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Horrifying Zone
The distinction between horror and terror is a standard literary and psychological concept applied especially to Gothic and horror fiction. ''Horror'' is the feeling of revulsion that usually follows a frightening sight, sound, or otherwise experience. By contrast, ''terror'' is usually described as the feeling of dread and anticipation that ''precedes'' the horrifying experience. Noël Carroll also defined terror as a combination of horror and revulsion. Literary Gothic The distinction between terror and horror was first characterized by the Gothic writer Ann Radcliffe (1764–1823), horror being more related to being shocked or scared (being horrified) at an awful realization or a deeply unpleasant occurrence, while terror is more related to being anxious or fearful. Radcliffe considered that terror is characterized by "obscurity" or indeterminacy in its treatment of potentially horrible events, something which leads to the sublime. She says in an essay published posthu ...
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Sir Charles Bell, Essays On Expression Wellcome L0021920
''Sir'' is a formal honorific address in English for men, derived from Sire in the High Middle Ages. Both are derived from the old French "" (Lord), brought to England by the French-speaking Normans, and which now exist in French only as part of "", with the equivalent "My Lord" in English. Traditionally, as governed by law and custom, Sir is used for men who are knights and belong to certain orders of chivalry, as well as later applied to baronets and other offices. As the female equivalent for knighthood is damehood, the ''suo jure'' female equivalent term is typically Dame. The wife of a knight or baronet tends to be addressed as Lady, although a few exceptions and interchanges of these uses exist. Additionally, since the late modern period, Sir has been used as a respectful way to address a man of superior social status or military rank. Equivalent terms of address for women are Madam (shortened to Ma'am), in addition to social honorifics such as Mrs, Ms, or Miss. Ety ...
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Uncanny
The uncanny is the psychological experience of an event or thing that is unsettling in a way that feels oddly familiar, rather than simply mysterious. This phenomenon is used to describe incidents where a familiar entity is encountered in a frightening, eerie, or taboo context.D. Bate, ''Photography and Surrealism'' (2004) pp. 39–40. Ernst Jentsch set out the concept of the uncanny, later elaborated on by Sigmund Freud in his 1919 essay "", which explores the eeriness of dolls and waxworks. For Freud, the uncanny is located in the strangeness of the ordinary. Expanding on the idea, psychoanalytic theorist Jacques Lacan wrote that the uncanny places us "in the field where we do not know how to distinguish bad and good, pleasure from displeasure", resulting in an irreducible anxiety that gestures to the Real. The concept has since been taken up by a variety of thinkers and theorists like roboticist Masahiro Mori's uncanny valley and Julia Kristeva's concept of abjection. ...
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Routledge
Routledge ( ) is a British multinational corporation, multinational publisher. It was founded in 1836 by George Routledge, and specialises in providing academic books, academic journals, journals and online resources in the fields of the humanities, behavioral science, behavioural science, education, law, and social science. The company publishes approximately 1,800 journals and 5,000 new books each year and their backlist encompasses over 140,000 titles. Routledge is claimed to be the largest global academic publisher within humanities and social sciences. In 1998, Routledge became a subdivision and Imprint (trade name), imprint of its former rival, Taylor & Francis, Taylor & Francis Group (T&F), as a result of a £90-million acquisition deal from Cinven, a venture capital group which had purchased it two years previously for £25 million. Following the merger of Informa and T&F in 2004, Routledge became a publishing unit and major imprint within the Informa "academic publishing ...
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The New Monthly Magazine
''The New Monthly Magazine'' was a British monthly magazine published from 1814 to 1884. It was founded by Henry Colburn and published by him through to 1845. History Colburn and Frederic Shoberl established ''The New Monthly Magazine and Universal Register'' as a "virulently Tory" competitor to Sir Richard Phillips' ''Monthly Magazine'' in 1814. "The double-column format and the comprehensive contents combined the ''Gentleman's Magazine'' with the ''Annual Register''". In its April 1819 issue it published John Polidori's Gothic fiction ''The Vampyre'', the first significant piece of prose vampire literature in English, attributing it to Lord Byron, who partly inspired it. In 1821 Colburn recast the magazine with a more literary and less political focus, retitling it ''The New Monthly Magazine and Literary Journal''. Nominally edited by the poet Thomas Campbell, most editing fell to the sub-editor Cyrus Redding. Colburn paid contributors well, and they included Sydney Morg ...
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Surrealism
Surrealism is an art movement, art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. Its intention was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, photography, Theatre of Cruelty, theatre, Surrealist cinema, filmmaking, Surrealist music, music, Surreal humour, comedy and other media as well. Works of Surrealism feature the element of surprise, unexpected juxtapositions and ''Non sequitur (literary device), non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatic behavior, automatism" Breton speaks of in the fi ...
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Nightmare
A nightmare, also known as a bad dream, Retrieved 11 July 2016. is an unpleasant dream that can cause a strong emotional response from the mind, typically fear but also despair, anxiety, disgust or sadness. The dream may contain situations of discomfort, psychological or physical terror, or panic. After a nightmare, a person will often awaken in a state of distress and may be unable to return to sleep for a short period of time. Recurrent nightmares may require medical help, as they can interfere with sleeping patterns and cause insomnia. Nightmares can have physical causes such as sleeping in an uncomfortable position or having a fever, or psychological causes such as stress or anxiety. Eating before going to sleep, which triggers an increase in the body's metabolism and brain activity, can be a potential stimulus for nightmares. The prevalence of nightmares in children (5–12 years old) is between 20 and 30%, and prevalence in adults is between 8 and 30%. In common langu ...
