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Ka (cuneiform)
The cuneiform ka sign is a common, multi-use sign, a syllabic for ''ka'', and an alphabetic sign used for ''k'', or ''a''; it is common in both the ''Epic of Gilgamesh'' over hundreds of years, and the 1350 BC Amarna letters. Cuneiform "ka" is nearly identical to a similar 'mid-size' to larger cuneiform sign, ša (cuneiform); because both ''ka'', and ''ša'' have two separate specific uses, once these usage sites are identified on a specific Amarna letter, for example, the difference between the two can be followed. Cuneiform ''ka'' has a secondary use as the pronoun suffix, ''-yours''. For Ayyab's letter, EA 364 (pictured), after addressing the Pharaoh, part of the ''Introduction'', is to state ''"...Servant-yours, ...."'' Specifically, Ayyab is from one of the vassal states/city-states/towns in Canaan, thus the relationship to the Pharaoh in the Amarna letters often state a relationship of being the Pharaoh's servant. This is dramatically juxtaposed against the Amarna let ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B024ellst
B, or b, is the second Letter (alphabet), letter of the Latin alphabet, used in the English alphabet, modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''English alphabet#Letter names, bee'' (pronounced ), plural ''bees''. It represents the voiced bilabial stop in many languages, including English. In some other languages, it is used to represent other bilabial consonants. History The Roman derived from the Greek alphabet, Greek capital beta (letter), beta via its Old Italic script, Etruscan and Archaic Greek alphabets#Euboean, Cumaean variants. The Greek letter was an adaptation of the Phoenician alphabet, Phoenician letter bet (letter), bēt . The Ancient Egypt, Egyptian Egyptian hieroglyphs, hieroglyph for the consonant voiced bilabial plosive, /b/ had been an image of a foot (hieroglyph), foot and calf , but bēt (Phoenician for "house") was a modified form of a Proto-Sinaitic script, Proto-Sinait ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amarna Letter EA 28
Amarna (; ) is an extensive ancient Egyptian archaeological site containing the ruins of Akhetaten, the capital city during the late Eighteenth Dynasty. The city was established in 1346 BC, built at the direction of the Pharaoh Akhenaten, and abandoned shortly after his death in 1332 BC. The site is on the east bank of the Nile River, in what today is the Egyptian province of Minya. It is about south of the city of al-Minya, south of the Egyptian capital, Cairo, and north of Luxor (site of the previous capital, Thebes). The city of Deir Mawas lies directly to its west. On the east side of Amarna there are several modern villages, the chief of which are l-Till in the north and el-Hagg Qandil in the south. Activity in the region flourished from the Amarna Period until the later Roman era. Name The name ''Amarna'' comes from the Beni Amran tribe that lived in the region and founded a few settlements. The ancient Egyptian name means " the horizon of the Aten".David (1998), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amarna Letter EA 15
Amarna (; ) is an extensive ancient Egyptian archaeological site containing the ruins of Akhetaten, the capital city during the late Eighteenth Dynasty of Egypt, Eighteenth Dynasty. The city was established in 1346 BC, built at the direction of the Pharaoh Akhenaten, and abandoned shortly after Akhenaten#Death and burial, his death in 1332 BC. The site is on the east bank of the Nile River, in what today is the Egyptian province of Minya Governorate, Minya. It is about south of the city of Minya, Egypt, al-Minya, south of the Egyptian capital, Cairo, and north of Luxor (site of the previous capital, Thebes, Egypt, Thebes). The city of Deir Mawas lies directly to its west. On the east side of Amarna there are several modern villages, the chief of which are l-Till in the north and el-Hagg Qandil in the south. Activity in the region flourished from the Amarna Period until the later Egypt (Roman province), Roman era. Name The name ''Amarna'' comes from the Beni Amran tribe that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prostration Formula
In the 1350 BC correspondence of 382 letters, called the Amarna letters, the prostration formula is usually the opening subservient remarks to the addressee, the Egyptian pharaoh. The formula is based on prostration, namely reverence and submissiveness. Often the letters are from vassal rulers or vassal city-states, especially in Canaan but also in other localities. The formula is often repetitive, or multi-part, with parts seeming to repeat and can go forward in a typical standard format. However, the prostration formula may also be duplicated in a similar format at the end of a letter, or a foreshortened part of the formula may be entered, for effect, in the middle of a letter. Some example letters with the ''Prostration formula'' The letters EA 242 and 246 are from Biridiya of Magidda-(Megiddo), (EA for 'el Amarna'). Biridiya letter 242, no. 1 of 7: title: ''"Request granted"'' :Say to the king-(i.e. pharaoh), my lord and my Sun: Message-(' um– ma') of Biridiya, the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sumerogram
