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Mechanics And Crafts Of The People Of Annam
The Mechanics and Crafts of the People of Annam (French language, French: Technique du peuple Annamite; Vietnamese language, Vietnamese: Kỹ thuật của người An Nam, chữ Nôm: ) is a multi-volume colonial manuscript created by Henri Joseph Oger (1885-1936), a colonial official who commissioned artists to record the culture of the Annamese (Vietnamese) in Hanoi and the area around it during the French colonial administration of Tonkin (French protectorate), Tonkin. The manuscript was published by Henri Joseph Oger in 1908 – 1909. History Starting from 1908, Henri Joseph Oger spent his time in French Indochina doing work as a colonial volunteer until 1919. Oger first came to French Indochina as a soldier. Oger was transferred from Vinh to Hanoi where he spent three years. Oger was tasked with researching the techniques and crafts of the Vietnamese people. He had artists and woodcarvers draw and record every aspect of Vietnamese culture. Oger and the artists went throu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vietnamese Language
Vietnamese () is an Austroasiatic languages, Austroasiatic language Speech, spoken primarily in Vietnam where it is the official language. It belongs to the Vietic languages, Vietic subgroup of the Austroasiatic language family. Vietnamese is spoken natively by around 86 million people, and as a second language by 11 million people, several times as many as the rest of the Austroasiatic family combined. It is the native language of Vietnamese people, ethnic Vietnamese (Kinh), as well as the second language, second or First language, first language for List of ethnic groups in Vietnam, other ethnicities of Vietnam, and used by Overseas Vietnamese, Vietnamese diaspora in the world. Like many languages in Southeast Asia and East Asia, Vietnamese is highly analytic language, analytic and is tone (linguistics), tonal. It has head-initial directionality, with subject–verb–object order and modifiers following the words they modify. It also uses noun classifier (linguistics), classi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vietnamese Clothing
Việt Phục, or Vietnamese clothing, is the traditional style of clothing worn in Vietnam by the Vietnamese people. The traditional style has both indigenous and foreign elements due to the diverse cultural exchanges during the history of Vietnam. This all eventually led to the birth of a distinctive Vietnamese style of clothing, including the birth of the unofficial national dress of Vietnam, the . For daily wear in Vietnam, Vietnamese people just wear normal everyday clothing (đồ Tây; Western clothing), but the common name for everyday clothing is quần áo thường ngày (literally "normal day clothing"). History The clothing and textile history of Vietnam reflects the culture and tradition that has been developed since the ancient Bronze Age wherein people of diverse cultures were living in Vietnam, the long influence of the Chinese and their associated cultural influence, as well as the short-lived French colonial empire, French colonial rule. The dynamic cultura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1908 Books
Nineteen or 19 may refer to: * 19 (number) * One of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (1987 film), a 1987 science fiction film * ''19-Nineteen'', a 2009 South Korean film * ''Diciannove'', a 2024 Italian drama film informally referred to as "Nineteen" in some sources Science * Potassium, an alkali metal * 19 Fortuna, an asteroid Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle * "Stone in Focus", officially "#19", a composition by Aphex Twin * "Nineteen", a song from the 1992 album ''Refugee'' by Bad4Good * "Nineteen", a song from the 2001 alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Vietnam
Vietnam, with its coastal strip, rugged mountainous interior, and two major deltas, became home to numerous cultures throughout history. Its strategic geographical position in Southeast Asia also made it a crossroads of trade and a focal point of conflict, contributing to its complex and eventful past. The first Ancient East Eurasian hunter-gatherers arrived at least 40,000 years ago. Around 4,000 years ago during the Neolithic period, Ancient Southern East Asian populations, particularly Austroasiatic and Austronesian peoples, began migrating from southern China into Southeast Asia, bringing with them rice-cultivation knowledge, languages, and much of the genetic basis of the modern population of Vietnam. In the first millennium BCE the Đông Sơn culture emerged, based on rice cultivation and focused on the indigenous chiefdoms of Văn Lang and Âu Lạc. Following the 111 BCE Han conquest of Nanyue, much of Vietnam came under Chinese dominance for a thousand years. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Vietnam
The culture of Vietnam (, vi-hantu, 文化越南) are the customs and traditions of the Kinh people and the other ethnic groups of Vietnam. Vietnam is part of Southeast Asia and the Sinosphere due to the influence of Chinese culture on Vietnamese culture. Ancient Vietnamese cultural artifacts, such as Dong Son drums were found spread throughout Southeast Asia and South China, suggesting a spread of ancient Viet ( Yue) culture all the way south to Indonesia. Vietnamese culture was heavily influenced by Chinese culture due to the " 1000 years of Northern Rule" (111 BCE – 939 CE). From this period until the 19th century, Classical Chinese (''Hán văn'') was the language used for formal writing. Between the 15th and 19th centuries, popular literature and folk songs were written in the Vietnamese language using a Vietnamese script (''chữ Nôm'') derived from Chinese characters (''chữ Hán''). Following independence from China in the 10th century, Vietnam began a southwar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chữ Nôm
