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Hashtagclass
''#class'' was a month-long series of events at Winkleman Gallery in New York City, New York that took place between February 20 to March 20, 2010 organized by artists William Powhida and Jennifer Dalton. The exhibition combined social media and Business networking, networking with a physical gallery space. Edward Winkleman, owner of Winkleman Gallery, suggested in an interview with art critic Brian Sherwin for FineArtViews that #class would have failed to have the same impact if the events had been displayed exclusively online. Winkleman implied that the meshing between Social media, online social media and a brick & mortar gallery space conveyed the "real intent" of the artists’ behind #class. The #class exhibition coincided with the opening of a controversial exhibition at the New Museum showcasing artwork owned by longtime trustee Dakis Joannou, a prolific collector of works by artists like Kiki Smith, Kara Walker and Jeff Koons. Jen Dalton described the show as “a sort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mira Schor
Mira Schor (born June 1, 1950) is an American artist, writer, editor, and educator, known for her contributions to critical discourse on the status of painting in contemporary art and culture as well as to feminist art history and criticism. Early life and education Mira Schor's parents Ilya and Resia Schor were Polish Jewish artists who came to the US in 1941. Mira Schor and her older sister Naomi Schor (1943–2001), a noted scholar of French Literature and Feminist theory, were both educated at the Lycée Français de New York. After receiving her Baccalauréat in 1967, Mira Schor studied art history at New York University (WSC B.A. 1970). During this time she worked as an assistant to Red Grooms and Mimi Gross. She attended the California Institute of the Arts (CalArts) from 1972-1973, receiving a Master of Fine Arts degree in Painting from in 1973. There she was a participant in the CalArts Feminist Art Program’s renowned project Womanhouse (1972). In the Feminist Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Powhida
William Powhida (born 1976) is an American visual artist and former art critic. Powhida's work is critical and addresses the contemporary art world. Education Powhida received his Master of Fine Arts in painting from Hunter College in January 2002. Career Topics have included creating an "enemies" list as well as letters addressed to contemporary curators (such as Zach Feuer Gallery), collectors and critics, requesting recognition. His 2009 piece "Relational Wall" includes portraits sourced from Artforum's "Scene & Herd". He also produces portraits drawn entirely from memory. Early career In 2004, Powhida began compiling lists of enemies, rendering portraits of each enemy in graphite and gouache with insults written beneath each face. Few were spared from these lists, and his father is no exception, who is identified by the word "failure" under his portrait. These early works, which were in an exhibition at Platform Gallery as well as galleries in Williamsburg, display the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jennifer Dalton
Jennifer Dalton (born 1967) is an American artist. She received her Master of Fine Arts from Pratt Institute in 1997. Exhibitions Dalton's work has been exhibited in galleries and museums internationally, including the FLAG Art Foundation in New York, the Curator's Office in Washington, DC, Kunsthalle Wien (Vienna), Contemporary Museum in Baltimore and the Chicago Museum of Contemporary Art. She was also included in ''La Superette'' at Deitch Projects & Participant Inc. and ''The Cult of Personality: Portraits of Mass Culture'' at Carriage Trade, both in New York. She has been an artist-in-residence at numerous artist colonies, including the MacDowell Colony, Yaddo, Vermont Studio Center, Millay Colony for the Arts and the Smack Mellon Studio Residency Program. She was a recipient of a Pollock-Krasner Foundation Grant in 2002. ''#class'' #class was a month-long series of events at Winkleman Gallery in New York that took place between February 20 to March 20, 2010 organized by Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twitter
Twitter, officially known as X since 2023, is an American microblogging and social networking service. It is one of the world's largest social media platforms and one of the most-visited websites. Users can share short text messages, images, and videos in Microblogging, short posts commonly known as "Tweet (social media), tweets" (officially "posts") and Like button, like other users' content. The platform also includes direct message, direct messaging, video and audio calling, bookmarks, lists, communities, a chatbot (Grok (chatbot), Grok), job search, and Spaces, a social audio feature. Users can vote on context added by approved users using the Community Notes feature. Twitter was created in March 2006 by Jack Dorsey, Noah Glass, Biz Stone, and Evan Williams (Internet entrepreneur), Evan Williams, and was launched in July of that year. Twitter grew quickly; by 2012 more than 100 million users produced 340 million daily tweets. Twitter, Inc., was based in San Francisco, C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yevgeniy Fiks
