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Kalavati
Kalavati or Kalawati is a modern pentatonic raga, Hindustani classical raga. Svaras Re (the second tone) and Ma (the fourth tone) are strictly omitted (Varjya/Varjit). Kalavati belongs to the Khamaj Thaat. Aroha and avaroha Arohana, Ārohana S G P D n S' In the Western scale, assuming S C, this would roughly translate to: C E G A B♭ c Avarohana S' n D P G S Kalavati uses (komal) ni as Vakra Svarain Aroha. P D n D S' Vadi and samavadi The Vadi (music), Vadi is Pa, while the Samvadi is Sa Pakad or chalan Komal Ni is weak in Aroha and often dropped: G P D n D S' or S G P D S', but in Tana (music), Tanas G P D n S' is also taken. Komal Ni is alsAndolitaG P D n~ D P It's also used as G P D n – S' D G P D S n – D P Organization and relationships Kalavati is derived from a Carnatic music, Carnatic raga (see also Yagapriya). According to J.D. Patki the raga was popularized in Maharashtra by Pandit Rao Nagarkar, Roshan Ara Begum and Gangubai Hangal. B.Subba Rao ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic
A pentatonic scale is a Scale (music), musical scale with five Musical note, notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. As Leonard Bernstein put it: "The universality of this scale is so well known that I'm sure you could give me examples of it, from all corners of the earth, as from Scotland, or from China, or from Africa, and from American Indian cultures, from East Indian cultures, from Central and South America, Australia, Finland ...now, that is a true musico-linguistic universal." There are two types of pentatonic scales: Those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khamaj Thaat
Khamaj () is one of the ten thaats (parent scales) of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. The Khamaj thaat can be obtained by replacing the Shuddha Nishad of Bilaval by Komal Nishad. The ragas of this thaat are full of Shringara Rasa (romantic) hence this raga is mostly rendered in the form of light classical thumris, tappas, horis, kajris etc. Its pictorial descriptions in the existing texts are sensuous and even today, the raga Khamaj is considered to be a 'flirtatious' raag. There is a theory which assumes that in the past, the Khamaj scale found its way in the Ch'in music of late medieval China. Description The parent-scale or Thaat of Khamaj, notated in sargam notation, has the following structure: Sa Re Ga Ma Pa Dha Sa'. In Western terms, assuming the tonic (Sa) to be at C, the scale would be: C D E F G A B-flat C. Khamaj thaat is thus equivalent to the mixolydian mode in Western classical music. The Carn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yagapriya
Yagapriya (pronounced yāgapriya) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 31st ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Kalāvati in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Like many other rāgas, Kalāvati has been adopted in Hindustani music as well. Structure and Lakshana It is the 1st rāgam in the 6th ''chakra Rutu''. The mnemonic name is ''Rutu-Pa''. The mnemonic phrase is ''sa ru gu ma pa dha na''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The notes ''shatsruthi rishabham, antara gandharam, shuddh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khamaj (thaat)
Khamaj () is one of the ten thaats (parent scales) of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. The Khamaj thaat can be obtained by replacing the Shuddha Nishad of Bilaval by Komal Nishad. The ragas of this thaat are full of Shringara Rasa (romantic) hence this raga is mostly rendered in the form of light classical thumris, tappas, horis, kajris etc. Its pictorial descriptions in the existing texts are sensuous and even today, the raga Khamaj is considered to be a 'flirtatious' raag. There is a theory which assumes that in the past, the Khamaj scale found its way in the Ch'in music of late medieval China. Description The parent-scale or Thaat of Khamaj, notated in sargam notation, has the following structure: Sa Re Ga Ma Pa Dha Sa'. In Western terms, assuming the tonic (Sa) to be at C, the scale would be: C D E F G A B-flat C. Khamaj thaat is thus equivalent to the mixolydian mode in Western classical music. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vani Jairam
