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Joseph Meifred
Joseph Meifred (1791–1867) was a hornist, a pedagogue, and a horn designer. He studied at the Conservatoire de Paris with Louis-François Dauprat and won the first prize in horn performance in 1818. He later became a professor at the conservatory and taught until his retirement in 1864. He obtained his technical background by graduating from the Arts et Métiers ParisTech Arts et Métiers ParisTech is a French engineering and research institute of higher education. It is a '' grande école'', recognized for leading in the fields of mechanics and industrialization. Founded in 1780, it is among the oldest French in ... engineering school. One of his most enduring works is the ''Method for the chromatic horn, or horn with pistons'' (1840). References * Ericson, John"Joseph Meifred and the early valved horn in france."1992. (Dissertation excerpt) * Snedeker, Jeffrey. "The Early Valved Horn and Its Proponents in Paris 1826-1840," ''The Horn Call Annual'' 6 (1994): pp. 6– ...
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Hornist
This list of horn players and pedagogues includes notable players of French horn, German horn, natural horn, Vienna horn, tenor (alto) horn, and alphorn. B * Radek Baborák, former Principal horn Berlin Philharmonic Orchestra, Munich Phil. Orch, Czech Phil. Orch. winner of the ARD, Geneva, Markneukirchen, Concertino Praga Hochschule für Musik Saar. *Andrew Bain, principal horn of the Los Angeles Philharmonic, LA studio player, horn professor at the Colburn School in Los Angeles, California *Georges Barboteu (1924–2006), Former professor at CNSM, member of the French French-horn school, horn instructor of many current French French hornists * Hermann Baumann (*1934), former principal horn Philharmonisches Orchester Dortmund and Stuttgart Radio Symphony Orchestra, winner of the ARD International Music Competition in 1964, soloist, performing on natural horn and valved horn * Richard Bissill, player, composer, arranger and professor * Aubrey Brain, player (1893–1955) *Denni ...
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French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's) and the Vienna horn uses double-pis ...
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Conservatoire De Paris
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the CNSAD, Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture (France), Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant' ...
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Louis-François Dauprat
Louis-François or Louis François may refer to: * Louis François, Prince of Conti (1717–1776), French nobleman * Louis François Joseph, Prince of Conti (1734–1814), son of Louis François I * Louis-François de Bausset (1748–1824), French cardinal and writer * Louis-François Bertin (1766–1841), French journalist * Louis-François de Boufflers (1644–1711), Marshal of France * Louis François Cauchy (1760–1848), French official, father of mathematician Augustin Louis Cauchy * Louis-François Dunière (1754–1828), businessman in Lower Canada * Louis-François Richer Laflèche (1818–1898), Roman Catholic Bishop of Trois-Rivières, Quebec, Native American missionary * Louis-François Lejeune (1775–1848), French general, painter, and lithographer * Louis François de Pourtalès (1824–1880), American naturalist * Louis-François Roubiliac (1702–1762), French sculptor * Louis-François Bertin de Vaux (1771–1842), French journalist, brother of Bertin * Louis ...
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Arts Et Métiers ParisTech
Arts et Métiers ParisTech is a French engineering and research institute of higher education. It is a '' grande école'', recognized for leading in the fields of mechanics and industrialization. Founded in 1780, it is among the oldest French institutions and is one of the most prestigious engineering schools in France. It has been consistently ranked among the top ten French engineering schools and was ranked fifth in France for Mechanical Engineering in the Shanghai ranking 2018. The school has trained 85,000 engineers since its foundation by François Alexandre Frédéric, duc de la Rochefoucauld-Liancourt. It is a "Public Scientific, Cultural and Professional Institution" ( EPSCP) under the authority of the Ministry of Higher Education and Research and has the special status of Grand établissement. The ''École nationale supérieure d'arts et métiers'' (ENSAM), which adopted the brand name "Arts et Métiers ParisTech" in 2007, was a founding member of ParisTech (Paris In ...
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Method (music)
In music, a ''method'' is a kind of textbook for a specified musical instrument or a selected problem of playing a certain instrument. A ''method'' usually contains fingering charts or tablatures, etc., scales and numerous different exercises, sometimes also simple etudes, in different keys, in ascending order as to difficulty (= in methodical ''progression'') or with a focus on isolated aspects like fluency, rhythm, dynamics, articulation and the like. Sometimes there are even recital pieces, a