Ka (cuneiform)
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cuneiform Cuneiform is a Logogram, logo-Syllabary, syllabic writing system that was used to write several languages of the Ancient Near East. The script was in active use from the early Bronze Age until the beginning of the Common Era. Cuneiform script ...
ka sign is a common, multi-use sign, a syllabic for ''ka'', and an alphabetic sign used for ''k'', or ''a''; it is common in both the ''
Epic of Gilgamesh The ''Epic of Gilgamesh'' () is an epic poetry, epic from ancient Mesopotamia. The literary history of Gilgamesh begins with five Sumerian language, Sumerian poems about Gilgamesh (formerly read as Sumerian "Bilgames"), king of Uruk, some of ...
'' over hundreds of years, and the 1350 BC Amarna letters. Cuneiform "ka" is nearly identical to a similar 'mid-size' to larger cuneiform sign, ša (cuneiform); because both ''ka'', and ''ša'' have two separate specific uses, once these usage sites are identified on a specific Amarna letter, for example, the difference between the two can be followed. Cuneiform ''ka'' has a secondary use as the pronoun suffix, ''-yours''. For
Ayyab Ayyab was a ruler of Aštartu (present day Tell Ashtara) south of Damascus. According to the Amarna letters, cities/city-states and their kings in the region — just like countries to the north, such as History of the Hittites, Hatti of the Hitti ...
's letter, EA 364 (pictured), after addressing the Pharaoh, part of the ''Introduction'', is to state ''"...Servant-yours, ...."'' Specifically, Ayyab is from one of the
vassal A vassal or liege subject is a person regarded as having a mutual obligation to a lord or monarch, in the context of the feudal system in medieval Europe. While the subordinate party is called a vassal, the dominant party is called a suzerain ...
states/
city-state A city-state is an independent sovereign city which serves as the center of political, economic, and cultural life over its contiguous territory. They have existed in many parts of the world throughout history, including cities such as Rome, ...
s/towns in
Canaan CanaanThe current scholarly edition of the Septuagint, Greek Old Testament spells the word without any accents, cf. Septuaginta : id est Vetus Testamentum graece iuxta LXX interprets. 2. ed. / recogn. et emendavit Robert Hanhart. Stuttgart : D ...
, thus the relationship to the Pharaoh in the Amarna letters often state a relationship of being the Pharaoh's servant. This is dramatically juxtaposed against the Amarna letters from
Tushratta Tushratta ( Akkadian: and ) was a king of Mitanni, 1358–1335 BCE, at the end of the reign of Amenhotep III and throughout the first half the reign of Akhenaten. He was the son of Shuttarna II. Tushratta stated that he was the grandson of A ...
of
Mitanni Mitanni (–1260 BC), earlier called Ḫabigalbat in old Babylonian texts, ; Hanigalbat or Hani-Rabbat in Assyrian records, or in Ancient Egypt, Egyptian texts, was a Hurrian language, Hurrian-speaking state in northern Syria (region), Syria an ...
, (letters EA 19, EA 23, EA 26, EA 28, EA 30-(only a passport-type, short letter), etc.), or from Babylon, or the King of
Alashiya Alashiya ( ''Alašiya'' -la-ši-ia ''ẢLṮY''; Linear B: 𐀀𐀨𐀯𐀍 ''Alasios'' -ra-si-jo Hieratic "'irs3"), also spelled Alasiya, also known as the Kingdom of Alashiya, was a state which existed in the Middle and Late Bronze Ages, a ...
. The letters from those kings have long lists, as part of the ''Introduction'' stating: ''May you'' (King, pharaoh) ''have peace (health), ... for, wives-yours'', ''for sons-yours'', ''for magnates-yours''-(" sa- meš"), ''etc.'' For cuneiform ''ša'', its specific sub-usage (besides as a syllabic, or alphabetic), is as a
segue A segue ( , ; ) is a transition from one topic or section to the next. In music In music, ''segue'' is a direction to the performer. It means ''continue (the next section) without a pause''. The term ''attacca'' is used synonymously. For writ ...
form of a conjunction typically at the beginning of a statement, translated as: ''"which..."'', ''"what..."'', etc., with the rest of text to follow.


Ka, and Ša, the stroke differences

The difference in the construction of the signs ''ka'' and ''ša'' are as follows: "ka" when scribed in the Amarna letters often shows the distinctiveness of the right section of the sign, versus the left section. For ''ša'', the right section is constructed with two wedge strokes (one scribed above the other), between the two verticals, at right. For ''ka'', the right side mostly, in the Amarna letters has two verticals, with two horizontals that cross both of them; (the right side is like a two-step ladder shape—(for Hittite ''ka'':—)).


