|
Hampton Wick Local Board Office
The Former Hampton Wick Local Board Office, also known as The Old Library or 45A High Street,See plaque in Gallery. is the former office of the Local Board and, later, of the Urban District Council of Hampton Wick in the London Borough of Richmond upon Thames. It is a Grade II listed building which currently serves as private housing. History The Hampton Wick Local Board was established in 1863, the year inscribed on the building, following the ratification of the Local Government Act 1858 by Sir Thomas James Nelson JP, Solicitor to the City of London and the Board's chairman. Nelson's principal justification for the adoption of the act was to prevent the Parish from being included in a highway district as per The Highways Act 1862. The erection of the local board office ensued in 1884 under the care of local architect Richard T. Elsam. The Local Board was supplanted by an Urban District Council in 1894, which was absorbed by the Municipal Borough of Twickenham in 1937. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacobean Architecture
The Jacobean style is the second phase of Renaissance architecture in England, following the Elizabethan style. It is named after King James VI and I, with whose reign (1603–1625 in England) it is associated. At the start of James' reign there was little stylistic break in architecture, as Elizabethan trends continued their development. However, his death in 1625 came as a decisive change towards more classical architecture, with Italian influence, was in progress, led by Inigo Jones; the style this began is sometimes called Stuart architecture, or English Baroque (though the latter term may be regarded as starting later). Courtiers continued to build large prodigy houses, even though James spent less time on summer progresses round his realm than Elizabeth had. The influence of Flemish and German Northern Mannerism increased, now often executed by immigrant craftsmen and artists, rather than obtained from books as in the previous reign. There continued to be very little ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semicircular Arch
In mathematics (and more specifically geometry), a semicircle is a one-dimensional locus of points that forms half of a circle. The full arc of a semicircle always measures 180° (equivalently, radians, or a half-turn). It has only one line of symmetry ( reflection symmetry). In non-technical usage, the term "semicircle" is sometimes used to refer to a half-disk, which is a two-dimensional geometric shape that also includes the diameter segment from one end of the arc to the other as well as all the interior points. By Thales' theorem, any triangle inscribed in a semicircle with a vertex at each of the endpoints of the semicircle and the third vertex elsewhere on the semicircle is a right triangle, with a right angle at the third vertex. All lines intersecting the semicircle perpendicularly are concurrent at the center of the circle containing the given semicircle. Uses A semicircle can be used to construct the arithmetic and geometric means of two lengths using s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transom (architecture)
In architecture, a transom is a transverse horizontal structural beam or bar, or a crosspiece separating a door from a window above it. This contrasts with a mullion, a vertical structural member. Transom or transom window is also the customary U.S. word used for a transom light, the window over this crosspiece. In Britain, the transom light is usually referred to as a fanlight, often with a semi-circular shape, especially when the window is segmented like the slats of a folding hand fan. A prominent example of this is at the main entrance of 10 Downing Street, the official residence of the British prime minister. History In early Gothic ecclesiastical work, transoms are found only in belfry unglazed windows or spire lights, where they were deemed necessary to strengthen the mullions in the absence of the iron stay bars, which in glazed windows served a similar purpose. In the later Gothic, and more especially the Perpendicular Period, the introduction of transoms becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mullion
A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. It is also often used as a division between double doors. When dividing adjacent window units its primary purpose is a rigid support to the glazing of the window. Its secondary purpose is to provide structural support to an arch or lintel above the window opening. Horizontal elements separating the head of a door from a window above are called transoms. History Stone mullions were used in Armenian, Saxon and Islamic architecture prior to the 10th century. They became a common and fashionable architectural feature across Europe in Romanesque architecture, with paired windows divided by a mullion, set beneath a single arch. The same structural form was used for open arcades as well as windows, and is found in galleries and cloisters. In Gothic architecture windows became larger and arrangements of multiple mullions and openings were used, both for structure and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superposed Order
Superposed order (also superimposed) is one where successive storeys of a building have different orders. The most famous ancient example of such an order is the Colosseum at Rome, which had no less than four storeys of superposed orders. The superposition rules were developed in ancient Greece and were also actively used in the architecture of ancient Rome. Later, the order was used in the architecture of the Renaissance and Baroque. Composition The heaviest orders are at the bottom of a building, whilst the lightest come at the top. This rule means that the Doric order is a preferred order for the ground floor, the Ionic order is used for the middle storey, while the Corinthian or the Composite order is used for the top storey. The ground floor may also have rustication. Initially, the top story usually featured the Composite order, but, after Vincenzo Scamozzi published his treatise ''L'idea dell'architettura universale'' (''The Idea of a Universal Architecture'', Venice, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doric Order
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's project ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ovolo
The ovolo or echinus is a convex decorative molding profile used in architectural ornamentation. Its profile is a quarter to a half of a more or less flattened circle. The 1911 edition of ''Encyclopædia Britannica'' says:adapted from Ital. ''uovolo'', diminutive of ''uovo'', an egg; other foreign equivalents are Fr. ''ove'', ''échine'', ''quart de rond''; Lat. ''echinus''... s usedin architecture, ora convex moulding known also as the echinus, which in Classic architecture was invariably carved with the egg and tongue. In Roman and Italian work the moulding is called by workmen a quarter round. The "egg and tongue" referred to, also known as egg-and-dart, egg-and-anchor, or egg-and-star, refers to alternating egg and V-shapes enriching the surface of the concave ovolo in many early cases. The description of ovolo as the fundamental convex quarter-round element underlying or being combined with other elements to compose molding, details on column capitals, and other archit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egg-and-dart
Egg-and-dart, also known as egg-and-tongue, egg-and-anchor, or egg-and-star, is an ornamental device adorning the fundamental quarter-round, convex ovolo profile of moulding, consisting of alternating details on the face of the ovolo—typically an egg-shaped object alternating with a V-shaped element (e.g., an arrow, anchor, or dart). The device is carved or otherwise fashioned into ovolos composed of wood, stone, plaster, or other materials. Egg-and-dart enrichment of the ovolo molding of the Ionic capital was used by ancient Greek builders, so it is found in ancient Greek architecture (e.g., the Erechtheion at the Acropolis of Athens), was used later by the Romans and continues to adorn capitals of modern buildings built in Classical styles (e.g., the Ionic capitals of the Jefferson Memorial in Washington, D.C., or the ones of the Romanian Athenaeum from Bucharest). Its ovoid shape (the egg) and serrated leaf (the dart) are believed to represent the opium poppy and its leaves. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architrave
In classical architecture, an architrave (; from it, architrave "chief beam", also called an epistyle; from Greek ἐπίστυλον ''epistylon'' "door frame") is the lintel or beam that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Grot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Transom (architecture)")
