture such as ''ukiyo-e''. ''Ukiyo-e'' influenced European
Japonisme ''Japonisme'' is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the Bakumatsu, forced reopening of foreign trade with Japan in 1 ...
and
Impressionism Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage ...
. Yoshitoshi was called the last great ''ukiyo-e'' master, and his cruel depictions and fantastic expressions influenced later Japanese literature and
anime is a Traditional animation, hand-drawn and computer animation, computer-generated animation originating from Japan. Outside Japan and in English, ''anime'' refers specifically to animation produced in Japan. However, , in Japan and in Ja ...
. The price of one ''ukiyo-e'' at that time was about 20 mon, and the price of a bowl of soba noodles was 16 mon, so the price of one ''ukiyo-e'' was several hundred yen to 1000 yen in today's currency. Many publishing houses arose and grew, publishing both books and single-sheet prints. One of the most famous and successful was Tsuta-ya. A publisher's ownership of the physical woodblocks used to print a given text or image constituted the closest equivalent to a concept of "
copyright A copyright is a type of intellectual property that gives its owner the exclusive legal right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, ...
" that existed at this time. Publishers or individuals could buy woodblocks from one another, and thus take over the production of certain texts, but beyond the ownership of a given set of blocks (and thus a very particular representation of a given subject), there was no legal conception of the ownership of ideas. Plays were adopted by competing theaters, and either reproduced wholesale, or individual plot elements or characters might be adapted; this activity was considered legitimate and routine at the time.


From Meiji period onwards

After the decline of ''ukiyo-e'' and introduction of modern printing technologies, woodblock printing continued as a method for printing texts as well as for producing art, both within traditional modes such as ''ukiyo-e'' and in a variety of more radical or Western forms that might be construed as
modern art Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the tradit ...
. In the early 20th century, ''
shin-hanga was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized the traditional '' ukiyo-e'' art rooted in the Edo and Meiji periods (17th–19th century). It maintained the traditional ''ukiyo-e' ...
'' that fused the tradition of ''ukiyo-e'' with the techniques of Western paintings became popular, and the works of Hasui Kawase and Hiroshi Yoshida gained international popularity. Institutes such as the "Adachi Institute of Woodblock Prints" and "Takezasado" continue to produce ukiyo-e prints with the same materials and methods as used in the past. With the entry into modernity, in Japan there was a renewal of woodblock printmaking, the ''hanga''. After the death of Hiroshige in 1858, the ''ukiyo-e'' practically disappeared. Its last manifestations correspond to Goyō Hashiguchi, who already shows a clear Western influence in the realism and plastic treatment of his images. With the entry into the 20th century, the artists who practiced engraving evolved to a style more in line with modern Japanese taste. One of its first exponents was Hiroshi Yoshida, author of landscapes influenced by nineteenth-century English watercolor. In 1918 the Nippon Sōsaku Hanga Kyōkai (Japan Printmaking Artists' Association) was founded, a group of artists who synthesized traditional Japanese painting with the new Western aesthetic. Notable among its members were Kōshirō Onchi, Un'ichi Hiratsuka and Shikō Munakata. The first, influenced by Vasili Kandinsky, was the first to produce abstract engravings, of a style however distinctly oriental for its chromaticism of soft tones and for its lyricism and imagination. Hiratsuka was more traditional in technique and choice of subjects, with a preference for black and white monochrome, in themes ranging from Buddhism to landscapes and popular scenes, in which he combined traditional methods with modern effects. Munakata was noted for his original, personal and expressive work, with an unmistakable stamp. He also focused on Buddhist themes, generally also monochrome, but with a free, carefree style, with a careless appearance but of great vitality.