Usage numbers

The usage numbers for ''ka'' in the ''Epic of Gilgamesh'' are as follows: ''ka''-(372), and
sumerogram A Sumerogram is the use of a Sumerian cuneiform character or group of characters as an ideogram or logogram rather than a syllabogram in the graphic representation of a language other than Sumerian, such as Akkadian, Eblaite, or Hittite. Th ...
s: ''DUG4''-(18), ''KA''-(9), ''ZÚ''-(4).


Multiple "ka" listing usage, the Brother-King letters

In contrast to the
vassal A vassal or liege subject is a person regarded as having a mutual obligation to a lord or monarch, in the context of the feudal system in medieval Europe. While the subordinate party is called a vassal, the dominant party is called a suzerain ...
Amarna letters from the Canaanite
city-state A city-state is an independent sovereign city which serves as the center of political, economic, and cultural life over its contiguous territory. They have existed in many parts of the world throughout history, including cities such as Rome, ...
s, or equivalent, which use the subservient
prostration formula In the 1350 BC correspondence of 382 letters, called the Amarna letters, the prostration formula is usually the opening subservient remarks to the addressee, the Egyptian pharaoh. The formula is based on prostration, namely reverence and submis ...
in its many variations, the letters from the brother-kings, namely the King of Babylon, Burna-Buriash,
Tushratta Tushratta ( Akkadian: and ) was a king of Mitanni, 1358–1335 BCE, at the end of the reign of Amenhotep III and throughout the first half the reign of Akhenaten. He was the son of Shuttarna II. Tushratta stated that he was the grandson of A ...
, the King of
Mitanni Mitanni (–1260 BC), earlier called Ḫabigalbat in old Babylonian texts, ; Hanigalbat or Hani-Rabbat in Assyrian records, or in Ancient Egypt, Egyptian texts, was a Hurrian language, Hurrian-speaking state in northern Syria (region), Syria an ...
, and the "King of
Alashiya Alashiya ( ''Alašiya'' -la-ši-ia ''ẢLṮY''; Linear B: 𐀀𐀨𐀯𐀍 ''Alasios'' -ra-si-jo Hieratic "'irs3"), also spelled Alasiya, also known as the Kingdom of Alashiya, was a state which existed in the Middle and Late Bronze Ages, a ...
", (Assyria had only EA 15, and EA 16, with very short introductions), sometimes had very long lists of "good wishes for 'possessions' of the Pharaoh". Each item, (often), when addressing the Pharaoh ended with the suffix ''-yours'' (''ka''). The list often ended with ''...for chariots-yours, for army-yours, for land-yours, and for everything-yours...."'' An example of the usage can be seen in EA 19, with a focus on the beginning of the last line (no. 8) of Paragraph I, (high re

extremely high re

. The beginning of line 8, Para I is as follows: :'' a (cuneiform), a- na
KUR The ancient Mesopotamian underworld (known in Sumerian language, Sumerian as ''Kur'', ''Irkalla'', ''Kukku'', ''Arali'', or ''Kigal'', and in Akkadian language, Akkadian as ''Erṣetu''), was the lowermost part of the Ancient near eastern cosmol ...
''-ka ''..(space)'' ("for LAND-yours..(
segue A segue ( , ; ) is a transition from one topic or section to the next. In music In music, ''segue'' is a direction to the performer. It means ''continue (the next section) without a pause''. The term ''attacca'' is used synonymously. For writ ...
)..") and continues: :'' ù a (cuneiform), a- na mim- mu''-ka ''...(segue)...." ("and for Everything-yours..(space)....") The cuneiform characters being: --, __-- ''(...for Land''-yours ''..)'' and continues: --((~)''And'')(--)--, __(--)-- ''(..."And"--for "EveryThing"''-yours ''....!)''


References

* Moran, William L. 1987, 1992. ''The Amarna Letters.'' Johns Hopkins University Press, 1987, 1992. 393 pages.(softcover, ) * Parpola, 1971. ''The Standard Babylonian
Epic of Gilgamesh The ''Epic of Gilgamesh'' () is an epic poetry, epic from ancient Mesopotamia. The literary history of Gilgamesh begins with five Sumerian language, Sumerian poems about Gilgamesh (formerly read as Sumerian "Bilgames"), king of Uruk, some of ...
'', Parpola, Simo,
Neo-Assyrian Text Corpus Project The Neo-Assyrian Text Corpus Project is an international scholarly project aimed at collecting and publishing ancient Assyrian texts of the Neo-Assyrian Empire and studies based on them. Its headquarters are in Helsinki in Finland. State Archives ...
, c 1997, Tablet I thru Tablet XII, Index of Names, Sign List, and Glossary-(pp. 119–145), 165 pages. Cuneiform signs