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Utagawa School
The Utagawa school () was one of the main schools of ukiyo-e, founded by Utagawa Toyoharu. It was the largest ukiyo-e school of its period. The main styles were bijin-ga (beautiful women) and uki-e (perspective picture). His pupil, Toyokuni I, took over after Toyoharu's death and led the group to become the most famous and powerful woodblock print school for the remainder of the 19th century. Hiroshige, Kunisada, Kuniyoshi and Yoshitoshi were Utagawa students. The school became so successful and well known that today more than half of all surviving ukiyo-e prints are from it. Founder Toyoharu adopted Western-style deep perspective, an innovation in Japanese art. His immediate followers, Utagawa Toyohiro and Toyokuni adopted bolder, more sensuous styles than Toyoharu and specialized in different genres — Toyohiro in landscapes and Toyokuni in kabuki actor prints. Later artists in the school specialized in other genres, such as warrior prints and mythic parodies.Johnson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandarin Duck Woodcut3
Mandarin or The Mandarin may refer to: Language * Mandarin Chinese, branch of Chinese originally spoken in northern parts of the country ** Standard Chinese or Modern Standard Mandarin, the official language of China ** Taiwanese Mandarin, Standard Chinese as spoken in Taiwan * Old Mandarin or Early Mandarin was the speech of northern China during the Jurchen-ruled Jin dynasty (1115–1234), Jin dynasty and the Mongol-led Yuan dynasty (12th to 14th centuries). * Mandarin (late imperial lingua franca), the spoken standard of the Ming and Qing dynasties of China Biological species * Mandarin orange (''Citrus reticulata''), a sweet, orange lookalike * Mandarin duck (''Aix galericulata''), a perching duck species found in East Asia * Mandarin dogfish, two species of small shark in the genus ''Cirrhigaleus'' off East Asian coast * Mandarinfish (other), various fishes * Mandarin vole (''Lasiopodomys mandarinus''), a species of vole found in China and the Korean Peninsula * Spo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actor Prints
''Yakusha-e'' (役者絵), often referred to as "actor prints" in English, are Japanese woodblock prints or, rarely, paintings, of kabuki actors, particularly those done in the ''ukiyo-e'' style popular through the Edo period (1603–1867) and into the beginnings of the 20th century. Most strictly, the term ''yakusha-e'' refers solely to portraits of individual artists (or sometimes pairs, as seen in this work by Sharaku). However, prints of kabuki scenes and of other elements of the world of the theater are very closely related, and were more often than not produced and sold alongside portraits. ''Ukiyo-e'' images were almost exclusively images of urban life; the vast majority that were not landscapes were devoted to depicting courtesans, sumo, or kabuki. Realistic detail, inscriptions, the availability of playbills from the period, and a number of other resources have allowed many prints to be analyzed and identified in great detail. Scholars have been able to identify the sub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schools Of Ukiyo-e Artists
Ukiyo-e artists may be organized into Art movement, schools, which consist of a founding artist and those artists who were taught by or strongly influenced by him. Artists of the Osaka school are united both stylistically and geographically.Assignment of artists into schools is derived from ''Hotei Encyclopedia of Japanese Woodblock Prints,'' 2005 Not all of these artists designed Woodblock printing, woodblock prints, and some ukiyo-e artists had more than one teacher, and others are not known to be associated with any particular school. Asayama school (in Osaka) :Asayama Ashikuni (founder) :Ashisato :Ashifune :Ashihiro :Ashikiyo :Asayama Ashitaka :Asayama Ashitomo :Gigadō Ashiyuki (Nagakuni) :Jukōdō Yoshilkuni Eishi school (also known as Hosoda school) :Chōbunsai Eishi (founder) :Ichirakute Eisui :Chōkōsai Eishō :Chōkyōsai Eiri :Gessai Gabimaru :Chōensai Eishin :Rekisentei Eiri :Harukawa Eizan Furuyama school :Furuyama Moroshige (founder) :Furuyama Moromasa :Furu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Toyokuni II
Utagawa Toyokuni II (1777–1835), also known as Toyoshige, was a designer of ukiyo-e Japanese woodblock prints in Edo. He was the pupil, son-in-law and adopted son of Toyokuni I. The former used the name Toyoshige (豊重) until 1826, the year after his teacher's death, when the family gave him the right to use his teacher's name and he began signing his work Toyokuni (豊国). In 1835 he died, and in 1844 the family persuaded Kunisada, the most famous student of Toyokuni I, to use the name "Toyokuni" and become leader of the school. Although Kunisada never recognised Toyoshige's right to the name Toyokuni, nevertheless Kunisada after 1844 is always referred to as Toyokuni III. Toyokuni I, Toyokuni II (Toyoshige), and Toyokuni III (Kunisada) each used the signature Toyokuni (豊国). The signature of Toyokuni II is easiest to distinguish by the chalice-shaped ''toyo'' (豊) kanji (see figure). Toyoshige's students include Utagawa Kunimatsu, Utagawa Kunishige II, Uta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Utagawa School Members
