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Maram (drum)
{{No footnotes, date=April 2021 The maram is a membranophone percussion instrument from South India. It consists in a wood cylinder with two skin heads on each side, which are tensioned with skin laces, resembling a rustic mridangam. It is played with hands with the drum in a horizontal position and used in folk and temple music. Maram signifies 'trees' in South Indian languages. The Valia paani maram is a sacred instrument used only for rites in temples. It is made up of the heart wood of jack wood, taken from the tree standing at the temple complex. On either side, it is covered with pieces of tanned leather of cow or bull-calf. Two hooks are provided on either side for tying a cloth so that the instrument rests either on the shoulder or wrist of the artist while beating it. It is beaten with palms. Before beating the drum it is essential that the player should change the cloth of the paani and have an unbleached new cloth. The leather on either side has to be rubbed with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maram
Maram may refer to: * Maram people, tribals of northeast India ** Maram language, a Naga language of India * Maram language (Austroasiatic), also of India * Maram (horse) (2006–2012), an American female Thoroughbred racehorse * Maram (drum), a percussion instrument from South India * Maram (film), ''Maram'' (film), an Indian film released in 1973 See also * Marram grass, a species of grasses in genus ''Ammophila'' {{dab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Membranophone
A membranophone is any musical instrument which produces sound primarily by way of a vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification. According to Sachs, material, shape, skin(s), skin fastening, playing positions, and manner of playing. Hornbostel-Sachs The Hornbostel-Sachs scheme of musical instrument classification divides membranophones in a numeric taxonomy based on how the sound is produced: *21: by hitting the drumskin with a hand or object (most common form, including the timpani and snare drum) *22: by pulling a knotted string attached to the drumskin (common in Indian drums, and can be considered an example of a chordophone as well) *23: by rubbing the drumskin with a hand or object (common in Irish traditional music, an example is the bodhran) *24: by modifying sounds through a vibrating membrane (unusual form, including the kazoo) Length and breadt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South India
South India, also known as Dakshina Bharata or Peninsular India, consists of the peninsular southern part of India. It encompasses the States and union territories of India, Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, and Telangana, as well as the union territory, union territories of Lakshadweep and Puducherry (union territory), Puducherry, comprising 19.31% of India's area () and 20% of India's population. Covering the southern part of the peninsular Deccan Plateau, South India is bounded by the Bay of Bengal in the east, the Arabian Sea in the west and the Indian Ocean in the south. The geography of the region is diverse with two mountain ranges – the Western Ghats, Western and Eastern Ghats – bordering the plateau heartland. The Godavari River, Godavari, Krishna River, Krishna, Kaveri, Tungabhadra River, Tungabhadra, Periyar River, Periyar, Bharathappuzha, Pamba River, Pamba, Thamirabarani River, Thamirabarani, Palar River, Palar, and Vaigai River, Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The mridangam is a percussion instrument of ancient origin. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗt'' (clay or earth) and ''anga'' (limb), as the earliest versions of the instrument were made of hardened clay. Legend In ancient Hindu sculpture, painting, and mythology, the mridangam is often depicted as the instrument of choice for a number of deities including Ganesha (the remover of obstacles) and Nandi, who is the vehicle and follower of Shiva. Nandi is said to have played the mridangam during Shiva's primordial '' tandava'' dance, causing a divine rhythm to resound acros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dholak
The ''dholak'' is a two-headed hand drum, a folk percussion instrument. The instrument is about 45 cm in length and 27 cm in breadth and is widely used in '' qawwali'', ''kirtan'', ''lavani'' and '' bhangra''. The drum has two different sized drumheads. The smaller drumhead is made of goat skin for sharp notes while the bigger drumhead is made of buffalo skin for low pitch. The two drumheads allow a combination of bass and treble with rhythmic high and low pitches. The body or shell of the Dholak is made of sheesham or mango wood. The larger membrane has a compound ( Syahi) applied which helps to lower the pitch and produce the sound. The smaller drumhead is played with the left hand which produces a high pitch. A cotton rope lacing and screw-turnbuckle are used to release tension while playing. Steel rings/pegs are twisted inside the laces to attain fine tuning. Dholak can be played in three ways — on the player’s lap, while standing, or pressed down with one kne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madal
