hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' d ...

Avesta The Avesta (, Book Pahlavi: (), Persian language, Persian: ()) is the text corpus of Zoroastrian literature, religious literature of Zoroastrianism. All its texts are composed in the Avestan language and written in the Avestan alphabet. Mod ...

Zoroastrian Zoroastrianism ( ), also called Mazdayasnā () or Beh-dīn (), is an Iranian religion centred on the Avesta and the teachings of Zarathushtra Spitama, who is more commonly referred to by the Greek translation, Zoroaster ( ). Among the wo ...

liturgy Liturgy is the customary public ritual of worship performed by a religious group. As a religious phenomenon, liturgy represents a communal response to and participation in the sacred through activities reflecting praise, thanksgiving, remembra ...

Yasna Yasna (;"Yasna"
''

cognate In historical linguistics, cognates or lexical cognates are sets of words that have been inherited in direct descent from an etymological ancestor in a common parent language. Because language change can have radical effects on both the s ...

with

Sanskrit Sanskrit (; stem form ; nominal singular , ,) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had Trans-cultural ...

'' gāthā'' (गाथा), both from the

Proto-Indo-Iranian Proto-Indo-Iranian, also called Proto-Indo-Iranic or Proto-Aryan, is the reconstructed proto-language of the Indo-Iranian branch of Indo-European. Its speakers, the hypothetical Proto-Indo-Iranians, are assumed to have lived in the late 3rd ...

word ''*gaHtʰáH'', from the root ''*gaH-'' "to sing".

Structure and organization

The Gathas are in verse, metrical in the nature of ancient

Iranian Iranian () may refer to: * Something of, from, or related to Iran ** Iranian diaspora, Iranians living outside Iran ** Iranian architecture, architecture of Iran and parts of the rest of West Asia ** Iranian cuisine, cooking traditions and practic ...

religious poetry, that is extremely terse. The 17 hymns of the Gathas consist of 238

stanza In poetry, a stanza (; from Italian ''stanza'', ; ) is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. ...

s, of about 1300 lines or 6000 words in total. They were later incorporated into the 72-chapter ''

Yasna Yasna (;"Yasna"
''

Avestan Avestan ( ) is the liturgical language of Zoroastrianism. It belongs to the Iranian languages, Iranian branch of the Indo-European languages, Indo-European language family and was First language, originally spoken during the Avestan period, Old ...

''ha'iti'', 'cut'), that in turn is the primary liturgical collection of texts within the greater compendium of the

Avesta The Avesta (, Book Pahlavi: (), Persian language, Persian: ()) is the text corpus of Zoroastrian literature, religious literature of Zoroastrianism. All its texts are composed in the Avestan language and written in the Avestan alphabet. Mod ...

. The 17 hymns are identified by their chapter numbers in the ''Yasna'', and are divided into five major sections: With the exception of ''Ahunavaiti'' Gatha, that is named after the '' Ahuna Vairya'' prayer (''Yasna'' 27, not in the Gathas), the names of the Gathas reflect the first word(s) of the first hymn within them. The meter of the hymns is historically related to the

Vedic upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the '' Atharvaveda''. The Vedas ( or ; ), sometimes collectively called the Veda, are a large body of religious texts originating in ancient India. Composed ...

''tristubh-jagati'' family of meters. Hymns of these meters are recited, not sung. The sequential order of the Gathas is structurally interrupted by the '' Yasna Haptanghaiti'' ("seven-chapter ''Yasna''", chapters 35–41, linguistically as old as the Gathas but in prose) and by two other minor hymns at ''Yasna'' 42 and 52.

Language

The language of the Gathas, ''Gathic'' or ''Old''

Avestan Avestan ( ) is the liturgical language of Zoroastrianism. It belongs to the Iranian languages, Iranian branch of the Indo-European languages, Indo-European language family and was First language, originally spoken during the Avestan period, Old ...

, belongs to the old Iranian language group that is a sub-group of Eastern families of the

Indo-European languages The Indo-European languages are a language family native to the northern Indian subcontinent, most of Europe, and the Iranian plateau with additional native branches found in regions such as Sri Lanka, the Maldives, parts of Central Asia (e. ...

