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Yoruba Music
Yoruba music is the pattern/style of music practiced by the Yoruba people of Nigeria, Togo, and Benin. It is perhaps best known for its extremely advanced drumming tradition and techniques, especially using the gongon hourglass shape tension drums. Yoruba folk music became perhaps the most prominent kind of West African music in Afro-Latin and Caribbean musical styles; it left an especially important influence on the music used in Santería practice and the music of Cuba. The Yoruba people of south-western Nigeria are also one of the most socially diverse groups on the African continent. A major feature that sets them apart from other groups in Nigeria is their accomplishment in the arts and entertainment industry, especially in music. ''Jùjú'', ''fùjì'', ''àpàlà'' and ''sákárà'' music are among the popular genres of music that originated among the Yoruba people. How and when these forms of music emerged in the Nigerian music scene has remained a puzzle to historians. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoruba People
The Yoruba people ( ; , , ) are a West African ethnic group who inhabit parts of Nigeria, Benin, and Togo, which are collectively referred to as Yorubaland. The Yoruba constitute more than 50 million people in Africa, are over a million outside the continent, and bear further representation among the African diaspora. The vast majority of Yoruba are within Nigeria, where they make up 20.7% of the country's population according to Ethnologue estimations, making them one of the largest List of ethnic groups of Africa, ethnic groups in Africa. Most Yoruba people speak the Yoruba language, which is the Niger–Congo languages, Niger-Congo language with the largest number of native or L1 speakers. Geography In Africa, the Yoruba culture, Yoruba are contiguous with the Yoruboid languages, Yoruboid Itsekiri to the south-east in the northwest Niger Delta, Bariba people, Bariba to the northwest in Benin and Nigeria, the Nupe people, Nupe to the north, and the Ebira to the northeast in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Pattern
A bell pattern is a rhythmic pattern of striking a hand-held bell or other instrument of the idiophone family, to make it emit a sound at desired intervals. It is often a ''key pattern'' (also known as a ''guide pattern'', ''phrasing referent'', ''timeline'', or ''asymmetrical timeline''Kubik, Gerhard (1999: 54) ''Africa and the Blues''. Jackson, MS: University Press of Mississippi. .), in most cases it is a metal bell, such as an agogô, gankoqui, or cowbell, or a hollowed piece of wood, or wooden claves. In band music, bell patterns are also played on the metal shell of the timbales, and drum kit cymbals. Sub-Saharan African music Gerhard Kubik notes that key patterns are not universally found in sub-Saharan Africa: "Their geographical distribution mainly covers those parts of Africa where I.A.4 (Kwa languages) and the ' western stream' of the I.A.5 (Benue–Congo languages), or ' Bantu' languages are spoken, with offshoots into the Lower Zambezi valley and the Nyasa/Ruvu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Segun Bucknor
Segun Bucknor (29 March 1946 – 11 August 2017) was a Nigerian musician and journalist active during the 1960s and 1970s. He was a pianist and guitarist specializing in genres ranging from soul music to pop music and to funk. Through their brief career, Segun Bucknor and the Assembly released a variety of music dealing with Nigerian culture or political influence which was described by the BBC as an "interesting slice of Nigerian pop music history and culture". Bucknor was the father of media personality Tosyn Bucknor and businesswoman Funke Bucknor-Obruthe. Early life Bucknor was born in Lagos on 29 March 1946. He was educated at King's College and Columbia University, New York. He was a member of the school's band and choir. He started out playing the tin whistle as a junior band member but later graduated to learning the guitar and piano. During this time, he apprenticed under Roy Chicago's band. Career In 1964, he was a member of a newly formed band, the Hot Four. He was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ebenezer Obey
Ebenezer Remilekun Aremu Olasupo Obey-Fabiyi (born 3 April 1942), known professionally as Ebenezer Obey, is a Nigerian jùjú musician. Early life Obey was born on 3 April 1942 to an Egba– Yoruba ethnic background family. Obey, whose real names are Ebenezer Remilekun Aremu Olasupo Fabiyi, was born in Idogo, Ogun State, Nigeria of Egba-Yoruba ethnic background. He is of the Owu subgroup of the Egba. Career Ebenezer Obey began his professional career in the mid-1950s after moving to Lagos. After tutelage under Fatai Rolling-Dollar's band, he formed a band called The International Brothers in 1964, playing highlife– jùjú fusion. The band later metamorphosed into Inter-Reformers in the early-1970s, with a long list of Juju album hits on the West African Decca musical label. Obey began experimenting with Yoruba percussion style and expanding on the band by adding more drum kits, guitars and talking drums. Obey's musical strengths lie in weaving intricate Yorub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rex Lawson
Rex Jim Lawson (4 March 1938 – 16 January 1971), known as Cardinal Rex, was a singer, trumpeter and bandleader from Buguma in present Rivers State, Nigeria. He became one of the best-known highlife musicians of the 1960s in Africa when Cardinal and his band dominated Nigeria's highlife scene. Early life Rex Lawson was born in 1938 in Buguma, Nigeria to a Kalabari chieftain father and an Igbo mother from Owerri. He was given the name Erekeosima which translates to "do not name this one" due to his father's belief that he would not live past infancy. He was the fourth child to his parents, the others having died of illnesses. At a young age, Lawson was afflicted with a severe case of small pox. While his mother brought him to various medicine men outside of Kalabari for treatment, his father feared he would die and lost interest in raising him. Lawson later sued his father for neglect while he was at school. He won the case, but his father cursed him in return, and the two did ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Highlife