The madal ( ne, मादल) or maadal is a Nepalese folk musical instrument. The madal is used mainly for rhythm-keeping in Nepalese folk music. It is very popular and widely used as a hand drum in Nepal. The madal has a cylindrical body with a slight bulge at its center and heads at both ends, one head larger than the other. It is usually played horizontally in a seated position, with both heads played simultaneously. The madal is the national instrument of Nepal and is the backbone of most Nepali folk music. The well-known Nepali musician Ranjit Gazmer introduced this instrument to Bollywood music when he started working under Rahul Dev Burman, and has used it in numerous Bollywood songs such as '' Hum Dono Do Premi'' and '' Kanchi Re Kanchi Re''. There is also a madal drum used by certain Adivasi groups. History and nomenclature The madal originated in the Magar community of Nepal. The name of the madal is said to come from that of an earlier instrument, the ''marda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pakhawaj
The pakhavaj is a barrel-shaped, two-headed drum, originating from the Indian subcontinent, the oldest version of double sided drums and its descendants are mridangam of Southern India and kendang of Maritime Southeast Asia and other South Asian double-headed drums. Its older forms were made with clay. It is the percussion instrument most commonly used in the dhrupad style of Indian classical music and less often used as a rhythm accompaniment for various other sub-forms of music and dance performances (e.g. kathak, odissi, marathi). It has a low, mellow tone that is quite rich in harmonics. The sides of the pakhawaj are made with animal skin (often goat, cow skin). The pakhavaj players place the instrument horizontally in front of themselves as they sit on the floor with legs crossed. The players may sometimes place a cushion under the narrower treble face to lift it slightly. A right-handed person places the larger bass-skin on the left side and the treble skin on the right. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The mridangam is a percussion instrument of ancient origin. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗt'' (clay or earth) and ''anga'' (limb), as the earliest versions of the instrument were made of hardened clay. Legend In ancient Hindu sculpture, painting, and mythology, the mridangam is often depicted as the instrument of choice for a number of deities including Ganesha (the remover of obstacles) and Nandi, who is the vehicle and follower of Shiva. Nandi is said to have played the mridangam during Shiva's primordial '' tandava'' dance, causing a divine rhythm to resound acros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand Drums
A hand drum is any type of drum that is typically played with the bare hand rather than a stick, mallet, hammer, or other type of beater. Types The following descriptions allude to traditional versions of the drums. Modern synthetic versions are available for most if not all of the drums listed through various manufacturers. Middle and Near East *The tar is a frame drum common in Middle Eastern music. *The tambourine is a frame drum with jingles attached to the shell. *The daf and the dayereh are Iranian frame drums. *The ghaval is the Azerbaijani frame drum. *The tonbak is the Persian goblet drum. *The doumbek is a goblet shaped drum used in Arabic, Jewish, Assyrian, Persian, Balkan, Greek, Armenian, Azeri and Turkish music. * Mirwas Africa *The most common African drum known to westerners is the djembe, a large, single-headed drum with a goblet shape. *The Ashiko is another African drum in the shape of a truncated cone. Similar to the Djembe it is rope strung. This dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Musical Instruments
Indian musical instruments can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments). Chordophones Plucked strings Bowed strings * Chikara * Dhantara * Dilruba * Ektara violin * Esraj * Kamaicha * Kingri (string instrument) * Mayuri Vina or Taus * Onavillu * Behala (violin type) * Pena (musical instrument) * Pinaka vina * Pulluvan Veena - one stringed violin * Ravanahatha * Sarangi * Classical Sarangi * Sarinda * Tar Shehnai * Villu Paatu - arched bow instrument + Behala - Bengal Murshidabad Violin Persian "Behaaleh" (Restless) Other string instruments * Gethu or Jhallari – struck tanpura * Gubguba or Jamuku (khamak) * Pulluvan kutam * Santoor – Hammered dulcimer Aerophones Single reed * Pepa * Pungi or Been Double reed * Kuzhal * Mukhavina * Nadaswaram * Shehnai * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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