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Haarlem Mannerists
Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, especially Mannerist ornament in architecture; this article concentrates on those times and places where Northern Mannerism generated its most original and distinctive work. The three main centres of the style were in France, especially in the period 1530–1550, in Prague from 1576, and in the Netherlands from the 1580s—the first two phases very much led by royal patronage. In the last 15 years of the century, the style, by then becoming outdated in Italy, was widespread across northern Europe, spread in large part through prints. In painting, it tended to recede rapidly in the new century, under the new influence of Caravaggio and the early Baroque, but in architecture and the decorative arts, its influence was more sustained. Backgro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartholomäus Spranger 007
Bartholomäus is a masculine German given name, the German equivalent of Bartholomew. Notable people with this name include: * Bartholomäus Aich, 17th century South-German organist and composer * Bartholomäus Bernhardi of Feldkirchen (1487–1551), rector and a professor of physics and philosophy at the University of Wittenberg * Bartholomäus Brötzner (born 1957), Austrian wrestler * Bartholomäus Gesius (c. 1562–1613), German theologian, church musician, composer and hymn writer * Bartholomäus Herder (1774–1839), founder of the publishing firm Verlag Herder * Bartholomäus Hopfer (1628–1699), German painter * Bartholomäus Kalb (born 1949), German politician * Bartholomäus Keckermann (c. 1572–1608), German writer, Calvinist theologian and philosopher * Bartholomäus Khöll (1614–1664), imperial master stonemason * Bartholomäus Kilian (1630–1696), German engraver * Bartholomäus Metlinger (15th century), German physician * Bartholomäus Ringwaldt (15 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Netherlandish Painting
Early Netherlandish painting is the body of work by artists active in the Burgundian Netherlands, Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the beginning of the Dutch Revolt in 1566 or 1568 – Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Renaissance, High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diana (mythology)
Diana is a goddess in Religion in ancient Rome, Roman religion, primarily considered a patroness of the countryside and nature, hunters, wildlife, childbirth, crossroads, the night, and the Moon. She is Syncretism, equated with the Greek mythology, Greek goddess Artemis, and absorbed much of Artemis' mythology early in Roman history, including a birth on the island of Delos to parents Jupiter (mythology), Jupiter and Latona, and a twin brother, Apollo,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. though she had Diana Nemorensis, an independent origin in Italy. Diana is considered a virgin goddess and protector of childbirth. Historically, Diana made up a triad with two other Roman deities: Egeria (mythology), Egeria the water nymph, her servant and assistant midwife; and Virbius, the woodland god. Diana is revered in modern Modern paganism, neopagan religions including Reconstructionist Roman religion, Roman neopaganism, Stregheria, and Wic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Ancient Greek, Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "Icon, icons", in the Byzantine art, Byzantine and Eastern Orthodox Churches, Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Wars Of Religion
The French Wars of Religion were a series of civil wars between French Catholic Church, Catholics and Protestantism, Protestants (called Huguenots) from 1562 to 1598. Between two and four million people died from violence, famine or disease directly caused by the conflict, and it severely damaged the power of the French monarchy. One of its most notorious episodes was the St. Bartholomew's Day massacre in 1572. The fighting ended with a compromise in 1598, when Henry of Navarre, who had converted to Catholicism in 1593, was proclaimed Henry IV of France, King Henry IV of France and issued the Edict of Nantes, which granted substantial rights and freedoms to the Huguenots. However, Catholics continued to disapprove of Protestants and of Henry, and his assassination in 1610 triggered a fresh round of Huguenot rebellions in the 1620s. Tensions between the two religions had been building since the 1530s, exacerbating existing regional divisions. The death of Henry II of France in J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Caron
Antoine Caron (1521–1599) was a French master glassmaker, illustrator, Northern Mannerist painter and a product of the School of Fontainebleau. He is one of the few French painters of his time who had a pronounced artistic personality. His work reflects the refined, although highly unstable, atmosphere at the court of the House of Valois during the French Wars of Religion of 1560 to 1598. Life Caron was born in Beauvais between 1521 and 1530 to Phillipe and Adele (Lamarre) Caron. He married Marie Dangobert in 1555. Together, they had one son, Louis, who was born . Career He began painting in his teens doing frescos for a number of churches. Between 1540 and 1550 he worked under Primaticcio and Niccolò dell'Abbate at the School of Fontainebleau. In 1561, he was appointed the court painter by Catherine de' Medici and Henry II of France. As court painter he also had the duties of organizing the court pageants. In this way he was involved in organizing the ceremony and royal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Cousin The Younger
