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Hi-NRG Musicians
Hi-NRG (pronounced "high energy") is a genre of uptempo disco or electronic dance music (EDM) that originated during the late 1970s and early 1980s. As a music genre, typified by its fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene. Characteristics Whether hi-NRG is more rock-oriented than standard disco music is a matter of opinion. Hi-NRG can be heavily synthesized but it is not a prerequisite, and whether it is devoid of "funkiness" is, again, in the ear of the beholder. Certainly, many artists perform their vocals in R&B and soul styles on hi-NRG tracks. The genre's tempo ranges between 120 and 140 beats per minute. The tempos cited here do not represent the full range of beats (BPM) of hi-NRG tracks; rather the tempos are retrieved from one source which is not an expert musical reference, but a sociological study of dance culture ...
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Electronic Music
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depend entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer: no acoustic waves need to be previously generated by mechanical means and then converted into electrical signals. On the other hand, electromechanical instruments have mechanical parts such as strings or hammers that generate the sound waves, together with electric elements including pickup (music technology), magnetic pickups, power amplifiers and loudspeakers that convert the acoustic waves into electrical signals, process them and convert them back into sound waves. Such electromechanical devices in ...
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Megatone Records
Megatone Records was an independent music label specializing in disco and created in San Francisco in 1981 by Patrick Cowley and Marty Blecman. The label name was derived from Cowley's 1981 high energy disco song, " Megatron Man". In 1983, musician Sylvester became a partner of Megatone Records. Some of the artists involved include: Patrick Cowley, Jeanie Tracy, Sylvester, Modern Rocketry, Sarah Dash, Patti LaBelle, and Paul Parker. History Megatone owned two sub-labels Megatone House Records and Mega-Tech Records. Megatone House Records, active from 1988 to 1991, specialized in House music. Mega-Tech Records, was active in 1992, specialized in house music with breakbeat. Megatone brought several high energy disco singles to the U.S. Dance Charts in the early 1980s. All cuts from Sylvester's "All I Need" LP peaked at number 2 on the club charts in 1982, Paul Parker made number 1 with his single "Right On Target" that same year, and Sarah Dash took her single "Lucky Toni ...
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Bassline
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, Dub music, dub and electronic music, electronic, traditional music, traditional, and classical music, for the low-pitched Part (music), instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the bass guitar, electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer). In unaccompanied solo performance, basslines may simply be played in the lower register (music), register of any instrument while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes. Riffs and grooves Basslines in Pop music, popu ...
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Octave
In music, an octave (: eighth) or perfect octave (sometimes called the diapason) is an interval between two notes, one having twice the frequency of vibration of the other. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music", the use of which is "common in most musical systems". The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' (), ''8va bassa'' (, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing this mark above or below the staff. ...
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Donna Summer
Donna Adrian Gaines (December 31, 1948May 17, 2012), known professionally as Donna Summer, was an American singer and songwriter. She gained prominence during the disco era of the 1970s and became known as the "Queen of Disco", while her music gained a global following. Born and raised in Boston, Summer dropped out of high school before graduating and began her career as the lead singer of a blues rock band named Crow and moved to New York City. In 1968, she joined the German adaptation of the musical ''Hair (musical), Hair'' in Munich, where she spent several years living, acting, and singing. There, she met music producers Giorgio Moroder and Pete Bellotte, and released her first album, the European market-only ''Lady of the Night (album), Lady of the Night'' in 1974. Following the recording and European release of the groundbreaking disco anthem, "Love to Love You Baby (song), Love to Love You Baby", she signed with Casablanca Records in 1975, where it was released in North A ...
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I Feel Love
"I Feel Love" is a song by the American singer-songwriter Donna Summer. Produced and co-written by Giorgio Moroder and Pete Bellotte, it was recorded for Summer's fifth studio album, '' I Remember Yesterday'' (1977). The album concept was to have each track evoke a different musical decade; for "I Feel Love", the team aimed to create a futuristic mood, employing a Moog synthesizer. "I Feel Love" was released as the B-side to the single " Can't We Just Sit Down (And Talk It Over)", which reached number 20 on the US ''Billboard'' R&B chart. Two months later, the single was reissued with the sides reversed. "I Feel Love" reached number one in countries including Australia, Austria, Belgium, the Netherlands and on the UK Singles Chart. It reached number three in West Germany and number six on the US ''Billboard'' Hot 100. "I Feel Love" became popular during the disco era, influencing acts such as David Bowie, Brian Eno, Kylie Minogue, the Human League and Blondie (band), Blondi ...
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Giorgio Moroder
Giovanni Giorgio Moroder (, ; born 26 April 1940) is an Italian composer and music producer. Dubbed the "Honorific nicknames in popular music, Father of Disco", Moroder is credited with pioneering Euro disco and electronic dance music. His work with synthesizers had a significant influence on several music genres such as hi-NRG, Italo disco, synth-pop, new wave, house, and techno music. While in Munich in the 1970s, Moroder started Oasis Records, later a subdivision of Casablanca Records. He is the founder of the former Musicland Studios in Munich, a recording studio used by many artists including the Rolling Stones, Electric Light Orchestra, Led Zeppelin, Deep Purple, Queen (band), Queen, and Elton John. He produced singles for Donna Summer during the mid-to-late 1970s disco era, including "Love to Love You Baby (song), Love to Love You Baby", "I Feel Love", "Last Dance (Donna Summer song), Last Dance", "MacArthur Park (song)#Donna Summer version, MacArthur Park", "Hot Stuff (D ...
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Camp (style)
Camp is an Aesthetics, aesthetic and sensibility that regards something as appealing or amusing because of its heightened level of artifice, affectation and exaggeration, especially when there is also a playful or Irony, ironic element. ''Camp'' is historically associated with LGBTQ culture and especially gay men. Camp aesthetics disrupt modernism, modernist understandings of high art by inverting traditional aesthetic judgements of beauty, value, and taste, and inviting a different kind of aesthetic engagement. Camp art is distinct from but often confused with kitsch''.'' The American writer Susan Sontag emphasized its key elements as embracing frivolity, excess and artifice.'''' Art historian David Carrier notes that, despite these qualities, it is also subversive and political. ''Camp'' may be sophisticated, but subjects deemed ''camp'' may also be perceived as being dated, offensive or in Bad taste (aesthetics), bad taste.Babuscio (1993, 20), Feil (2005, 478), Morrill (1994 ...
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Funk
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first be ...
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Rock Music
Rock is a Music genre, genre of popular music that originated in the United States as "rock and roll" in the late 1940s and early 1950s, developing into a range of styles from the mid-1960s, primarily in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew from the black musical genres of blues and rhythm and blues, as well as from country music. Rock also drew strongly from genres such as electric blues and folk music, folk, and incorporated influences from jazz and other styles. Rock is typically centered on the electric guitar, usually as part of a rock group with electric bass guitar, drum kit, drums, and one or more singers. Usually, rock is song-based music with a Time signature, time signature and using a verse–chorus form; however, the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most p ...
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Reverberation
In acoustics, reverberation (commonly shortened to reverb) is a persistence of sound after it is produced. It is often created when a sound is reflection (physics), reflected on surfaces, causing multiple reflections that build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100 millisecond, ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. ...
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