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Hermann Muthesius
Adam Gottlieb Hermann Muthesius (20 April 1861 – 29 October 1927), known as Hermann Muthesius, was a German architect, author and diplomat, perhaps best known for promoting many of the ideas of the English Arts and Crafts movement within Germany and for his subsequent influence on early pioneers of German Modern architecture, architectural modernism such as the Bauhaus. Early life and education Muthesius was born in 1861 in the village of Großneuhausen near Erfurt and received early training from his father, who was a builder. After a period of military service and two years studying philosophy and art history at Humboldt University of Berlin, Frederick William University in Berlin, he enrolled to study architecture at the Technische Hochschule in Charlottenburg (now Technische Universität Berlin) in 1883, while also working in the office of Reichstag building, Reichstag architect Paul Wallot. Career Following completion of his studies, Muthesius spent 1887 to 1891 working ...
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Großneuhausen
Großneuhausen is a Municipalities in Germany, municipality in the Sömmerda (district), Sömmerda Districts of Germany, district of Thuringia, Germany. References

Sömmerda (district) {{Sömmerda-geo-stub ...
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Evangelical Catholic
The term Evangelical Catholic (from ''Catholic (term), catholic'' meaning ''universal'' and ''evangelical'' meaning ''Gospel-centered'') is used in Lutheranism, with those calling themselves Evangelical Catholic Lutherans or Lutherans of Evangelical Catholic churchmanship stressing the catholicity of historic Lutheranism in liturgy (such as the Mass (liturgy)#Lutheranism, Mass), beliefs (such as the perpetual virginity of Mary), practices (such as genuflection), and doctrines (such as apostolic succession). Evangelical Catholics teach that Lutheranism at its core "is deeply and fundamentally catholic". The majority of Evangelical Catholic Lutheran clergy and parishes are members of mainstream Lutheran denominations (such as the Church of Sweden), though certain Lutheran denominations, such as the Lutheran Church - International, have a solidly Evangelical Catholic churchmanship. Various apostolates and religious orders exist, which herald Evangelical Catholic principles within Luthe ...
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Willow Tearooms
The Willow Tearooms are tearooms at 217 Sauchiehall Street, Glasgow, Scotland, designed by internationally renowned architect Charles Rennie Mackintosh, which opened for business in October 1903. They quickly gained enormous popularity, and are the most famous of the many Glasgow tearooms that opened in the late 19th and early 20th century. The building was fully restored, largely to Mackintosh's original designs, between 2014 and 2018. It was re-opened as working tearooms in July 2018 and trades under the name "Mackintosh at The Willow". The name was changed following a 2017 trademark dispute with the former operator of 'The Willow Tearooms'. That name brand is now used at tearoom premises in Buchanan Street, Glasgow and, since 2024 at a venue in Princes St, Edinburgh. The name was additionally used at the Watt Brothers Department Store in Sauchiehall Street, Glasgow between 2016 and its closure in 2019. The Tearooms at 217 Sauchiehall Street first opened in 1903 and are the ...
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Artistic Dress Movement
Artistic Dress was a fashion movement in the second half of the nineteenth century that rejected highly structured and heavily trimmed Victorian trends in favour of beautiful materials and simplicity of design. It arguably developed in Britain in the early 1850s, influenced by artistic circles such as the Pre-Raphaelites, and Dress Reform movements. It subsequently developed into more specific categories such as Aesthetic Dress and Künstlerkleid on the continent. Artistic dress Dante Gabriel Rossetti and other members of the Pre-Raphaelite Brotherhood were conscious archaizers, emulating the work of the "old masters" and choosing romantic, medieval subjects. They dressed their models in long flowing gowns loosely inspired by styles of the Middle Ages. These styles were then adopted by the painters' wives and models for everyday dress. Dresses were loosely fitted and comparatively plain, often with long puffed sleeves; they were made from fabric in muted colors derived from natu ...
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Frances MacDonald
Frances MacDonald MacNair (24 August 1873 – 12 December 1921) was a Scottish artist whose design work was a prominent feature of the Modern Style (British Art Nouveau style) during the 1890s. Biography Frances MacDonald MacNair was the sister of Margaret MacDonald Mackintosh, another renowned artist and designer. She was born in Kidsgrove, England and the family moved to Glasgow in 1890. Both sisters enrolled in painting classes at the Glasgow School of Art in 1891, where they met the young artists Charles Rennie Mackintosh and Herbert MacNair. In 1899, Frances married the artist James Herbert MacNair, while Margaret married fellow artist Charles Rennie Mackintosh the following year. The four artists remained close, and their work often overlapped and influenced each other. After they met, they exhibited together in a 'School of Art Club' exhibition and due to their similar stylistic approach came to be referred to as "The Four". In the mid-1890s, the sisters left the ...
