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Gāthā
''Gāthā'' is a Sanskrit term for 'song' or 'verse', especially referring to any poetic metre which is used in legends or folklores, and is not part of the Vedas but peculiar to either Epic Sanskrit or to Prakrit. The word is originally derived from the Sanskrit/Prakrit root ''gai'', which means 'to speak, sing, recite or extol', cognate to the Avestan term ''gatha''. The stanzas of the Prakrit dialects of Ardhamagadhi, Sauraseni and Pāli are known as ''gathas'' as opposed to ''shlokas'' and sutras of Sanskrit and ''dohas'' of '' Apabhramsha''. Most of the Jain and Buddhist texts written in Prakrit are composed of ''gathas'' (or verses/stanzas). Thus, ''gatha'' can mean any Prakrit and Pali verses in general,Amaresh Datta (1988) ''Encyclopaedia of Indian literature vol. 2'' Chennai: Sahitya Academy p. 1374 or specifically the arya meter of Sanskrit; versified portions of Pāli Canon ''(Tipitaka)'' of Theravāda Buddhism are also specifically called ''gathas''. In contempor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Poetry
Buddhist poetry is a genre of literature that forms a part of Buddhist discourse. Origins The first examples of Buddhist poetry can be found in traditional scriptures such as the ''Dhammapada'', according to which, Siddhārtha Gautama (the founder of Buddhism), upon his reaching enlightenment, proclaimed: Form Traditionally, most Buddhist sutras have a prose component supplemented by verses (known as ''gatha'') that reiterate and poetically summarize the themes of preceding prose passages. Gatha functions as a mnemonic device helping the Buddhist practitioner commit to memory a certain doctrinal maxim. And in fact, the earliest extant forms of Buddhist discourse appear in verse, which is hardly surprising, considering that the texts were not originally written, but memorized. Linguistic analysis shows that the prose component of the sutras is likely to have been modified by later editing, while the poems often contain earlier forms of language. This view is confirmed by Japan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arya Meter
''Āryā metre'' is a metre used in Sanskrit, Prakrit and Marathi verses. A verse in metre is in four metrical lines called ''pāda''s. Unlike the majority of metres employed in classical Sanskrit, the metre is based on the number of s ( morae) per . A short syllable counts for one , and a long syllable (that is, one containing a long vowel, or a short vowel followed by two consonants) counts for two s. It is believed that metre was taken from the gāthā metre of Prakrit. metre is common in Jain Prakrit texts and hence considered as favourite metre of early authors of Jainism. The earlier form of the metre is called old , which occurs in a some very early Prakrit and Pāli texts. Āryā The basic verse has 12, 18, 12 and 15 s in the first, second, third, and fourth ''pāda''s respectively. An example is the following from Kālidāsa's play ''Abhijñānaśākuntalam'' (c. 400 CE): : : : : : : : – u u , – – , u u – : u – u , – – , u – u , – – , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gathas
The Gathas () are 17 hymns in the Avestan language from the Zoroastrian oral tradition of the Avesta. The oldest surviving text fragment dates from 1323 CE, but they are believed by scholars to have been composed before 1000 BCE and passed down orally for centuries. They are traditionally believed to have been composed by the prophet Zarathushtra (Zoroaster) himself. They form the core of the Zoroastrian liturgy (the Yasna). They are arranged in five different modes or metres. The Avestan term ' (𐬔𐬁𐬚𐬁 "hymn", but also "mode, metre") is cognate with Sanskrit '' gāthā'' (गाथा), both from the Proto-Indo-Iranian word ''*gaHtʰáH'', from the root ''*gaH-'' "to sing". Structure and organization The Gathas are in verse, metrical in the nature of ancient Iranian religious poetry, that is extremely terse. The 17 hymns of the Gathas consist of 238 stanzas, of about 1300 lines or 6000 words in total. They were later incorporated into the 72-chapter ''Yasna'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pāli Canon
