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Juan De Anchieta
Juan de Anchieta (1462 – 1523) was a leading Spanish Basque composer of the Renaissance, at the Royal Court Chaplaincy in Granada of Queen Isabel I of Castile. History Born in Azpeitia, Spain in 1462 to a leading Basque family, his mother was a great-aunt of Ignatius of Loyola, founder of the Society of Jesus. He may have studied at Salamenca University with music professor Diego de Fermoselle, older brother of Juan del Encina. In 1489, he was appointed to the chapel of Queen Isabella and in 1495, became ''maestro di capilla'' to Prince Don Juan, returning to the Queen's service after the Prince's death in 1497, and in 1504, to that of the new Queen, Joanna the Mad. In her service he travelled to Flanders with Pierre de La Rue, Alexander Agricola, and Marbrianus de Orto. He held various church benefices; from 1499 he was absentee benefice-holder at Villarino, from 1500 he was rector at the parish church of S Sebastián de Soreasu in Azpeitia, from 1518 he was Abbot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azpeitia
Azpeitia (meaning 'down the rock' in Basque language, Basque) is a town and Municipalities of Spain, municipality within the Provinces of Spain, province of Gipuzkoa, in the Basque Country (autonomous community), Basque Country, Spain, located on the Urola river a few kilometres east of Azkoitia. Its population is 14,580 (as of 2014). It is located 41 kilometres southwest of Donostia/San Sebastián. Azpeitia is the birthplace of Ignatius of Loyola. The house of his birth is now preserved as a part of large Jesuit compound, the Sanctuary of Loyola, a major attraction of tourists and pilgrims alike. It is also the birthplace of Renaissance composer Juan de Anchieta. Azpeitia lies at the foot of the massive Izarraitz towering over the town and much visited by the townspeople. The Basque Railway Museum is located in the town. Historical background Azpeitia was incorporated in 1310 by a royal decree of King Fernando IV. Its original name was “Garmendia de Iraurgi” and a year lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Province Of Tarragona
Tarragona (; ) is a province of eastern Spain, in the southern part of the autonomous community of Catalonia. It is bordered by the provinces of Castellón, Teruel, Zaragoza, Lleida and Barcelona and by the Mediterranean Sea. The province's population is 795,902 (2018), about one fifth of whom live in the capital, Tarragona. Some of the larger cities and towns in Tarragona province include Reus, Salou, El Vendrell, Tortosa, Valls, Amposta. This province has 183 municipalities. The province includes several World Heritage Sites and is a popular tourist destination. There are Roman Catholic cathedrals in Tarragona and Tortosa. History After the Umayyad conquest of Hispania in the late eighth century, this part of Spain came under the control of the Umayyad Caliphate and most of the Iberian peninsula was known as Al-Andalus, and was dominated by Muslim rulers. Abd al-Rahman I founded an independent dynasty that survived in the region until the 11th century. After the Musl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1462 Births
146 may refer to: * 146 (number), a natural number * AD 146, a year in the 2nd century AD * 146 BC, a year in the 2nd century BC * 146 (Antrim Artillery) Corps Engineer Regiment, Royal Engineers * 146 Lucina, a main-belt asteroid * Alfa Romeo 146, a 5-door hatchback See also * List of highways numbered 146 * {{Number disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Responsory
A responsory or respond is a type of chant in western Christian liturgies. Definition The most general definition of a responsory is any psalm, canticle, or other sacred musical work sung responsorially, that is, with a cantor or small group singing verses while the whole choir or congregation respond with a refrain. However, this article focuses on those chants of the western Christian tradition that have traditionally been designated by the term responsory. In the Roman Rite and rites strongly influenced by it, such as the pre-reformation English rite and the monastic rite of the Rule of St. Benedict, these chants ordinarily follow readings at services of the Divine Office (also called the Liturgy of the Hours); however, they have also been used as processional chants. Structure and performance A responsory has two parts: a respond (or refrain), and a verse. Methods of performance vary, but typically the respond will be begun by the cantor then taken up by the entire choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophony
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that provide the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catholic Monarchs
The Catholic Monarchs were Isabella I of Castile, Queen Isabella I of Crown of Castile, Castile () and Ferdinand II of Aragon, King Ferdinand II of Crown of Aragón, Aragon (), whose marriage and joint rule marked the ''de facto'' unification of Spain. They were both from the House of Trastámara and were second cousins, being both descended from John I of Castile; to remove the obstacle that this consanguinity would otherwise have posed to their marriage under canon law, they were given a Dispensation (Catholic canon law), papal dispensation by Sixtus IV. They married on October 19, 1469, in the city of Valladolid; Isabella was 18 years old and Ferdinand a year younger. Most scholars generally accept that the unification of Spain can essentially be traced back to the marriage of Ferdinand and Isabella. Their reign was called by W.H. Prescott "the most glorious epoch in the annals of Spain". Spain was formed as a dynastic union of two crowns rather than a unitary state, as Castil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chordal Style
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that provide the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plainsong
Plainsong or plainchant (calque from the French ; ) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of the Western Christian church music until the ninth century, and the introduction of polyphony. The monophonic chants of plainsong have a non-metric rhythm, which is generally considered freer than the metered rhythms of later Western music. They are also traditionally sung without musical accompaniment, though recent scholarship has unearthed a widespread custom of accompanied chant that transcended religious and geographical borders. There are three types of chant melodies that plainsongs fall into: syllabic, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church and the Eastern Orthodox churches did not split u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passion Music
The Passion (from Latin , "to suffer, bear, endure") is the short final period before the death of Jesus, described in the four canonical gospels. It is commemorated in Christianity every year during Holy Week. The ''Passion'' may include, among other events, Jesus's triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, his agony, his arrest, his trials before the Sanhedrin and before Pilate, his crucifixion and death, and his burial. Those parts of the four canonical Gospels that describe these events are known as the Passion narratives. In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows. The word ''passion'' has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs, sometimes using the Latin form ''passio''. Narratives according to the four canonical gospels Accoun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salve Regina
The "Salve Regina" ( , ; meaning "Hail Queen"), also known as the "Hail Holy Queen", is a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Catholic Church. The Salve Regina is traditionally sung at Compline in the time from the Saturday before Trinity Sunday until the Friday before the first Sunday of Advent. The ''Hail Holy Queen'' is also the final prayer of the Rosary. The work was composed during the Middle Ages and originally appeared in Latin, the prevalent language of Western Christianity until modern times. Though traditionally ascribed to the eleventh-century German monk Hermann of Reichenau, it is regarded as anonymous by most musicologists. Traditionally it has been sung in Latin, though many translations exist. These are often used as spoken prayers. Background and history Marian antiphons have been sung, since the thirteenth century, at the close of Compline, the last Office of the day. Peter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnificat
The Magnificat (Latin for "y soulmagnifies he Lord) is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Byzantine Rite as the Ode of the Theotokos (). Its Western name derives from the incipit of its Latin text. This most popular of all canticles is used within the liturgies of the Catholic Church, the Eastern Orthodox Church, the Lutheran Church and the Anglican Communion. The text of the canticle is taken from the Gospel of Luke () where it is spoken by Mary upon the occasion of her Visitation to her cousin Elizabeth. In the narrative, after Mary greets Elizabeth, who is pregnant with John the Baptist, the latter moves within Elizabeth's womb. Elizabeth praises Mary for her faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat. Some ancient authorities have Elizabeth, rather than Mary, speaking the Magnificat. The Magnificat is one of the eight most ancient Christian hymns and perhap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