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Anti-fashion
Anti-fashion is an umbrella term for various styles of dress that are explicitly contrary to the fashion of the day. Anti-fashion styles may represent an attitude of indifference or may arise from political or practical goals which make fashion a secondary priority. The term is sometimes even used for styles championed by high-profile designers, when they encourage or create trends that do not follow the mainstream fashion of the time. Anti-fashion is considered radical creativity in apparel. It recombines a hodgepodge of details that dramatically alters current fashions. The newly transformed styles are later incorporated into the mainstream through media hype and commercial sales which reduce its stature. Grunge is an example of the oppositional style of dress while the rational dress of the Victorian era, which allowed ladies to swim or bicycle, is an example of a functional anti-fashion. Overview In discussing fashion and the nature of clothes, researchers Robert and ...
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William Bidlake
William Henry Bidlake MA, FRIBA (12 May 1861 – 6 April 1938) was a British architect, a leading figure of the Arts and Crafts movement in Birmingham and Director of the School of Architecture at Birmingham School of Art from 1919 until 1924. Several of Bidlake's houses in the Birmingham area were featured in Hermann Muthesius's book (The English House), which was to prove influential on the early Modern Movement in Germany. Life and career Bidlake was born in Wolverhampton, the son of local architect George Bidlake (1830–1892) from whom he received his earliest architectural training. He attended Tettenhall College and Christ's College, Cambridge. In 1882 he moved to London where he studied at the Royal Academy Schools and worked for Gothic Revival architects Bodley and Garner. In 1885 he won the RIBA Pugin Travelling Fellowship for his draughtsmanship, which enabled him to spend 1886 travelling in Italy. On returning to England in 1887 Bidlake settled in Birming ...
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Charles Rennie Mackintosh
Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald, was influential on European design movements such as Art Nouveau and Secessionism and praised by great modernists such as Josef Hoffmann. Mackintosh was born in Glasgow, Scotland and died in London, England. He is among the most important figures of Modern Style (British Art Nouveau style). Early life and education Charles Rennie Mackintosh was born at 70 Parson Street, Townhead, Glasgow, on 7 June 1868, the fourth of eleven children and second son of William McIntosh, a superintendent and chief clerk of the City of Glasgow Police. He attended Reid's Public School and the Allan Glen's Institution from 1880 to 1883. William's wife Margaret Mackintosh née 'Rennie' grew up in the Townhead and Dennistoun (Firpark Terrace) areas ...
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Glasgow School
The Glasgow School was a circle of influential artists and designers that began to coalesce in Glasgow, Scotland in the 1870s, and flourished from the 1890s to around 1910. Representative groups included The Four (also known as the Spook School), the Glasgow Girls and the Glasgow Boys. Part of the international Art Nouveau movement, they were responsible for creating the distinctive Glasgow Style (see Modern Style (British Art Nouveau style)). Glasgow experienced an economic boom at the end of the 19th century, resulting in an increase in distinctive contributions to the Art Nouveau movement, particularly in the fields of architecture, interior design and painting. The Four (the "Spook School") Among the most prominent definers of the Glasgow School collective were The Four. They were the painter and glass artist Margaret MacDonald, acclaimed architect Charles Rennie Mackintosh (MacDonald's husband), MacDonald's sister Frances and Herbert MacNair. Together, The Four define ...
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Industrial Design
Industrial design is a process of design applied to physical Product (business), products that are to be manufactured by mass production. It is the creative act of determining and defining a product's form and features, which takes place in advance of the manufacture or production of the product. Industrial manufacture consists of predetermined, standardized and repeated, often automated, acts of replication, while craft-based design is a process or approach in which the form of the product is determined personally by the product's creator largely concurrent with the act of its production. All manufactured products are the result of a design process, but the nature of this process can vary. It can be conducted by an individual or a team, and such a team could include people with varied expertise (e.g. designers, engineers, business experts, etc.). It can emphasize intuitive creativity or calculated Evidence-based design, scientific decision-making, and often emphasizes a mix of b ...
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Historicism (art)
Historicism or historism comprises artistic styles that draw their inspiration from recreating historic styles or imitating the work of historic artists and artisans. Lucie-Smith, Edward. ''The Thames and Hudson Dictionary of Art Terms''. London: Thames & Hudson, 1988, p. 100. This is especially common in architecture, where there are many different styles of Revival architecture, which dominated large buildings in the 19th century. Through a combination of different styles or the implementation of new elements, historicism can create completely different aesthetics than former styles. Thus, it offers a great variety of possible designs. Overview In the history of art, after Neoclassicism which in the Romantic era could itself be considered a historicist movement, the 19th century included a new historicist phase characterized by an interpretation not only of Greek and Roman classicism, but also of succeeding stylistic eras, which were increasingly respected. In particular ...
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The English House
''The English House'' is a book of design and architectural history written by German architect Hermann Muthesius and first published in German as in 1904. Its three volumes provide a record of the revival of English domestic architecture during the later part of the nineteenth century. The main themes he discusses are history, form and decor. A single-volume edited English language translation was published in 1979. The first full English translation was not for over a century, in 2007. Part I: Development In Part I, Muthesius discusses the individuals involved in the parallel development of architecture and the Arts and Crafts Movement. Earlier architects Muthesius argues that the Pre-Raphaelites' study of nature instigated the fall of the then dominant academic art. Critic John Ruskin introduced the synthesis of artistic creation, nature and construction, which became a guiding principle of the Arts and Crafts Movement. William Morris translated Ruskin’s ideas into ...
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