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Kader Belarbi
Kader Belarbi (born 1962) is a French ballet dancer, choreographer and director. He spent his whole career in the Paris National Opera Ballet, between 1980 and 2008, and belongs to the company’s “Nureyev generation”, having been made an '' étoile'' (principal) by Rudolf Nureyev in 1989. Since 2012, he has been Director of Dance at the Toulouse Capitol Theatre, heading the Capitol Ballet. Belarbi’s repertoire as a dancer includes a wide range of classical as well as neoclassical and contemporary works, a number of which he premiered for prominent contemporary choreographers in Paris and as a guest artist in other companies. He himself choreographed around forty works. In the past few years, he has undertaken to revisit the academic repertoire, bringing ''le Corsaire'' to France and producing a revised version of ''Giselle''. On 1 February 2011, he was appointed Director of Dance at the Théâtre du Capitole. He took up his post as Director of Ballet du Capitole on 1 Au ...
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Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with Glossary of ballet, its own vocabulary. Ballet has been influential globally and has defined the foundational ballet technique, techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work of art, work comprises the choreography (dance), choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery ...
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Giselle
''Giselle'' ( , ), originally titled ''Giselle, ou les Wilis'' (; ''Giselle, or The Wilis''), is a romantic ballet () in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Vila (fairy), Wilis, the ghosts of unmarried women who died after being betrayed by their lovers an ...
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Officiers Of The Ordre Des Arts Et Des Lettres
The Order of Arts and Letters () is an order of France established on 2 May 1957 by the Minister of Culture. Its supplementary status to the was confirmed by President Charles de Gaulle in 1963. Its purpose is the recognition of significant contributions to the arts, literature, or the propagation of these fields. Its origin is attributed to the Order of Saint Michael (established 1 August 1469), as acknowledged by French government sources. Background To be considered for the award, French government guidelines stipulate that citizens of France must be at least thirty years old, respect French civil law, and must have "significantly contributed to the enrichment of the French cultural inheritance". Membership is not, however, limited to French nationals; recipients include numerous foreign luminaries. Foreign recipients are admitted into the Order "without condition of age". The Order has three grades: * (Commander) — medallion worn on a necklet; up to 20 recipients a ...
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Officers Of The Ordre National Du Mérite
An officer is a person who has a position of authority in a hierarchical organization. The term derives from Old French ''oficier'' "officer, official" (early 14c., Modern French ''officier''), from Medieval Latin ''officiarius'' "an officer," from Latin ''officium'' "a service, a duty" the late Latin from ''officiarius'', meaning "official." Examples Ceremonial and other contexts *Officer, and/or Grand Officer, are both a grade, class, or rank of within certain chivalric orders and orders of merit, e.g. Legion of Honour (France), Order of the Holy Sepulchre (Holy See), Order of the British Empire ( UK), Order of Leopold (Belgium) *Great Officer of State * Merchant marine officer or licensed mariner * Officer of arms * Officer in The Salvation Army, and other state decorations Corporations * Bank officer *Corporate officer, a corporate title **Chief executive officer (CEO) **Chief financial officer (CFO) **Chief operating officer (COO) * Executive officer Education *Chief a ...
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Knights Of The Legion Of Honour
A knight is a person granted an honorary title of a knighthood by a head of state (including the pope) or representative for service to the monarch, the church, or the country, especially in a military capacity. The concept of a knighthood may have been inspired by the ancient Greek ''hippeis'' (ἱππεῖς) and Roman ''equites''. In the Early Middle Ages in Western Christian Europe, knighthoods were conferred upon mounted warriors. During the High Middle Ages, a knighthood was considered a class of petty nobility. By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect Royal court, courtly Christian warrior. Often, a knight was a vassal who served as an elite fighter or a bodyguard for a lord, with payment in the form of land holdings. The lords trusted the knights, who were skilled in Horses in warfare, battle on horseback. In the Middle Ages, a knighthood was closely linked with horsemanship (and especially ...
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Paris Opera Ballet étoiles
The Paris Opera Ballet () is a French ballet company that is an integral part of the Paris Opera. It is the oldest national ballet company, and many European and international ballet companies can trace their origins to it. It is still regarded as one of the five most prominent ballet companies in the world, together with the Bolshoi Ballet in Moscow, the Mariinsky Ballet in Saint Petersburg, the Royal Ballet in London, and the New York City Ballet.Pourquoi les ballets de l'Opéra de Paris font partie des spectacles favoris des fêtes
article by Martine Robert, 27 December 2013, Les Echos.
Since December 2022, the company has been under the direction ...