A Sumerogram is the use of a Sumerian cuneiform character or group of characters as an ideogram or logogram rather than a syllabogram in the graphic representation of a language other than Sumerian, such as Akkadian, Eblaite, or Hittite. This type of logogram characterized, to a greater or lesser extent, every adaptation of the original Mesopotamian cuneiform system to a language other than Sumerian. The frequency and intensity of their use varied depending on period, style, and genre. In the same way, a written Akkadian word that is used ideographically to represent a language other than Akkadian (such as Hittite) is known as an ''Akkadogram''. In the transliteration of ancient texts Sumerograms are normally represented by majuscule letters. Most signs have a number of possible Sumerian sound values. The scribes and readers of texts using these Sumerograms would not necessarily have been aware of the Sumerian language, with the ''Sumerograms'' functioning as ideograms or lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B209ellst
B, or b, is the second letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is '' bee'' (pronounced ), plural ''bees''. It represents the voiced bilabial stop in many languages, including English. In some other languages, it is used to represent other bilabial consonants. History The Roman derived from the Greek capital beta via its Etruscan and Cumaean variants. The Greek letter was an adaptation of the Phoenician letter bēt . The Egyptian hieroglyph for the consonant /b/ had been an image of a foot and calf , but bēt (Phoenician for "house") was a modified form of a Proto-Sinaitic glyph adapted from the separate hieroglyph Pr meaning "house". The Hebrew letter bet is a separate development of the Phoenician letter. By Byzantine times, the Greek letter came to be pronounced /v/, so that it is known in modern Greek as ''víta'' (still written ). Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Segue
A segue ( , ; ) is a transition from one topic or section to the next. In music In music, ''segue'' is a direction to the performer. It means ''continue (the next section) without a pause''. The term ''attacca'' is used synonymously. For written music, it implies a transition from one section to the next without any break. In improvisation, it is often used for transitions created as a part of the performance, leading from one section to another. In recorded music, a segue sometimes means a seamless change between one song and another, sometimes achieved through beatmatching, especially on dance and disco recordings. However, as noted by composer John Williams in the liner notes for his Star Wars soundtrack album, a series of musical ideas can be juxtaposed with no transitions whatsoever. Arrangements that involve or create the effect of a classical musical suite, may be used in many pieces or progressive rock recordings, but by definition, a segue does not involve a brid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William L
William is a masculine given name of Germanic origin. It became popular in England after the Norman conquest in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will or Wil, Wills, Willy, Willie, Bill, Billie, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie). Female forms include Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the German given name ''Wilhelm''. Both ultimately descend from Proto-Germanic ''*Wiljahelmaz'', with a direct cognate also in the Old Norse name ''Vilhjalmr'' and a West Germanic borrowing into Medieval Latin ''Willelmus''. The Proto-Germanic name is a compound of *''wiljô'' "will, wish, desire" and *''helmaz'' "helm, helmet".Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meš (cuneiform)
The cuneiform MEŠ, or meš is a plural form attached at the end of Mesopotamian cuneiform words as a suffix. As part of a name (PN, personal name, or other), or major class being referenced, in capital letters (a Sumerogram form), it is typically separated from other capital letter Sumerograms with a period. The name of the group can follow, in lower case letters, for example: (men-massu, Amarna letter EA 365), LÚ.MEŠ– ma- as-sà-meš, (and using a secondary suffix meš, not being typical). The MEŠ cuneiform is a vertical stroke, followed by three or four angled smaller wedge-strokes. The strokes can also be "not angled", but 45 degree wedges, smaller, or large. For example, Amarna letter EA 161, Aziru to Pharaoh, shows a series of six preparation items listed sequentially. The following wedges (on the meš or Sumerogram .MEŠ wedges, are large, and the scribe has a scribing base line, that follows the vertical stroke, a baseline on which the wedges are placed sequenti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