Highlife is a Ghanaian music genre that originated along the coastal cities of present-day Ghana in the 19th century, during its Gold Coast (region), history as a colony of the British and through its trade routes in coastal areas. It encompasses multiple local fusions of African metre and western jazz melodies. It uses the melodic and main rhythmic structures of traditional African music, but is typically played with Western instruments. Highlife is characterized by jazzy Horn section, horns and guitars which lead the band and its use of the two-finger plucking Guitar picking, guitar style that is typical of African music. Recently it has acquired an uptempo, synth-driven sound. Highlife gained popularity and the genre spread throughout West African regions. Pioneers like Rex Lawson, Cardinal Rex Lawson, E. T. Mensah, E.T. Mensah, Victor Uwaifo, all perfected this sound by infusing traditional Africa drums and western "Native Blues". After the Second World War, its popularity ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alagbe
Alagbe is a surname. Notable people with the surname include: * Oluwatobiloba Alagbe (born 2000), Nigerian footballer * Raji Alagbe Rasaki (born 1947), Nigerian politician and general {{Surname Surnames of Nigerian origin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African Culture
The Culture of Africa is varied and manifold, consisting of a mixture of countries with various peoples depicting their unique characteristic and trait from the continent of Africa. It is a product of the diverse populations that inhabit the continent of Africa and the African diaspora. Generally, Culture can be defined as a collective mass of distinctive qualities belonging to a certain group of people. These qualities include laws, morals, beliefs, knowledge, art, customs, and any other attributes belonging to a member of that society. Culture is the way of life of a group of people. Africa has numerous ethnic nationalities all with varying qualities such as language, dishes, greetings, dressing, dances and music. However, each of the regions of Africa share a series of dominant cultural traits which distinguish various African regional cultures from each other and the rest of the world. For example, social values, religion, morals, political values, economics, and Aesthet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigerians
Nigerians or the Nigerian people are citizens of Nigeria or people with ancestry from Nigeria. The name Nigeria was derived from the Niger River running through the country. This name was allegedly coined in the late 19th century by British journalist Flora Shaw, who later married Baron Frederick Lugard, a British colonial administrator. Nigeria is composed of various ethnic groups and cultures and the term Nigerian refers to a citizenship-based civic nationality. Nigerians are derived from over 250 ethno-linguistic groups.Toyin Falola. ''Culture and Customs of Nigeria''. Westport, Connecticut, USA: Greenwood Press, 2001. p. 4. Though there are multiple ethnic groups in Nigeria, economic factors result in significant mobility of Nigerians of multiple ethnic and religious backgrounds to reside in territories in Nigeria that are outside their ethnic or religious background, resulting in the mixing of the various ethnic and religious groups, especially in Nigeria's cities.Toyin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Correct Cross-rhythm
King is a royal title given to a male monarch. A king is an absolute monarch if he holds unrestricted governmental power or exercises full sovereignty over a nation. Conversely, he is a constitutional monarch if his power is restrained by fixed laws. Kings are hereditary monarchs when they inherit power by birthright and elective monarchs when chosen to ascend the throne. *In the context of prehistory, antiquity and contemporary indigenous peoples, the title may refer to tribal kingship. Germanic kingship is cognate with Indo-European traditions of tribal rulership (cf. Indic ''rājan'', Gothic ''reiks'', and Old Irish ''rí'', etc.). *In the context of classical antiquity, king may translate in Latin as '' rex'' and in Greek as ''archon'' or ''basileus''. *In classical European feudalism, the title of ''king'' as the ruler of a ''kingdom'' is understood to be the highest rank in the feudal order, potentially subject, at least nominally, only to an emperor (harking back to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clave (rhythm)
The clave (; ) is a rhythmic pattern used as a tool for meter (music), temporal organization in Brazilian and Afro-Cuban music, Cuban music. In Spanish, ''clave'' literally means key, clef, code, or keystone. It is present in a variety of genres such as Abakuá music, Cuban rumba, rumba, conga (music), conga, son (music), son, mambo (music), mambo, Salsa music, salsa, songo music, songo, timba and Afro-Cuban jazz. The five-drum stroke, stroke clave pattern represents the structural core of many Cuban rhythms. The study of rhythmic methodology, especially in the context of Afro-Cuban jazz, Afro-Cuban music, and how it influences the Music and emotion, mood of a piece is known as clave theory. The clave pattern originated in sub-Saharan African music traditions, where it serves essentially the same function as it does in Cuba. In ethnomusicology, clave is also known as a ''key pattern'', ''guide pattern'', ''phrasing referent'', ''timeline'', or ''asymmetrical timeline''. The clav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross Rhythm
In music, a cross-beat or cross-rhythm is a specific form of polyrhythm. The term ''cross rhythm '' was introduced in 1934 by the Musicology, musicologist Arthur Morris Jones (1889–1980). It refers to a situation where the rhythmic conflict found in polyrhythms is the basis of an entire musical piece. Etymology The term "cross rhythm" was introduced in 1934 by the Musicology, musicologist Arthur Morris Jones (1889–1980), who, with Klaus Wachsmann, took-up extended residence in Zambia and Uganda, respectively, as missionaries, educators, musicologists, and museologists. African music One main system African cross-rhythm is most prevalent within the greater Niger-Congo linguistic group, which dominates the continent south of the Sahara Desert. (Kubik, p. 58) Cross-rhythm was first identified as the basis of sub-Saharan rhythm by A.M. Jones. Later, the concept was more fully explained in the lectures of Ewe drumming, Ewe master drummer and scholar C.K. Ladzekpo, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