Jean Cousin the Younger ("le jeune", sometimes given as Jehan in the old style instead of Jean) (ca. 1522–1595) was born in Sens, France around 1522, the son of the famous painter and sculptor Jean Cousin the Elder ca. 1490–ca. 1560) who was often compared to his noted contemporary, Albrecht Dürer. Having trained to become an artist under his father, Jean the Younger showed as much talent as his father, and their work is nearly indistinguishable even to the expert. Just before his death, Jean the Elder published his noted work ''Livre de Perspective'' in 1560 in which he noted that his son would soon be publishing a companion entitled, ''Livre de Pourtraicture''. While there have been some reports that an edition of ''Livre de Pourtraicture'' was first printed in 1571 and again in 1589, no copies appear to exist. Instead, the most likely first printing of the work was 1595 in Paris by David Leclerc, with woodcut Woodcut is a relief printing technique in printmaking. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Cousin The Elder
Jean Cousin (1500 – before 1593) was a French painter, sculptor, etcher, engraver, and geometrician. He is known as "Jean Cousin the Elder" to distinguish him from his son Jean Cousin the Younger, also an artist. Career Cousin was born at Soucy, near Sens, and began his career in his native town with the study of glass-painting under Jean Hympe and Grassot. At the same time, he studied mathematics and published a successful book on the subject. He also wrote on geometry in his student days. In 1530 Cousin finished the windows for Sens Cathedral, the subject chosen being the "Legend of St. Eutropius". He also painted the windows of many of the noble châteaux in and around the city. The latest date on any of his Sens work, 1530, points to this as the year he went to Paris, where he began work as a goldsmith; but the amount and kind of his productions in the precious metals are alike unknown. In Paris Cousin continued his career as a glass-painter, and created his best-know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Dell'Abbate
Niccolò dell'Abbate, sometimes Nicolò and Abate (1509 or 15121571) was a Mannerist Italian painter in fresco and oils. He was of the Emilia (region of Italy), Emilian school, and was part of the team of artists called the School of Fontainebleau that introduced the Italian Renaissance to France. He may be found indexed under either "Niccolò" or "Abbate", though the former is more correct. Biography Niccolò dell'Abbate was born in Modena, the son of a violinist. He trained together with Alberto Fontana (painter), Alberto Fontana in the studio of Antonio Begarelli, a local Modenese sculptor; early influences included School of Ferrara, Ferrarese painters such as Il Garofalo, Garofalo and Dosso Dossi. He specialized in long friezes with secular and mythological subjects, including for the ''Palazzo dei Beccherie'' (1537); in various rooms of the ''Rocca dei Boiardo, Rocca di Scandiano'' owned by the counts Boiardo (whom he Portrait of a Couple, portrayed in the late 1530s) he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Primaticcio
Francesco Primaticcio (; April 30, 1504 – 1570) was an Italian Mannerism, Mannerist Painting, painter, architect and sculpture, sculptor who spent most of his career in France. Biography Born in Bologna, he trained under Giulio Romano (painter), Giulio Romano in Mantua and became a pupil of Innocenzo da Imola, executing decorations at the Palazzo Te before securing a position in the court of Francis I of France in 1532. Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau (where he is grouped with the so-called "First School of Fontainebleau") spending much of his life there. Following Rosso's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicolò dell'Abate, with designs. He made cartoons for tapestry-weavers and, like all 16th-century court artists, was called upon to design elaborate ephemeral decorations for masques and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosso Fiorentino
Giovanni Battista di Jacopo (8 March 1495 – 14 November 1540), known as Rosso Fiorentino (meaning "Florentine Redhead" in Italian) or Il Rosso ("The Redhead"), was an Italian Mannerist painter who worked in oil and fresco Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting become ... and belonged to the Florentine school. Biography Born in Florence with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. His early works include ''Holy Family with the Infant Saint John the Baptist (Rosso Fiorentino), Holy Family with the Infant Saint John the Baptist'' (Walters Art Gallery), ''Cherub Playing a Lute'' (Uffizi) and ''The Infant Saint John the Baptist (Rosso Fiorentino), The Infant Saint John the Baptist'' (pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
