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La Cecchina (opera)
''La buona figliuola'' (''The Good-Natured Girl'' or ''The Accomplish'd Maid''), or ''La Cecchina'' (''The Girl from Cecchina'' or ''Fannie''), is an opera buffa in three acts by Niccolò Piccinni. The libretto, by Carlo Goldoni, is based on Samuel Richardson's novel ''Pamela; or, Virtue Rewarded''. This was Piccinni's most successful Italian opera. There was a sequel entitled ''La buona figliuola maritata'' (1761) by the same composer and librettist. ''La buona figliuola supposta vedova'' by Gaetano Latilla followed in 1766. Performance history It was first performed at the Teatro delle Dame, Rome, on 6 February 1760 with an all-male cast. It was given in London at the King's Theatre on 25 November 1766 with Gaetano Guadagni, Savi, Lovattini, Morigi, Quercioli, Piatti, and Michele; and at Covent Garden in English as ''The Accomplish'd Maid'' on 3 December 1766. It was revived as ''La Cecchina'' (with alterations) on 7 February 1928 in Bari (the composer's native city), as part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Buffa
Opera buffa (, "comic opera"; : ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesco'', ''dramma comico'', ''divertimento giocoso''. Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, ''buffa'' was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter song, patter. ''The New Grove Dictionary of Opera'' considers ''La Cilla'' (music by Michelangelo Faggioli, text by , 1706) and Luigi Ricci (composer), Luigi and Federico Ricci's'' Crispino e la comare'' (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serena Farnocchia
Serena Farnocchia (born 29 May 1973) is an Italian operatic soprano. Life and career Farnocchia was born in Pietrasanta, and raised in Camaiore. She studied singing with baritone Giampiero Mastromei and Giovanna Canetti. In 1994, she won various competitions in Italy, among which the one in Florence earned her the role of Grilletta in Haydn's opera ''Lo speziale'', presented in July 1994 at the Bagni di Lucca Festival. She won the 1995 Luciano Pavarotti International Voice Competition in Philadelphia, leading to the title role in ''Lucia di Lammermoor'' presented at the Academy of Music in August 1996, which was participated by Pavarotti. In 1997 after entering the two-year Academy of La Scala, she made her debut in the role of Donna Anna in Mozart's ''Don Giovanni'' conducted by Riccardo Muti. In 2002, she sang Elaisa in Mercandente's '' Il giuramento'' at Wexford Festival Opera. In August 2005, she appeared as Adalgisa in Bellini's ''Norma'' at the Finnish National Opera The Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vito Paternoster
Vito Paternoster is an Italian cellist, recording for Musicaimmagine. He has served as principal cellist for I Musici (Rome). Paternoster is the first cellist to record the complete Bach Sonatas and Partitas for Solo Cello (orig. violin), after locating an anonymous transcription, from Bach's time, next to Bach's own manuscript of the violin masterpieces. Paternoster also recorded a CD called ''Inzaffirio'', a distillation of the preludes from Bach's Cello Suites - following each prelude is an arrangement for soprano, solo cello, and string orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * String instruments, such as the violin, viola, cello, ... accompaniment. Paternoster teaches at the Bari Conservatory (Italy). References {{DEFAULTSORT:Paternoster, Vito Living people Year of birth missing (living people) Itali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ugo Benelli
Ugo Benelli (born 20 January 1935) is an Italian operatic tenor. Born in Genoa and trained at La Scala, Benelli had an international career singing leading '' tenore di grazia'' roles from the early 1960s through the 1980s. In his later years he sang character roles and began a career as a singing teacher. He retired from the stage in 2004. Life and career Benelli was born in Genoa where his father and grandfather worked as hat makers. He studied singing in Milan with Pietro Magenta and then won a scholarship to La Scala's training school for young singers, where he studied under Giulio Confalonieri and Ettore Campogalliani. He began his singing career in Montevideo in 1958 in Salieri's comic intermezzo ''Arlecchinata'' while on a tour of Latin America with the chamber opera company Opera da Camera di Milano. In 1960 he began singing at the Teatro della Piccola Scala (La Scala's chamber theatre) and then at Barcelona's Gran Teatre del Liceu as Fenton in Verdi's ''Falstaff'', whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margherita Rinaldi