Yevgeniy Fiks is a multidisciplinary, Post-Soviet conceptual artist. His medium includes painting, drawing, performance, and book arts. He was born in Moscow, Union of Soviet Socialist Republics (USSR) in 1972 and has been living and working in New York City since 1994. Fiks defines "the Post-Soviet artist" as one who has the responsibility to raise the proper understanding and critical reflection of Soviet history in order for Post-Soviet societies to move forward. His works explore the dialectic between Communism and "the West" and are based on historical research, usually of forgotten and unresolved Cold War narratives. Some of these topics include the shared histories of the Red and Lavender Scares during the McCarthy era; Communism in Modern Art; and African, African-American, and Jewish Diasporas in the Soviet Union. Fiks has exhibited internationally, including at the Museum of Modern Art, MassMoCA, the Philadelphia Museum of Art, the Moscow Museum of Modern Art, and Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magda Sawon
Magda Sawon is a contemporary art gallerist and art world figure who founded and owns New York's Postmasters Gallery (with her husband Tamas Banovich), a gallery for young and established contemporary artists, especially those working in new media, in the Tribeca neighborhood of New York City. The gallery is considered to be one of the "leading experimental galleries" in New York City. Early career Magdalena Sawon came to Manhattan from Poland in 1981, having studied art history with an emphasis in Japonism in Warsaw, earning a Master's degree. After a job in a shoe store, and emboldened by a class she took at the New School taught by Estelle Schwartz, she struck out with partner Tamas Banovich, opening an art gallery in the East Village on Avenue A between 4th and 5th Streets in December 1984. The name of the gallery referenced being "post" the European masters, alludes to Postmodernism, and also points to an early interest in mail art and its distribution by the postal serv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmasters Gallery
Postmasters is a contemporary art gallery located in Manhattan's Tribeca neighborhood, owned and directed by Magda Sawon and Tamas Banovich. The Postmasters gallery opened in East Village in December 1984, moved to SoHo in 1989, and was relocated to Chelsea in September 1998. In June 2013, Postmasters was moved to 54 Franklin Street in Tribeca, taking over a ground-floor space complete with a large functional basement. The gallery has a history of exhibiting work in media that is challenging for a commercial art gallery, including the work of several Net.artists and political activists. For example, Maciej Wisniewski's media-rich e-mail software Netomat was exhibited as an artwork at the gallery in 1999 before being exhibited at the Whitney Museum of Art in 2000. The gallery's decision to exhibit software as an art form engages the Marshall McLuhan-coined concept "The medium is the message" by updating it with Wisnieski's belief that the artist's role is to challenge the exi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WNYC
WNYC is an audio service brand, under the control of New York Public Radio, a non-profit organization. Radio and other audio programming is primarily provided by a pair of nonprofit, noncommercial, public radio stations: WNYC (AM) and WNYC-FM, located in New York City. Both stations are members of NPR and carry local and national news/talk programs. WNYC reaches more than one million listeners each week and has the largest public radio audience in the United States. The WNYC stations are co-owned with Newark, New Jersey-licensed classical music outlet WQXR-FM (105.9 MHz), and all three broadcast from studios located in the Hudson Square neighborhood in lower Manhattan. WNYC has been an early adopter of new technologies including HD radio, live audio streaming, and podcasting. RSS feeds and email newsletters link to archived audio of individual program segments. WNYC also makes some of its programming available on Sirius XM satellite radio. Programming The WNYC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hrag Vartanian
Hrag Vartanian (, born ) is an Armenian-American arts writer, art critic, and art curator. He is the editor-in-chief and co-founder of the arts online magazine ''Hyperallergic''. Life and work Vartanian was born in Aleppo, Syria, raised in Toronto, Ontario, Canada, and lives in Brooklyn, New York. His blog-magazine ''Hyperallergic'' was founded by Vartanian and his husband Veken Gueyikian in October 2009 as a "forum for serious, playful and radical thinking". Vartanian has contributed to numerous online and print publications including the Art:21 blog, Boldtype, ''The Brooklyn Rail'', ''Huffington Post'', AGBU News Magazine, Ararat Magazine, and NYFA Current. He has guest contributed to Al Jazeera, NPR, ABC, and WNYC. He was formerly Director of Communications at AGBU, the world's largest Armenian non-profit organization. Vartanian was a staunch supporter of the controversial ''Hide/Seek'' exhibit which was censored by the Smithsonian. Curation Vartanian has curated numero ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