The Pāḷi Canon is the standard collection of scriptures in the Theravada Buddhism, Buddhist tradition, as preserved in the Pāli language. It is the most complete extant Early Buddhist texts, early Buddhist canon. It derives mainly from the Tamrashatiya school. According to Buddhist tradition, during the First Buddhist Council, three months after the parinibbana of Gautama Buddha in Rajgir, Ananda recited the Sutta Piṭaka, Sutta Pitaka, and Upali recited the Vinaya Piṭaka, Vinaya Pitaka. The Arhats present accepted the recitations, and henceforth, the teachings were preserved orally by the Sangha. The Tipitaka that was transmitted to Sri Lanka during the reign of King Asoka was initially preserved orally and later written down on palm leaves during the Fourth Buddhist Council in 29 BC, approximately 454 years after the death of Gautama Buddha. The claim that the texts were "spoken by the Buddha" is meant in this non-literal sense. The existence of the Bhāṇaka tradi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedic Meter
Vedic metre refers to the poetic metre in the Vedic literature. The study of Vedic metre, along with post-Vedic metre, is part of Chandas, one of the six Vedanga disciplines. Overview In addition to these seven, there are fourteen less frequent syllable-based metres (''Varna-vritta'' or ''Akshara-chandas''): :8. ''Atijagati'' (13x4); 9. ''Śakkarī'' (14x4); 10. ''Atiśakarī '' (15x4); 11. ''Ashṭi'' (16x4); :12. ''Atyashti'' (17x4); 13. ''Dhritī '' (18x4); 14. ''Atidhritī'' (19x4); 15. ''Kṛiti'' (20x4); :16. ''Prakṛiti'' (21x4); 17. ''Ākṛiti'' (22x4): 18. ''Vikṛiti'' (23x4); 19. '' Śankṛiti'' (24x4); :20. ''Atikṛiti'' (25x4); 21. ''Utkṛiti'' (26x4). Note: all metres have several varieties (from 2 to 30 depending on the case). :There is also the metre called ''Dandaka'' which is the general name given to other metres of this class exceeding the measure (26x4) of ''Utkriti'' (''Dandaka'' is the No. 22 on the list compiled by H.H. Wilson). There are seve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jain Prakrit
Prakrit ( ) is a group of vernacular classical Middle Indo-Aryan languages that were used in the Indian subcontinent from around the 5th century BCE to the 12th century CE. The term Prakrit is usually applied to the middle period of Middle Indo-Aryan languages, excluding Pali. The oldest stage of Middle Indo-Aryan language is attested in the inscriptions of Ashoka (ca. 260 BCE), as well as in the earliest forms of Pāli, the language of the Theravāda Buddhist canon. The most prominent form of Prakrit is Ardhamāgadhı̄, associated with the ancient kingdom of Magadha, in modern Bihar, and the subsequent Mauryan Empire. Mahāvı̄ra, the last tirthankar of 24 tirthankar of Jainism, was born in Magadha, and the earliest Jain texts were composed in Ardhamāgadhı̄. Etymology There are two major views concerning the way in which Sanskrit and Prakrit are related. One holds that the original matter in question is the speech of the common people, unadorned by grammar, and that p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jain Agamas (Śvētāmbara)
Jain literature () refers to the literature of the Jain religion. It is a vast and ancient literary tradition, which was initially transmitted orally. The oldest surviving material is contained in the canonical ''Jain Agamas'', which are written in Ardhamagadhi, a Prakrit ( Middle-Indo Aryan) language. Various commentaries were written on these canonical texts by later Jain monks. Later works were also written in other languages, like Sanskrit and Maharashtri Prakrit. Jain literature is primarily divided between the canons of the ''Digambara'' and '' Śvētāmbara'' orders. These two main sects of Jainism do not always agree on which texts should be considered authoritative. More recent Jain literature has also been written in other languages, like Marathi, Tamil, Rajasthani, Dhundari, Marwari, Hindi, Gujarati, Kannada, Malayalam and more recently in English. Beliefs Jains believe their religion is eternal, and the teachings of the first tīrthaṅkara, Ṛṣabh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gatha Saptashati
