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Japanese Literature
Japanese literature throughout most of its history has been influenced by cultural contact with neighboring Asian literatures, most notably China and its literature. Early texts were often written in pure Classical Chinese or , a Chinese-Japanese creole language. Indian literature also had an influence through the spread of Buddhism in Japan. During the Heian period, Japan's original culture () developed and literature also established its own style, with the significant usage and development of to write Japanese literature. Following the end of the policy and especially during the increasing westernization of the Meiji era, Western literature has also had an influence on the development of modern Japanese writers, while Japanese literature has in turn become more recognized internationally, leading to two Japanese Nobel laureates in literature, namely Yasunari Kawabata and Kenzaburō Ōe. History Nara-period literature (before 794) Before the introduction of kanji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nobel Prize In Literature
The Nobel Prize in Literature, here meaning ''for'' Literature (), is a Swedish literature prize that is awarded annually, since 1901, to an author from any country who has, in the words of the will of Swedish industrialist Alfred Nobel, "in the field of literature, produced the most outstanding work in an idealistic direction" (original ). Though individual works are sometimes cited as being particularly noteworthy, the award is based on an author's body of work as a whole. The Swedish Academy decides who, if anyone, will receive the prize. The academy announces the name of the laureate in early October. It is one of the five Nobel Prizes established by the will of Alfred Nobel in 1895. Literature is traditionally the final award presented at the Nobel Prize ceremony. On some occasions, the award has been postponed to the following year, most recently in 2018. Background Alfred Nobel stipulated in his last will and testament that his money be used to create a series of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanka (poetry)
is a genre of classical Japanese poetry and one of the major genres of Japanese literature. Etymology Originally, in the time of the influential poetry anthology (latter half of the eighth century AD), the term ''tanka'' was used to distinguish "short poems" from the longer . In the ninth and tenth centuries, however, notably with the compilation of the '' Kokinshū'', the short poem became the dominant form of poetry in Japan, and the originally general word became the standard name for this form. Japanese poet and critic Masaoka Shiki revived the term ''tanka'' in the early twentieth century for his statement that ''waka should be renewed and modernized''. ''Haiku'' is also a term of his invention, used for his revision of standalone Hokku, with the same idea. Form Tanka consist of five units (often treated as separate lines when romanized or translated) usually with the following pattern of '' on'' (often treated as, roughly, the number of syllables per unit or line ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kokin Wakashū
The , commonly abbreviated as , is an early anthology of the '' waka'' form of Japanese poetry, dating from the Heian period. An imperial anthology, it was conceived by Emperor Uda () and published by order of his son Emperor Daigo () in about 905. Its finished form dates to 920, though according to several historical accounts the last poem was added to the collection in 914. The compilers of the anthology were four court poets, led by Ki no Tsurayuki and also including Ki no Tomonori (who died before its completion), Ōshikōchi no Mitsune, and Mibu no Tadamine. Significance The ''Kokinshū'' is the first of the , the 21 collections of Japanese poetry compiled at Imperial request. It was the most influential realization of the ideas of poetry at the time, dictating the form and format of Japanese poetry until the late nineteenth century; it was the first anthology to divide itself into seasonal and love poems. The primacy of poems about the seasons pioneered by the ''Kok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murasaki Shikibu
was a Japanese novelist, Japanese poetry#Age of Nyobo or court ladies, poet and lady-in-waiting at the Imperial Court in Kyoto, Imperial court in the Heian period. She was best known as the author of ''The Tale of Genji'', widely considered to be one of the world's first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been , who was mentioned in a 1007 court diary as an imperial lady-in-waiting. Heian period, Heian women were traditionally excluded from learning Classical Chinese, Chinese, the written language of government, but Murasaki, raised in her erudite father's household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to-late twenties and gave birth to a daughter, Daini no Sanmi. Her husband died after two years of marriage. It is uncertain when she began to write ''The Tale of Genji'', but it was probably while s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tale Of Genji
is a classic work of Japanese literature written by the noblewoman, poet, and lady-in-waiting Murasaki Shikibu around the peak of the Heian period, in the early 11th century. It is one of history's first novels, the first by a woman to have won global recognition, and in Japan today has a stature like that of Shakespeare in England. The work is a depiction of the lifestyles of high courtiers during the Heian period. It is written mostly in Japanese phonetic script (''hiragana''), in a vernacular style associated with women's writing of the time (not the same as "vernacular Japanese", which only appeared in late 19th century), not in Chinese characters (''kanji'') used for more prestigious literature, and its archaic language and poetic style require specialised study. The original manuscript no longer exists but there are more than 300 later manuscript copies of varying reliability. It was made in "Folded leaflet#Concertina fold, concertina" or style: several sheets of paper p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syllabary
