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Klila
In Mandaeism, the klila () is a small Myrtus, myrtle () wreath or ring (translated as "circlet" by E. S. Drower) used during Mandaean religious rituals. The klila is a female symbol that complements the ''taga (Mandaeism), taga'', a white crown which always takes on masculine symbolism.Drower, Ethel Stefana (1937). ''The Mandaeans of Iraq and Iran''. Oxford at the Clarendon Press. The ''klila'' is used to adorn the drabsha, a wooden cross covered with a white cloth that is the main symbol of Mandaeism. Description The klila that is used for wearing on the right little finger is made by splitting a young myrtle twig with leaves in half, and then intertwining the two split halves to make a ring that can fit around the finger. Use in rituals The ''klila'' is used during most Mandaean rituals, including masbuta, masiqta, and priest initiation rituals. In the ''Qulasta'' Several prayers in the ''Qulasta'' are recited when consecrating and putting on the ''klila'', including prayers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klila Detail
In Mandaeism, the klila () is a small myrtle () wreath or ring (translated as "circlet" by E. S. Drower) used during Mandaean religious rituals. The klila is a female symbol that complements the '' taga'', a white crown which always takes on masculine symbolism.Drower, Ethel Stefana (1937). ''The Mandaeans of Iraq and Iran''. Oxford at the Clarendon Press. The ''klila'' is used to adorn the drabsha, a wooden cross covered with a white cloth that is the main symbol of Mandaeism. Description The klila that is used for wearing on the right little finger is made by splitting a young myrtle twig with leaves in half, and then intertwining the two split halves to make a ring that can fit around the finger. Use in rituals The ''klila'' is used during most Mandaean rituals, including masbuta, masiqta, and priest initiation rituals. In the ''Qulasta'' Several prayers in the ''Qulasta'' are recited when consecrating and putting on the ''klila'', including prayers 19, 46, 47, 61, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crown Of Justification
In ancient Egyptian religion, the crown of justification ''(mꜣḥ n mꜣꜥ ḫrw'') was a wreath or fillet worn by the deceased to represent victory over death in the afterlife. Its symbolism is based on Chapter 19 of the '' Book of the Dead,'' in which the wearer is said to be "justified" by a triumph over death just as the god Osiris eventually rose above his enemies. A ritual text was recited as the dead person was crowned. The crown of justification might be made of laurel, palm, feathers, papyrus, or precious metals. It was syncretized with the solar crown of the sun god Re, and might be made of gold to mimic the properties of the sun. Among the collections of the Museum of Fine Arts, Boston, is an intricately woven papyrus wreath with bronze insets to reflect light. In the Roman era, initiates into the mysteries of Isis might wear a wreath of palm leaves to suggest the rays of the sun. In the Ptolemaic and Roman Imperial periods, religious art in temples sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taga (Mandaeism)
In Mandaeism, the taga (; sometimes also spelled taqa ) is a white crown traditionally made of silk that is used during Mandaean religious rituals. The ''taga'' is a white crown which always takes on masculine symbolism, while the klila (myrtle wreath) is a feminine symbol that complements the taga. Use in rituals Along with the ''klila'', the ''taga'' is used during most Mandaean rituals, including masbuta, masiqta, and priest initiation rituals.Drower, Ethel Stefana (1937). ''The Mandaeans of Iraq and Iran''. Oxford at the Clarendon Press. When praying with the taga, Mandaean priests often hold the taga in front of the face repeatedly move it in a V shape back and forth, in a pendulum-like manner. In the ''Qulasta'' Several prayers in the ''Qulasta'' are recited when consecrating and putting on the ''taga''. See also * Radiate crown * Drabsha *Klila In Mandaeism, the klila () is a small Myrtus, myrtle () wreath or ring (translated as "circlet" by E. S. Drower) used dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olive Wreath
