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Martin Scorsese (song)
"Martin Scorsese" is a song by avant-garde band King Missile, about the film director of the same name. It was the third and final single from the band's 1992 album ''Happy Hour.'' Content "Clean" version A "clean" version of the song, dubbed "Martin Scorsese (PG-13)," was made for radio and video play. In the "PG-13" version, Hall omits the original's thirteen instances of the expletive ''fuck'' but does not edit the original's hyperbolically violent content. This version is available on the '' Happy 14½'' EP. Music video The video for "Martin Scorsese (PG-13)" was directed by George Seminara, and shot exclusively in black-and-white. In the video, Hall, dressed like a prototypical Scorsese criminal character, frantically yells the lyrics into a microphone while the other band members sit or stand at their instruments but do not play them. Throughout the video, photographs of Scorsese and ransom note–style titles of his films appear. The video was featured in an episode ...
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King Missile
King Missile is an American avant-garde art rock band best known for its 1992 humorous single " Detachable Penis". Vocalist John S. Hall has fronted several disparate incarnations of the group since founding it in 1986. History King Missile (Dog Fly Religion) In 1985, writer John S. Hall began presenting his work at open mic poetry readings. After three shows, Hall became a "featured" poet at the Backfence, a performance venue in Manhattan's Greenwich Village. In 1986, feeling that "20 minutes of me reading poetry would be totally boring",Hall, John S. (2004). Album notes. In '' Mystical Shit & Fluting on the Hump'' D booklet New York City: Shimmy Disc. Hall asked his guitarist friend Dogbowl (Stephen Tunney) to augment his performances with original music. Dogbowl agreed, and with the addition of bassist Alex DeLaszlo, drummer R. B. Korbet, and xylophonist George O'Malley, King Missile (Dog Fly Religion) was born. In 1987, the band went to the Noise New York st ...
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Single (music)
In Music industry, music, a single is a type of Art release#Music, release of a song Sound recording, recording of fewer tracks than an album (LP record, LP), typically one or two tracks. A single can be released for record sales, sale to the public in a variety of physical or digital formats. Singles may be standalone tracks or connected to an artist's album, and in the latter case would often have at least one single release before the album itself, called lead singles. The single was defined in the mid-20th century with the ''45'' (named after its speed in revolutions per minute), a type of 7-inch sized vinyl records, vinyl record containing an A-side and B-side, A-side and a B-side, i.e. one song on each side. The single format was highly influential in pop music and the early days of rock and roll, and it was the format used for jukeboxes and preferred by younger populations in the 1950s and 1960s. Singles in Digital distribution, digital form became very popular in the ...
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George Seminara
George may refer to: Names * George (given name) * George (surname) People * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Papagheorghe, also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George, son of Andrew I of Hungary Places South Africa * George, South Africa, a city ** George Airport United States * George, Iowa, a city * George, Missouri, a ghost town * George, Washington, a city * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Computing * George (algebraic compiler) also known as 'Laning and Zierler system', an algebraic compiler by Laning and Zierler in 1952 * GEORGE (computer), early computer built by Argonne National Laboratory in 1957 * GEORGE (operating system), a range of operating systems (George 1–4) for the ICT 1900 range of computers in the 1960s * GEORGE (programming language), an autocode system invented by Charles Leonard Hamblin ...
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Extended Play
An extended play (EP) is a Sound recording and reproduction, musical recording that contains more tracks than a Single (music), single but fewer than an album. Contemporary EPs generally contain up to eight tracks and have a playing time of 15 to 30 minutes. An EP is usually less cohesive than an album and more "non-committal". An extended play (EP) originally referred to a specific type of 45 revolutions per minute, rpm phonograph record other than 78 rpm standard play (SP) and 33 rpm LP record, long play (LP), but , also applies to mid-length Compact disc, CDs and Music download, downloads. EPs are considered "less expensive and less time-consuming" for an artist to produce than an album, and have long been popular with punk and indie bands. In K-pop and J-pop, they are usually referred to as Mini-LP, mini-albums. Background History EPs were released in various sizes in different eras. The earliest multi-track records, issued around 1919 by Grey Gull Records, were Vertic ...
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Happy 14½
''Happy 14½'' is an EP by the American avant-garde band King Missile. It was released in 1992, shortly before the band's album ''Happy Hour.'' The EP was intended for promotional use only, and not supposed to be sold; nonetheless, copies are sometimes available in "used" sections of record stores because some people who received the EP sold it anyway. Just as ''Happy Hour'' is approximately one hour long, ''Happy 14½'' is approximately 14½ minutes in length. Track listing All lyrics by John S. Hall (except "All Things Everywhere," by Chris Xefos). #" Martin Scorsese (PG-13)" – 2:48 #*This track is the "clean" version of "Martin Scorsese" from ''Happy Hour.'' In the " PG-13" version, Hall omits the original's 13 instances of the expletive ''fuck'' but does not edit the original's violent content. #" Detachable Penis" – 3:21 #*This track also appears on ''Happy Hour.'' #"Nietzsche Sneezes" – 3:27 #"All Things Everywhere" – 2:47 #*These two tracks appear exclusively o ...
