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Legitimate Theatre
Legitimate theatre is live performance that relies almost entirely on diegetic elements, with actors performing through speech and natural movement.Joyce M. Hawkins and Robert Allen, eds. "Legitimate" entry. ''The Oxford Encyclopedic English Dictionary.'' Oxford University Press, 1991. pp. 820-821. "''—adj.'' 5. constituting or relating to serious drama (including both comedy and tragedy) as distinct from musical comedy, farce, revue, etc. The term arose in the 18th c. ... It covered plays dependent entirely on acting with little or no singing, dancing or spectacle."Mark Hodin. "The Disavowal of Ethnicity: Legitimate Theatre and the Social Construction of Literary Value in Turn-of-the-Century America." ''Theatre Journal.'' 52.2: May 2000. p. 212. "The expression ''legitimate theatre''...became vernacular within heturn-of-the- 0thcentury amusement market. The legitimate prefix confirmed the fact that conventional stage plays no longer monopolized the definition of legitimate thea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diegetic
Diegesis (; , ) is a style of fiction storytelling in which a participating narrator offers an on-site, often interior, view of the scene to the reader, viewer, or listener by subjectively describing the actions and, in some cases, thoughts, of one or more characters. Diegetic events are those experienced by both the characters within a piece and the audience, while non-diegetic elements of a story make up the "fourth wall" separating the characters from the audience. Diegesis in music describes a character's ability to hear the music presented for the audience, in the context of musical theatre or film scoring. Origin ''Diegesis'' (Greek διήγησις "narration") and ''mimesis'' (Greek μίμησις "imitation") have been contrasted since Aristotle. For Aristotle, ''mimesis'' ''shows'' rather than ''tells'', by means of action that is enacted. ''Diegesis'' is the ''telling'' of a story by a narrator. The narrator may speak as a particular character, or may be the '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extravaganza
An extravaganza is a literary or musical work (often musical theatre) usually containing elements of Victorian burlesque, and pantomime, in a spectacular production and characterized by freedom of style and structure. The term is derived from the Italian word ''stravaganza'', meaning extravagance. It sometimes also has elements of music hall, cabaret, circus, revue, variety, vaudeville and mime. ''Extravaganza'' came, in the 20th century, to more broadly refer to an elaborate, spectacular, and expensive theatrical production. Professor Carolyn Wiliams writes that playwrights, producers and critics have often muddled the distinction between burlesque and extravaganza, but she describes the genre this way: "Sexy yet free of "offensive vulgarity", silly yet intelligent, raucus yet spectacularly beautiful, extravaganza was a relatively "high" form of burlesque, intended for an urbane adult audience." She notes that the definition of extravaganza changed during the 19th century, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Theatre
The history of theatre charts the development of theatre over the past 2,500 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment, and ''theatrical'' or ''performative'' elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens in the 5th century BC, vibrant traditions of theatre have flourished in cultures across the world. Origins There is no conclusive evidence that theater evolved from ritual, despite the similarities between the performance of ritual actions and theatre and the significance of this relationship.Cohen and Sherman (2020, ch. 7). This similarity of early theatre to ritual is negatively attested by Aristotle, who in his ''Poetics'' defined theatre in contrast to the performances of Greco-Roman mysteries, sacred mysteries: theatre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Theatre
Musical theatre is a form of theatre, theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the light opera works of Jacques Offenbach in France, Gilbert and Sullivan in Britain and the works of Edward Harrigan, Harrigan and Tony Hart (theater), Hart in America. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Film
Musical film is a film genre in which songs by the Character (arts), characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the musical theater, stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegesis, diegetic audience, as the performer looks directly into the camera and performs to it. With the Sound film, advent of sound in the late 1920s, musicals gained popularity with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diegesis
Diegesis (; , ) is a style of fiction storytelling in which a participating narrator offers an on-site, often interior, view of the scene to the reader, viewer, or listener by subjectively describing the actions and, in some cases, thoughts, of one or more characters. Diegetic events are those experienced by both the characters within a piece and the audience, while non-diegetic elements of a story make up the "fourth wall" separating the characters from the audience. Diegesis in music describes a character's ability to hear the music presented for the audience, in the context of musical theatre or film scoring. Origin ''Diegesis'' (Greek διήγησις "narration") and ''mimesis'' (Greek μίμησις "imitation") have been contrasted since Aristotle. For Aristotle, ''mimesis'' ''shows'' rather than ''tells'', by means of action that is enacted. ''Diegesis'' is the ''telling'' of a story by a narrator. The narrator may speak as a particular character, or may be the '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatres Act 1968