The olive wreath, also known as ''kotinos'' (), was the prize for the winner at the ancient Olympic Games. It was a olive branch, branch of the Olea oleaster, wild olive tree ''Elaia Kallistephanos'' that grew at Olympia, Greece, Olympia, intertwined to form a circle or a horse-shoe. The branches of the sacred wild-olive tree near the temple of Zeus were cut by a ''pais amphithales'' (, a boy whose parents were both alive) with a pair of golden scissors. Then he took them to the temple of Hera and placed them on a gold-ivory table. From there, the Hellanodikai (the judges of the Olympic Games) would take them, make the wreaths and crown the winners of the Games. History According to Pausanias (geographer), Pausanias it was introduced by Heracles as a prize for the Stadion (running race), running race winner to honor his father Zeus. In the ancient Olympic Games there were no gold medal#Olympic Games, gold, silver, or bronze medals. There was only one winner per event, crowned wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurel Wreath
A laurel wreath is a symbol of triumph, a wreath (attire), wreath made of connected branches and leaves of the bay laurel (), an aromatic broadleaf evergreen. It was also later made from spineless butcher's broom (''Ruscus hypoglossum'') or cherry laurel (''Prunus laurocerasus''). It is worn as a Chaplet (headgear), chaplet around the head, or as a garland around the neck. Wreaths and crowns in antiquity, including the laurel wreath, trace back to Ancient Greek culture, Ancient Greece. In Greek mythology, the god Apollo, who is patron of lyrical poetry, musical performance and skill-based athletics, is conventionally depicted wearing a laurel wreath on his head in all three roles. Wreaths were awarded to victors in athletic competitions, including the ancient Ancient Olympic Games, Olympics; for victors in athletics they were made of wild olive tree known as ''"kotinos"'' (), (sc. at Olympia, Greece, Olympia) – and the same for winners of musical and poetic competitions. In a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qulasta
The Qulasta, also spelled Qolastā in older sources (; ), is a compilation of Mandaean prayers. The Mandaic word ''qolastā'' means "collection". The prayerbook is a collection of Mandaic prayers regarding baptisms ('' maṣbuta'') and other sacred rituals involved in the ascension of the soul ('' masiqta''). In Mandaic, individual prayers are generally called ''buta'' (plural form: ''bawata''), although some prayers also known as ''qaiamta'', ''šrita'' (loosing or deconsecration prayers), and other Mandaic designations. There is no standardized version of the Qulasta; different versions can contain varying numbers of prayers, and ordering of the prayers can also vary. The most commonly used Qulasta versions are those of E. S. Drower (1959 English translation) and Mark Lidzbarski (1920 German translation). The most complete versions have approximately 340 prayers, excluding duplicates. Eric Segelberg (1958) contains a detailed study of many of the first 90 Qulasta prayers (m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uthra
An uthra or ʿutra (, Neo-Mandaic ''oṯrɔ'', traditionally transliterated ''eutra''; plural: ʿuthrē, traditionally transliterated ''eutria'') is a "divine messenger of the light" in Mandaeism. Charles G. Häberl and James F. McGrath translate it as "excellency". Jorunn Jacobsen Buckley defines them as "Lightworld beings, called 'utras (sing.: 'utra 'wealth', but meaning 'angel' or 'guardian')." p8 Aldihisi (2008) compares them to the '' yazata'' of Zoroastrianism. According to E. S. Drower, "an 'uthra is an ethereal being, a spirit of light and Life." Uthras are benevolent beings that live in '' škinas'' (, "celestial dwellings") in the World of Light (''alma ḏ-nhūra'') and communicate with each other via telepathy. Uthras are also occasionally mentioned as being in '' anana'' ("cloud"; e.g., in '' Right Ginza'' Book 17, Chapter 1), which can also be interpreted as female consorts. Many uthras also serve as guardians (''naṭra''); for instance, Shilmai and Nidbai a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbols Of Abrahamic Religions
A symbol is a mark, sign, or word that indicates, signifies, or is understood as representing an idea, object, or relationship. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise different concepts and experiences. All communication is achieved through the use of symbols: for example, a red octagon is a common symbol for " STOP"; on maps, blue lines often represent rivers; and a red rose often symbolizes love and compassion. Numerals are symbols for numbers; letters of an alphabet may be symbols for certain phonemes; and personal names are symbols representing individuals. The academic study of symbols is called semiotics. In the arts, symbolism is the use of a concrete element to represent a more abstract idea. In cartography, an organized collection of symbols forms a legend for a map. Etymology The word ''symbol'' derives from the late Middle French masculine noun , which appeared around 1380 in a theological sense signifying a f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandaean Religious Objects
{{disambig ...