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Violence
Violence is characterized as the use of physical force by humans to cause harm to other living beings, or property, such as pain, injury, disablement, death, damage and destruction. The World Health Organization (WHO) defines violence as "the intentional use of physical force or power, threatened or actual, against oneself, another person, or against a group or community, which either results in or has a high likelihood of resulting in injury, death, psychological harm, maldevelopment, or deprivation"; it recognizes the need to include violence not resulting in injury or death. Categories The World Health Organization (WHO) divides violence into three broad categories: self-directed, interpersonal, and collective. This categorization differentiates between violence inflicted to and by oneself, by another individual or a small group, and by larger groups such as states. Alternatively, violence can primarily be classified as either instrumental or hostile. Self-in ...
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Hyperbole
Hyperbole (; adj. hyperbolic ) is the use of exaggeration as a rhetorical device or figure of speech. In rhetoric, it is also sometimes known as auxesis (literally 'growth'). In poetry and oratory, it emphasizes, evokes strong feelings, and creates strong impressions. As a figure of speech, it is usually not meant to be taken literally. Etymology 'Hyperbole' is derived from the ''huperbolḗ'' by way of Latin. The word is composed from ''hupér'' 'above, beyond' and ''bállō'' 'throw'. Unlike most English words beginning with ''hyper-'', it is stressed on the second syllable. The first known use is in the 15th century. Usage Hyperbole is often used for emphasis or effect. In casual speech, it functions as an intensifier: saying "the bag weighed a ton" simply means that the bag was extremely heavy. The rhetorical device may be used for serious or ironic or comic effects. Understanding hyperbole and its use in context can help understand the speaker's point. Hyperbole ge ...
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Fuck
''Fuck'' () is profanity in the English language that often refers to the act of sexual intercourse, but is also commonly used as an intensifier or to convey disdain. While its origin is obscure, it is usually considered to be first attested to around 1475. In modern usage, the term ''fuck'' and its morphological derivation, derivatives (such as ''fucker'' and ''fucking'') are used as a noun, a verb, an adjective, an Expletive infix, infix, an interjection or an adverb. There are many common phrases that employ the word as well as Compound (linguistics), compounds that incorporate it, such as ''motherfucker'' and ''wikt:fuck off, fuck off''. Offensiveness It is unclear whether the word has always been considered a pejorative or, if not, when it first came to be used to describe (often in an extremely angry, hostile, or belligerent manner) unpleasant circumstances or people in an intentionally offensive way, such as in the term ''motherfucker'', one of its more common usages in ...
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Profanity
Profanity, also known as swearing, cursing, or cussing, is the usage of notionally word taboo, offensive words for a variety of purposes, including to demonstrate disrespect or negativity, to relieve pain, to express a strong emotion (such as anger, excitement, or surprise), as a grammatical intensifier or emphasis, or to express informality or conversational intimacy. In many formal or polite social situations, it is considered impolite (a violation of social norms), and in some religious groups it is considered a sin. Profanity includes pejorative, slurs, but most profanities are not slurs, and there are many insults that do not use swear words. Swear words can be discussed or even sometimes used for the same purpose without causing offense or being considered impolite if they are obscured (e.g. "fuck" becomes "f***" or "the f-word") or substituted with a minced oath like "flip". Etymology and definitions Profanity may be described as offensive language, dirty words, or ...
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Motion Picture Association Of America Film Rating System
The Motion Picture Association film rating system is used in the United States and its territories to rate a motion picture's suitability for certain audiences based on its content. The system and the ratings applied to individual motion pictures are the responsibility of the Motion Picture Association (MPA), previously known as the Motion Picture Association of America (MPAA) from 1945 to 2019. The MPA rating system is a voluntary scheme that is not enforced by law; films can be exhibited without a rating, although most theaters refuse to exhibit non-rated or NC-17 rated films. Non-members of the MPA may also submit films for rating. Other media, such as television programs, music and video games, are rated by other entities such as the TV Parental Guidelines, the RIAA and the ESRB, respectively. In effect as of November 1968, following the Hays Code of the classical Hollywood cinema era, the MPA rating system is one of various motion picture rating systems that are used to ...
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Music Video
A music video is a video that integrates a song or an album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of music recordings. These videos are typically shown on music television and on streaming video sites like YouTube, or more rarely shown theatrically. They can be commercially issued on home video, either as video albums or video singles. The format has been described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip", "video clip", or simply "video". While musical short, musical short films were popular as soon as recorded sound was introduced to theatrical film screenings in the 1920s, the music video rose to prominence in the 1980s when American TV channel MTV based its format around the medium. Mus ...
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Radio Broadcasting
Radio broadcasting is the broadcasting of audio signal, audio (sound), sometimes with related metadata, by radio waves to radio receivers belonging to a public audience. In terrestrial radio broadcasting the radio waves are broadcast by a land-based radio station, while in ''satellite radio'' the radio waves are broadcast by a satellite in Earth orbit. To receive the content the listener must have a Radio receiver, broadcast radio receiver (''radio''). Stations are often affiliated with a radio network that provides content in a common radio format, either in broadcast syndication or simulcast, or both. The code, encoding of a radio broadcast depends on whether it uses an analog signal, analog or digital signal. Analog radio broadcasts use one of two types of radio wave modulation: amplitude modulation for AM radio, or frequency modulation for FM radio. Newer, digital radio stations transmit in several different digital audio standards, such as DAB (Digital Audio Broadcas ...
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