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Kierlighed Uden Strømper
''Kierlighed uden Strømper: Et Sørge-Spil i Fem Optog'' (Love Without Stockings: A Tragedy in Five Acts) is a comedy by the Norwegian playwright Johan Herman Wessel, published in 1772. History The play was published in September 1772 and it was performed in an amateur theater that same year. It had its official premier at the Royal Danish Theater in Copenhagen in March 1773. Plot The action takes place over the course of a day, and the main characters are all simple craftsmen. The heroine, Grete, is informed that she must get married during the day. As her beloved, Johan von Ehrenpreis, is away (he is a tailor, and has gone to mend a major's trousers), she turns to her former lover, Mads. Johan returns, but he has no stockings, and therefore he cannot marry. Johan steals Mads' stockings and is scolded by Mads—after which Johan takes his own life. Then everyone takes their own lives. In the play's epilogue, Mercury descends from the realm of the gods, bringing the characters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johan Herman Wessel
Johan Herman Wessel (6 October 1742 – 29 December 1785) was an 18th-century Danish-Norwegian poet, satirist and playwright. His written work was characterized by the use of parody and satiric wit. Biography Wessel was born and raised at Vestby in Akershus, Norway. He was the son of Jonas Wessel (1707–1785) and Helene Maria Schumacher (1715–1789). His father was a parish priest. He was one of thirteen children in a family. His younger brothers included mathematician Caspar Wessel (1745–1818) and jurist Ole Christopher Wessel (1744–1794) His sister-in-law was landowner Maren Juel (1749–1815) and naval hero Peter Tordenskjold (1690–1720) was his great uncle. He entered attended Oslo Cathedral School in 1757 followed by the University of Copenhagen in 1761. At the university, he studied foreign languages. He later made a living principally as a tutor and translator. He lived most of his somewhat bohemian life in Copenhagen, dependent on casual work and weake ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Danish Theatre
The Royal Danish Theatre (RDT, Danish: ') is both the national Danish performing arts institution and a name used to refer to its old purpose-built venue from 1874 located on Kongens Nytorv in Copenhagen. The theatre was founded in 1748, first serving as the theatre of the king, and then as the theatre of the country. The theatre presents opera, the Royal Danish Ballet, multi-genre concerts, and drama in several locations. The Royal Danish Theatre organization is under the control of the Danish Ministry of Culture. Performing arts venues * The Old Stage is the original Royal Danish Theatre built in 1874. * The Copenhagen Opera House ''(Operaen)'', built in 2004. * Stærekassen (New Stage) is an Art Deco theatre adjacent to the main theatre. It was used for drama productions. It is no longer used by the Royal Theatre. * The Royal Danish Playhouse is a venue for "spoken theatre" with three stages, inaugurated in 2008. Cultural references * The Royal Theatre on Kongens Nytorv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copenhagen
Copenhagen ( ) is the capital and most populous city of Denmark, with a population of 1.4 million in the Urban area of Copenhagen, urban area. The city is situated on the islands of Zealand and Amager, separated from Malmö, Sweden, by the Øresund strait. The Øresund Bridge connects the two cities by rail and road. Originally a Vikings, Viking fishing village established in the 10th century in the vicinity of what is now Gammel Strand, Copenhagen became the capital of Denmark in the early 15th century. During the 16th century, the city served as the ''de facto'' capital of the Kalmar Union and the seat of the Union's monarchy, which governed most of the modern-day Nordic countries, Nordic region as part of a Danish confederation with Sweden and Norway. The city flourished as the cultural and economic centre of Scandinavia during the Renaissance. By the 17th century, it had become a regional centre of power, serving as the heart of the Danish government and Military history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dano-Norwegian
Dano-Norwegian (Danish language, Danish and ) was a Koine language, koiné/mixed language that evolved among the urban elite in Norwegian cities during the later years of the union between the Denmark–Norway, Kingdoms of Denmark and Norway (1536/1537–1814). It is from this koiné that the unofficial written standard Riksmål and the official written standard Bokmål developed. Bokmål is now the most widely used written standard of contemporary Norwegian. History As a spoken language During the period when Norway was in a union with Denmark, Norwegian writing died out and Danish language, Danish became the language of the literate class in Norway. At first, Danish was used primarily in writing; later it came to be spoken on formal or official occasions; and by the time Norway's ties with Denmark were severed in 1814, a Dano-Norwegian vernacular often called the "cultivated everyday speech" had become the mother tongue of parts of the urban elite. This new Dano-Norwegian koin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norwegians
Norwegians () are an ethnic group and nation native to Norway, where they form the vast majority of the population. They share a common culture and speak the Norwegian language. Norwegians are descended from the Norsemen, Norse of the Early Middle Ages who formed a unified Kingdom of Norway (872–1397), Kingdom of Norway in the 9th century. During the Viking Age, Norwegians and other Norse peoples conquered, settled and ruled parts of the British Isles, the Faroe Islands, Iceland and Greenland. Norwegians are closely related to other descendants of the Norsemen such as Danes, Swedes, Icelanders and the Faroe Islanders, as well as groups such as the Scottish people, Scots whose nation they significantly settled and left a lasting impact in, particularly the Northern Isles (Orkney and Shetland). The Norwegian language, with its two official standard forms, more specifically Bokmål and Nynorsk, is part of the larger North Germanic languages, Scandinavian dialect continuum of g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercury (mythology)