The Theatres Act 1968 (c. 54) abolished stage censorship in the United Kingdom, receiving royal assent on 26 July 1968, after passing both Houses of Parliament. www.legislation.gov.uk Since 1737, scripts had been licensed for performance by the Lord Chamberlain's Office (under the Theatres Act 1843, a continuation of the Licensing Act 1737) a measure initially introduced to protect Robert Walpole's administration from political satire. By the late 19th century the Lord Chamberlain's Office had become the arbiter of moral taste on the stage, and the "Angry Young Men" of the 1950s were in some ways a reaction against the banality of the morally conservative and formally restricted period of theatre that had preceded them. Theatre critic Kenneth Tynan, whilst working with Laurence Olivier as literary manager and Dramaturg of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stage Society
The Incorporated Stage Society, commonly known as the Stage Society, was an English theatre society with limited membership which mounted private Sunday performances of new and experimental plays, mainly at the Royal Court Theatre (whose John Eugene Vedrenne, Vedrenne-Harley Granville Barker, Barker management is said to have originated in the Society's work) but also at other London West End theatre, West End venues. Founded in 1899 "to regenerate the Drama", it followed the Independent Theatre Society in this activity. Its plays particularly included the first performances of plays that had been banned for public performance by the Lord Chamberlain. George Bernard Shaw, Harley Granville Barker, St. John Emile Clavering Hankin, St. John Hankin, Gilbert Murray and Clifford Bax were all involved with the company. Its council decided in 1930 that the rise of other groups like the Gate Theatre meant the Society's work was complete and, though a 1930 proposal for its dissolution was def ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Court Theatre
The Royal Court Theatre, at different times known as the Court Theatre, the New Chelsea Theatre, and the Belgravia Theatre, is a West End theatre#London's non-commercial theatres, non-commercial theatre in Sloane Square, London, England, opened in 1870; the current building was completed in 1888. The capacity of the theatre has varied between 728 seats and today's 380 seats (with a smaller upstairs theatre opened in 1969). In 1956 it was acquired by and remains the home of the English Stage Company, which focuses on contemporary theatre and won the Europe Theatre Prize, Europe Prize Theatrical Realities in 1999. History The first theatre The first theatre on Lower George Street, off Sloane Square, was the converted Nonconformist Ranelagh Chapel, opened as a theatre in 1870 under the name The New Chelsea Theatre. Marie Litton became its manager in 1871, hiring Walter Emden to remodel the interior, and it was renamed the Court Theatre. Several of W. S. Gilbert's early plays ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saved (play)
''Saved'' is a play by Edward Bond which premiered at the Royal Court Theatre, London, in November 1965. The play itself is set in London during the 1960s. Its subject is the cultural poverty and frustration of a generation of young people on the dole and living on council estates. In response to the censorship of the play, Laurence Olivier wrote a letter to ''The Observer'', saying that: "''Saved'' is not a play for children but it is for grown-ups, and the grown-ups of this country should have the courage to look at it." American novelist Mary McCarthy praised its "remarkable delicacy". The original cast included John Castle, Tony Selby, Ronald Pickup, Dennis Waterman, William Stewart, Barbara Ferris, Lucy Fleming, and Gwen Nelson. The creative team included director William Gaskill and lighting by Eric Baker. Controversy ''Saved'' was originally refused a licence without severe cuts by the Lord Chamberlain. When it was performed to large private audiences, the Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Bond
Thomas Edward Bond (18 July 1934 – 3 March 2024) was an English playwright, theatre director, poet, dramatic theorist and screenwriter. He was the author of some 50 plays, among them '' Saved'' (1965), the production of which was instrumental in the abolition of theatre censorship in the UK. His other well-received works include '' Narrow Road to the Deep North'' (1968), ''Lear'' (1971), ''The Sea'' (1973), ''The Fool'' (1975), ''Restoration'' (1981), and the ''War Plays'' (1985). Bond was broadly considered among the major living dramatists but he has always been and remains highly controversial because of the violence shown in his plays, the radicalism of his statements about modern theatre and society, and his theories on drama. Early life Thomas Edward Bond was born on 18 July 1934 into a lower-working-class family in Holloway, North London. As a child during World War II he was evacuated to the countryside, but witnessed the bombings on London in 1940 and 1944 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Club Theatre
Club may refer to: Arts, entertainment, and media * ''Club'' (magazine) * Club, a ''Yie Ar Kung-Fu'' character * Clubs (suit), a suit of playing cards * Club music * "Club", by Kelsea Ballerini from the album ''kelsea'' Brands and enterprises * Club (cigarette), a Scottish brand of cigarettes * Club (German cigarette), a German brand of cigarettes * Club Med, a holiday company Food * Club (soft drink) * Club Crackers * Club sandwich * Club (biscuit), a brand of biscuits manufactured by Jacob's (Ireland) and McVitie's (UK) Objects * Club (weapon), a blunt weapon * Golf club * Indian club, an exercise device * Juggling club * Throwing club, an item of sport equipment used in the club throw * Throwing club, an alternative name for a throwing stick Organizations * Club (organization), a type of association * Book discussion club, also called a book club or reading circle * Book sales club, a marketing mechanism * Cabaret club * Gentlemen's club (traditional) * Health club or fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
