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Katsukawa Shunshō
Shunshō Katsukawa (; 1726 – 19 January 1793) was a Japanese painter and printmaker in the ''ukiyo-e'' style, and the leading artist of the Katsukawa school. Shunshō studied under Miyagawa Shunsui, son and student of Miyagawa Chōshun, both equally famous and talented ukiyo-e artists. Shunshō is best known for introducing a new form of ''yakusha-e'', prints depicting Kabuki actors. However, his ''bijinga, bijin-ga'' (images of beautiful women) paintings, while less famous, are said by some scholars to be "the best in the second half of the [18th] century".Paine, Robert Treat and Alexander Soper (1955). ''The Art and Architecture of Japan''. New Haven: Yale University Press. p. 263. Biography Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began his own style, which would later be dubbed the Katsukawa school. Amon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katsukawa Shunchō
was a Japanese designer of ukiyo-e style Japanese woodblock prints, who was active from about 1783 to about 1795. Although a student of Katsukawa Shunshō, Shunchō's output, which consists mostly of prints of beautiful women, more closely resembles the work of Torii Kiyonaga.Newland, Amy Reigle. (2005). ''Hotei Encyclopedia of Japanese Woodblock Prints,'' p. 456. Shunchō also designed many shunga prints, which also resemble those of Torii Kiyonaga. His work is held in the permanent collections of many museums worldwide, including the British Museum, the Portland Art Museum, the University of Michigan Museum of Art, the Nelson-Atkins Museum of Art, the Reading Public Museum, the Gregory Allicar Museum of Art, the Harvard Art Museums, the Minneapolis Institute of Art, the Mead Art Museum at Amherst College, the Hyde Collection, the MOA Museum of Art, the Indianapolis Museum of Art, the Brooklyn Museum, the Suntory Museum of Art, and the Metropolitan Museum of Art. Galler ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1792 Deaths
Events January–March * January 9 – The Treaty of Jassy ends the Russian Empire's war with the Ottoman Empire over Crimea. * January 25 – The London Corresponding Society is founded. * February 18 – Thomas Holcroft produces the comedy ''The Road to Ruin (play), The Road to Ruin'' in London. * February 20 ** The Postal Service Act, establishing the United States Postal Service, United States Post Office Department, is signed by President George Washington.''Harper's Encyclopaedia of United States History from 458 A. D. to 1909'', ed. by Benson John Lossing and, Woodrow Wilson (Harper & Brothers, 1910) p169 ** Parliament House, Dublin catches fire during a legislative session. "Although in imminent danger of the roof falling in," it is noted later, "the House did not adjourn until a proper motion had been put and carried in the affirmative.""Fires, Great", in ''The Insurance Cyclopeadia: Being an Historical Treasury of Events and Circumstances Connect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1726 Births
Events January–March * January 23 – (January 12 Old Style) The Conventicle Act (''Konventikelplakatet'') is adopted in Sweden, outlawing all non-Lutheran religious meetings outside of church services. * January 26 – The First Treaty of Vienna is signed between Austria, the Holy Roman Empire and Spain, creating the Austro-Spanish Alliance in advance of a war against Great Britain. * January 27 – On its maiden voyage, the Dutch East India Company frigate ''Aagtekerke'' departs from the Dutch Cape Colony on the second leg of its journey to the Dutch East Indies and is never seen again. ''Aagtekerke'' had carried with it a crew of 200 men and was lost somewhere in the Indian Ocean. * February 8 – The Supreme Privy Council is established in Russia. * February 13 – The Parliament of Negrete (between Mapuche and Spanish authorities in Chile) brings an end to the Mapuche uprising of 1723–26. * March 2 – In London, a night watc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art-name
An art name (pseudonym or pen name), also known by its native names ''hào'' (in Mandarin Chinese), ''gō'' (in Japanese), ' (in Korean), and ''tên hiệu'' (in Vietnamese), is a professional name used by artists, poets and writers in the Sinosphere. The word and the concept originated in China, where it was used as nicknames for the educated, then became popular in other East Asian countries (especially in Japan, Korea, Vietnam, and the former Kingdom of Ryukyu). In some cases, artists adopted different pseudonyms at different stages of their career, usually to mark significant changes in their life. Extreme practitioners of this tendency were Tang Yin of the Ming dynasty, who had more than ten ''hao'', Hokusai of Japan, who in the period 1798 to 1806 alone used no fewer than six, and Kim Jeong-hui of the Joseon Dynasty who had up to 503. History China In Chinese culture, ''Hao'' refers to honorific names made by oneself or given by others when one is in middle age. After o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kitao Shigemasa
was a Japanese ukiyo-e artist from Edo. He was one of the leading printmakers of his day, but his works have been slightly obscure. He is noted for images of beautiful women ('' bijinga''). He was taught by Shigenaga and has been referred to as "a chameleon" who adapted to changing styles. He was less active after the rise of Torii Kiyonaga and produced relatively few works considering the length of his career. He is also noted for his haikai (poetry) and shodō (Japanese calligraphy). In his later years he used the studio name Kosuisai. Life and career Shigemasa was born the eldest son of bookseller Suharaya Mohei in 1739 in Nihonbashi area Edo (modern Tokyo). His family name was Kitabatake and his childhood name was Tarōkichi. Throughout his life he also used the personal names Kyūgorō and Sasuke. His work also appeared under the art names Hokuhō, Kōsuisai, Kōsuiken, Suihō Itsujin, and others, and he used the poetry name Karan. Shigemasa taught himself art before beco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyptych
A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a work of art (usually a panel painting) which is divided into sections, or panels. Some definitions restrict "polyptych" to works with more than three sections: a diptych is a two-part work of art; a triptych is a three-part work; a ''tetraptych'' or ''quadriptych'' has four parts. The great majority of historical examples are paintings with religious subjects, but in the 20th century the format became popular again for portraits and other subjects, in painting, photography, and other media. Historically, polyptychs were panel paintings that typically displayed one "central" or "main" panel that was usually the largest; the other panels are called "side" panels, or if hinged, "wings". Folding forms were much more common north of the Alps. Sometimes, as evident in the Ghent Altarpiece and Isenheim Altarpiece, the hinged panels can be varied in arrangement to show different "views" or "openings" in the piece, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hokusai
, known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. His woodblock printing in Japan, woodblock print series ''Thirty-Six Views of Mount Fuji'' includes the iconic print ''The Great Wave off Kanagawa''. Hokusai was instrumental in developing ''ukiyo-e'' from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. His works had a significant influence on Vincent van Gogh and Claude Monet during the wave of Japonisme that spread across Europe in the late 19th century. Hokusai created the monumental ''Thirty-Six Views of Mount Fuji'' as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, ''The Great Wave off Kanagawa'' and ''Fine Wind, Clear Morning'', that secured his fame both in Japan and overseas. Hokusai was best known for his woodblock ukiyo-e p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katsukawa Shun'ei
Katsukawa Shun'ei (; 1762 – 13 December 1819) was a Japanese ukiyo-e artist. Shun'ei's real surname was Isoda (), and his father was a landlord named Isoda Jirōbei (). Shun'ei belonged to the Katsukawa school of artists; his earliest work dates to 1778. He designed mainly ''yakusha-e'' portraits of kabuki actors, and began producing ''ōkubi-e'' bust portraits as early as 1791. Together with Toyokuni I he illustrated the five-volume kabuki guide called ''Shibai kinmō zue'' ("Illustrated Guide to the Theatre") by Shikitei Sanba. He also made '' musha-e'' warrior prints and prints of sumo wrestlers. In he took over as head from his teacher, Shunshō. His most prominent students were and Katsukawa Shunsen. Shun'ei and several other artists, including Utamaro and Toyokuni, were jailed and manacled for 50 days in 1804 for producing prints depicting Toyotomi Hideyoshi , otherwise known as and , was a Japanese samurai and ''daimyō'' (feudal lord) of the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torii School
The Torii school (鳥居派, ''-ha'') was a school of ''ukiyo-e'' painting and printing founded in Edo. The primary producers of kabuki theater signboards and other promotional materials, the Torii were among those whose work led to the development of ''ukiyo-e''. Their style was one of the primary influences in the ''ukiyo-e'' depiction of actors and kabuki scenes for much of the 18th century. Still today, kabuki signboards are sometimes painted by members of the Torii family. History The Torii style truly emerged with Torii Kiyonobu I, who came to Edo in 1687. The Torii family had already been active in the kabuki world, in Osaka, for several generations at this point. He studied under Yoshida Hanbei and Hishikawa Moronobu, and brought a kabuki sensibility to their artistic styles. Moronobu's work was already dramatic and energetic, but Kiyonobu added to this with a further emphasis on action, and on the types of poses (see '' mie'') and aesthetics one would see on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. In 1603, the city of Edo (Tokyo), Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth. They began to indulge in and patronize the entertainment of kabuki theatre, geisha, and oiran, courtesans of the Yūkaku, pleasure districts. The term ('floating world') came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the class, who had become wealthy enough to afford to decorate their homes wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haiku
is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 Mora (linguistics), morae (called ''On (Japanese prosody), on'' in Japanese) in a 5, 7, 5 pattern; that include a ''kireji'', or "cutting word"; and a ''kigo'', or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-''on'' pattern and sometimes do not contain a ''kireji''. Similar poems that do not adhere to these rules are generally classified as ''senryū''. Haiku originated as an opening part of a larger Japanese genre of poetry called renga. These haiku written as an opening stanza were known as ''hokku'' and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. Originally from Japan, haiku today are written by authors worldwide. Haiku in English and Haiku in languages other than Japanese, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
