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Le Corsaire
''Le Corsaire'' is a ballet typically presented in three acts, with a libretto originally created by Jules-Henri Vernoy de Saint-Georges loosely based on the poem '' The Corsair'' by Lord Byron. Originally choreographed by Joseph Mazilier to the music of Adolphe Adam and other composers, it was first presented by the ballet of the Théâtre Impérial de l’Opéra in Paris on 23 January 1856. All modern productions of ''Le Corsaire'' are derived from the revivals staged by the Ballet Master Marius Petipa for the Imperial Ballet of St. Petersburg throughout the mid to late 19th century. The ballet has many celebrated passages which are often excerpted from the full-length work and performed independently: the scene ''Le Jardin animé'', the ''Pas d’esclave'', the ''Pas de trois des odalisques'', and the so-called ''Le Corsaire pas de deux'' (music mostly by Riccardo Drigo), which is among classical ballet's most famous and performed excerpts. Synopsis Act 1 Scene 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prima Ballerina
A ballet dancer is a person who practices the art of classical ballet. Both females and males can practice ballet. They rely on years of extensive training and proper technique to become a part of a professional ballet company. Ballet dancers are at a high risk of injury due to the demanding technique of ballet. Training and technique Ballet dancers typically begin training at an early age as young as three or four if they desire to perform professionally and often take part in international competitions such as YAGP and Prix de Lausanne. At these events, scholarships are being granted to the most talented dancers, enabling them to continue their training at renowned ballet schools around the world, such as the John Kranko Schule in Germany and the Académie de Danse Classique Princesse Grace in Monaco. Pre-professional ballet dancers can audition to enroll at a vocational ballet school such as The Royal Ballet School or Elmhurst Ballet School. These types of ballet board ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander II Of Russia
Alexander II ( rus, Алекса́ндр II Никола́евич, Aleksándr II Nikoláyevich, p=ɐlʲɪˈksandr ftɐˈroj nʲɪkɐˈlajɪvʲɪtɕ; 29 April 181813 March 1881) was Emperor of Russia, Congress Poland, King of Poland and Grand Duke of Finland from 2 March 1855 until Assassination of Alexander II of Russia, his assassination in 1881. Alexander's most significant reform as emperor was the emancipation reform of 1861, emancipation of Serfdom in Russia, Russia's serfs in 1861, for which he is known as Alexander the Liberator ( rus, Алекса́ндр Освободи́тель, r=Aleksándr Osvobodítel, p=ɐlʲɪˈksandr ɐsvəbɐˈdʲitʲɪlʲ). The tsar was responsible for other Liberalism, liberal reforms, including reorganizing the judicial system, setting up elected local judges, abolishing corporal punishment, promoting local self-government through the ''zemstvo'' system, imposing universal military service, ending some privileges of the nobility, and promot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léo Delibes
Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic music, Romantic composer, best known for his ballets and French opera, operas. His works include the ballets ''Coppélia'' (1870) and ''Sylvia (ballet), Sylvia'' (1876) and the opera ''Lakmé'' (1883), which includes the well-known "Flower Duet". Born into a musical family, Delibes enrolled at France's foremost music academy, the Conservatoire de Paris, when he was twelve, studying under several professors including Adolphe Adam. After composing light comic opérettes in the 1850s and 1860s, while also serving as a church organist, Delibes achieved public recognition for his music for the ballet ''La source (Saint-Léon), La Source'' in 1866. His later ballets ''Coppélia'' and ''Sylvia'' were key works in the development of modern ballet, giving the music much greater importance than previously. He composed a small number of mélodies, some of which are still performed frequently. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adèle Grantzow
Adele (born 1988) is an English singer-songwriter. Adele may also refer to: People * Adele (given name), a common female given name * Jan Adele (1936–2000), Australian actor *Adeniji Adele (1893–1964), Oba (King) of Lagos * Adele, a character in the operetta ''Die Fledermaus'' Places * Adele, California or Fields Landing, California * Adele, Kentucky, an unincorporated community * Adele Island (Australia), Western Australia * Adele Island (New Zealand), off the northern coast of South Island of New Zealand * Adele, Ethiopia, village in the Shinile Zone of Ethiopia * Adele, town in the Amigna woreda of Ethiopia Ships * Australian steamer ''Adele'' * French brig ''Adèle'' * ''Adele'' (1952 ship), Swiss merchant ship * ''Adèle'' (1800 brig), privateer brig, later an armed brig for the British East India Company, and a fire ship for the Royal Navy Film and theatre * ''Adele'' (film), a 1919 film by Wallace Worsley *'' The Story of Adèle H.'', a French film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition Universelle (1867)
