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Hamboning
The Juba dance or hambone, originally known as Pattin' Juba (Giouba, Haiti: Djouba), is an African-American style of dance that involves stomping as well as slapping and patting the arms, legs, chest, and cheeks (clapping). "Pattin' Juba" would be used to keep time for other dances during a walkaround. A Juba dance performance could include steps such as the " Jubal Jew", " Yaller Cat", "Pigeon Wing" and " Blow That Candle Out". The dance traditionally ends with a step called the " Long Dog Scratch". Modern variations on the dance include Bo Diddley's "Bo Diddley Beat" and the step-shows of African American Greek organizations. History of the dance The Juba dance was originally brought by enslaved peoples from the Kongo to Charleston, South Carolina. It became an African-American plantation dance that was performed by slaves during their gatherings when no rhythm instruments were allowed due to fear of secret codes hidden in the drumming. The sounds were used in the same mann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Juba From American Notes
Master, master's or masters may refer to: Ranks or titles In education: *Master (college), head of a college *Master's degree, a postgraduate or sometimes undergraduate degree in the specified discipline *Schoolmaster or master, presiding officer of a school In military: *Master (naval), a former naval rank *Master mariner, a licensed mariner who is qualified to be a sea captain in the merchant marine *Master or shipmaster, the sea captain of a merchant vessel *Master-at-arms, a naval police officer, often addressed as "Master" in the Royal Navy In orders and organizations: *Master craftsman, in the Medieval guilds In other: *Master (form of address), an English honorific for boys and young men *Master (judiciary), a judicial official in the courts of common law jurisdictions *Master (Peerage of Scotland), the male heir-apparent or heir-presumptive to a title in the Peerage of Scotland *Master of ceremonies, or MC (emcee), the host of an official public or private staged event ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charleston, South Carolina
Charleston is the List of municipalities in South Carolina, most populous city in the U.S. state of South Carolina. The city lies just south of the geographical midpoint of South Carolina's coastline on Charleston Harbor, an inlet of the Atlantic Ocean formed by the confluence of the Ashley River, Ashley, Cooper River (South Carolina), Cooper, and Wando River, Wando rivers. Charleston had a population of 150,227 at the 2020 United States census, 2020 census. The population of the Charleston metropolitan area, South Carolina, Charleston metropolitan area, comprising Berkeley County, South Carolina, Berkeley, Charleston County, South Carolina, Charleston, and Dorchester County, South Carolina, Dorchester counties, was estimated to be 849,417 in 2023. It ranks as the South Carolina statistical areas, third-most populous metropolitan area in the state and the Metropolitan statistical area, 71st-most populous in the U.S. It is the county seat of Charleston County, South Carolina, Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence Price
Florence Beatrice Price (née Smith; April 9, 1887 – June 3, 1953) was an American classical composer, pianist, organist and music teacher. Born in Little Rock, Arkansas, Price was educated at the New England Conservatory of Music, and was active in Chicago from 1927 until her death in 1953. Price is noted as the first African-American woman to be recognized as a symphonic composer, and the first to have a composition played by a major orchestra.Slonimsky, N. (ed.), ''The Concise Edition of Baker's Biographical Dictionary of Musicians'', 8th edn, New York: Schirmer, 1994, p. 791. Price composed over 300 works: four symphonies, four concertos, as well as choral works, art songs, chamber music and music for solo instruments. In 2009, a substantial collection of her works and papers was found in her abandoned summer home. Biography Early life and education Florence Beatrice Smith was born to Florence (Gulliver) and James H. Smith on April 9, 1887, in Little Rock, Arkansas, one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nathaniel Dett
Robert Nathaniel Dett (October 11, 1882 – October 2, 1943), often known as R. Nathaniel Dett and Nathaniel Dett, was a Canadian-American composer, organist, pianist, choral director, and music professor. Born and raised in Canada until the age of 11, he moved to the United States with his family and had most of his professional education and career there. During his lifetime he was a leading Black composer, known for his use of African-American folk songs and spirituals as the basis for choral and piano compositions in the 19th century Romantic style of Classical music. He was among the first Black composers during the early years after the American Society of Composers, Authors and Publishers (ASCAP) was organized. His works often appeared among the programs of Will Marion Cook's New York Syncopated Orchestra. Dett performed at Carnegie Hall and at the Boston Symphony Hall as a pianist and choir director. Early life Robert Nathaniel Dett was born in 1882 in Drummondville, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minstrel Show
The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white actors wearing blackface makeup for the purpose of portraying racial stereotypes of African Americans. There were very few African-American performers and black-only minstrel groups that also formed and toured. Minstrel shows stereotyped blacks as dimwitted, lazy, buffoonish, cowardly, superstitious, and happy-go-lucky.The Coon Character , Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.John Kenrick , musicals101.com. 1996, revised 2003. Retrieved 9 November 2011. A recurring character was Jim Crow, an exaggerated portray ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Juba
Master Juba (ca. 1825 – ca. 1852 or 1853) was an African-American dancer active in the 1840s. He was one of the first black performers in the United States to play onstage for white audiences and the only one of the era to tour with a white minstrel group. His real name was believed to be William Henry Lane, and he was also known as "Boz's Juba" following Dickens's graphic description of him in ''American Notes''. The Era, ''Provincial Theatricals'', 30 July 1848 As a teenager, he began his career in the rough saloons and dance halls of Manhattan's Five Points neighborhood, moving on to minstrel shows in the mid-1840s. "Master Juba" frequently challenged and defeated the best white dancers, including the period favorite, John Diamond. At the height of his American career, Juba's act featured a sequence in which he imitated a series of famous dancers of the day and closed by performing in his style. Being a black man, he appeared with minstrel troupes in which he imitated wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tap Dance