Mercury (; ) is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication (including divination), travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld and the "messenger of the gods". In Roman mythology, he was the son of Maia, one of the seven daughters of the Titan Atlas, and Jupiter. In his earliest forms, he appears to have been related to the Etruscan deity Turms; both gods share characteristics with the Greek god Hermes. He is often depicted holding the caduceus in his left hand. Similar to his Greek equivalent Hermes, he was awarded a magic wand by Apollo, which later turned into the caduceus, the staff with intertwined snakes. Etymology The name "Mercury" is possibly related to the Latin words '' merx'' ("merchandise"; cf. ''merchant'', ''commerce'', etc.), ' (''to tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama
Drama is the specific Mode (literature), mode of fiction Mimesis, represented in performance: a Play (theatre), play, opera, mime, ballet, etc., performed in a theatre, or on Radio drama, radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the Epic poetry, epic and the Lyric poetry, lyrical modes ever since Aristotle's ''Poetics (Aristotle), Poetics'' ()—the earliest work of dramatic theory. The term "drama" comes from a Ancient Greek, Greek word meaning "deed" or "Action (philosophy), act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional Genre, generic division between Comedy (drama), comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''Play (theatre), play'' or ''game'' (translating the Old English, Anglo-Saxon ''pleġan'' or Latin ''ludus'') wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a tragic hero, main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific Poetic tradition, tradition of drama that has played a unique and important role historically in the self-definition of Western culture, Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Classical Athens, Greeks and the Elizabethan era, Elizabethans, in one cultural form; Hellenistic civilization, Hellenes and Christians, in a common activity," as Raymond Williams puts it. Originating in the theatre of ancient Greece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, ('Aria del Gran Duca'). By the early 16th century, it was in common use as meaning a simple setting of strophe, strophi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Scalabrini
Paolo is a masculine given name, the Italian form of the name Paul. It may refer to: People Art * Paolo Abbate (1884–1973), Italian-American sculptor * Paolo Alboni (1671–1734), Italian painter * Paolo Antonio Barbieri (1603–1649), Italian painter * Paolo Buggiani (born 1933), Italian contemporary artist * Paolo Carosone (born 1941), Italian painter and sculptor * Paolo Moranda Cavazzola (1486–1522), Italian painter * Paolo Farinati (), Italian painter * Paolo Fiammingo (–1596), Flemish painter * Paolo Domenico Finoglia (–1645), Italian painter * Paolo Grilli (1857–1952), Italian sculptor and painter * Paolo de Matteis (1662–1728), Italian painter * Paolo Monaldi, Italian painter * Paolo Pagani (1655–1716), Italian painter * Paolo Persico (–1796), Italian sculptor * Paolo Pino (1534–1565), Italian painter * Paolo Gerolamo Piola (1666–1724), Italian painter * Paolo Porpora (1617–1673), Italian painter * Paolo Romano (died ), Italian sculptor * Paolo Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandrine
Alexandrine is a name used for several distinct types of verse line with related metrical structures, most of which are ultimately derived from the classical French alexandrine. The line's name derives from its use in the Medieval French '' Roman d'Alexandre'' of 1170, although it had already been used several decades earlier in '' Le Pèlerinage de Charlemagne''. The foundation of most alexandrines consists of two hemistichs (half-lines) of six syllables each, separated by a caesura (a metrical pause or word break, which may or may not be realized as a stronger syntactic break): o o o o o o , o o o o o o o=any syllable; , =caesura However, no tradition remains this simple. Each applies additional constraints (such as obligatory stress or nonstress on certain syllables) and options (such as a permitted or required additional syllable at the end of one or both hemistichs). Thus a line that is metrical in one tradition may be unmetrical in another. Where the alexandrine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johan Nordahl Brun
Johan Nordahl Brun (21 March 1745 – 26 July 1816) was a Norwegian-Danish poet, dramatist, bishop of the Diocese of Bjørgvin (1804–1816), and politician who contributed significantly to the growth of national romanticism in Norway, contributing to the growing national consciousness. Early life and family Johan Nordahl Brun was born in Byneset, just outside the city of Trondheim in Søndre Trondhjem county, Norway, on 21 March 1745. He was born to the businessman Svend Busch Brun (1703–1784) and his wife Mette Catharina Nordal. He traveled to Copenhagen in 1767, where he passed his theological examinations. While at the University of Copenhagen, Brun was a prominent member of The Norwegian Society (), a group of younger Norwegian authors, poets and philosophers. He was married on 2 September 1773 to Ingeborg Lind. Nordahl Grieg (Johan Nordahl Brun Grieg) was a descendant of the bishop and was named after him. Career After leaving the university, Brun worked for a time as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