Technique

The technique for printing texts and images was generally similar. The obvious differences were the volume produced when working with texts (many pages for a single work), and the complexity of multiple colors in some images. Images in books were almost always in monochrome (black ink only), and for a time art prints were likewise monochrome or done in only two or three colors. The text or image is first drawn onto thin ''
washi is traditional Japanese paper processed by hand using fibers from the inner bark of the gampi tree, the mitsumata shrub (''Edgeworthia chrysantha''), or the paper mulberry (''kōzo'') bush. ''Washi'' is generally tougher than ordinary ...
'' (Japanese paper), called ''gampi'', then glued face-down onto a plank of close-grained wood, usually a block of smooth cherry. Oil could be used to make the lines of the image more visible. An incision is made along both sides of each line or area. Wood is then chiseled away, based on the drawing outlines. The block is inked using a brush and then a flat hand-held tool called a '' baren'' is used to press the paper against the woodblock to apply the ink to the paper. The traditional baren is made in three parts: it consists of an inner core made from bamboo leaves twisted into a rope of varying thicknesses, the nodules thus created being what ultimately applies the pressure to the print. This coil is contained in a disk called an "ategawa" made from layers of very thin paper which is glued together and wrapped in a dampened bamboo leaf, the ends of which are then tied to create a handle. Modern printmakers have adapted this tool, and today barens made of aluminum with ball bearings to apply the pressure are used, as well as less expensive plastic versions.


Evolution of printing techniques

The first prints were simply one-color ('' sumizuri-e''), with additional colors applied by hand ('' kappazuri-e''). The development of two registration marks carved into the blocks called "kento" was especially helpful with the introduction of multiple colors that had to be applied with precision over previous ink layers. The sheet of paper to be printed is placed in the kento, then lowered onto the woodblock.


Advancements in color printing

While, again, text was nearly always monochrome, as were images in books, the growth of the popularity of ''ukiyo-e'' brought with it demand for ever increasing numbers of colors and complexity of techniques. The stages of this development follow: *—monochrome printing using only black ink *—monochrome prints usually printed in pink *—red ink details or highlights added by hand after the printing process; green was sometimes used as well *—orange highlights using a red pigment called ''tan'' *, , and other styles in which a single color was used in addition to, or instead of, black ink *—a method that thickened the ink with glue, emboldening the image. Printers often used gold, mica, and other substances to enhance the image further. ''Urushi-e'' can also refer to paintings using
lacquer Lacquer is a type of hard and usually shiny coating or finish applied to materials such as wood or metal. It is most often made from resin extracted from trees and waxes and has been in use since antiquity. Asian lacquerware, which may be c ...
instead of paint. Lacquer was rarely, if ever, used on prints. *—a method of using multiple blocks for separate portions of the image, using a number of colors to achieve complex and detailed images. A separate block was carved to apply only the part of the image designated for a single color. Registration marks called ''kentō'' () were used to ensure correspondence between the application of each block.


Schools and movements

Japanese printmaking, as with many other features of Japanese art, tended to organize itself into schools and movements. The most notable schools (see also schools of ukiyo-e artists) and, later, movements of ''moku-hanga'' were: * Torii school, from 1700 * Kaigetsudō school, from 1700 to 1714 * Katsukawa school, from about 1720s, including the artists Shunsho and ShunteiThe Prints of Japan, Frank A. Turk, October House Inc ,1966, Lib Congress catalog Card no. 66-25524 *
Kawamata school Kawamata (written: 川又 or 川俣) is a Japanese surname. Notable people with the surname include: *, Japanese writer *, Japanese footballer *, Japanese rugby union player *, Japanese shogi player *, Japanese artist *, Japanese ukiyo-e artist *, ...
, from about 1725, including the artists Suzuki Harunobu and Koryusai * Hokusai school, from about 1786, including the artists
Hokusai , known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. His woodblock printing in Japan, woodblock print series ''Thirty-Six Views of Mount Fuji'' includes the iconic print ''The Gr ...
, Hokuei and Gakutei * Kitagawa school, from about 1794, including the artists Utamaro I, Kikumaro I and II * Utagawa school, from 1842, including the artists
Kunisada Utagawa Kunisada (; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (, ), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock printing in Japa ...
and Hiroshige * Sōsaku-hanga, "Creative Prints" movement, from 1904 *
Shin-hanga was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized the traditional '' ukiyo-e'' art rooted in the Edo and Meiji periods (17th–19th century). It maintained the traditional ''ukiyo-e' ...
"New Prints" movement, from 1915, including Hasui Kawase and Hiroshi YoshidaFresh Impressions, Kendall Brown, Publisher: University of Washington Press, September 2013, Other artists, such as
Sharaku was a Japanese ukiyo-e print designer, known for his portraits of kabuki actors. Neither his true name nor the dates of his birth or death are known. His active career as a woodblock artist spanned ten months; his prolific work met disapprova ...
, Kabukidō Enkyō, Sugakudo, and Shibata Zesshin, are considered independent artists, free of school associations, and presumably, without the resulting associated benefits from publishers, who might be less inclined to produce prints by an unaffiliated artist. However, many of the surviving examples speak to the contrary. The earliest examples by these artists are among the most desirable, valuable, and rarest of all ukiyo-e. Additionally, many examples exhibit very fine printing, using expensive mica ('' kirazuri''), premium inks and the highest quality papers.