. Although arising from the same family, it is still not possible to translate them using Proto

Sanskrit Sanskrit (; stem form ; nominal singular , ,) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had Trans-cultural ...

or

Pali Pāli (, IAST: pāl̤i) is a Classical languages of India, classical Middle Indo-Aryan languages, Middle Indo-Aryan language of the Indian subcontinent. It is widely studied because it is the language of the Buddhist ''Pali Canon, Pāli Can ...

.

Sassanid The Sasanian Empire (), officially Eranshahr ( , "Empire of the Iranian peoples, Iranians"), was an List of monarchs of Iran, Iranian empire that was founded and ruled by the House of Sasan from 224 to 651. Enduring for over four centuries, th ...

era translations and commentaries (the ''

Zend Zend or Zand () is a Zoroastrian term for Middle Persian or Pahlavi versions and commentaries of Avestan texts. These translations were produced in the late Sasanian period. ''Zand'' glosses and commentaries exist in several languages, including ...

'') have been used to interpret the Gathas, but by the 3rd century the Avestan language was virtually extinct, and a dependency on the medieval texts is often discouraged as the commentaries are frequently conjectural. While some scholars argue that an interpretation using younger texts is inadvisable ( Geldner, Humbach), others argue that such a view is excessively skeptical ( Spiegel, Darmesteter). The risks of misinterpretation are real, but lacking alternates, such dependencies are perhaps necessary. "The

Middle Persian Middle Persian, also known by its endonym Pārsīk or Pārsīg ( Inscriptional Pahlavi script: , Manichaean script: , Avestan script: ) in its later form, is a Western Middle Iranian language which became the literary language of the Sasania ...

translation seldom offers an appropriate point of departure for a detailed scholarly approach to the Gathas, but an intensive comparison of its single lines and their respective glosses with their Gathic originals usually reveals the train of thought of the translator. This obviously reflects the Gatha interpretation by the priests of the

Sasanian The Sasanian Empire (), officially Eranshahr ( , "Empire of the Iranians"), was an Iranian empire that was founded and ruled by the House of Sasan from 224 to 651. Enduring for over four centuries, the length of the Sasanian dynasty's reign ...

period, the general view of which is closer to the original than what is sometimes taught about the Gathas in our time." The problems that face a translator of the Avestan Gathas are significant: "No one who has ever read a stanza of he Gathasin the original will be under any illusions as to the labour that underlies the effort f translating the hymns The most abstract and perplexing thought, veiled further by archaic language, only half understood by later students of the seer's own race and tongue, tends to make the Gathas the hardest problem to be attempted by those who would investigate the literary monuments."

Content

Some of the verses of the Gathas are directly addressed to the Omniscient Creator

Ahura Mazda Ahura Mazda (; ; or , ),The former is the New Persian rendering of the Avestan form, while the latter derives from Middle Persian. also known as Horomazes (),, is the only creator deity and Sky deity, god of the sky in the ancient Iranian ...

. These verses, devotional in character, expound on the divine essences of truth (''

Asha ''Asha'' () or ''arta'' (; ) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right' (or 'righteousness'), 'order' and 'right wor ...

''), the good-mind ('' Vohu Manah''), and the spirit of righteousness. Some other verses are addressed to the public that may have come to hear the prophet, and in these verses, he exhorts his audience to live a life as Ahura Mazda has directed, and pleads to Ahura Mazda to intervene on their behalf. Other verses, from which some aspects of Zoroaster's life have been inferred, are semi-(auto)biographical, but all revolve around Zarathustra's mission to promote his view of the Truth (again ''

Asha ''Asha'' () or ''arta'' (; ) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right' (or 'righteousness'), 'order' and 'right wor ...

''). For instance, some of the passages describe Zarathustra's first attempts to promote the teachings of Ahura Mazda, and the subsequent rejection by his kinsmen. This and other rejection led him to have doubts about his message, and in the Gathas he asked for assurance from Ahura Mazda, and requests repudiation of his opponents.

References

Notes

Works cited

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