In the Linguistics, linguistic study of Written language, written languages, a syllabary is a set of grapheme, written symbols that represent the syllables or (more frequently) mora (linguistics), morae which make up words. A symbol in a syllabary, called a syllabogram, typically represents an (optional) consonant sound (simple onset (linguistics), onset) followed by a vowel sound (nucleus (syllable), nucleus)—that is, a CV (consonant+vowel) or V syllable—but other phonogram (linguistics), phonographic mappings, such as CVC, CV- tone, and C (normally nasals at the end of syllables), are also found in syllabaries. Types A writing system using a syllabary is ''complete'' when it covers all syllables in the corresponding spoken language without requiring complex orthography, orthographic / graphemic rules, like implicit codas ( ⇒ /C1VC2/), silent vowels ( ⇒ /C1V1C2/) or echo vowels ( ⇒ /C1V1C2/). This loosely corresponds to ''shallow'' orthographies in alphabetic writin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iroha
The is a Japanese poem. Originally the poem was attributed to Kūkai, the founder of Shingon Buddhism, but more modern research has found the date of composition to be later in the Heian period (794–1179). The first record of its existence dates from 1079. It is famous because it is a perfect pangram, containing each character of the Japanese syllabary exactly once. Because of this, it is also used as an ordering for the syllabary, in the same way as the ''A'', ''B'', ''C'', ''D''... sequence of the Latin alphabet. Text The first appearance of the Iroha, in was in seven lines: six with seven morae each, and one with five. It was also written in man'yōgana. 以呂波耳本部止 千利奴流乎和加 餘多連曽津祢那 良牟有為能於久 耶万計不己衣天 阿佐伎喩女美之 恵比毛勢須 Structurally, however, the poem follows the standard 7–5 pattern of Japanese poetry (with one hypometric line), and in modern times it is generally written that way ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosa Mitsuoki—Portrait Of Murasaki Shikibu
Tosa may refer to: Places * Tosa, Kōchi a city in Kōchi Prefecture, Japan * Tosa, Kōchi (town), a town in Kōchi Prefecture, Japan * Tosa District, Kōchi * Tosa province and Tosa Domain, now known as Kōchi Prefecture * Wauwatosa, known to locals as Tosa, a city in Wisconsin People with the surname *, Japanese shogi player * Tosa Mitsunobu * Tosa Mitsuoki * Reiko Tosa, marathon runner *, Japanese diver Other uses * Tosa dialect * ''Tosa-mi'', or tataki, a cooking technique * Tosa (dog), a Japanese dogfighting breed * Tosa-class battleship, ''Tosa''-class battleship of Imperial Japan ** Japanese battleship Tosa, Japanese battleship ''Tosa'', the lead ship of the ''Tosa'' class * TOSA (bus), a concept electric bus * The Zaurus, Sharp Zaurus model SL-6000 See also * Cima Tosa, a peak in the Brenta Dolomites * Tosa d'Alp, or La Tosa, in the Pyrenees * Autodromo Enzo e Dino Ferrari, Tosa corner or hairpin of the San Marino Grand Prix race track *Tosia, name *Toska (disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urashima Tarō
is the protagonist of a Japanese fairy tale (''otogi banashi''), who, in a typical modern version, is a fishermen, fisherman rewarded for rescuing a sea turtle, and carried on its back to the Dragon Palace (Ryūgū-jō) beneath the sea. There, he is entertained by the princess Otohime as a reward. He spends what he believes to be several days with the princess. But when he returns to his home village, he discovers he has been gone for at least 100 years. When he opens the forbidden jewelled box (tamatebako), given to him by Otohime on his departure, he turns into an old man. The tale originates from the legend of Urashimako (Urashima no ko or Ura no Shimako) recorded in various pieces of literature dating to the 8th century, such as the ''Fudoki'' for Tango Province, ''Nihon Shoki'', and the ''Man'yōshū''. During the Muromachi period, Muromachi to Edo periods, versions of ''Urashima Tarō (otogi-zōshi), Urashima Tarō'' appeared in storybook form called the ''Otogizōshi'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man'yōshū
The is the oldest extant collection of Japanese (poetry in Classical Japanese), compiled sometime after AD 759 during the Nara period. The anthology is one of the most revered of Japan's poetic compilations. The compiler, or the last in a series of compilers, is today widely believed to be Ōtomo no Yakamochi, although numerous other theories have been proposed. The chronologically last datable poem in the collection is from AD 759 ( 4516). It contains many poems from a much earlier period, with the bulk of the collection representing the period between AD 600 and 759. The precise significance of the title is not known with certainty. The comprises more than 4,500 poems in 20 volumes, and is broadly divided into three genres: , songs at banquets and trips; , songs about love between men and women; and , songs to mourn the death of people. These songs were written by people of various statuses, such as the Emperor, aristocrats, junior officials, soldiers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nihon Shoki
The or , sometimes translated as ''The Chronicles of Japan'', is the second-oldest book of classical Japanese history. It is more elaborate and detailed than the , the oldest, and has proven to be an important tool for historians and archaeologists as it includes the most complete extant historical record of ancient Japan. The was finished in 720 under the editorial supervision of Prince Toneri with the assistance of Ō no Yasumaro and presented to Empress Genshō. The book is also a reflection of Chinese influence on Japanese civilization. In Japan, the Sinicized court wanted written history that could be compared with the annals of the Chinese. The begins with the Japanese creation myth, explaining the origin of the world and the first seven generations of divine beings (starting with Kuninotokotachi), and goes on with a number of myths as does the , but continues its account through to events of the 8th century. It is believed to record accurately the latter reig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