This article contains a list of the members of the Utagawa school of Japanese artists, whose members designed paintings and woodblock prints in the ukiyo-e style from the late Edo period to the end of the Meiji period. Naming The art-names of the artists were not produced through a consistent scheme. The artists of the second generation generally formed their art-names by taking the first ''kanji'' of their teacher's name, and adding a different second ''kanji'' (e.g. Toyoharu, whose student was Toyohiro). Beginning with the third generation, the names were mainly created by starting with the second ''kanji'' of the teacher's name, and adding another one to it (e.g. Toyokuni and his student Kunisada). However, in some cases during this stage the first kanji of the teacher's name was still used for the creation of name (e.g. Toyokuni and Toyoshige). Another, rare, variant was the use of the second ''kanji'' of the teacher's name as the second kanji of the pupil's name (e.g. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunimasa
was a Japanese ukiyo-e artist of the Utagawa school. He was originally from Aizu in Iwashiro Province and first worked in a dye shop after arriving in Edo (modern Tokyo). It was there that he was noticed by Utagawa Toyokuni, to whom he became apprenticed. Kunimasa is especially known for his ''yakusha-e'' portrait prints of kabuki actors, and for his ''bijin-ga'' pictures of beautiful women. Richard Lane described his style as striving to "combine the intensity of Sharaku was a Japanese ukiyo-e print designer, known for his portraits of kabuki actors. Neither his true name nor the dates of his birth or death are known. His active career as a woodblock artist spanned ten months; his prolific work met disapprova ... with the decorative pageantry of his master Toyokuni". Lane, Richard (1978). ''Images of the Floating World''. Old Saybrook, CT: Konecky & Konecky. p. 152. Those who make such comparison often say he failed to achieve the level of Sharaku's intensity. Notes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunisada I
Utagawa Kunisada (; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (, ), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. Evaluation of Kunisada in art history At the end of the Edo period (1603–1867), Hiroshige, Kuniyoshi and Kunisada were the three best representatives of the Japanese color woodcut in Edo (capital city of Japan, now Tokyo). However, among European and American collectors of Japanese prints, beginning in the late 19th and early 20th century, all three of these artists were actually regarded as rather inferior to the greats of classical ukiyo-e, and therefore as having contributed considerably to the downfall of their art. For this reason, some referred to their works as "decadent". Beginning in the 1930s and 1970s, re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art-name
An art name (pseudonym or pen name), also known by its native names ''hào'' (in Mandarin Chinese), ''gō'' (in Japanese), ' (in Korean), and ''tên hiệu'' (in Vietnamese), is a professional name used by artists, poets and writers in the Sinosphere. The word and the concept originated in China, where it was used as nicknames for the educated, then became popular in other East Asian countries (especially in Japan, Korea, Vietnam, and the former Kingdom of Ryukyu). In some cases, artists adopted different pseudonyms at different stages of their career, usually to mark significant changes in their life. Extreme practitioners of this tendency were Tang Yin of the Ming dynasty, who had more than ten ''hao'', Hokusai of Japan, who in the period 1798 to 1806 alone used no fewer than six, and Kim Jeong-hui of the Joseon Dynasty who had up to 503. History China In Chinese culture, ''Hao'' refers to honorific names made by oneself or given by others when one is in middle age. After o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Times
''The New York Times'' (''NYT'') is an American daily newspaper based in New York City. ''The New York Times'' covers domestic, national, and international news, and publishes opinion pieces, investigative reports, and reviews. As one of the longest-running newspapers in the United States, the ''Times'' serves as one of the country's Newspaper of record, newspapers of record. , ''The New York Times'' had 9.13 million total and 8.83 million online subscribers, both by significant margins the List of newspapers in the United States, highest numbers for any newspaper in the United States; the total also included 296,330 print subscribers, making the ''Times'' the second-largest newspaper by print circulation in the United States, following ''The Wall Street Journal'', also based in New York City. ''The New York Times'' is published by the New York Times Company; since 1896, the company has been chaired by the Ochs-Sulzberger family, whose current chairman and the paper's publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warrior Prints
Musha-e () is a type a Japanese art that was developed in the late 18th century. It is a genre of the ukiyo-e moku hanga, woodblock printing technique, and represents images of warriors and samurai from Japanese history and mythology. History Edo Period The earliest examples of musha-e were created in the late 18th century as illustrations for classical stories of Japanese literature. During that period, artists like Masanobu Okumura were prominent. As the ukiyo-e technique thrived during the 19th century, musha-e became more popular. Utagawa Kuniyoshi, Kuniyoshi, a famous printmaker, specialized in warrior images and produced a series of prints known as the ''108 Heroes of the Suikoden''. During the late Edo period, censorship laws passed by the Tokugawa shogunate, Tokugawa Shogunate made the creation of musha-e more difficult. Artists and publishers therefore often changed the names of characters or events depicted. Artists from the Utagawa School such as Kunisada or Hiroshi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Theatre of Japan, Japanese theatre, mixing dramatic performance with Japanese traditional dance, traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
