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Hiragasy
Hiragasy or hira gasy (''hira'': song; ''gasy'': Malagasy) is a musical tradition in Madagascar, particularly among the Merina ethnic group of the Highland regions around the capital of Antananarivo. It is a day-long spectacle of music, dance, and ''kabary'' oratory performed by a troupe (typically related by blood or marriage and of rural origin) or as a competition between two troupes. Origins and history The tradition in its contemporary form began in the late 18th century when Merina prince Andrianampoinimerina first used musicians to draw a crowd for his political speeches (''kabary''); these troupes became independent, and began to incorporate political commentary and critique in their performances. The audience plays an active role at hiragasy events, expressing their satisfaction with the talent of the troupe members and the message they proclaim through applause, cheers or sounds of disapproval. Hiragasy troupes were used during the French colonial administration to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramilison Besigara
Ramilison Besigara (Ramilison "Mr. Many-Cigarettes"), also known as Dadamily Besigara, was a ''hiragasy'' troupe leader from Fenoarivo in the central highlands of Madagascar. His troupe, Tarika Ramilison Fenoarivo, featured his daughter, Perline, as a singer and dancer. Over two dozen singers, dancers and traditional musicians performed in the troupe. Tarika Ramilison Fenoarivo was in high demand to perform at ''famadihana Famadihana is a funerary tradition of the Malagasy people in Madagascar. During this ceremony, known as ''the turning of the bones'', people bring forth the bodies of their ancestors from the family crypts, rewrap the corpses in fresh cloth, and r ...'' reburial ceremonies and other traditional events in the highlands. In addition to founding and leading his celebrated hiragasy troupe, in 2007 Ramilison co-founded the League of Madagascar, an association focused on popular education through the medium of the hiragasy, performing educational songs on such themes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Madagascar
The highly diverse and distinctive music of Madagascar has been shaped by the musical traditions of Southeast Asia, Africa, Oceania, Arabia, England, France and the United States over time as indigenous people, immigrants, and colonists have made the island their home. Traditional instruments reflect these widespread origins: the and owe their existence to the introduction of the guitar by early Arab or European seafarers, the ubiquitous originated in mainland Africa and the —the bamboo tube zither considered the national instrument of Madagascar—directly evolved from an earlier form of zither carried with the first Austronesian settlers on their outrigger canoes. Malagasy music can be roughly divided into three categories: traditional, contemporary and popular music. Traditional musical styles vary by region and reflect local ethnographic history. For instance, in the Highlands, the and more subdued vocal styles are emblematic of the Merina, the predominantly Aust ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malagasy Culture
The culture of Madagascar reflects the origins of the people Malagasy people in Southeast Asia, East Africa and Oceania. The influence of Arabs, Indians, British, French and Chinese settlers is also evident. The most emblematic instrument of Madagascar, the '' valiha'', is a bamboo tube zither carried to the island by early settlers from southern Borneo, and is very similar in form to those found in Indonesia and the Philippines today. Traditional houses in Madagascar are likewise similar to those of southern Borneo in terms of symbolism and construction, featuring a rectangular layout with a peaked roof and central support pillar. Reflecting a widespread veneration of the ancestors, tombs are culturally significant in many regions and tend to be built of more durable material, typically stone, and display more elaborate decoration than the houses of the living.Acquier (1997), pp. 143–175 The production and weaving of silk can be traced back to the island's earliest settle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malagasy Music
The highly diverse and distinctive music of Madagascar has been shaped by the musical traditions of Southeast Asia, Africa, Oceania, Arabia, England, France and the United States over time as indigenous people, immigrants, and colonists have made the island their home. Traditional instruments reflect these widespread origins: the and owe their existence to the introduction of the guitar by early Arab or European seafarers, the ubiquitous originated in mainland Africa and the —the bamboo tube zither considered the national instrument of Madagascar—directly evolved from an earlier form of zither carried with the first Austronesian settlers on their outrigger canoes. Malagasy music can be roughly divided into three categories: traditional, contemporary and popular music. Traditional musical styles vary by region and reflect local ethnographic history. For instance, in the Highlands, the and more subdued vocal styles are emblematic of the Merina, the predominantly Austrone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hainteny
Hainteny (pronounced , Malagasy for "knowledge of words") is a traditional form of Malagasy oral literature and poetry, involving heavy use of metaphor. It is associated primarily with the Merina people of Madagascar. In its use of metaphor and allusion it resembles another type of poetry, the Malay pantun, and Fox suggests "it seems likely the Merina brought with them a Malayo-Polynesian poetic tradition" to Madagascar. The Ibonia, an epic poem related for centuries in different versions across Madagascar, reflects the value placed on the linguistic skills celebrated in the hainteny tradition, and offers insight into the diverse mythologies and beliefs of traditional Malagasy communities. Collections of hainteny were first gathered in print form on the orders of Queen Ranavalona I in the 19th century. The French French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its vario ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ohabolana