Vani Jairam (born Kalaivani; 30 November 1945 – 4 February 2023) was an Indian playback singer in Indian cinema. She is fondly referred to as the "'' Meera of modern India''" Vani's career started in 1971 and has spanned over five decades. She did playback for over one thousand Indian movies recording over 20,000 songs. In addition, she recorded thousands of devotionals and private albums and also participated in numerous solo concerts in India and abroad. Renowned for her vocal range and easy adaptability to any difficult composition, Vani has often been the choice for several composers across India from the 1970s until the late 1990s. She has sung in several Indian languages languages including Kannada, Tamil, Hindi, Telugu, Malayalam, Marathi, Odia, Sanskrit, Gujarati, Haryanvi, Assamese, Tulu, Kashmiri, Bhojpuri, Marwari, Urdu, Konkani, Punjabi and Bengali languages. Vani is the youngest artist to be awarded the "Sangeet Peet Samman". She won the National F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunnakudi Vaidyanathan
Kunnakudi Vaidyanathan (2 March 1935 – 8 September 2008) was an Indian classical music violinist and music composer. Early life Kunnakudi Vaidyanathan was born on 2 March 1935 and was trained by his father, Ramaswamy Sastry. His father, sang and played a variety of instruments such as Flute, Jalatharangam and Veena. He was the brother of Kunnakudi Subbalakshmi. Career The violin was his forte. He was known for his dexterity and subtlety in handling the violin, he catered not only to the music scholar but also to the layman. His play reflected his own different moods and the demands of his audience with whom he established and enjoyed a good rapport. He dwelled with ease and competence in the high as well as the low octaves. At the age of 12, he accompanied great stalwarts like Ariyakudi Ramanuja Iyengar, Semmangudi Srinivasa Iyer and Maharajapuram Santhanam in concerts. He also performed with Nadaswaram vidwans like T.N.Rajarathinam Pillai and Thiruvenkadu Subramania Pil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilaiyaraaja
Ilaiyaraaja (born R. Gnanathesikan) is an Indian musician, composer, arranger, conductor, orchestrator, multi-instrumentalist, lyricist and playback singer popular for his works in Indian cinema, predominately in Tamil cinema, Tamil in addition to Telugu cinema, Telugu, Malayalam Cinema, Malayalam, Kannada cinema, Kannada and Hindi cinema, Hindi films. Regarded as one of the most prolific composers, in a career spanning over forty-nine years, he has composed over 8,600 songs, provided film scores for about 1,523 feature films in nine languages, and performed in over 20,000 concerts. He is nicknamed "Isaignani" (the musical sage) and is often referred to as "Maestro", the title conferred to him by the Royal Philharmonic Orchestra, London. Ilaiyaraaja was one of the first Indian film composers to use Western classical music harmonies and string arrangements in Indian film music,Venkatraman, S. 1995. "Film music: the new intercultural idiom of 20th century Indian music". pp. 107– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neethiyin Marupakkam
''Neethiyin Marupakkam'' () is a 1985 Tamil-language action drama film directed by S. A. Chandrasekhar and produced by Shoba Chandrasekhar. The film stars Vijayakanth and Radhika, alongside Anuradha, Vadivukkarasi, and V. K. Ramasamy in supporting roles. It was released on 27 September 1985. Plot Cast Production The film was originally titled ''Naan Naxalite Alla''. Soundtrack The music was composed by Ilaiyaraaja. The song "Naan Irukka Bayam Edarkku" is set in the Valaji raga. Reception Jayamanmadhan of ''Kalki Kalki (), also called Kalkin, is the prophesied tenth and final incarnation of the Hinduism, Hindu god Vishnu. According to Vaishnavism, Vaishnava cosmology, Kalki is destined to appear at the end of the Kali Yuga, the last of the four ages i ...'' criticised the film for being formulaic. However, Balumani of ''Anna'' praised the cast, direction and the film's message. References External links * * {{S. A. Chandrasekhar 1980s action dra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meenava Nanban
