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Horror Aequi
, or avoidance of identity, is a linguistic principle that language users have psychological or physiological motives or limits on cognitive planning to avoid repetition of identical linguistic structures. The term originated in 1909 in Karl Brugmann, who used it to explain dissimilation, the tendency for similar consonants or vowels in a word to become less similar, which can often be chalked up to simply "euphony". Today, however, the term is usually applied instead to grammatical elements or structures. One of the most widely cited definitions is that of Günter Rohdenburg: "the ''horror aequi'' principle involves the widespread (and presumably universal) tendency to avoid the use of formally (near-)identical and (near-)adjacent (non-coordinate) grammatical elements or structures." In the study of phonology, such avoidance falls under the obligatory contour principle, which holds that certain consecutive identical sounds are not permitted (such as in Mandarin Chinese, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin
Latin ( or ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally spoken by the Latins (Italic tribe), Latins in Latium (now known as Lazio), the lower Tiber area around Rome, Italy. Through the expansion of the Roman Republic, it became the dominant language in the Italian Peninsula and subsequently throughout the Roman Empire. It has greatly influenced many languages, Latin influence in English, including English, having contributed List of Latin words with English derivatives, many words to the English lexicon, particularly after the Christianity in Anglo-Saxon England, Christianization of the Anglo-Saxons and the Norman Conquest. Latin Root (linguistics), roots appear frequently in the technical vocabulary used by fields such as theology, List of Latin and Greek words commonly used in systematic names, the sciences, List of medical roots, suffixes and prefixes, medicine, and List of Latin legal terms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Vacui (other)
{{disambiguation ...
Horror vacui can refer to: * Horror vacui (art), a concept in art approximately translated from Latin ''fear of empty spaces'' * Horror vacui (philosophy), a philosophical theory about physics * ''Horror Vacui'' (film), a 1984 German satirical film * ''Horror Vacui'' (album), by Linea 77 *''Horror Vacui'', a composition by Jonny Greenwood Jonathan Richard Guy Greenwood (born 5 November 1971) is an English musician. He is the lead guitarist and keyboardist of the rock band Radiohead, and has composed numerous film scores. He has been named one of the greatest guitarists by numer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Brugmann
Friedrich Karl Brugmann (; 16 March 1849 – 29 June 1919) was a German linguist. He is noted for his work in Indo-European linguistics. Biography Friedrich Karl Brugman was born in Wiesbaden to a middle-class family in 1849. He was educated at the universities of Halle and Leipzig. He taught at the gymnasium at Wiesbaden and at Leipzig, and between 1872 and 1877 was assistant at the Russian Institute of Classical Philology at the latter. In 1877 he was lecturer at the University of Leipzig, and in 1882 became professor of comparative philology there. In 1884 he took the same position at the University of Freiburg, but returned to Leipzig in 1887 as successor to Georg Curtius; for the rest of his professional life (until 1919), Brugmann was professor of Sanskrit and comparative linguistics there. As a young man, Brugmann sided with the emerging Neogrammarian school, which asserted the inviolability of phonetic laws ( Brugmann's law) and adhered to a strict research methodo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dissimilation
In phonology, particularly within historical linguistics, dissimilation is a phenomenon whereby similar consonants or vowels in a word become less similar or elided. In English, dissimilation is particularly common with liquid consonants such as and when they occur in a sequence. The phenomenon is often credited to '' horror aequi'', the principle that language users avoid repetition of identical linguistic structures. Examples Dropped initial /r/ in /r..r/ sequence (r-deletion) When an sound occurs along with another in the middle of a word in rhotic dialects of English, the most weakly-stressed tends to drop out, as in "" for ''berserk,'' "" for ''surprise,'' "" for ''particular'', and "" for ''governor'' – this does not affect the pronunciation of ''government,'' which has only one , but English ''government'' tends to be pronounced "", dropping out the first ''n''. This phenomenon will also not affect the unstressed syllable in words like ''surfer'' or ''brother'' s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphony
Phonaesthetics (also spelled phonesthetics in North America) is the study of the beauty and pleasantness associated with the sounds of certain words or parts of words. The term was first used in this sense, perhaps by during the mid-20th century and derives . Speech sounds have many aesthetic qualities, some of which are subjectively regarded as ''euphonious'' (pleasing) or ''cacophonous'' (displeasing). Phonaesthetics remains a budding and often subjective field of study, with no scientifically or otherwise formally established definition; today, it mostly exists as a marginal branch of psychology, phonetics, or poetics. More broadly, the British linguist David Crystal has regarded phonaesthetics as the study of "phonaesthesia" (i.e., sound symbolism and phonesthemes): that not just words but even certain sound combinations carry meaning. For example, he shows that English speakers tend to associate unpleasantness with the sound ''sl-'' in such words as ''sleazy'', ''slime'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Obligatory Contour Principle
The obligatory contour principle (frequently abbreviated OCP) is a hypothesis in autosegmental phonology that states that (certain) consecutive identical features are banned in underlying representations. The OCP is most frequently cited when discussing the tones of tonal languages (stating for example that the same morpheme may not have two underlying high tones), but it has also been applied to other aspects of phonology. The principle is part of the larger notion of ''horror aequi'', that language users generally avoid repetition of identical linguistic structures. Background considerations A commonly held conception within phonology is that no morpheme is allowed to contain two consecutive high tones. If two consecutive high tones appear within a single morpheme, then some rule must have applied . Maybe one of the surface high-tone vowels was underlyingly high-toned, while the other was underlyingly toneless. Then, since all vowels must have tone at the surface (in this hypoth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Standard Chinese Phonology