Margherita Rinaldi (12 January 1935 – 7 September 2023) was an Italian lyric soprano, primarily active in the 1960s and 1970s, after she made her debut as Donizetti's Lucia di Lammermoor in 1958, prompting her career at La Scala in Milan. She also appeared internationally, performing a wide repertoire including, besides Italian belcanto roles, Baroque and French opera. She recorded the roles of Gilda in Verdi's ''Rigoletto'' and Ilia in Mozart's ''Idomeneo''. From 1981, she worked as a voice teacher. Life and career Margherita Rinaldi was born in Turin on 12 January 1935, and completed her music studies in Rovigo. She won the Belli voice competition of the Teatro Lirico Sperimentale in Spoleto, appearing there in 1958 in the title role of Donizetti's ''Lucia di Lammermoor''. The success prompted her debut at La Scala in Milan the following year as Sinaide in Rossini's '' Mosè in Egitto''. She first performed at the Arena di Verona in 1962, as Oscar in Verdi's '' Un ballo in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Aliberti
Lucia Aliberti (born 12 June 1957) is an Italian operatic soprano singer. She performed the bel canto roles of Bellini, Rossini, Donizetti, Verdi, Puccini, Vivaldi, Mercadante and so on. Life and career Aliberti was born in Messina (Sicily). She studied piano, composition, conducting, and singing at the Conservatory, where she graduated with a diploma with full marks very young. She then completed her studies in Rome with Maestro Luigi Ricci and continued the study with Alfredo Kraus. Musician and composer, while studying singing, she was also studying the piano and other musical instruments (guitar, accordion, violin, mandolin). She has composed many pieces for piano, clarinet, flute and singing. She began her artistic career in Spoleto at the Festival dei Due Mondi, under the direction of Gian Carlo Menotti. A lyric-dramatic soprano with agility, Aliberti graduated very young at the conservatory with honors. She studied with Luigi Ricci in Rome, Alfredo Kraus and Herbert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gianluigi Gelmetti
Gianluigi Gelmetti OMRI, (11 September 1945 – 11 August 2021) was an Italian-Monégasque conductor and composer. Early life Gianluigi Gelmetti was born on 11 September 1945 in Rome, Italy. When 16 years old, Sergiu Celibidache let him conduct an orchestra, then took him as a pupil. He subsequently studied with Franco Ferrara and Hans Swarowsky. In 1967 he won the “Firenze” prize. Career Following his debut with the Berlin Philharmonic Orchestra, Gelmetti regularly performed as a conductor at international opera houses, concert halls, and festivals. From 1989 to 1998 he was the Principal Conductor of the Stuttgart Radio Symphony Orchestra as well as the Schwetzingen Festival; and from 2000 to 2009, Musical and Artistic Director of Teatro dell'Opera di Roma. From 2004 to 2008 he was the Principal Conductor and Artistic Director of the Sydney Symphony Orchestra. In 2012, he was appointed Principal Conductor of the Orchestre Philharmonique de Monte-Carlo, a post that he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruno Campanella
Bruno Campanella (born January 6, 1943, Bari) is an Italian Conductor (music), conductor and a distinguished interpreter of the Italian Opera. He studied composition under Nino Rota and Luigi Dallapiccola. He had Hans Swarowsky and Thomas Schippers as instructors in conducting. Since the late 1970s he has been known worldwide as a specialist in ''Bel canto, Bel Canto''. However, his repertoire also includes works by Maurice Ravel, Igor Stravinsky, and Giuseppe Verdi, among others. He performs at such major theaters as La Scala in Milan, the Metropolitan Opera of NYC, the San Francisco Opera, the Houston Grand Opera, the Lyric Opera of Chicago, L’Opéra de Montréal, L’Opéra National de Paris, the Wiener Staatsoper, the Royal Opera House in London, the Liceu, Gran Teatre del Liceu in Barcelona, the Municipal Theatre of Santiago, the New National Theatre of Tokyo. He served as ''music director, principal conductor'' at the Teatro Regio di Torino from 1992 to 1995. At present ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Carattoli
Francesco Carattoli (1704 or 1705 – March 1772) was an Italian bass ''buffo'', or singer of opera buffa. Carattoli was born in Rome, and began singing in the 1740s. He sang in a number of comic operas in various parts of Italy through the 1740s, 1750s, and early 1760s, by composers such as Gaetano Latilla, Baldassare Galuppi, Domenico Fischietti, and Niccolò Piccinni, both becoming prominent himself and helping to increase the popularity and prestige of opera buffa through his skillful performances. A number of the prominent comic opera bass roles of the 18th century were written for him, and his combination of voice and acting was much sought after. In 1764, he went to Vienna to sing there. During the 1760s, Italian impresarios brought troupes of ''buffi'' to Vienna, and opera buffa become quite popular there. Carattoli was, along with Domenico Poggi, one of the most celebrated singers despite being in his 60s by that time, and gained praise from and Joseph von Sonnenfels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