The of 1867 (), better known in English as the 1867 Paris Exposition, was a world's fair held in Paris, Second French Empire, France, from 1 April to 3 November 1867. It was the List of world expositions, second of ten major expositions held in the city between 1855 and 1937. A number of nations were represented at the fair. Following a decree of Napoleon III of France, Emperor Napoleon III, the exposition was prepared as early as 1864, in the midst of Haussmann's renovation of Paris, the renovation of Paris, marking the culmination of the Second French Empire. Visitors included Tsar Alexander II of Russia, a brother of the William I, German Emperor, King William and Otto von Bismarck of Prussia, Prince Metternich and Franz Josef of Austria, Ottoman Sultan Abdülaziz, and the Khedive of Egypt Isma'il Pasha, Isma'il. Conception In 1864, Napoleon III of France, Napoleon III issued a decree stating that an international exposition should be held in Paris in 1867. A Government a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Peter Georgievich Of Oldenburg
Duke Constantine Frederick Peter of Oldenburg (; ; – ) was a Duke of the House of Oldenburg. He was the grandfather of Duke Peter of Oldenburg as well as grandfather of Grand Duke Nicholas Nikolaevich, General of the Imperial Russian Army during World War I. His great-great-grandson, Nicholas Romanov, was the President of the Romanov Family Association until his death in 2014. Peter of Oldenburg was a scholar and philanthropist. He was also noted composer of music. In 1857 he composed the music for Marius Petipa's ballet '' La Rose, la Violette et le Papillon''. The ''Pas d'Esclave'' from the ballet ''Le Corsaire'', which is taken from his score for this work, is still heard in theatres all over the world. Early life Duke Peter was born on 26 August 1812 in Yaroslavl, Russia. His father, Duke George, who was only the second son of the reigning Duke of Oldenburg, had no prospects of inherited his father's state or fortune of his own and was living in Russia since his marr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Pugni
Cesare Pugni (; ; 31 May 1802, in Genoa – ) was an Italian composer of ballet music, a pianist and a violinist. He studied composition with Bonifazio Asioli and violin with Alessandro Rolla. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed for Her Majesty's Theatre in London (1843–1850), and for the Imperial Theatres in St. Petersburg, Russia (1850–1870). The majority of his ballet music was composed for the works of the ballet master Jules Perrot, who mounted nearly every one of his ballets to scores by Pugni. In 1850 Perrot departed London for Russia, having accepted the position of ''Premier maître de ballet'' of the St. Petersburg Imperial Theatres at the behest of Carlotta Grisi, who was engaged as ''Prima ballerina''. Cesare Pugni followed Perrot and Grisi to Russia, and remained in the imperial capital even after Grisi's departure in 1853 and Perrot's departure i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Johansson
Pehr Christian Johansson (1 June 1817 – 12 December 1903) was a Swedish-born ballet dancer, teacher, choreographer and balletmaster for the Russian Imperial Ballet. He was engaged at the Royal Swedish Ballet from 1829 to 1841, and at the Imperial Russian Ballet from 1841 to 1866. Born in Stockholm, Sweden, he moved to Russia as a dancer and stayed on as one of the most important teachers in Russian history. He is remembered in Russia as exemplifying the artistic beauty of the male dancer. He began teaching in 1860 and by 1869, had become the leading ballet instructor at the Imperial Ballet School. He stayed there until his death in 1903. Johansson studied under Bournonville and partnered Marie Taglioni. Life Early life Johansson was born in Stockholm, Sweden on 1 June 1817. Career in Sweden Johansson made his debut on the stage of the Royal Opera House in Stockholm. He became a student of the Royal Swedish Ballet of the Royal Swedish Opera in 1829, and was a premier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Surovshchikova-Petipa
Mariia Sergeyevna Surovshchikova-Petipa (27 February 1836 – 16 March 1882) was prima ballerina to the St. Petersburg Imperial Theatres and wife of the noted choreographer Marius Petipa. Life Mariia Sergeyevna Surovshchikova was born in St. Petersburg, the illegitimate daughter of a milliner. She studied at the St. Petersburg Imperial Ballet School, graduating in 1854. After her graduation from the institute she entered into the ''corps de ballet'' of the Imperial Bolshoi Kamenny Theatre, and in 1854 married Marius Petipa, who at that time served as ''premier danseur'' to the St. Petersburg Imperial Theatres. Upon her marriage she took the name of Surovshchikova-Petipa. Her rise to the rank of ''Ballerina'' coincided with Petipa's own rise from fledgling choreographer to ballet Master of the Imperial Theatres. As Petipa was given more and more opportunities to stage his own early works, it was Surovshchikova-Petipa who danced the principal roles. Petipa also revived many al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Ballet
Because ballet became formalized in France, a significant part of ballet terminology is in the French language. A À la seconde () (Literally "to second") If a step is done "à la seconde", it is done to the side. 'Second position'. It can also be a balance extending one foot off the ground in ‘Second Position’. À la quatrième () One of the directions of body, facing the audience (''en face''), arms in second position, with one leg extended either to fourth position in front (''quatrième devant'') or fourth position behind (''quatrième derrière''). À terre () Touching the floor; on the floor. Adagio Italian, or French ''adage'', meaning 'slowly, at ease.' # Slow movements performed with fluidity and grace. # One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. # The section of a '' grand pas'' (e.g., '' grand pas de deux''), often referred to as ''grand adage'', that features dance part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