Chữ Nôm (, ) is a logographic writing system formerly used to write the Vietnamese language. It uses Chinese characters to represent Sino-Vietnamese vocabulary and some native Vietnamese words, with other words represented by new characters created using a variety of methods, including phono-semantic compounds. This composite script was therefore highly complex and was accessible to the less than five percent of the Vietnamese population who had mastered written Chinese. Although all formal writing in Vietnam was done in classical Chinese until the early 20th century (except for two brief interludes), chữ Nôm was widely used between the 15th and 19th centuries by the Vietnamese cultured elite for popular works in the vernacular, many in verse. One of the best-known pieces of Vietnamese literature, '' The Tale of Kiều'', was written in chữ Nôm by Nguyễn Du. The Vietnamese alphabet created by Portuguese Jesuit missionaries, with the earliest known usage occurring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yếm
A ''yếm'' or ''áo yếm'' (, chữ Nôm: 裺 or 襖裺) is a traditional Vietnamese undergarment that was once worn by Vietnamese women across all classes. It was most usually worn underneath a blouse or mantle to preserve modesty. It is a simple garment with many variations from its basic form, which is a simple, usually diamond or square-cut piece of cloth draped over a woman's chest with strings to tie at the neck and back. History The yếm might have originated from the Chinese dudou, a variant of similar undergarments used in China since antiquity whose use spread under the Ming and Qing dynasties. During the late 19th until the 20th century, it was mainly worn by women in northern Vietnam. Unlike other Vietnamese clothing that helped to segregate the classes, the unseen yếm were worn as an undergarment by Vietnamese women of all walks of life, from peasant women toiling in the fields to imperial consorts. It is an integral part of the ''áo tứ thân'' cost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Areca Nut
The areca nut ( or ) or betel nut () is the fruit of the areca palm (''Areca catechu''). The palm is originally native to the Philippines, but was carried widely through the tropics by the Austronesian migrations and trade since at least 1500 BCE due to its use in betel nut chewing. It is widespread in cultivation and is considered naturalized in much of the tropical Pacific (Melanesia and Micronesia), South Asia, Southeast Asia, and parts of east Africa. It is not to be confused with betel (''Piper betle'') leaves that are often used to wrap it. The practice of betel nut chewing, often together with other herbs as a stimulant drug, dates back thousands of years, and continues to the present day in many countries. Betel nut chewing is addictive due to the presence of the stimulant arecoline, and causes adverse health effects, mainly oral and esophageal cancers, and cardiovascular disease. When chewed with additional tobacco in its preparation (like in gutka), there is an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teeth Blackening
Teeth blackening or teeth lacquering is a custom of dyeing one's teeth black. It was most predominantly practiced in Southeast Asian and Oceanic cultures, particularly among Austronesian, Austroasiatic, and Kra–Dai-speaking peoples. It was also practiced in Japan prior to the Meiji era, as well as in India. It was also performed among some groups in the Americas, most notably among the Shuar people of northern Peru and Ecuador. Teeth blackening is usually done during puberty. It was seen as a sign of maturity, beauty, and civilization. A common belief is that blackened teeth differentiated humans from animals. Teeth blackening is often done in conjunction with traditions of tooth sharpening and dental evulsion, as well as other body modification customs like tattoos. Teeth blackening and filing were regarded with fascination and disapproval by early European explorers and colonists. The practice survives in some isolated ethnic groups in Southeast Asia and Oceania but has mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nguyễn Dynasty
The Nguyễn dynasty (, chữ Nôm: 茹阮, chữ Hán: 朝阮) was the last List of Vietnamese dynasties, Vietnamese dynasty, preceded by the Nguyễn lords and ruling unified Vietnam independently from 1802 until French protectorate in 1883. Its emperors were members of the House of Nguyễn Phúc. During its existence, the Nguyễn empire expanded into modern-day Southern Vietnam, Cambodia, and Laos through a continuation of the centuries-long Nam tiến and Siamese–Vietnamese wars. With the French conquest of Vietnam, the Nguyễn dynasty was forced to give up sovereignty over parts of French Cochinchina, Southern Vietnam to France in 1862 and 1874, and after 1883 the Nguyễn dynasty only nominally ruled the French protectorates of Annam (French protectorate), Annam (Central Vietnam) as well as Tonkin (French protectorate), Tonkin (Northern Vietnam). Backed by Empire of Japan, Imperial Japan, in 1945 the last Nguyễn emperor Bảo Đại abolished the protectorate treat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khăn Vấn
Khăn vấn (Chữ Nôm: 巾問), khăn đóng (Chữ Nôm: 巾㨂) or khăn xếp (Chữ Nôm: 巾插), is a kind of turban worn by Vietnamese people which became popular beginning with the reign of the Nguyễn lords. The word ''vấn'' means ''coil around''. The word ''khăn'' means cloth, towel or scarf. History After the Trịnh–Nguyễn War, Trịnh-Nguyễn war, the residents in Đàng Trong, Quảng Nam (Canglan – the Southern) began to adapt to some customs of Champa, one of those was "vấn khăn" – wrap the scarf around head. The Nguyen Lords introduced áo ngũ thân, the predecessor of the modern áo dài. In 1744, Lord Nguyễn Phúc Khoát of Đàng Trong (Huế) decreed that both men and women in his court wear trousers and a gown with buttons down the front. The members of the Đàng Trong court (southern court) were thus distinguished from the courtiers of the Trịnh Lords in Đàng Ngoài (Hanoi), who wore ''áo giao lĩnh'' with long skirts an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
