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Kuningas Lähtee Ranskaan
''Kuningas lähtee Ranskaan'' () is an opera in three acts by Aulis Sallinen, based on the novel of the same title by Paavo Haavikko, who also wrote the libretto. The English singing version is by Stephen Oliver. Background ''Kuningas lähtee Ranskaan'' was first performed on 7 July 1984 by the Savonlinna Opera Festival,Arni E. The King Goes Forth to France. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. and revived at the festival in the three years that followed. Later performances have taken place at the Kiel Opera House (1986, in a cut version not approved by the composerMilnes R. Awaiting the King. ''About the House'', Christmas 1986, 48–51.), the Santa Fe Opera Festival (1986) and the Royal Opera House, Covent Garden (1987).Arni E. The King's Story. Article in Royal Opera programme for ''The King Goes Forth to France'', London, 9 April 1987. A concert performance of the opera in Helsinki in 2005 was recorded by Ondine. The English ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aulis Sallinen
Aulis Heikki Sallinen (born 9 April 1935) is a Finnish contemporary classical music composer. His music has been variously described as "remorselessly harsh", a "beautifully crafted amalgam of several 20th-century styles", and "neo-romantic". Sallinen studied at the Sibelius Academy, where his teachers included Joonas Kokkonen. He has had works commissioned by the Kronos Quartet, and has also written seven operas, eight symphonies, concertos for violin, cello, flute, horn, and English horn, as well as several chamber works. He won the Nordic Council Music Prize in 1978 for his opera ''Ratsumies'' ('' The Horseman''). Childhood and studies Sallinen was born in Salmi. During his childhood the family moved several times for his father's work, and during the Evacuation of Finnish Karelia in 1944 the family relocated to Uusikaupunki, where he went to school. His first instruments were the violin and the piano. He learned to play both jazz and classical music. He spent much ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodney Milnes
Rodney Milnes Blumer OBE (26 July 1936 – 5 December 2015) was an English music critic, musicologist, writer, translator and broadcaster, with a particular interest in opera.Rodney Milnes. ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. He wrote under the professional name of Rodney Milnes. Life and career Milnes was born in Stafford, where his father was a surgeon. He learnt the piano as a child, to the level of playing the early Beethoven sonatas, and later recalled accompanying a fellow Oxford student in ''Winterreise'' at the Holywell Music Room. Wheatcroft, Geoffrey. Rodney Milnes, 1936-2015. ''Opera'', Vol 67 No 2, February 2016, p140-145. Milnes attended Rugby School and studied history at Christ Church, Oxford University. He was a member of the Oxford University Opera Club, taking part in ''The Fair Maid of Perth'' in 1955 (with Dudley Moore among the first violins and David Lloyd-Jones in the chorus),Rodney remembered (letters). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helena Salonius
Helena Salonius (17 March 1930 — 24 September 2012) was a Finnish operatic soprano and actress. Early life and education Salonius was born into a musical family: her mother was the singer Helmi Frilander-Salonius, a close friend of the opera diva Aino Ackté, while her aunt was the opera singer . She never knew her father, who died only months after her birth. She went to school at '' Helsingin Suomalainen Yhteiskoulu'', which has a strong tradition of artistic and cultural education, and this is likely to have influenced her career choice. After graduation, she continued in 1950 to drama school (now part of Helsinki Theatre Academy). Salonius married the actor Saulo Haarla, whom she had met at drama school, and together they had two children: their son (born 1955) became an artist, and their daughter, Iro Haarla (born 1956), a jazz musician. Career After working for some years as a stage and film actor, appearing in three feature-length films in the 1950s, Salonius turn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jorma Hynninen
Jorma Kalervo Hynninen (born 3 April 1941) is a Finnish baritone who performs regularly with the world's major opera companies. He has also worked in opera administration. Life and career Hynninen was born on 3 April 1941 in Leppävirta, Finland.Forbes, Elizabeth. Jorma Hynninen in The New Grove Dictionary of Opera (1997) p778. He studied from 1966 to 1970 at the Sibelius Academy in Helsinki and also took lessons from Luigi Ricci in Rome and Kurt Overhoff in Salzburg. In 1969 he won first prize the Lappeenranta Solo Voice Competition and made his opera debut with the Finnish National Opera as Silvio in Leoncavallo's ''Pagliacci''. Hynninen sang his first public concert in 1970 in Helsinki and was a permanent member of the Finnish National Opera, where he until 1990. In 1971 he took first prize in the Scandinavian Singing Competition in Helsinki and in 1996 won the Cannes Classical Award. On the opera stage, his notable roles have included Count Almaviva in Mozart's '' Le n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Froissart
Jean Froissart ( Old and Middle French: ''Jehan''; sometimes known as John Froissart in English; – ) was a French-speaking medieval author and court historian from the Low Countries who wrote several works, including ''Chronicles'' and ''Meliador'', a long Arthurian romance, and a large body of poetry, both short lyrical forms as well as longer narrative poems. For centuries, Froissart's ''Chronicles'' have been recognised as the chief expression of the chivalric revival of the 14th-century kingdoms of England, France and Scotland. His history is also an important source for the first half of the Hundred Years' War.Michael Jones (2004).Froissart, Jean (1337? – c. 1404). ''Oxford Dictionary of National Biography''. Life What little is known of Froissart's life comes mainly from his historical writings and from archival sources which mention him in the service of aristocrats or receiving gifts from them. Although his poems have also been used in the past to reconstruct aspe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Okko Kamu
Okko Tapani Kamu (born 7 March 1946, Helsinki, Finland) is a Finnish orchestral conductor and violinist. Kamu was born in Helsinki, the son of Adam Kamu, a musician, and his wife Eine (Syrjänen) Kamu, a violin maker. His father played double bass in the Helsinki Philharmonic. He began violin studies at age two and entered the Sibelius Academy at age six. He formed his own string quartet, the Suhonen, in 1964 where he played first violin. At age 20, he was appointed first solo violinist at the Finnish National Opera, and held this post until 1968. He then began to conduct, initially with the Finnish National Opera orchestra. Primarily self-taught, he became principal guest conductor of the Royal Swedish Opera in 1969, the same year as he won the first Herbert von Karajan Conducting Competition in Berlin. From 1971 to 1977, Kamu was principal conductor of the Finnish Radio Symphony Orchestra. Outside of Finland, Kamu was principal conductor of the Oslo Philharmonic from 1975 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
