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Lighters (song)
"Lighters" is a song by American Hip-hop, hip hop duo Bad Meets Evil, a group composed of Royce da 5'9 and Eminem, from their first extended play, EP, ''Hell: The Sequel'' (2011). The track features American singer-songwriter Bruno Mars. It was written by Bad Meets Evil, along with Mars, Philip Lawrence (songwriter), Philip Lawrence and Ari Levine of the Smeezingtons, and Roy Battle. The production was handled by all aforementioned names, except Royce. It was released on June 14, 2011, by Shady Records, Shady and Interscope Records, being later serviced to mainstream radio in the United States by the two latter labels along with Aftermath Entertainment as the second single from the EP. After writing and recording their own verses for the song, Eminem and Royce da 5'9" met Mars in Los Angeles, and the singer's vocals were added after minor adjustments were done by him and Eminem to the original cut. "Lighters" is an alternative hip hop song with elements of soul music, soul and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bad Meets Evil
Bad Meets Evil is an American Hip hop music, hip hop Supergroup (music), super duo composed of Detroit-based rappers Royce da 5′9″ ("bad") and Eminem ("evil"). Formed in 1997, the duo's name comes from the namesake song from Eminem's ''The Slim Shady LP'' (1999), which featured Royce da 5'9". They debuted the same year with the release of the Single (music), double single, "Nuttin' to Do" and "Scary Movies", the latter of which was part of the soundtrack to the 2000 horror comedy parody film ''Scary Movie''. A decade later, the duo reunited to release an extended play (EP) to critical and commercial success. The duo broke up after a Royce da 5'9"#2002–2003: feud with D12, feud between Royce and the members of Eminem's group D12. The feud ended when Proof (rapper), Proof, a D12 member and a mutually close affiliate of both rappers, was killed in April 2006. After Royce's supergroup Slaughterhouse (group), Slaughterhouse signed to Eminem's Shady Records, a reunion of Bad Mee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rich Lee
Richard "Rich" Lee is an American music video and commercial director. He has directed music videos for Eminem, Lana Del Rey, Maroon 5, The Black Eyed Peas, Norah Jones, Michael Bublé and The All-American Rejects. Rich Lee started his professional career as a sculptor and fabricator for Broadway shows in New York City. He later moved on to computer graphics and created 3-D previsualizations for big budget Hollywood feature films such as the first three '' Pirates of the Caribbean'' films, '' I Am Legend'', '' Minority Report'' and '' Constantine''. From the encouragement of feature film directors he moved into directing music videos and commercials. He has directed commercials for brands like Fiat, Hyundai, Honda, Beats by Dre etc. Videography Television ;Notes * – Directed with Marc Webb Marc Preston Webb (born August 31, 1974) is an American filmmaker and music video director. He made his feature film directorial debut in 2009 with the romantic comedy '' (500 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival Records (Australia), Festival, Sony Music, CBS, Bertelsmann Music Group, RCA, Warner Music Group, WEA and PolyGram, Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licences and royalties. The association has more than 190 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a board of directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of the Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the band would be a major inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in African-American culture, African-American African-American neighborhood, communities throughout the United States in the late 1950s and early 1960s. Catchy rhythms, stressed by handclaps and extemporaneous body movements, are an important hallmark of soul. Other characteristics are a Call and response (music), call and response between the lead and Backing vocalist, backing vocalists, an especially tense vocal sound, and occasional Musical improvisation, improvisational additions, twirls, and auxiliary sounds. Soul music is known for reflecting African-American identity and stressing the importance of African-American culture. Soul has its roots in African-American gospel music and rhythm and blues, and primarily combines elements of gospel, R&B and jazz. The genre emerged from the power struggle to increase black Americans' awareness of their African ancestry, as a newfound consciousness led to the creation of music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Hip Hop
Alternative hip-hop (also known as alternative rap and experimental hip-hop) is a subgenre of hip-hop music that encompasses a wide range of styles that are not typically identified as mainstream. AllMusic defines it as comprising "hip-hop groups that refuse to conform to any of the traditional stereotypes of rap, such as gangsta, bass, hardcore, and party rap. Instead, they blur genres drawing equally from funk and pop/rock, as well as jazz, soul, reggae, and even folk." Alternative hip-hop developed in the late 1980s and experienced a degree of mainstream recognition during the early to mid-1990s. While some groups such as Arrested Development and the Fugees achieved commercial success, many alternative rap acts tend to be embraced by alternative rock listeners rather than hip-hop or pop audiences. The commercial and cultural momentum was impeded by the simultaneous emergence of significantly harder-edged West Coast gangsta rap. A resurgence came about in the late 1990s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aftermath Entertainment
Aftermath Entertainment is an American record label founded by hip hop producer and rapper Dr. Dre in 1996. It operates as a subsidiary of Universal Music Group, and is distributed through Interscope Records. The label's roster includes artists such as Eminem, Marsha Ambrosius, Anderson .Paak, Ez Mil, and Snoop Dogg, while former artists include 50 Cent and Kendrick Lamar, among others. History Upon his departure from Death Row Records on March 22, 1996, Dr. Dre quickly launched Aftermath Entertainment through Death Row's former parent label, Interscope Records. It was founded as a "boutique label" that prides itself on "quality over quantity", focusing on small numbers of high-profile releases. '' Dr. Dre Presents: The Aftermath'' was the label's first release. The compilation, featuring artists who were amongst the label's first signees, was released on November 26, 1996. The album entered the charts at #6 and went platinum. A few months prior to the album's release Dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Smeezingtons
The Smeezingtons were an American songwriting and record production team consisting of Bruno Mars, Philip Lawrence, and Ari Levine formed in 2009. The Smeezingtons were established in Los Angeles, California; the trio primarily served as the producers for the singles and albums of Mars, with additional work for a diverse range of artists. Eventually, the trio split, and Mars and Lawrence formed a successor production trio with Christopher Brody Brown called "Shampoo Press & Curl". Before Mars' mainstream breakthrough as a performer, the Smeezingtons first gained recognition after producing the song " Wavin' Flag" for Canadian singer K'naan in 2009, which was used by Coca-Cola as the theme for television coverage of the 2010 FIFA World Cup. In December of that year, the trio produced and co-wrote Mars' debut single appearance, " Nothin' on You" by American rapper B.o.B. It was their first ''Billboard'' Hot 100 number-one single, and the first of numerous successful product ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Play
An extended play (EP) is a Sound recording and reproduction, musical recording that contains more tracks than a Single (music), single but fewer than an album. Contemporary EPs generally contain up to eight tracks and have a playing time of 15 to 30 minutes. An EP is usually less cohesive than an album and more "non-committal". An extended play (EP) originally referred to a specific type of 45 revolutions per minute, rpm phonograph record other than 78 rpm standard play (SP) and 33 rpm LP record, long play (LP), but , also applies to mid-length Compact disc, CDs and Music download, downloads. EPs are considered "less expensive and less time-consuming" for an artist to produce than an album, and have long been popular with punk and indie bands. In K-pop and J-pop, they are usually referred to as Mini-LP, mini-albums. Background History EPs were released in various sizes in different eras. The earliest multi-track records, issued around 1919 by Grey Gull Records, were Vertic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