Hainteny (pronounced , Malagasy for "knowledge of words") is a traditional form of Malagasy oral literature and poetry, involving heavy use of metaphor. It is associated primarily with the Merina people of Madagascar. In its use of metaphor and allusion it resembles another type of poetry, the Malay pantun, and Fox suggests "it seems likely the Merina brought with them a Malayo-Polynesian poetic tradition" to Madagascar. The Ibonia, an epic poem related for centuries in different versions across Madagascar, reflects the value placed on the linguistic skills celebrated in the hainteny tradition, and offers insight into the diverse mythologies and beliefs of traditional Malagasy communities. Collections of hainteny were first gathered in print form on the orders of Queen Ranavalona I in the 19th century. The French writer Jean Paulhan, who stayed in Madagascar from 1908 to 1910, made an intensive study of the hainteny and published a book of translations in 1913. Hainteny often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antananarivo
Antananarivo ( French: ''Tananarive'', ), also known by its colonial shorthand form Tana, is the capital and largest city of Madagascar. The administrative area of the city, known as Antananarivo-Renivohitra ("Antananarivo-Mother Hill" or "Antananarivo-Capital"), is the capital of Analamanga region. The city sits at above sea level in the center of the island, the highest national capital by elevation among the island countries. It has been the country's largest population center since at least the 18th century. The presidency, National Assembly, Senate and Supreme Court are located there, as are 21 diplomatic missions and the headquarters of many national and international businesses and NGOs. It has more universities, nightclubs, art venues, and medical services than any city on the island. Several national and local sports teams, including the championship-winning national rugby team, the Makis are based here. Antananarivo was historically the capital of the Merina peop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrianampoinimerina
Andrianampoinimerina () (1745–1810) ruled the Kingdom of Imerina on Madagascar from 1787 until his death. His reign was marked by the reunification of Imerina following 77 years of civil war, and the subsequent expansion of his kingdom into neighboring territories, thereby initiating the unification of Madagascar under Merina rule. Andrianampoinimerina is a cultural hero and holds near mythic status among the Merina people, and is considered one of the greatest military and political leaders in the history of Madagascar. Andrianampoinimerina took power upon deposing his uncle, King Andrianjafy, who had ruled over Imerina Avaradrano (Northern Imerina). Prior to Andrianampoinimerina's reign, Imerina Avaradrano had been locked in conflict with the three other neighboring provinces of the former kingdom of Imerina that had last been unified under King Andriamasinavalona a century before. Andrianampoinimerina established his capital at the fortified town of Ambohimanga, a site o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rossy (musician)
Paul Bert Rahasimanana, better known as Rossy, is a Malagasy singer and songwriter, generally considered the most popular Malagasy artist of the 1990s. Beginning his musical career as an accordionist and singer within a traditional ''hira gasy'' musical troupe, Rossy innovated a fusion of hira gasy instrumentation and vocal style with contemporary rock, funk and folk sounds to create a uniquely Malagasy genre of contemporary popular music. Rossy actively promoted former president Didier Ratsiraka through concert performances throughout his presidency and served within the Ministry of Culture to promote artists' rights and copyright law. When Ratsiraka fell into disfavor following the contentious 2001 Malagasy presidential elections, Rossy went into self-imposed exile in France. He returned to the island to give concerts beginning in 2008 and enjoyed enormous popularity despite six years of absence, setting an unbroken record of 35,000 tickets sold for a performance given that year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamba (garment)
A lamba is the traditional garment worn by men and women that live in Madagascar. The textile, highly emblematic of Malagasy culture, consists of a rectangular length of cloth wrapped around the body. Traditional lambas used for burial were often made of silk and cow hides while those for daily wear were more often made of raffia, pig skin, cotton or bast. They could range in color from a tie-dyed mess or solid white cloth, to striped red, white and black cloth found in most parts of the island, the geometric patterns in unique shades of green and brown produced by a handful of Sakalava villages, or the brilliantly multi-colored, complex weaves favored by the pre-colonial Merina aristocracy. Today, it is common to find printed cotton or rayon lambas produced in India for the Malagasy market in addition to those fabricated locally.Green, R.L. (2003). Lamba hoany: proverb cloths from Madagascar. ''Africa Arts, 36''(22), pp. 30–46. Besides its daily use as basic clothing, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African Dances
African or Africans may refer to: * Anything from or pertaining to the continent of Africa: ** People who are native to Africa, descendants of natives of Africa, or individuals who trace their ancestry to indigenous inhabitants of Africa *** Ethnic groups of Africa *** Demographics of Africa *** African diaspora ** African, an adjective referring to something of, from, or related to the African Union ** Citizenship of the African Union ** Demographics of the African Union **Africanfuturism ** African art ** *** African jazz (other) ** African cuisine ** African culture ** African languages ** African music ** African Union ** African lion, a lion population in Africa Books and radio * ''The African'' (essay), a story by French author J. M. G. Le Clézio * ''The African'' (Conton novel), a novel by William Farquhar Conton * ''The African'' (Courlander novel), a novel by Harold Courlander * ''The Africans'' (radio program) Music * "African", a song by Peter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