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French Male Ballet Dancers
French may refer to: * Something of, from, or related to France ** French language, which originated in France ** French people, a nation and ethnic group ** French cuisine, cooking traditions and practices Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), a 2008 film * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a type of military jacket or tunic * French's, an American brand of mustard condiment * French (catheter scale), a unit of measurement * French Defence, a chess opening * French kiss, a type of kiss See also * France (other) * Franch, a surname * French Revolution (other) * French River (other), several rivers and other places * Frenching (other) * Justice French (other) Justice French may refer to: * C. G. ...
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The Miraculous Mandarin
''The Miraculous Mandarin'' (, ; ) Op. 19, Sz. 73 (BB 82), is a one act pantomime ballet composed by Béla Bartók between 1918 and 1924, and based on the 1916 story by Melchior Lengyel. Premiered on 27 November 1926 conducted by Eugen Szenkar at the Cologne Opera, Germany, it caused a scandal and was subsequently banned on moral grounds. Although more successful at its Prague premiere, it was generally performed during the rest of Bartók's life in the form of a concert suite, which preserves about two-thirds of the original pantomime's music. Synopsis # Beginning—Curtain rises # First seduction game # Second seduction game # Third seduction game—the Mandarin enters # Dance of the girl # The chase—the tramps leap out # Suddenly the Mandarin's head appears # The Mandarin falls to the floor After an orchestral introduction depicting the chaos of the big city, the action begins in a room belonging to three tramps. They search their pockets and drawers for money, but fin ...
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Grand Théâtre De Genève
Grand Théâtre de Genève is an opera house in Geneva, Switzerland. As with many other opera houses, the Grand Théâtre de Genève is both a venue and an institution. The venue is a majestic building, towering over Place Neuve, officially opened in 1876, partly destroyed by fire in 1951 and reopened in 1962, after extensive refurbishments, which houses the largest stage in Switzerland. As an institution, it is the largest production and host theatre in French-speaking Switzerland, featuring opera and dance performances, recitals, concerts and, occasionally, theatre.Grand Théâtre de Genève
During the 17th and early 18th centuries, Geneva was heavily influenced by

National Ballet Of China
The National Ballet of China (NBC), known in China as the Central Ballet Troupe, is the national ballet company of the People's Republic of China. It was founded on 31 December 1959. The ballet company works from the Tianqiao Theater, which was specifically built for NBC in 1959 renovated in 2001. This theatre is one of a handful of such theatres in China that specialize in ballet and opera performances. History In 1954, the first ballet school in China, Beijing Dance School, was established, and in the following years ballets such as ''Swan Lake'' and ''Romeo and Juliet (Prokofiev), Romeo and Juliet'' were performed. Later in 1959 the National Ballet of China was founded as the Experimental Ballet Company of the Beijing Dance School. Two persons made their mark on both the school and the company - Dai Ailian who was the principal of the school and one of the ballet company directors, and Pyotr Gusev who instituted the Russian training system that formed the technical foundation ...
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Les Grands Ballets Canadiens
Les Grands Ballets Canadiens de Montréal (GBCM) is a ballet company based in Montreal, Quebec, Canada. A creative and repertory company, it performs works that reflect the diverse trends of contemporary ballet. History Les Grands Ballets Canadiens de Montréal was founded in 1957 by Ludmilla Chiriaeff. Conductor and composer Michel Perrault served as the organization's first music director. Since its creation, Les Grands Ballets has performed a broad range of dance, ranging from classics to major contemporary work. Under the direction of Chiriaeff and Fernand Nault (1965–1973), Brian Macdonald (1974–1977) and Lawrence Rhodes (1990–1999), the institution fostered the development of such notable artists as James Kudelka, Édouard Lock and Ginette Laurin. In 1981 the company participated alongside the National Ballet of Canada, the Royal Winnipeg Ballet, le Groupe de la Place Royale, the Danny Grossman Dance Company, the Toronto Dance Theatre, Winnipeg Contemporary Danc ...
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Le Corsaire
''Le Corsaire'' is a ballet typically presented in three acts, with a libretto originally created by Jules-Henri Vernoy de Saint-Georges loosely based on the poem '' The Corsair'' by Lord Byron. Originally choreographed by Joseph Mazilier to the music of Adolphe Adam and other composers, it was first presented by the ballet of the Théâtre Impérial de l’Opéra in Paris on 23 January 1856. All modern productions of ''Le Corsaire'' are derived from the revivals staged by the Ballet Master Marius Petipa for the Imperial Ballet of St. Petersburg throughout the mid to late 19th century. The ballet has many celebrated passages which are often excerpted from the full-length work and performed independently: the scene ''Le Jardin animé'', the ''Pas d’esclave'', the ''Pas de trois des odalisques'', and the so-called ''Le Corsaire pas de deux'' (music mostly by Riccardo Drigo), which is among classical ballet's most famous and performed excerpts. Synopsis Act 1 Scene 1 ...
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