I Got My Mind Made Up
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I Got My Mind Made Up
"I Got My Mind Made Up (You Can Get It Girl)" is a single by the disco band Instant Funk, recorded and released in 1978, which was later included in their self-titled sophomore album. Song Background The original production of this song was done on 8 tracks and was a simple 3 minute R&B song. It was transferred to 24 track tape at Blank Tapes, NYC and work began on it by the producer Bunny Sigler and engineer Bob Blank. Among other things, Bunny brought in a woman to say 'say what?' throughout the record. Standing behind her, his directions ("scream") were amplified and used as part of the production. Remixing was done manually (no computerization) and was attempted by Walter Gibbons, Ken Cayre (the owner of Salsoul Records) and finally by DJ Larry Levan. Recorded in Blank Tapes's old studio A, on a console that was not automated, the remixes were created with splicing tape, playing a small section of the music and then resetting the console, then recording the next piece. For the ...
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Instant Funk
Instant Funk were an American 1970s and 1980s disco band, best known for their disco classic, " I Got My Mind Made Up (You Can Get It Girl)". History Instant Funk came out of Trenton, New Jersey consisting of Raymond Earl, drummer Scotty Miller and guitarist Kim Miller. The group was then called The Music Machine and they were very successful as a back-up band for The Manhattans, Bunny Sigler and also the TNJs. Throughout their careers, Instant Funk would be the back-up band for many stars, including Lou Rawls, Loleatta Holloway, The O'Jays, MFSB, Curtis Mayfield and Evelyn Champagne King (they are the backing band on the hit single, "Shame"). The group relocated to Philadelphia in 1976 to release its first album, ''Get Down With the Philly Jump'', as they started to formulate their own sound. The group followed this album up with a release for former MFSB guitarist Norman Harris' new record label Gold Mind, with front man Bunny Sigler entitled "Let Me Party With You". ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three ch ...
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American Disco Songs
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label that was previously known as Def American * American University, in Washington, D.C. Sports teams S ...
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1979 Singles
Events January * January 1 ** United Nations Secretary-General Kurt Waldheim heralds the start of the ''International Year of the Child''. Many musicians donate to the ''Music for UNICEF Concert'' fund, among them ABBA, who write the song ''Chiquitita'' to commemorate the event. ** In 1979, the United States officially severed diplomatic ties with the Republic of China (Taiwan). This decision marked a significant shift in U.S. foreign policy, turning to view the People's Republic of China as the sole legitimate representative of China. ** The United States and the People's Republic of China establish full Sino-American relations, diplomatic relations. ** Following a deal agreed during 1978, France, French carmaker Peugeot completes a takeover of American manufacturer Chrysler's Chrysler Europe, European operations, which are based in United Kingdom, Britain's former Rootes Group factories, as well as the former Simca factories in France. * January 6 – Geylang Bahru family ...
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De La Soul
De La Soul ( ) is an American hip hop music, hip hop group formed in the village of Amityville on Long Island, New York (state), New York in 1988. They are best known for their eclectic sampling, eccentric lyrics, and contributions to the evolution of the jazz rap and alternative hip hop subgenres. Kelvin Mercer, Kelvin "Posdnuos" Mercer, David Jolicoeur, David "Trugoy the Dove" Jolicoeur, and Vincent Mason, Vincent "Maseo" Mason formed the group in high school and caught the attention of producer Prince Paul (producer), Prince Paul with a demo tape of the song "Plug Tunin'". With its playful wordplay, innovative sampling, and witty skits, the group's debut album, ''3 Feet High and Rising'' (1989), has been called "a hip hop masterpiece". It remains their biggest commercial success, though subsequent albums have continued to receive acclaim. De La Soul is the second-longest-standing Native Tongues group, after the Jungle Brothers. In 2006, the group won a Grammy Award, Grammy for ...
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Thunderpuss
Thunderpuss is the (mainly dance) remix/ production team of Los Angeles–based music producers Barry Harris and Chris Cox. Harris had previously worked as part of several music groups including Kon Kan, Top Kat, Killer Bunnies and Outta Control and had also released several solo singles himself. Cox, a musician and DJ, had also worked for years as a DJ and producer, producing a megamix of Paula Abdul songs, among other things, and started his own record label, Interhit Records, with Jeff Johnson. History Harris and Cox originally met in New York City in 1990 while Harris was recording '' Syntonic'', Kon Kan's second album. They became friends and remained in contact for years, with Harris eventually joining Cox at Interhit Records in Los Angeles in January 1998. They did not start working together as a production team until September 1997. Their first project as Thunderpuss was a cover of the song "I Just Wanna Be Your Everything", with Thea Austin, formerly of Snap! ...
