Kalavati or Kalawati is a modern
pentatonic
A pentatonic scale is a Scale (music), musical scale with five Musical note, notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale).
Pentatonic scales were developed inde ...
Hindustani classical raga.
Svara
Swara () or svara is an Indian classical music term that connotes simultaneously a breath, a vowel, a note, the sound of a musical note corresponding to its name, and the successive steps of the octave, or ''saptanka''. More comprehensively ...
s Re (the second tone) and Ma (the fourth tone) are strictly omitted (Varjya/Varjit). Kalavati belongs to the
Khamaj Thaat
Khamaj () is one of the ten thaats (parent scales) of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat.
The Khamaj thaat can be obtained by replacing the Shuddha Nishad of Bilaval by Komal Nishad. T ...
.
Aroha and avaroha
Ārohana
S G P D n S'
In the
Western scale, assuming S C, this would roughly translate to: C E G A B♭ c
Avarohana
An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitch ...
S' n D P G S
Kalavati uses (komal) ni as
Vakra Svarain Aroha.
P D n D S'
Vadi and samavadi
The
Vadi is Pa, while the
Samvadi
The samavadi or samvadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. The primary note of the raga is the ''Vadi (Hindustani classical music), vadi''; the vadi and samavadi are i ...
is Sa
Pakad or chalan
Komal Ni is weak in Aroha and often dropped: G P D n D S' or S G P D S', but in
Tanas G P D n S' is also taken.
Komal Ni is als
AndolitaG P D n~ D P
It's also used as G P D n – S' D G P D S n – D P
Organization and relationships
Kalavati is derived from a
Carnatic raga (see also
Yagapriya
Yagapriya (pronounced yāgapriya) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 31st ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Kalāvati in Muthuswami Dik ...
). According to J.D. Patki the raga was popularized in Maharashtra by Pandit Rao Nagarkar,
Roshan Ara Begum
Roshan Ara Begum () (1917 – 6 December 1982) was a vocalist belonging to the Kirana gharana (singing style) of Hindustani classical music. She is also known by her honorific title ''Malika-e-Mauseeqi'' (The Queen of Music) and ''The Que ...
and
Gangubai Hangal
Gangubai Hangal (05 March 1913 – 21 July 2009) was an Indian singer of the '' khayal'' genre of Hindustani classical music from Karnataka, who was known for her deep and powerful voice. Hangal belonged to the Kirana gharana.
She was a ...
. B.Subba Rao explains the Carnatic Kalavati as omitting Ga and Ni in aroha and Ni in Avaroha, using komal Re. That would make it closer to
raga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ...
Jansamohini.
Carnatic music
In
Carnatic music
Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha.
It is o ...
, Kalavati is approximated as Valachi or
Valaji, and is considered to be S G P D n S/S n D P G S, and a janya of the 28th
Melakartha
Mēḷakartā is a collection of fundamental musical scales (ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be derived. A ''melakart ...
,
Harikambhoji
Harikambhoji (pronounced harikāmbhōji) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 28th ''Melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system.
One of the first scales employed ...
.
Bandishes(Compositions) composed in Raag Kalavati
Film songs
Tamil
Behavior
G is often a starting note of a combination: G G P D n D P G. While returning to Sa a descending
meend
In Hindustani music, ''meend'' (Hindi: , ) refers to a glide from one note to another. It is an essential performance practice, and is used often in vocal and instrumental music. On the veena, sitar, sarangi and other plucked stringed instrument ...
is taken from Ga to Sa
Other movements:
S, G P, G\S ṇ Ḍ S, S
PG P,
DP
GS, G P D - - D - - n D P, G G P D n~ , n D P, G P, G P D n D,
nD S', S'
G' S' S' G' P' G' S' n D, G P D, n n D P, G D P, G n D, G'\S' n D, n D P G P
DP G\S, ṇ Ḍ S - , G P D n S n D P G\S - , ,
Samay (time)
Evening
Historical information
Important recordings
*
Imrat Khan
Imrat Khan (17 November 1935 – 22 November 2018) was an Indian sitar and surbahar player and composer. He was the younger brother of sitar maestro Ustad Vilayat Khan.Farrell, Gerry (2001)"Khan, Imrat" ''Grove Music Online''. (subscriptio ...
, L.P.record No. EASD-1358
*
Nishat Khan
Nishat Khan (born 25 October 1960) is an Indian sitar player from an illustrious musical family and the foremost sitar virtuoso of his generation.
As a composer and music producer he has collaborated with some of the world's leading musicians s ...
, "Sentimental Sitar", Super Cassettes Ind (1994). Ltd, as CD: SICCD 042
*
Prabha Atre
Prabha Atre (13 September 1932 – 13 January 2024) was an Indian classical vocalist from the Kirana gharana. She was awarded all three of the Padma Awards by the Government of India. She died after experiencing breathing difficulty in the e ...
, "Classical Vocal: Maru Bihag, Kalavati, Thumri Mishra Khamaj", HMV
*
S Balachander, Veena, "Carnatic Instrumental: Muthuswamy Dikshithar Krithi – Kalavati Kamalasana Yuvati";
http://gaana.com/share/titemI41181
*
Acharya Dr. Pandit Gokulotsavji Maharaj, Hindustani Classical Vocal, Bharat Jahan Se Pyara भारत जहां से प्यारा. Recorded to DoorDarshan
See also
*
Diksha
Diksha (Sanskrit: दीक्षा, IAST: dīkṣā) also spelled diksa, deeksha or deeksa in common usage, translated as a "preparation or consecration for a religious ceremony", is giving of a mantra or an initiation by the guru (in Guru–s ...
*
Kalavati tantra
*
Tantra
Tantra (; ) is an esoteric yogic tradition that developed on the India, Indian subcontinent beginning in the middle of the 1st millennium CE, first within Shaivism and later in Buddhism.
The term ''tantra'', in the Greater India, Indian tr ...
References
External links
Film Songs in Rag Kalavati
Example of Raag Kalavati on Youtube by Ch-02: SANSKRITI [Arts, History, Philosophy
Literature
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{{Rāgas as per Performance Time
Hindustani ragas
Janya ragas