The phonology of Standard Chinese has historically derived from the Beijing dialect of Mandarin. However, pronunciation varies widely among speakers, who may introduce elements of their local varieties. Television and radio announcers are chosen for their ability to affect a standard accent. Elements of the sound system include not only the segments—e.g. vowels and consonants—of the language, but also the tones applied to each syllable. In addition to its four main tones, Standard Chinese has a neutral tone that appears on weak syllables. This article uses the International Phonetic Alphabet (IPA) to compare the phonetic values corresponding to syllables romanized with pinyin. Consonants The sounds shown in parentheses are sometimes not analyzed as separate phonemes; for more on these, see below. Excluding these, and excluding the glides , , and , there are 19 consonant phonemes in the inventory. Between pairs of plosives or affricates having the same place of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
To-infinitive
Infinitive (abbreviated ) is a linguistics term for certain verb forms existing in many languages, most often used as non-finite verbs that do not show a tense. As with many linguistic concepts, there is not a single definition applicable to all languages. The name is derived from Late Latin [] , a derivative of meaning "unlimited". In traditional descriptions of English language, English, the infinitive is the basic dictionary form of a verb when used non-finitely, with or without the particle to. Thus to go is an infinitive, as is ''go'' in a sentence like "I must go there" (but not in "I go there", where it is a finite verb). The form without ''to'' is called the bare infinitive, and the form with ''to'' is called the full infinitive or to-infinitive. In many other languages the infinitive is a distinct single word, often with a characteristic inflective ending, like (" osing") in Portuguese, (" odie") in Spanish, (" oeat") in French, (" ocarry") in Latin and Italian, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elision
In linguistics, an elision or deletion is the omission of one or more sounds (such as a vowel, a consonant, or a whole syllable) in a word or phrase. However, these terms are also used to refer more narrowly to cases where two words are run together by the omission of a final sound. An example is the elision of word-final /t/ in English if it is preceded and followed by a consonant: "first light" is often pronounced "firs' light" (). Many other terms are used to refer to specific cases where sounds are omitted. Citation forms and contextual forms A word may be spoken individually in what is called the citation form. This corresponds to the pronunciation given in a dictionary. However, when words are spoken in context, it often happens that some sounds that belong to the citation form are omitted. Elision is not an all-or-nothing process: elision is more likely to occur in some styles of speaking and less likely in others. Many writers have described the styles of speech in wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garden-path Sentence
A garden-path sentence is a grammatically correct sentence that starts in such a way that a reader's most likely interpretation will be incorrect; the reader is lured into a parse that turns out to be a dead end or yields a clearly unintended meaning. ''Garden path'' refers to the saying " to be led down r upthe garden path", meaning to be deceived, tricked, or seduced. In ''A Dictionary of Modern English Usage'' (1926), Fowler describes such sentences as unwittingly laying a " false scent". Such a sentence leads the reader toward a seemingly familiar meaning that is actually not the one intended. It is a special type of sentence that creates a momentarily ambiguous interpretation because it contains a word or phrase that can be interpreted in multiple ways, causing the reader to begin to believe that a phrase will mean one thing when in reality it means something else. When read, the sentence seems ungrammatical, makes almost no sense, and often requires rereading so that its m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Relative Clauses
Relative clauses in the English language are formed principally by means of English relative words, relative words. The basic relative pronouns are ''who (pronoun), who'', ''which'', and ''that''; ''who'' also has the derived forms ''whom'' and ''whose''. Various grammatical rules and style guides determine which relative pronouns may be suitable in various situations, especially for formal settings. In some cases the relative pronoun may be omitted and merely implied ("This is the man [that] I saw", or "This is the putter he wins with"). English also uses free relative clauses, which have no antecedent (grammar), antecedent and can be formed with the pronouns such as ''what'' ("I like what you've done"), and ''who'' and ''whoever''. Modern guides to English say that the relative pronoun should take the case (subject or object) which is appropriate to the relative clause, not the function performed by that clause within an external clause. Overview The basic grammatical rules for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uses Of English Verb Forms
Modern standard English has various verb forms, including: * Finite verb forms such as ''go'', ''goes'' and ''went'' * Nonfinite forms such as ''(to) go'', ''going'' and ''gone'' * Combinations of such forms with auxiliary verbs, such as ''was going'' and ''would have gone'' They can be used to express tense (time reference), aspect, mood, modality and voice, in various configurations. For details of how inflected forms of verbs are produced in English, see English verbs. For the grammatical structure of clauses, including word order, see English clause syntax. For non-standard or archaic forms, see individual dialect articles and thou. Inflected forms of verbs A typical English verb may have five different inflected forms: *The base form or plain form (''go'', ''write'', ''climb''), which has several uses—as an infinitive, imperative, present subjunctive, and present indicative except in the third-person singular *The ''-s'' form (''goes'', ''writes'', ''climbs''), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