''Meenava Nanban'' () is a 1977 Indian Tamil-language action drama film written and directed by Sridhar. The film stars M. G. Ramachandran and Latha, with Vennira Aadai Nirmala, M. N. Nambiar, Nagesh among others enacting supporting roles. It was released on 14 August 1977. Plot Kumaran, an adventurer comes to a fishing enclave who help him. He meets the arrogant daughter of Nagaraj, Kamali, who treats them with disrespect and reforms her as they fall in love with each other in the process. He then takes it upon himself to defend the fishermen exploited by Nagaraj. Together with Kamali, they reform Nagaraj while saving him from the bad guys, Arun and Selvaraj, he associates with who turn on him. Cast Production After the success of '' Urimaikural'' (1974), Sridhar decided to make another film with M. G. Ramachandran titled ''Naanum Oru Thozhilali'' (); however it got dropped after Sridhar felt it lacked a strong plot. Sadayappa Chettiar approached Sridhar exp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viswanathan–Ramamoorthy
Viswanathan–Ramamoorthy were an Indian music composing duo composed of M. S. Viswanathan and T. K. Ramamoorthy. They worked together on over 100 films, from 1952's '' Panam'' to 1965's '' Aayirathil Oruvan''. After their split, Ramamoorthy worked on 16 films between 1966 and 1986. He and Viswanathan reunited in 1995 for '' Engirundho Vandhan''. Early lives Ramamoorthy Ramamoorthy, born into a well-known musical family in Trichy, was a capable violinist at an early age. His father (Krishnasamy Pillai) and grandfather, Malaikottai Govindasamy Pillai, were noted violinists in Trichy. As a child, Ramamoorthy performed several times with his father. During the early 1940s he worked for Saraswathi Stores (in which AVM Productions owner Avichi Meiyappa Chettiar was a partner), and played violin for AVM composer R. Sudharsanam in several films. Ramamoorthy became friendly with P. S. Diwakar, the pianist-composer of Malayalam cinema, and roomed with P. S. Diwakar. C. R. Subburam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maalaiyitta Mangai
''Maalaiyitta Mangai'' () is a 1958 Indian Tamil-language film directed by G. R. Nathan and produced by Kannadasan under his own production company Kannadasan Films. The film's soundtrack was composed by Viswanathan–Ramamoorthy. The film stars T. R. Mahalingam, Pandari Bai and Mynavathi, with Manorama (in her acting debut), Kaka Radhakrishnan and C. Lakshmi Rajyam in supporting roles. It is based on Sarat Chandra Chattopadhyay's novel ''Chandra Nath''. The film was released on 27 June 1958 and became a success. Plot Chandru studies in London and returns to Trichy. He lives with his aunt, Alankari and uncle and their daughter Kamalam. Kamalam is in love with Chandru but Chandru doesn't reciprocate it. Chandru goes to Madras to meet his friend's family. There, he meets Sarasu and they fall in love. Sarasu is from a poor family. They both get married and he brings her to Trichy. Kamalam hates Sarasu in the beginning but when Sarasu is ready to give up her husband for Kamalam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragasiya Police 115
''Ragasiya Police 115'' () is a 1968 Tamil-language spy film, directed by B. R. Panthulu. The film stars M. G. Ramachandran, J. Jayalalithaa, Venniradai Nirmala supported by M. N. Nambiar, S. A. Ashokan and Nagesh. It was released on 11 January 1968, and ran for 100 days in theatres, becoming a hit at the box office. Plot Upon his return from a particularly dangerous but successful mission abroad, Ramu, the secret agent 115 of Intelligence Bureau witnesses striking revelations about the reselling of classified information. Ramu suspects a rich family was involved in the crime. Ramu is sent to spy on the family, which is led by Dhanapal Mudaliar and his son Nambirajan. Ramu leaves his hotel room, thwarting the "welcoming committee" which waits for him. At another location, a mother and daughter are seen comforting each other. They were Ramu's family, including his younger sister Parvathi and their blind mother. Parvathi is worried about Ramu, but given her mother's pli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