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Monster Literature
Monster literature is a genre of literature that combines good and evil and intends to evoke a sensation of horror and terror in its readers by presenting the evil side in the form of a monster. History The themes and concepts of Monster Literature are rooted in 18th century Gothic literature. The earliest examples of Gothic literature can be traced all the way back to English author Horace Walpole's novel ''The Castle of Otranto'' (1764). However, monster literature first emerged in the 19th century with the release of Mary Shelley's ''Frankenstein'' (1818). Gothic literature includes elements of horror and terror as well as a victim who is helpless against his enemy or victimizer. This victimizer usually possesses some form of supernatural power or advantage over the victim, and uses it to cause strife in the life of the victim. In Monster literature, the victimizer is portrayed in the form of a monster that torments the protagonists. In addition, Gothic inspired Monster literatur ...
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Medusa's Head
"Medusa's Head" (''Das Medusenhaupt'', 1922), by Sigmund Freud, is a very short, posthumously published essay on the subject of the Medusa Myth. Equating decapitation with castration, Freud maintained that the terror of Medusa was a reflection of the castration complex aroused in the young boy when the sight of the female genitals brought home the truth that females have no penis. Analysis The hair upon Medusa's head is frequently represented in works of art in the form of snakes. Freud considered that, as penis symbols derived from the pubic hair, they serve to mitigate the horror of the complex, as a form of overcompensation. This sight of Medusa's head makes the spectator stiff with terror, turns him to stone. Observe that we have here once again the same origin from the castration complex and the same transformation of effect. In the original situation, it offers consolation to the spectator: he is still in possession of a penis, and the stiffening reassures him of the fa ...
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Fear
Fear is an unpleasant emotion that arises in response to perception, perceived dangers or threats. Fear causes physiological and psychological changes. It may produce behavioral reactions such as mounting an aggressive response or fleeing the threat, commonly known as the fight-or-flight response. Extreme cases of fear can trigger an immobilized freeze response. Fear in humans can occur in response to a present stimulus (physiology), stimulus or anticipation of a future threat. Fear is involved in some mental disorders, particularly anxiety disorders. In humans and other animals, fear is modulated by cognition and learning. Thus, fear is judged as rational and appropriate, or irrational and inappropriate. Irrational fears are phobias. Fear is closely related to the emotion anxiety, which occurs as the result of often future threats that are perceived to be uncontrollable or unavoidable. The fear response serves survival and has been preserved throughout evolution. Even simple ...
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Fantastic Art
Fantastic art is a broad and loosely defined art genre. It is not restricted to a specific school of artists, geographical location or historical period. It can be characterised by subject matter—which portrays non-realistic, mystical, mythical or folkloric subjects or events—and style, which is representational and naturalistic, rather than abstract—or in the case of magazine illustrations and similar, in the style of graphic novel art such as manga. Fantasy has been an integral part of art since its beginnings, but has been particularly important in mannerism, magic realist painting, romantic art, symbolism, surrealism and lowbrow. In French, the genre is called le fantastique, in English it is sometimes referred to as ''visionary art'', ''grotesque art'' or mannerist art. It has had a deep and circular interaction with fantasy literature. The subject matter of fantastic art may resemble the product of hallucinations, and Fantastic artist Richard Dadd spent mu ...
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Psychological Trauma
Psychological trauma (also known as mental trauma, psychiatric trauma, emotional damage, or psychotrauma) is an emotional response caused by severe distressing events, such as Major trauma, bodily injury, Sexual assault, sexual violence, or other threats to the life of the subject or their loved ones; indirect exposure, such as from watching television news, may be extremely distressing and can produce an involuntary and possibly overwhelming physiological stress response, but does not always produce trauma ''per se''. Examples of distressing events include violence, rape, or a Terrorism, terrorist attack. Short-term reactions such as acute stress disorder, psychological shock and denial, psychological denial typically follow. Long-term reactions and effects include flashback (psychology), flashbacks, panic attacks, insomnia, nightmare disorder, difficulties with interpersonal relationships, post-traumatic stress disorder (PTSD), and brief psychotic disorder. Physical symptoms ...
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Julia Kristeva
Julia Kristeva (; ; born Yuliya Stoyanova Krasteva, ; on 24 June 1941) is a Bulgarian-French philosopher, literary critic, semiotician, psychoanalyst, feminist, and novelist who has lived in France since the mid-1960s. She has taught at Columbia University, and is now a professor emerita at Université Paris Cité. The author of more than 30 books, including '' Powers of Horror'', ''Tales of Love'', ''Black Sun: Depression and Melancholia'', ''Proust and the Sense of Time'', and the trilogy ''Female Genius'', she has been awarded Commander of the Legion of Honor, Commander of the Order of Merit, the Holberg International Memorial Prize, the Hannah Arendt Prize, and the Vision 97 Foundation Prize, awarded by the Havel Foundation. Kristeva became influential in international critical analysis, cultural studies and feminism after publishing her first book, ''Semeiotikè'', in 1969. Her sizeable body of work includes books and essays that address intertextuality, the semioti ...
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