The Gāhā Sattasaī or Gāhā Kośa ( Gāthā Saptaśatī) is an ancient collection of Indian poems in Maharashtri Prakrit language. The poems are about love. They are written as frank monologues usually by a married woman, or an unmarried girl. They often express her unrequited feelings and longings to her friend, mother or another relative, lover, husband or to herself. Many poems are notable for describing unmarried girls daring for secret rendezvous to meet boys in ancient India, or about marital problems with husbands who remains emotionally a stranger to his wife and bosses over her, while trying to have affairs with other women. ''Gaha Sattasai'' is one of the oldest known Subhashita-genre text. It deals with the emotions of love, and has been called as "opposite extreme" to ''Kamasutra''. While ''Kamasutra'' is a theoretical work on love and sex, ''Gaha Sattasai'' is a practical compilation of examples describing "untidy reality of life" where seduction formulae don't w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandhāran Buddhist Texts
The Gandhāran Buddhist texts are the oldest Buddhist manuscripts yet discovered, dating from about the 1st century BCE to 3rd century CE and found in the northwestern outskirts of Pakistan. They represent the literature of Gandharan Buddhism and are written in the Gāndhārī language which has been grouped by many scholars in the Dardic language family. The texts constitute the largest collection of Gāndhārī manuscripts known to date and are now housed at the Islamabad Museum in Pakistan. They were sold to European and Japanese institutions and individuals, and are currently being recovered and studied by several universities. The Gandhāran texts are in a considerably deteriorated form (their survival alone is extraordinary), but educated guesses about reconstruction have been possible in several cases using both modern preservation techniques and more traditional textual scholarship, comparing previously known Pāli and Buddhist Hybrid Sanskrit versions of texts. Other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhammapada
The ''Dhammapada'' (; ) is a collection of sayings of the Buddha in verse form and one of the most widely read and best known Buddhist scriptures.See, for instance, Buswell (2003): "rank among the best known Buddhist texts" (p. 11); and, "one of the most popular texts with Buddhist monks and laypersons" (p. 627). Harvey (2007), p. 322, writes: "Its popularity is reflected in the many times it has been translated into Western languages"; Brough (2001), p. xvii, writes: "The collection of Pali ethical verses entitled "Dhammapada" is one of the most widely known of early Buddhist texts." The original version of the Dhammapada is in the Khuddaka Nikaya, a division of the Pali Canon of Theravada Buddhism. The Buddhist scholar and commentator Buddhaghosa explains that each saying recorded in the collection was made on a different occasion in response to a unique situation that had arisen in the life of the Buddha and his monastic community. His translation of the commentary, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Meditation
Buddhist meditation is the practice of meditation in Buddhism. The closest words for meditation in the classical languages of Buddhism are ''bhavana, bhāvanā'' ("mental development") and ''Dhyāna in Buddhism, jhāna/dhyāna'' (a state of meditative absorption resulting in a calm and luminous mind). Buddhists pursue meditation as part of the path toward Moksha, liberation from defilements (''Kleshas (Buddhism), kleshas'') and clinging and craving (''upādāna''), also called Bodhi, awakening, which results in the attainment of nirvana. The Indian Schools of Buddhism, Buddhist schools relied on numerous meditation techniques to attain meditative absorption, some of which remain influential in certain modern schools of Buddhism. Classic Buddhist meditations include ''anapanasati'' (mindfulness of breathing), ''Patikulamanasikara, asubha bhavana'' ("reflections on repulsiveness");Deleanu, Florin (1992)Mindfulness of Breathing in the Dhyāna Sūtras Transactions of the Internatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