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Johnny Vicious
Johnny Vicious (born John Coles) is an American house music, house disc jockey, DJ, Music producer, producer and remixer. He DJed in New York City clubs Mars and Paladium in the 1980s, and in the early 1990s started his own label, Vicious Muzik Records, with Jeffrey Rodman. Vicious became widely known for remixing the hits "Kiss You All Over" by No Mercy (pop band), No Mercy, "Let's Go All the Way" by React (band), React, and "It's Not Right but It's Okay" by Whitney Houston, as well as doing remixes for the compilations ''Webster Hall Presents: A Groovilicious Night'' and ''Ministry of Sound: Club Nation America''.[ Biography], AllMusic He scored one major chart hit, 2005's "Can't Let Go" (featuring Judy Albanese), which hit No. 4 on the US ''Billboard (magazine), Billboard'' Dance Chart. His remixes have appeared on the hit ''Ultra.Dance'' compilations, as well as on the ''ThriveMix Presents'' albums, many of which have hit the US ''Billboard'' albums charts. Discography Album ...
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Hithouse
Peter Slaghuis (; 21 August 1961 – 5 September 1991) was a Dutch DJ, record producer and remixer, whose work was mostly released under the name Hithouse (a literal translation of his last name — ''slag'', a hit, a beat; and ''huis'', house). Early years Slaghuis was born in Rijswijk, Netherlands on 21 August 1961 to Helen (born in Malang, Indonesia) and Charles Slaghuis. As a child, he was already unlucky, as he was always ill and would be in hospital. Fortunately, he got better when he turned 10, and grew into a healthy boy. Charles gave him and his sister Dana (born in 1961) their first cassette recorder. This led to Peter's love for music, while Dana was not interested. Career Remixer After graduating from school, Slaghuis began working as a DJ in a local club in The Hague in his teens in 1979. One day, he heard an illegal bootleg American megamix, which inspired him to try and copy the style. He was already mixing in the club while at home he was experimenting with the c ...
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Simon Harris (musician)
Simon Harris is a British music producer, DJ, remixer and electronic musician from London predominantly known for his 1988 hit song "Bass (How Low Can You Go?)". He is also the founder of the hip hop label Music of Life and the producer of most of its catalogue of songs. Biography Harris started as a mobile DJ in the Chigwell, Essex area in 1977 and became known for his mixing. In 1979, he became a DJ at Radio Forest Hospital Radio and promoted disco events featuring Capital Radio DJs. In 1981, Harris met Froggy at one of these events and the two then formed a mixing team which resulted in a succession of releases including the 1987 "Decade Remix" of " You to Me Are Everything" by the Real Thing which became a top 10 UK hit. Froggy and Harris then decided to launch their own label, Music of Life which was initially distributed by StreetSounds. Then, in 1986, Froggy left and Harris took the direction of Music of Life into hip hop and the label released several early Britis ...
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House Music
House is a genre of electronic dance music characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's underground Clubbing (subculture), club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, house became mainstream and supplanted the typical 80s music beat. House was created and pioneered by DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Joe Smooth, Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music initially expanded to New York City, then internationally to cities such as London, and ultimately became a worldwide phenomenon. House has a large influence on pop music, especially dance music. It was incorporated into works by major international artists including Whitney Hou ...
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Billboard Year-End Hot 100 Singles Of 1979
This is a list of ''Billboard'' magazine's Top Hot 100 songs of 1979. The Top 100, as revealed in the year-end edition of ''Billboard'' dated December 22, 1979. See also * 1979 in music This is a list of notable events in music that took place in the year 1979. Specific locations * 1979 in British music * 1979 in Japanese music * 1979 in Norwegian music Specific genres * 1979 in country music * 1979 in heavy metal music * 1 ... * List of ''Billboard'' Hot 100 number-one singles of 1979 * List of ''Billboard'' Hot 100 top-ten singles in 1979 References {{DISPLAYTITLE:''Billboard'' Year-End Hot 100 singles of 1979 1979 record charts Lists of Billboard Year-End Hot 100 singles 1979 in American music ...
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Billboard Hot 100
The ''Billboard'' Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio airplay in the U.S. A new chart is compiled and released online to the public by ''Billboard''s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before Ju ...
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