Mandean or Mandaean may refer to: * Mandaeism, a Gnostic religion * Mandaeans, the ethnoreligious group who follow the Gnostic religion * Mandean, the language family in West Africa known as the Mande languages See also * Mandaic (other), the variety of Aramaic and its alphabet used by the Mandaeans * Mande (other) Mande may refer to: * Mandé peoples of western Africa * Mande languages, their Niger-Congo languages * Manding languages, Manding, a term covering a subgroup of Mande peoples, and sometimes used for one of them, Mandinka people, Mandinka * Garo p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drabsha
The drabshaDrower, Ethel Stefana (1937). ''The Mandaeans of Iraq and Iran''. Oxford at the Clarendon Press. (; Modern Mandaic: ''drafšā'') or darfash () is the symbol of the Mandaean faith. It is typically translated as 'banner'. Etymology The Mandaic term ''drabša'' is derived from the Middle Persian word ''drafš'', which means 'banner or standard; a flash of light; sunrise'. In Mandaic, ''drabša'' can also mean 'a ray or beam of light'. An uncommon variant spelling is ''drapša'', which may have been the original spelling. Description and symbolism The drabša is a banner in the shape of a cross made of two branches of olive wood fastened together and half covered with a piece of white cloth traditionally made of pure silk, and seven branches of myrtle. The drabša white silk banner is not identified with the Christian cross. Instead, the four arms of the drabsha symbolize the four corners of the universe, while the pure silk cloth represents the Light of God (Hayyi Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Revelation
The Book of Revelation, also known as the Book of the Apocalypse or the Apocalypse of John, is the final book of the New Testament, and therefore the final book of the Bible#Christian Bible, Christian Bible. Written in Greek language, Greek, its title is derived from the Incipit, first word of the text, ''apocalypse'' (), which means "revelation" or "unveiling". The Book of Revelation is the only Apocalyptic literature, apocalyptic book in the Development of the New Testament canon, New Testament canon, and occupies a central place in Christian eschatology. The book spans three literary genres: the Letter (message), epistolary, the Apocalyptic literature, apocalyptic, and the prophetic. It begins with John, on the island of Patmos in the Aegean Sea, addressing letters to the "Seven Churches of Asia" with exhortations from Christ. He then describes a series of prophetic and symbolic Vision (spirituality), visions, including figures such as a Woman clothed with the sun with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diadem
A diadem is a Crown (headgear), crown, specifically an ornamental headband worn by monarchs and others as a badge of Monarch, royalty. Overview The word derives from the Ancient Greek, Greek διάδημα ''diádēma'', "band" or "fillet", from διαδέω ''diadéō'', "I bind round", or "I fasten". The term originally referred to the embroidered white silk ribbon, ending in a knot and two fringed strips often draped over the shoulders, that surrounded the head of the monarch, king to denote his authority. Such ribbons were also used to crown victorious athletes in important sports games in antiquity. It was later applied to a metal crown (headgear), crown, generally in a circular or "fillet (clothing), fillet" shape. For example, the crown worn by Queen Juliana of the Netherlands was a diadem, as was that of a baron later (in some countries surmounted by three globes). The ancient Celts were believed to have used a thin, semioval gold plate called a ''mind'' (Old Irish) as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