Print sizes

Following are common Tokugawa-period print sizes. Sizes varied depending on the period, and those given are approximate; they are based on the pre-printing paper sizes, and paper was often trimmed after printing. The Japanese terms for vertical (portrait) and horizontal (landscape) formats for images are ''tate-e'' (立て絵) and ''yoko-e'' (横絵), respectively.


See also

* List of ukiyo-e terms * List of art techniques


Notes


References

* * Forrer, Matthi, Willem R. van Gulik, Jack Hillier ''A Sheaf of Japanese Papers'', The Hague, Society for Japanese Arts and Crafts, 1979. * * Kaempfer, H. M. (ed.), ''Ukiyo-e Studies and Pleasures, A Collection of Essays on the Art of Japanese Prints'', The Hague, Society for Japanese Arts and Crafts, 1978. * Keyes, Roger S. ''The Male Journey in Japanese Prints.'' University of California Press, 1989. * Nussbaum, Louis Frédéric and Käthe Roth. (2005). ''Japan Encyclopedia.'' Cambridge:
Harvard University Press Harvard University Press (HUP) is an academic publishing house established on January 13, 1913, as a division of Harvard University. It is a member of the Association of University Presses. Its director since 2017 is George Andreou. The pres ...
.
OCLC 48943301
*Friese, Gordon (2007). "Hori-shi. 249 facsimiles of different seals from 96 Japanese engravers." Unna, Nordrhein-Westfalen: Verlag im bücherzentrun. * Lane, Richard. (1978). ''Images from the Floating World, The Japanese Print.'' Oxford: Oxford University Press.
OCLC 5246796
*Paine, Robert Treat, in: Paine, R. T. & Soper A, "The Art and Architecture of Japan", Pelican History of Art, 3rd ed 1981, Penguin (now Yale History of Art), . * Sansom, George (1961). "A History of Japan: 1334–1615." Stanford, California:
Stanford University Press Stanford University Press (SUP) is the publishing house of Stanford University. It is one of the oldest academic presses in the United States and the first university press to be established on the West Coast. It is currently a member of the Ass ...
. * Rikardson, Anders (1978). "Japanese Woodblock Prints" Malmö: Antik & Auktion.


Further reading

* *


External links


Encyclopedia of Woodblock Printmaking
by David Bull
Creating a Woodblock Print From Start to Finish
Video (42 mins)
Ukiyo-e.org
Japanese Woodblock print search engine {{Ukiyo-e artists
Woodblock printing Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of textile printing, printing on textiles and later on paper. Each page ...
Ukiyo-e
Japan Japan is an island country in East Asia. Located in the Pacific Ocean off the northeast coast of the Asia, Asian mainland, it is bordered on the west by the Sea of Japan and extends from the Sea of Okhotsk in the north to the East China Sea ...
Japan Japan is an island country in East Asia. Located in the Pacific Ocean off the northeast coast of the Asia, Asian mainland, it is bordered on the west by the Sea of Japan and extends from the Sea of Okhotsk in the north to the East China Sea ...
ja:木版画