Tap dance (or tap) is a form of dance that uses the sounds of tap shoes striking the floor as a form of percussion; it is often accompanied by music. Tap dancing can also be performed with no musical accompaniment; the sound of the taps is its own music. It is an American artform that evolved alongside the advent of jazz music. Tap is a type of step dance that began with the combination of Southern American and Irish dance traditions, such as Irish soft-shoe and hard-shoe step dances, and a variety of both slave and freeman step dances. The fusion of African rhythms and performance styles with European techniques of footwork led to the creation of tap dance. This fusion began in the mid-17th century but did not become popular until the mid-19th century. There are two major versions of tap dance: rhythm (jazz) tap and Broadway tap. Broadway tap focuses on dance; it is widely performed in musical theater. Rhythm tap focuses on musicality, and practitioners consider themselve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caribbean
The Caribbean ( , ; ; ; ) is a region in the middle of the Americas centered around the Caribbean Sea in the Atlantic Ocean, North Atlantic Ocean, mostly overlapping with the West Indies. Bordered by North America to the north, Central America to the west, and South America to the south, it comprises numerous List of Caribbean islands, islands, cays, islets, reefs, and banks. It includes the Lucayan Archipelago, Greater Antilles, and Lesser Antilles of the West Indies; the Quintana Roo Municipalities of Quintana Roo#Municipalities, islands and Districts of Belize#List, Belizean List of islands of Belize, islands of the Yucatán Peninsula; and the Bay Islands Department#Islands, Bay Islands, Miskito Cays, Archipelago of San Andrés, Providencia and Santa Catalina, Archipelago of San Andrés, Providencia, and Santa Catalina, Corn Islands, and San Blas Islands of Central America. It also includes the coastal areas on the Mainland, continental mainland of the Americas bordering the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surinam (Dutch Colony)
Surinam (), also unofficially known as Dutch colonisation of the Guianas, Dutch Guiana, was a Dutch plantation economy, plantation colony in the Guianas and the predecessor polity of modern country of Suriname. It was bordered by the fellow Dutch colony of Berbice to the west, and the French colony of French Guiana, Cayenne to the east. It later bordered British Guiana (modern-day Guyana) from 1831 to 1966. History The colonization of Suriname Surinam was a Dutch colony from 26 February 1667, when Dutch forces captured Francis Willoughby, 5th Baron Willoughby of Parham, Francis Willoughby's England, English colony during the Second Anglo-Dutch War, until 15 December 1954, when Surinam became a Suriname (Kingdom of the Netherlands), constituent country of the Kingdom of the Netherlands. The status quo of Dutch sovereignty over Surinam, and English sovereignty over New Netherland, which it had conquered in 1664, was kept in the Treaty of Breda (1667), Treaty of Breda of 31 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum (communication)
Developed and used by cultures living in forested areas, drums served as an early form of long-distance communication, and were used during ceremony, ceremonial and religious functions. Types Talking drum One is the Talking drum. While the tone and articulation of this type of hourglass-shaped instrument can be finely controlled, it cannot be heard at distances beyond a gathering or market-place, and it is primarily used in ceremonial settings. Ceremonial functions could include dance, rituals, story-telling and communication of points of order. Some of the groups of variations of the talking drum among West African ethnic groups: *Tama (Wolof people, Wolof of Senegal) *Gan gan, Dun Dun (Yoruba people, Yoruba of Nigeria and eastern Benin) *Dondo (Akan people, Akan of central Ghana and Côte d'Ivoire) *Lunna (Dagomba people, Dagomba of northern Ghana; Mossi people, Mossi of Burkina Faso) *Kalangu (Hausa people, Hausa of northern Nigeria, Niger, northern Ghana, Benin and Came ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Haiti
The music of Haiti combines a wide range of influences drawn from the diverse population that has settled on this Caribbean island. It often has hints of French, African rhythms, Spanish elements and others who have inhabited the island of Hispaniola and minor native Taino influences. Styles of music unique to the nation of Haiti include music derived from rara music, rara parading music, twoubadou ''ballads'', mini-jazz ''rock bands'', rasin movement, Haitian hip hop, hip hop Creòle, the wildly popular compas, and méringue as its basic rhythm. Haitian music is influenced mostly by European colonial ties and African migration (through slavery). In the case of European colonization, musical influence has derived primarily from the French. One of Haiti's musical traditions is known to outsiders simply as compas. But in the former non-standardized Haitian Creole, Haitians identify it variously as ''compa, conpa, and konpa-dirék''. Regardless of its various spellings, compas refer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoruba Music
Yoruba music is the pattern/style of music practiced by the Yoruba people of Nigeria, Togo, and Benin. It is perhaps best known for its extremely advanced drumming tradition and techniques, especially using the gongon hourglass shape tension drums. Yoruba folk music became perhaps the most prominent kind of West African music in Afro-Latin and Caribbean musical styles; it left an especially important influence on the music used in Santería practice and the music of Cuba. The Yoruba people of south-western Nigeria are also one of the most socially diverse groups on the African continent. A major feature that sets them apart from other groups in Nigeria is their accomplishment in the arts and entertainment industry, especially in music. ''Jùjú'', ''fùjì'', ''àpàlà'' and ''sákárà'' music are among the popular genres of music that originated among the Yoruba people. How and when these forms of music emerged in the Nigerian music scene has remained a puzzle to historians. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
